FCP 5 and QT PRO

Well, I'm a happy man! Final Cut Studio just arrived today. So long FCP 3...Right now I'm close to finishing a project and I want to complete it on FCP 3 before installing FCP 5. however, I made the mistake of upgrading to QT 7, so my QT Pro key doesn't work that came with FCP 3 (QT 5 Pro Version). Now I really need QT Pro. Is the QT PRO 7 key included with the software. I can't find it. With FCP 3 there was a separate serial number for QT PRO. Is it possible to install QT 7 PRO but not Final Cut 5?
The reason for all this is I downloaded an MPEG move from the Internet I want to incorporate in this montage. From the finder there is sound, but when I import it into FCP 3, there is no sound. I was hoping to import it and then export it as a QT file in FCP, as I cannot do it directly from QT without the Pro version.
Any suggestions are greatly appreciated, as the deadline is fast approaching.
Thanks,
Curtis

Okay thanks everyone.
FYI, I went ahead and installed FCP 5. Yes QT Pro was activated. I opened up FCP 5. I saved the project file as a copy and flushed the render queue. I can still run both versions using the original Proj. File with v3 and the copy with v5. No problems. THough, I think I'll do a reinstall of the OS this weekend and just instal FCP 5 because I've heard that is the best way to optimize your drive and I can do without the clutter....

Similar Messages

Anybody experience with FCP X and Macbook pro 15inch 2.2?

My old mid 2009 macbook harddrive died on me today, and I'm thinking to upgrade. Sell the old one and buy the new 2011 2.2. The old one was slow in rendering and had lots and lots and lots of spinning beachballs. Was I pushing it too hard? Don't know, but it was horrible. I lost so much time.
Anyway, does anybody have this combo fcp x and the new 15inch macbook pro with the 1gig card and what are your findings??
Thanks
Peter

I've got a 2011/2.2/8GB/6750 running FCPX. Once I troubleshooted my external HDs (a Drobo that was nearly full with Time Machine backups was slowing down the entire Firewire bus) things run a lot better. I'm currently storing video on a Promise Pegasus R4 Thunderbolt RAID and the entire system is pretty snappy. The only slowdowns are:
1. clips, events, and projects on slower hard drives can slow down launching the app and screen refreshes
2. FCPX is still flakey. It will run great for a whole day and then will refuse to launch the next morning.
3. exporting through Compressor is slow, particularly when I'm under deadline! 10 minute HD segments can take an hour or so. The Activity Monitor shows the CPUs maxed out, so I suspect that's the bottleneck. I've tried setting up distributed rendering but it doesn't work quite yet.
4. FCPX can be a RAM hog, so if you're a rabid multi-tasker like me, prepare to beachball or change your wicked ways.
All in all, FCPX runs pretty well on my MBP. If video editing was my main line of business, I'd seriously consider a Mac Pro stuffed with RAM and as many cores as I can find. I might wait for a newer one with Thunderbolt though for a bit of future-proofing.
Hope this helps...

FCP Studio and Logic Pro on same rig?

Can Logic and FCP be used on the same system? I originally bought my rig to use both programs, but I have had HUGE issues with my rig crashing since I bought it. Logic (w/ Video Track) crashed when using 3rd party plug-ins or when just using internal sounds. Tried all sorts of fixes, and had my pro tech-xpert investigate these issues a few times over 3 months. Right now, I have to totally shut down every 20-30 mins. to insure smooth operation of Logic w/o plug-ins, or very minor plug-in use (less than 3 tracks) w/ or w/o Video Track.
I've heard that Logic 7.2 can only use up to 2 GB RAM, and previous to the .2 rev Logic couldn't access my Quad processors. Is this true? The latest solution to these issues is to remove 4GB RAM and just use my rig for Logic. Is this the only solution anyone knows of? (my tech-xpert says my issues all seem to be memory-related)
I hadn't tried to start FCP Studio on my rig at all. In fact, my tech-xpert uninstalled FCP Studio during a 48-hr repair/test. I did have issues w/ DVD Studio Pro crashing my rig when I tried to burn a DVD.
Any and all help/suggestions appreciated in advance.
Quad G5 DD Mac OS X (10.4.6) 6.5 GB RAM

Do you have the newest driver for the mobile pre?
I sometimes use a Fast Track Pro and it works on 10.8 But sometimes have problems right after selecting it as input.
I like M-Audio gear but if you are having trouble with two of there interfaces now, maybe you should look into another brand.

Having trouble "roundtripping" between FCP 6 and Soundtrack Pro 2

I've been a FCP user since it first came out, and believe it or not, this is my first attempt at roundtripping with Soundtrack Pro. Basically the process goes pretty good until it's time to go back to FCP.
Here's my workflow: In FCP I highlight the audio clip in the timeline. I select Send To > Soundtrack Pro Audio File Project. It creates a (sent) file, which I save (Save project with latest clip metadata is selected). Once the clip opens in Soundtrack Pro, I make the adjustments I need to make (in this case, I'm getting rid of some background noise), then I save (Include Source Audio is selected).
Here's where the problem comes in. When I go back to FCP, I get the "Some files went offline" warning. When I try to reconnect, I get the following warning:
"File Attribute Mismatch
Some attributes of one or more of the files you have chosen do not match the attributes of the original. This may cause problems within the sequences that are dependent on them. The attributes that differed are as follows:
- Media Start and End
Would you like to try to connect them again?"
When I go to the folder where the modified (sent).stap is saved, it opens and plays back fine. However, it looks like Soundtrack Pro is saving the full clip (from the original footage), not just the selection from my timeline. I'm assuming this is why I'm getting the "File Mismatch" error (basically it's too long).
Is there a step I'm missing? Any help would be greatly appreciated!

First thing to try is resetting your fcp preferences
https://discussions.apple.com/docs/DOC-2491
It's also possible your sequence has gotten corrupted. Try editing a short clip into a new sequence and see if that works.
And what are your sequence settings?
Also, although its a long shot, make sure the frame rate of your easy setup matches the frame rate of your sequence.

Fcp 3 and macbook pro 17" install prob

not sure if this issue has been addressed, or whether it's a unique one, but here goes:
i have fcp 3 (legit: complete w/ box, manuals, serial, etc). i've had it for awhile but never got around to it. now i'm motivated to load it and learn to use the software.
however, at initial installation, it gives me the (something like) "not original cd" error message.
i poked around on the forum and found an apple link that says fcp 4 or earlier won't work on my laptop (is that right?). if that's the case, what are my options?
thx!

We could try dazzling him by refecting the sun from the playing surfaces of Jimi Hendrix CDs.
Gaining enough time for us to run away and hide.
But then one of us would remember we have to go to his house and borrow the DV converter.
As mentioned...very sharp teeth.

FCP 7.0.3 and MacBook Pro Retina Display

I am a videographer, I shoot on DSLR and edit with FCP 7.0.3.
I have recently got a brand new Pro Retina Display Macbook Pro.
I installed my software, including - FCP7 via migration - I had to do this as there is no DVD drive in the macbook pro - it was installed - from my old Mac Book (black 2008)
FCP 7.0.3 is not opening? It gets to the loading page and goes as far as the top tool bar showing up - but will not open so that I can actually use it.
I got this mac to edit on the fly and take my jobs away with me and do not want to use Final Cut X - I am used to and very happy with FCP 7 interface and operating and don't have the time to learn to use other editing software - does anyone know how I can get the my FCP 7 software working on my brand new machine?

kathleenav1 wrote:
I cannot sync a new ringtone using Iphone 4s iOS 7.0.3 and macbook pro os x 10.9 and iTunes 11.1.2. It just keeps saying "finishing sync" but it never does! This all new to me! Help!!
Click the Sync button again.

I'm a new potential FCP X user. Can I buy software to load onto my imac and macbook pro or is FCP X only available as a download? I'd like to be able to edit on the road.

I'm a new potential FCP X user. Can I buy software to load onto my imac and macbook pro or is FCP X only available as a download? I'd like to be able to edit on the road as well as at home.

Here's a short tutorial video about how to move back and forth between your base computer and the on-the-go machine. Very important info about which things can be copied within Finder and which things MUST be copied from within FCP X. Best wishes.
stephen
http://library.creativecow.net/mcauliffe_kevin/FCPX-media-on-the-go/1

I have 2 IMacs and MacBook Pro- can not work on FCP simultaneously when my network ports are on (open). How do I go about changing this?

Hi!
I have 2 IMacs and MacBook Pro and can not work simultaneously on FCP on all workstations when the network port is open. Can anyone help me on this?

Did you purchase Final Cut Pro from the Mac app store? Or install it from disk? If from disk, you may have installed it on all machines using the same serial number, and using all of them simultaneously violates the license agreement. If you purchase from the App store the licensing is different and that may not apply.

Can I re-mix audio by importing iMovie Project/Events to FCP X, and mixing in a pro studio?

This needs a little backstory: I edited a promo of Select Scenes from a doc that I shot on a Canon SF105 HD, doing a quick job on iMovie for my website. I did the best I could as both an amateur mixer and using consumer software. The audio "mix" is horrific, of course, and being old school film, I need something a whole lot better. It was suggested by a pro edit studio (& friend) that I might IMPORT the iMovie Project & Events library to FCP X, and using these "mix elements", they could use their system (probably AVID or a hybrid) to do a proper mix. They would then lay back the track to the picture. They don't use FCP X, but again, with separate sound tracks, they might be able to do something of it. Am I dreaming?

If the project is in a recent version of iMovie you might be able to. Clean up the iMovie project of all extraneous transitions, effects, and titles, and any DRM audio. Download the trial version and give it a shot.

FCP and Soundtrack Pro music licensing and music cue sheet procedures

Okay, so we made the movie, and we marketed it and it has been sold in several geographic territories. Now I have to make up a music cue sheet. What do I put on the cue sheet for Apple Loops and FCP and Soundtrack Pro files that I have used for music? I believe they are royalty free, which is great. But I'm supposed to identify the music cues with writer, publisher, and society (ASCAP, BMI, etc.) What does an entry for those resources look like? It's really hard to find this info in the documentation for FCP and SP. Thanks.
G5 Mac OS X (10.5.4)

Interesting question - We don't use attorneys - too expensive, and we never listen to 'em anyway, so the info didn't come from a lawyer, ha ha. But I've seen several examples of music cue sheets, and they all contain the same information, including composer, publisher, society, timing, etc. (After all, that's the purpose of the cue sheet - to see that the artists and producers get paid for their work). You can find one format at:
www.ascap.com/musicbiz/cuesheetcorner/pdf/SampleCue
Of course, if the example comes from ASCAP (as that one does) or another society (BMI, others), they are working to make their job easier, but they are the societies - they are the ones who can object if they don't like it. And they have substantial power to penalize a producer for not doing what they want. But here's the thing: there's huge tradition in Hollywood, and the rule is (and the contracts say) that if you don't provide everything on the distributor's list of deliverables, they hold your money until you do - and one of the things on the list of deliverables is a music cue sheet, and every example I've ever seen (and I've seen at least 20) asks for the same information. So that's the answer as to "who told you that?" Is is possible that I'm being led down the garden path by ASCAP and the movie industry in general? Sure, but every source I consult agrees that this is the reality. I wish I could avoid it, but as I understand the situation, I have to do it, and it has to contain the info, or we'll never see our dough, ha ha. But my question remains the same - how do I get that info for the "royalty-free" music library attached to FCP?

Compressor is not working. When I export to compressor from FCP to encode DVD, FCP freezes and Compressor appears to be working but the progress bar never fills no files are created. I'm using a MacBook Pro 10.6.7 version 2.66 GHz core 2 Duo 4GB 1067 MH

Compressor is not working. When I export to compressor from FCP to encode DVD, FCP freezes and Compressor appears to be working but the progress bar never fills no files are created. I'm using a MacBook Pro 10.6.7 version 2.66 GHz core 2 Duo 4GB 1067 MH. I'm not new at this. I re-installed FCP successfully. I trashed the preferences. Please help.

Do you have any filters applied to your clips?
This happened to me before, I accidently had applied a broadcast safe filter to a color matte that was black....
I figured it out by duplicating my sequence and deleting items from my timeline 1 by 1 until I was able to export a reference movie.
Anywho, export again, this time with "self contained" movie selected.
Then try to import to Compressor.

Workflow between fcp and soundtrack pro

i am working on getting the workflow between final cut pro and soundtrack pro right for several weeks now, and i have to say, i expected more.
not that all the special gadgets aren't there, they are just not working the way they describe them in their manual or other sources.
am i the only who has made such experiences working with these tools?
for example: if i want to send a single clip from my timeline to soundtrack, there should be the possibility to have in and out points, so that final cut doesn't send the whole clip (even the parts i don't use ) to soundtrack. cool feature if it would work! no matter what you do it always sends the whole clip to soundtrack and therefore saves the whole file with all the changes and effects. and we don't talk about 8 or 9 MB here. a single clip of 1 minute, altered with EQ, takes up to 80 MB to save!!
another problem from my point of view is the exchange of whole sequences. the whole thing heavily depends on the use of markers, because without them someone working with soundtrack doesn't even see were the cuts are, which makes it nearly impossible to synchronise sounds. markers have to be placed at every single cut.
i could go in like this, but first i would like to know if i mist some fundamental thing about the use of these two pieces of software.

It depends on how you are working. If you've sent over something as a Multitrack project then you have to export the mix and edit it back in as it doesn't update in the same way. A STP audio file shoul update upon saving.

Unable to capture in FCP, Quicktime and iMovie, camera not recognized.

I am unable to capture in FCP, Quicktime and iMovie.
I have been dealing with this problem for quite a while now, and I think I have tried everything posted on these forums regarding this issue. I have been to the Quicktime, iMovie, and this FCP forum looking for the solution. Hopefully someone has a suggestion that I have missed or have not tried yet. I have a Powerbook G4 running OSX Tiger 10.4. I am running Quicktime 7.04, and FCP 4.5.
My problem is this… I am unable to capture from my Canon ZR-200 Mini DV camera, using Final Cut Pro, iMovie and also Quicktime. FCP says no camera recognized. iMovie says no camera attached, and Quicktime says no recording device found. In FCP, I am using the Firewire Basic setting, and NTSC DV settings. I have captured in FCP with the same camera several times in the past. I think the problem started when I upgraded to OSX 10.4, or one of the Quicktime upgrades.
Here are the details…
- Camera is connect via Firewire. I have tried the built in ports, as well as a Firewire Carbus card.
- OSX recognizes the Canon ZR-200 in the System Profiler, so I know the computer sees the camera.
- I have tried the camera on a Windows XP machine, and capture works perfectly, so I know the camera is functioning properly in VTR mode.
- Deleted my FCP pref’s using FCP Rescue.
- Deleted the Quicktime receipts, and re-installed Quicktime 7.04
- Reverted back to Quicktime 7.01
- Set the audio to 44.1 in the the Audio MIDI setup in the Utilities folder
- Tried the “GarageBand” fix, opening the programing, playing a few notes and closing.
- I have installed Quicktime using the program “Yank” to completely delete Quicktime and re-install.
I may have tried more solutions, but these are the fixes that I can recall.
If anyone has any others suggestions, it would be much appreciated.
Brent

Hi Brent:
Although it looks as if you have tried all of the 'fixes' that are normally suggested here, please read through this Apple Article to see if some obscure thing applies to you.
iMovie: Cannot see or control camera
http://docs.info.apple.com/article.html?artnum=43000
Sue

Graphics render bug in FCP 6 and 7 - Dare to prove me wrong?

I have an issue with an HD video that contains red and purple text and graphics in the edit. I've looked for an answer tirelessly online, with friends, and through trial and error for a good 7 hours before giving up. Here's the deal,
Sequence settings: HD 1440x1080 16:9, 23.98, HDV 1080p24 for editing the canon7d footage that came in - this however doesn't matter because i tested with every setting imaginable including animation raw and ended up with the same results for the graphics problem I'm having (kind of unrelated to the actual footage).
I need to output this 9 minute edit I have to an HD file 1280x720 for youtube upload. So, it has to be under 2gb (youtube's limit) but for client purposes, it needs to be crisp and great looking as you would imagine.
I have a bunch of PSDs, each show a different line drawing of a brush. For each one, the line is a different color. For any of the colors that aren't red or purple, they render crisp and wonderful in final cut pro over top the video. However, the graphics that have the lines that are red or purple, come out pixelated and blurry no matter how i try to render them. The only solution that worked was to render and output them with the animation codec. ProRes HQ worked too but not as well. However, this makes a file way too big. Whenever I went from animation to h264 or from FCP to h264, or any other web friendly format, graphics come out way pixelated. It makes me frustrated as to why all the graphics that were exactly the same except not red or purple came out perfectly crisp. Also, why is animation codec the only codec out there (besides uncompressed obviously) that will create clean edges in these red/purple graphics?
Conclusion: Found that reds and purples are the only colors that seem to be effected when rendering the graphics. Everything else comes out nicely. Animation and pro res codecs aside, any codec making the video small enough for the web (less than 2gb) resulted in the problem of pixelation with the red and purple graphics. Based on extensive research I did online, I was surprised not to find many people posting about the exact same problem. For the issues I did find that seemed related, people concurred that HD nor regular DV video do a good job rendering bright reds or variations of red. Because I found no solutions online or from all the things I tried in the list below
-re-rendered the PSD's in Final cut pro with variation of sequence setting to see if that would make any difference - it didn't. Tried all kinds of different settings in export for h264, keyframes, max quality, etc. no luck.
-tried rendering to "Animation/uncompressed" as far through the process as possible. For instance, I outputted a perfectly crisp "Animation" file that was perfect looking. As soon as I re-exported to h264, mpeg4, or sorenson, or any other codec dropping the file size down, all results returned pixelated results for the reds and purple graphics.
-made sure photoshop settings were all good, even copied and pasted psd into new 1920x1080 project, played with DPI up to 300 to see if it did anything, saved as different formats TIFF, png, eps, layers, flattened, 8-bit, 24-bit, 36-bit, etc., none of the formats worked correctly.
-outputted my own purple and red graphics and text and rendered in final cut to see if the file had anything to do with it. same problem with my red and purple graphics and text.
-Tried adding slight moving grain to the graphic in Final cut to try and trick FCP to thinking it was a video instead of a graphic and therefore render it smoothly.
-consulted with 2 other video editors/media experts, ended up frustrating them as well (and hurting their ego a little since they were sure they could figure it out)
-Ran the shot and graphic through after effects and premiere pro separately (different video programs) to see if final cut pro was causing the problem, same problem with those programs.
-tried rendering on a different mac, still the same.
-Actually upgraded my final cut pro version to the new version (now Final cut studio 3). Ran tests on new version of final cut pro, same exact problem.
-added black edge to purple graphics to see if that did anything different to the rendering. Didn't help
-Changed the hue of the graphic to anything other than red or purple. Wouldn't you know...That fixed it.
Here is a link to the Animation Output of a half second of the edit with a sample red graphic crisp as can be for you to test (12.7mb) -
http://www.robinsonhope.com/downloads/makeup_animationtest.zip
Here is a link to view screenshots before and after to show you what rendering does to the graphics.
http://www.robinsonhope.com/downloads/makeup_ss.jpg
In case you'd like to try and find a solution, please download the link to the HD animation half-second clip and output to h264 or any other web friendly codec that would show these red graphics clean and not blurry and pixelated. Other rule is after doing the math, a 9 minute video with the compression you choose would need to be under 2gb. This shouldn't be too much of a problem because even a 1280x720 h264 at max quality for a 9min video is still under 2gb.
The first person to show me that you are truly a FCP guru and can solve this, post a link of your successful solution, I will praise you as genius all over this forum. I will also be eternally grateful. Live in LA? I'll also buy you dinner, Haha. But seriously...

Welcome to this forum,
Sorry to hear you so struggling with this issue.
And I doubt whether I can solve this for you, but I can say a few things.
The title of this thread is:
Graphics render bug in FCP 6 and 7 - Dare to prove me wrong?
I'll prove you are wrong. Or actually you've already proved yourself wrong in your post:
-Ran the shot and graphic through after effects and premiere pro separately (different video programs) to see if final cut pro was causing the problem, same problem with those programs.
Seams that I try to annoy you, but I'm not. It's not a joke. The fact that other applications can't handle it as well AND the fact that Animation Codec (Which is pretty lostless) does not have this problem, tells you that the problem is likely the low compression you want OR the footage itself. And I dare say it's BOTH.
I downloaded your testfile and have opened it in FCP and I can see in the Vectorscope that your color Red is too hot.
[Click here|http://i843.photobucket.com/albums/zz356/rienkL/Screenshot2010-04-02at1324 20.png] to see the vectorscope of your picture?
You also see the small boxes (clockwise)
Red, Magenta, Blue, Cyan, Green, Yellow. The signal of your picture should stay somewhere between those boxes. You should read [this article|http://www.larryjordan.biz/articles/lj_scopes.html] (two third on the page) about the vectorscope. Also has a picture with the range to be broadcast safe.
So back to your picture and your vectorscope. You'll see that just along the right side of the R in the vectorscope there's a peak which goes way out of the range. And that's exactly the color of your graphic.
I tried isolating that color, reducing the saturation, and then do an export, but that failed. You should adjust that within the PSD's first and then see how exporting goes.
So now you are thinking: My client wants his own colors! Sure he does. But those colors were probably designed for print, which does have another colorrange. Simple technical story. You're bound to specific saturation. Going over that means troubles....
And I'm not claiming that your problem will be solved when you adjust this. It is still possible that h264 just doesn't like red too much. Maybe that's on purpose. Our eyes are most less sensitive to red, so that gives the compressor some extra room to compress in the reds (Don't know if this is what compression developers do; just thinking out loud, just an idea...)
Hope this helps at least a little.
Rienk

What Compressor codec should I use for footage recorded on a Canon T3i, edited on FCP 6, and intended for Vimeo?

I am looking for help!
My planned workflow is as follows:
Footage recorded on Canon Rebel T3i ---> Edited on Final Cut Pro 6 (sequence compression is apparently H.264 according to the browser) ---> Compressed with Compressor (ver 3.0.5) in original 1920 x 1080, 24p format ---> Uploaded to Vimeo
I am now at the point where I am trying to find a Compressor setting that will create a compressed movie that looks somewhat similar to what I see in the canvas in Final Cut Pro 6. I have tried using the H.264, Apple ProRes 422(HQ), HD Uncompressed 8-bit, and XDCAM HD 1080p24 settings and in all cases, my movie plays back fine, however, the brightness/exposure seems to be hiked up a few stops and there is a substantial amount of noise in both the blacks and midtones that doesn't appear in FCP's canvas.
My compressed movie I wish to export is only intended for Vimeo (similar to Youtube). Is there a different setting I should be trying, or perhaps a way of downloading a more effective or current codec?? Any suggestions are greatly appreciated as it is very disappointing to see my movie degraded so much from its orginal quality.
Shaun M

H.264. But the FCP Legacy (FCP 7 and earlier) Canvas and Viewer aren't color accurate. Not designed to be. Their purpose is to show you what you are doing, show you the footage so you can make editing decisions. For color accuracy, the ideal way, since this was designed with television and feature editing in mind, is to have an IO device like those AJA.com and DECKLINK.com make, and send the signal to an HDTV or broadcast monitor.
Apple has realized that more and more people are editing for the web and computers only, so they made it so that FCX's viewer IS color accurate. So...what that means is that currently, using what you have, you won't get things to match....they aren't designed to. So you can adjust for what happens when you export.
But a big issue is that you are editing H.264 in FCP native. FCP doesn't work with H.264 native well, all sorts of potential issues can arise. Sync issues, quality issues, the correct shot be exported, all sorts of things. FCP works best with the FCP editing codecs. What are they? They are found in the EASY SETUP list. But for HD, the most commonly used option is ProRes 422. There is a BIG problem that FCP Legacy will SEEM like it'll work with H.264 natively just fine...it doens't throw up any warnings. That is bad. Also something Apple fixed with FCX.
The fact that you are editing H.264, and trying to export H.264, might also lead to the footage being more off that it would if you edited ProREs 422, and exported H.264. Note...H.264 is a higher data rate codec, and easier for FCP to work with...but because it has a higher data rate, the file sizes are much higher than the original H.264. 5-6x larger. FCP 7 did have a way to import Canon 5D, 7D and T2i (needed a hack with the T2i) via Log and Transfer. But it doesn't work with the T3i...not even with that hack. Because FCP 7 was no longer updated after the T3i came out. It's 4 year old software, discontinued 2 years ago.
If you want to edit native, you need to look at Adobe Premiere Pro CC. It's interface is more accurate too.

FCP 5 and QT PRO

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