FCP 5 and color finesse

I am trying to install the color finesse plug in into my FCP 5. I have updated FCP to 5.0.3 and have downloaded the correct Color Finesse instaler for FCP.
Colour Finesse does not come up in the video filters list, once installed
My problem I think is the Color Finesse installer routine asks me to install it to the "plug in" directory, what is FCP 5's plug in directory called?. I can't find one in the applications folder for FCP, other programs such as AEffects have them. Do i just let color finesse install to the applications directory and it should work? , this is what i have done and it did'nt work. Do I have to do anything in FCP intself post instalation to enable this plug in.
I am using OSX 10.3.9.
cheers

As noted in the other replies:
- Make sure you're using the installer for FCP and not AE. The AE plug-in will crash FCP.
- Quit FCP before installing Color Finesse.
- When the installer asks, point it to "/Library/Application Support/Final Cut Pro System Support/Plugins".
- When the installer exits, start FCP. Color Finesse will appear in the Effects > Video Filters > Synthetic Aperture menu.
- To apply Color Finesse, double-click a clip to load it into the Viewer. Select Color Finesse from the Effects menu. Go to the Filters tab. You should see the Color Finesse logo and a "Setup" button to its right. If you don't see the button, widen the column until you do. Click the Setup button to launch the Color Finesse UI.
If your setup doesn't work after installation, check for the following on your hard drive:
- In the "/Library/Application Support/Final Cut Pro System Support/Plugins" folder there should be a Synthetic Aperture folder containing "SA Color Finesse Plug-In".
- In the "/Library/Application Support" folder there should be a Synthetic Aperture folder containing, among other things, "SA Color Finesse UI".
You can manually move the Synthetic Aperture folders around if they were installed in the wrong location.
That's about all I can think of for installation issues. You can always reach our tech support department via support at synthetic-ap dot com.
Bob Currier
Synthetic Aperture

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See!?! Told ya so!
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Hi there,
I get a significant color shift when sending footage - either adjusted or unadjusted/unmodified - from FCP to COLOR.
Before anyone asks, the color shift is visible both internally or on an external broadcast preview monitor.
From within COLOR, I 'send' back to FCP this sequence - which is still without any form of adjustment (apart from being sent to COLOR), the apparent color shift is now visible/added to the imported sequence (from Color).
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2. A Mac with the same version of FCP as above. (Snow Leopard)
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http://discussions.apple.com/thread.jspa?threadID=2150962&tstart=75

I had the same problem except that I am using version 1 of color and Final Cut Pro 6. I isolated just the video and double checked that I had no filters or if I did I turned them off. I had a smooth cam filter on one shot, but that didn't effect it. I was then able to send it to color without issue, once I had no sound or filters or transitions messing up the pass between final cut and color. Try doing the same, just duplicate or copy your timeline to a new timeline. I would have rendered your footage out to ProRes however as using the DVC Pro codec is probably not ideal. Color also only works with actual full raster files, not so good going from HDV or DVC Pro as they have an anamorphic frame size. This may be causing issues also.

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The error message you received can be safely ignored.
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http://discussions.apple.com/thread.jspa?messageID=4611284&#4611284
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Please refrain from double posting, there's absolutely no need. http://discussions.apple.com/thread.jspa?threadID=1382731&tstart=0
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I disagree with nothing you've said. I already know Davinci having piloted a few sessions (though it's not my primary work by far) and I took to it much quicker than I took to Color. Though I have no issues with the learning curve on Color either. I think they are both great with equally good and bad support for 3rd party hardware. But I do think that Davinci is a more worth while product to use if you want to compete in the color correction profession.
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In After Effects when I use the Color Finesse 3, A grid appears in the display window. How do I turn that off?

When I click on Affects, then Synthetic Aperture, then SA Color Finesse 3 in the Creative Cloud a grid appears over the video in the display window, and I am un sure how to take that off?

Color Finesse 3 LE is included with After Effects and is installed automatically when After Effects is installed. The only reason to upgrade to the paid version is if you want to use Color Finesse in Premiere Pro as well as in After Effects.
Since it's a college computer, do you have the ability to install/uninstall software? Many colleges lock down the computers to limit such access. You'll need full access, including an admin password, to use the following steps. If you're not allowed the necessary access, you can pass the following along to whoever does computer administration.
To remove the trial version, delete the entire "Synthetic Aperture" folder found in:
/Library/Application Support/Adobe/Common/Plug-ins/7.0/MediaCore
(Note that this is the Library folder at the base of your boot drive, not the one in your home folder.)
Next, re-enable the bundled version of Color Finesse by going to the following folder:
/Applications/Adobe/Adobe After Effects CC/Support Files/Plug-ins/Effects/Synthetic Aperture
Now, within that "Synthetic Aperture" folder you'll find a plug-in with parentheses around the name:
(SA Color Finesse 3 AE64)
Remove the parentheses from the filename so AE will see it. Do NOT remove the parentheses from the "(CF3 Support)" folder or AE will launch very, very slowly, and Color Finesse won't work right.
Finally, within the "(CF3 Support)" folder, locate the "(SA Color Finesse 3 UI)" application and remove the parentheses.
Launch AE, apply Color Finesse to a layer, enter a name, and you should be good to go with no grid lines.
Bob Currier
Synthetic Aperture

FCP 5 and color finesse

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