FCP 6.0.4 problem

FCP 6.0.4 on 10.5.4
When launching FCP the splash screen appears as usual, but from there on things go wrong. The beachball starts spinning for ages and than all of the sudden the program continues to boot normally or sometimes it crashes. During the beachball spin "Activity Monitor" displays FCP in red color as "not responding".
I have trashed all prefs, repaired permissions, run disk warrior created new users but nothing seems to help.
Anybody having the same problem? Any suggetions appreciated.

How did you install 10.5.4 and FCS2?
Clean installs for both?
Or an update or archive install for the OS?

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FCP quicktime conversion export problem

issue exporting still image instead of video
FCP quicktime conversion export problem
within the last 2 weeks i have exported from FCP studio 7.0.3 as quicktime conversion, the settings are:
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> Options> quality> set to Best>
Standard Video Compression Settings
Compression Type: H.264
Motion:
Frame Rate: Current fps
Key Frames: Every 24 frames
check Frame Reordering
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Quality: Best
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Automatic
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Size>
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NTSC 720x486 16:9
>ok
Sound: (don't change anything)
Format: Integer (Little Endian)
Sample rate: 48.000kHz
Sample size: 16-bit
Channels: (L R)
>Export
the results i get a odd. - the video exports fine, except for the beginning titles, instead a still frame image from somewhere else in the video occupies that intro, until the first transition- in this case- dip to white, then the rest of the video is fine. the portion of the beginning that does not show are composed of: livetype text credits in V2 - in which i have done a manual opacity fade up and down - so the livetype text fades in, over matte color solid in V1. in the exported video -i do not see any of this, all i see is a seemingly random still from somewhere else in the video. i can however hear the audio as it is supposed be.
cant figure out why this is happening. anybody know?
i think the livetype files are 1920 x 1080.
my FCP sequence is 720 p
this has only recently started happening and doesn't seem to be consistent.
im wondering if it has to do with the live type files, or the white solid?…
or the conversion settings above?

Alistair
Earlybird is exporting H264 ... the Key Frames setting is determining the GOP length. This value should really be determined based on the complexity of the video, to my understanding, the actual frame rate has no bearing on it. If you have very complex fast moving content then a low Key Frame rate is advisable to ensure good image quality (although it will adversely affect the filesize) whereas if you have slow moving or static content (like an interview subject) then a higher Key Frame rate will still produce a good image but at a smaler filesize. The default of 24 should be pretty much fine as a catchall starting point.
Earlybird
Corrupted render files (and render references) can be a pain because FCP will use those files and references in place of the original media when building the export. And so it should as it does't want to waste time re-rendering sections that are apparently already rendered. Unfortuantely, as noted, if the render file has gone bad and/or starts referencing the wrong media then you'll get these wierd flashes of completely unexpeced and unwanted footage showing up where it shouldn't be. When you trash those files then QT / FCP will just go back and re-reference the original media ... so it's usually a worthwhile step to take just in case thats the problem. The worse case scenario is that it only that doesn't work and you spend some time unecessarily re-rendering.
As to why these files go bad? That I don't know. Why do Preferences get corrupted? That I don't know either but it definitely happens :-(
Cheers
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Dodge This
I've no direct experience of this problem (and I just tried to replicate it and mine worked fine) but I know it would help those who are in a position to help you, if you'd give a load more detail about your system, what other programmes you were running at the time and what verion of FCP you are using etc etc.
See the notes included at the bottom of this post and don't take the last line personally - it's not intended for you!
Good luck!
Andy
G5 Quad. 8 GB. 250 & 500 GB Internal HDs. G-Tech G-Raid 1 TB. FCP 5.0.4 (Studio) Mac OS X (10.4.7) Sony HVR-Z1E.
You can't educate pork . . ..

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Tried converting tracks to mono in STP, saving and returning to FCP but then I get a 'reconnect missing media' error as the number of tracks has changed. When I reconnect it works fine (mono audio from both left and right) but the red \ through the file name audio symbol is still shown against the STP file name in the FCP browser. Suppose I can live with this but the red \ is probably telling me that I am doing something wrong!!
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fowler123 wrote:
The external Drive was a 1TB (with plenty of room), although it was USB connection, dont know the rpm sorry. Will FW800 change things considerably? Maybe its a case of FCS 3 being a bit more intensive than FCS2?
At previous places, all media was saved on to external FW Drives and we worked completely from them. Although they were older Imacs so they only had a FW400 port so the drives were transferring at that speed.
USB is your issue. Use FW. If you can get FW 800 drives, so much the better. There will be a time when the FW will hit too much on transfer, but will beat USB. USB really is pretty limited on the Mac, okay for some things. Small files, pen drives, transferring files from a compact card reader. But video, nope.
EDII: Whoops see David also responded when I was typing (got a phone call and stepped away in the middle of replying)
Message was edited by: Drew13

FCP/Compressor/MVP-2000 problem...

Hi everyone!
I have a very strange question that is pretty specific to my workflow. I am hoping someone out there has run into the same sort of thing, maybe even using the same gear we do... So here we go.
We are using an MVP-2000 to run our channel. This is a good solution for us. http://www.leightronix.com/mvp2000/mvpmain.htm
We had been editing on our six year old Avid. From there, we would play the file, real time, out to another comptuer with a Canopus Amber Card that would encode it to MPEG-2 form. Using the MVP software, we then send the file to the MVP, and put it in our loop of programming.
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1. MPEG-1 System Stream or MPEG-2 Program Stream
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No Transport stream
2. Elementary video stream
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1. 320 x 240 (Horizontal x Vertical)
2. 352 x 240
3. 352 x 480
4. 704 x 480
5. 720 x 480
Picture rate must be 29.97 pictures per second.
A maximum bit rate of 4.5 Mbit/s is allowed. Higher rates are not supported.
Variable bitrate is not supported.
NTSC with 4:3 aspect ratio required.
4:2:0 sampling format required. (Main profile at Main or Low level, ( 4.5 Mbit/s)
IBBP GOP structure recommended for best quality.
Encode header information in stream every few seconds to aid in error recovery.
Audio, if present, must be encoded into the MPEG file using Audio layer II.
Audio must be encoded at a 44.1KHz sampling frequency.
MPEG files must be no more than 2 Gigabytes in size.
MPEG filenames must have no more than eight characters (DOS 8.3 format) with [.mpg] as the extension.
Still MPEG file format: Must comply with above requirements. First picture will be displayed. Audio is not played.
So, using our Amber card setup, those are the settings we use, and it works great.
Using compressor from FCP, we select an MPEG-2, One Pass, 4.5 Mbits/sec, Best motion estimation, GOP 7, and all other settings are the same as the Amber card. So essentially, there is nothing different about what we are getting from our Amber card and what compressor is spitting out... EXCEPT that compressor is spitting out a video and audio file. So, researching this here on the boards, I found MPEG StreamClip to mux those two files. Easy enough.
So we now have two files that SHOULD be the EXACT same. Both files play on their respective computers just fine. The MVP will play these just fine, and the both look good. UNTIL... The very end.
The file from the FCP system will lock up at the very end, about a second before the end of the file. And it's only the video that freezes. The audio will finish.
I have tried every setting I can possibly think of. I don't know if the problem is stemming from Final Cut, Compressor, or MPEG Stream Clip. I've asked the MVP tech support, and they don't know because they "don't use Final Cut." Keep in mind these files work fine on the computer they were created on.
SO... This is basically a call for help! Is there anyone here who uses this same sort of workflow? Even if you don't use the MVP, do you have ANY ideas of why this might be happening?
Thanks, and if you're still with me, sorry the post is so long... I tried to make it clear!

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/S

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Please Help!
I have completed my wedding project in Final Cut and it includes 4 extra stereo tracks (music etc) on the Final Cut Time line, therefore 5 stereo tracks in total. Music was just imported into the browser and then placed according in the time line.
When I export the whole project to Compressor, the video compresses fine into the DVD best quality format but the audio compressor has only compressed a SEGMENT of the FIRST stereo tracks?!
Totally Bizarre.. My client is waiting for the DVD and I’m at total loss!!
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