FCP 7.01 EDL problems

i'm having problems with the video edls exported from fcp 7.0.1
the lists have the wrong timecode for shots dissolving up from a color solid
the on screen timecode readout for the shots in the sequence is correct
but the edl is referencing some random number 5 or 10 SECONDS away from the actual timecode
this doesn't happen anywhere else in the timeline, the edls are otherwise fine
anybody else have this problem?
is it solvable?
or do i have revert to paper lists?
help!

If the color solid appears to be the problem how about removing that solid before you create your EDL?

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FCP quicktime conversion export problem

issue exporting still image instead of video
FCP quicktime conversion export problem
within the last 2 weeks i have exported from FCP studio 7.0.3 as quicktime conversion, the settings are:
export as QuickTime Conversion:
> Options> quality> set to Best>
Standard Video Compression Settings
Compression Type: H.264
Motion:
Frame Rate: Current fps
Key Frames: Every 24 frames
check Frame Reordering
Compressor:
Quality: Best
Encodeing: Best (Multi-pass)
Data Rate:
Automatic
Filter… none
Size>
Dimensions:
NTSC 720x486 16:9
>ok
Sound: (don't change anything)
Format: Integer (Little Endian)
Sample rate: 48.000kHz
Sample size: 16-bit
Channels: (L R)
>Export
the results i get a odd. - the video exports fine, except for the beginning titles, instead a still frame image from somewhere else in the video occupies that intro, until the first transition- in this case- dip to white, then the rest of the video is fine. the portion of the beginning that does not show are composed of: livetype text credits in V2 - in which i have done a manual opacity fade up and down - so the livetype text fades in, over matte color solid in V1. in the exported video -i do not see any of this, all i see is a seemingly random still from somewhere else in the video. i can however hear the audio as it is supposed be.
cant figure out why this is happening. anybody know?
i think the livetype files are 1920 x 1080.
my FCP sequence is 720 p
this has only recently started happening and doesn't seem to be consistent.
im wondering if it has to do with the live type files, or the white solid?…
or the conversion settings above?

Alistair
Earlybird is exporting H264 ... the Key Frames setting is determining the GOP length. This value should really be determined based on the complexity of the video, to my understanding, the actual frame rate has no bearing on it. If you have very complex fast moving content then a low Key Frame rate is advisable to ensure good image quality (although it will adversely affect the filesize) whereas if you have slow moving or static content (like an interview subject) then a higher Key Frame rate will still produce a good image but at a smaler filesize. The default of 24 should be pretty much fine as a catchall starting point.
Earlybird
Corrupted render files (and render references) can be a pain because FCP will use those files and references in place of the original media when building the export. And so it should as it does't want to waste time re-rendering sections that are apparently already rendered. Unfortuantely, as noted, if the render file has gone bad and/or starts referencing the wrong media then you'll get these wierd flashes of completely unexpeced and unwanted footage showing up where it shouldn't be. When you trash those files then QT / FCP will just go back and re-reference the original media ... so it's usually a worthwhile step to take just in case thats the problem. The worse case scenario is that it only that doesn't work and you spend some time unecessarily re-rendering.
As to why these files go bad? That I don't know. Why do Preferences get corrupted? That I don't know either but it definitely happens :-(
Cheers
Andy

EDL Problems

Hello,
I'm having problems trying to import an EDL that was exported from an AVID system. (EDL CMX 340) into FCP HD. I have encountered several problems with this:
1) After importing the EDL into FCP, the new sequence that was created appeared to be missing several key sections of both audio and video that had been present in the avid version of the sequence. I orginally assumed that this was due to an error on the part of the person sending me the file,that she was exporting an EDL from the wrong sequence on her AVID, but after several trials, it appears that she is sending me an EDL from the right sequence. Is it possible for FCP to be interpretting the EDL incorrectly?
2) I have since tried re-importing the EDL into FCP and now receive an error message saying that this is a badly formatted EDL.
She is sending me a CMX 340 file which according to the FCP help manual, is supported by FCP.
Anybody else have any problems like this?

Also, EDLs only carry ONE video track. The Avid editor needs to collapse their tracks down to one, or give you multiple EDLs. And, there are only 2 (maybe 4) tracks of audio. Any more must be contained in the comments in the EDL. I don't know if FCP recognizes that. If there are more than 2 (or maybe 4) audio tracks, the best bet is to generate multiple EDLs. Finally, no graphic files or titling come across in the edl (well, except as a cut to AUX), so those must be brought across manually.
This is no different than if the Avid editor had to generate EDLs for an online session and not some weird variance for FCP.
Patrick

Import EDL problem

Hi,
If anyone can help me understand why this edl reads wrong?
(the problem is that when the EDL is loaded it will read wrong the out timecode)
TITLE: TEST
FCM: NON-DROP FRAME
001 STL V C 00:01:00:01 00:01:01:03 10:01:59:15 10:02:00:17
* FROM CLIP NAME: CS01Q0074S0037_01001.JPG
* FROM CLIP IS A STILL
thanks a lot!
G5
G5
G5

I'm unsure of your question, Yoel. It would appear hat the source in this EDL has a 1 second and two frame duration, as does the record. Is this an FCP generated EDL? Where are you finding a problem?
Patrick

FCP 6.0.4 problem

FCP 6.0.4 on 10.5.4
When launching FCP the splash screen appears as usual, but from there on things go wrong. The beachball starts spinning for ages and than all of the sudden the program continues to boot normally or sometimes it crashes. During the beachball spin "Activity Monitor" displays FCP in red color as "not responding".
I have trashed all prefs, repaired permissions, run disk warrior created new users but nothing seems to help.
Anybody having the same problem? Any suggetions appreciated.

How did you install 10.5.4 and FCS2?
Clean installs for both?
Or an update or archive install for the OS?

FCP Out of Memory Problem

Hello. I am running Final Cut 5 on a G5 (a little over a year old) with 2Gig of RAM. I see that others have had this problem, but there are so many different solutions posted I don't know where to begin.
Let me go thru what I was doing. I was editing a sequence in a project I am working on. 99.9% video, and two images... I exported a frame from the video and then dragged it and dropped it from the desktop to the timeline. I was working to apply an 8 point garbage matte to the still picture (i applied it, started messing with it, and then I deleted the matte and started over by trying to reapply the matte) when it popped up with a "cannot complete operation" popup. When I clicked ok, it said "Out of memory". I click ok and the monitor window in FCP turned red and said that I needed to close that window and reopen it so I could continue working. I close it, reopen and try to apply my matte. It lets me drop the filter on the picture, but would not give me the controls to edit it.
Now, I have 160gigs of space left on the hard drive so I am curious.
So I quit the program, restart the computer, and run the Render Manager. I can open Final Cut Pro, I can open the project. However, I cannot open the sequence I was working on. It tells me it cannot complete the opperation, and then it says it is out of memory.
I checked my picture that I was using in that sequence, and it is in RBG color.
Any help you guys can offer would be appreciated.

Dodge This
I've no direct experience of this problem (and I just tried to replicate it and mine worked fine) but I know it would help those who are in a position to help you, if you'd give a load more detail about your system, what other programmes you were running at the time and what verion of FCP you are using etc etc.
See the notes included at the bottom of this post and don't take the last line personally - it's not intended for you!
Good luck!
Andy
G5 Quad. 8 GB. 250 & 500 GB Internal HDs. G-Tech G-Raid 1 TB. FCP 5.0.4 (Studio) Mac OS X (10.4.7) Sony HVR-Z1E.
You can't educate pork . . ..

FCP to STP workflow problems

Hi all, having some real problems with a charitable recording I have done for the kids local theatrical group and wonder if anyone can help. Here is the issue:
Recorded kids play with single cam with onboard mic. Used Sony HDV A1 which has used track 1 for the audio from the shotgun mic and has put the audio from the onboard stereo? mics on track 2. Audio is as good as its going to be with the shotgun mic apart from the times when parents are clapping when it distorts.
Have the whole play in 2 long - 45mins - runs without any stop start.
I then put the sequence on the timeline and use the razor blade to split the various scenes (need to cut some of the play out). Now have the whole play with 2 audio tracks with cuts where I want them. Tricky bit comes next.
I need to loose the audio track 2 as it is too quiet and use the mono track 1 but try to do something with the distorted and too loud sections. I tried to send each cut scene to STP, make the adjustments, send it back etc., but have noticed (after waiting 24-hours for the render down to SD for the DVD) that each of the cut scenes seems to have been treated as a whole 90 minute section by STP with each one coming in at 1.2Gb! No wonder Compressor was taking a long time to do its stuff!
So, I take it there is a better way but any idea how I should do this? Working with the 45 minute clips on the timeline is nice and easy but how do I handle the audio? Just want the one track replicated across audio 1 and 2 plus for STP to just handle each section of the sequence rather than the whole thing.
Many thanks in advance,
Michael

Hi Jim,
Many thanks - this has helped a lot and I can now work on the audio with each clip and the resulting file size has gone down to a fraction of the original.
Any thoughts on the 2nd part of my question around audio tracks? As mentioned my Sony A1 seems to have captured two tracks and I need to discard one (the onboard mic). If I do this by simply deleting the 2nd Audio track in FCP when I open the track 1 in STP I can see it again. I guess by removing it from the FCP timeline does not result in removing the track from the referenced file that is sent to STP.
Tried converting tracks to mono in STP, saving and returning to FCP but then I get a 'reconnect missing media' error as the number of tracks has changed. When I reconnect it works fine (mono audio from both left and right) but the red \ through the file name audio symbol is still shown against the STP file name in the FCP browser. Suppose I can live with this but the red \ is probably telling me that I am doing something wrong!!
Thanks once again for the help so far,
Regards, Mike

FCP to Premiere -- EDL anyone tried?

I've often suggested sending an EDL out of FCP to work in Premiere, but I've never tried it.
I'm wondering who has and how sucessful it was.
What transfered? Motion? Transitions? Scale?
How easy was it?
I must do a retirement video and then give it to a guy on Premiere so he can call it his own and then dupe it to DVD.
I know, I know...
Thanks
CaptM

Hi Shooter
Cheers for the answer. Yeah... that'd be lovely wouldn't it.. however, rented kit has to go back to the shop etc.I said bye to the SxS cards with the camera, before the switch to Adobe, whilst workflow was all FCP.
So I'm left with the above. I've kind of resolved the issue in that the only way around the current situation is to transcode. Bit of a pain but the vast bulk of the footage from various ameras in the project just migrates in normally. So just a bit of an all night compressor job on this.
Basically, the files were put through FCP as AIC codec so it's not going to happen unless there is a specific plugin for Adobe Prem' without the transcode or the originals, well... they might be still sitting on the rental cards ... but I doubt it.
I was just a bit curved balled at first when the QT player played them fine... until I clocked what had happened.
Just a pain in the posterior but if anyone knows of a fix quicker than the above.. please do let me know. I'd appreciate it.
Cheers again Shooter.
Gav'

FCP: "There was a problem connecting to the server"

I receive this dialog (every 10 seconds or so when dismissed) whenever I open FCP 10.1.3 on my MacBook Pro (Retina, Mid 2012). The server is a Drobo5N, and when I mount it, the dialog goes away. Also, when I shut down the server when FCP is open, the persistent dialog does not reappear. If I quit FCP, then reopen it, the dialog problem will recur if the Drobo is shutdown.
I read through the posts with similar problems to help solve this annoying issue.
Roger

It appears the the update to FCP 10.1.4 has solved this issue for me.

FCP XML to Flint - Problems with Time Remap

My Flint artist and I have had some problems with the XML Export and Import that we cannot figure out. The XMLs from FCP sequences that have variable speed Time Remaps applied show up on the Flint with those particular clips with the wrong in/out points in both the source and record times. Also, the speed ramp info doesn't show up properly.
We have followed the Flint manual to a T on importing correctly. Anyone encountered this or know a solution? Especially why it's throwing off the in points. It screws the whole timeline when that happens.
Thanks in advance.

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FCP - Massive file size problem.

So I've been exporting out a 21min sequence out of fcp 7. In past edits and on the same project file, the export has been fine, rendering out at a healthy 6gb. But recently the final file size has become 29gb. This is obviously not right. My question is, what is going on and how can I fix it?
The only thing that has changed is I've done a color grade (from Color). So some of the files are different, but the new color graded clips aren't any bigger than the origianl ones, so I don't think thats the problem.
Another random thing that happend is: When exporting I give the file a name, e.g. Helloworld And I select show file extension. The weird thing is when it's completed its export, the file name then becomes Hellowordmov.mov I have not idea where that extra mov is coming from, (and it doesnt appear when I select show file extension). What is going on here?
Below are my sequence settings. I chose File - Export - Quicktime Movie... And keep it on Current Settings.
Any help is much appreciated.

The Digital Rebellion Video Space Calculator shows 28.23 GB.
http://www.digitalrebellion.com/webapps/video_calc.html?format=prores_422_hq_108 0&frame_rate=f25&length=21&length_type=minutes

FCP External Video Playback problem with HDV

Hey all. I just got the Canon HV30 HD camcorder and it is excellent. I am able to import the HDV footage to FCP no problem. I'm recording in 24p mode by the way.
I can't seem to get playback from the timeline back to the Canon so I can see the edited footage on the Camcorder's LCD screen. I've tried everything. All the settings seem to be grayed out. How am I suppose to get my edited footage from the computer back to tape? Help is much appreciated!
Greekappi

I'm not the person at our facility that does this, but we do it all the time. However we are using the Sony HDV decks, 25U or something like that.
I have also seen the stuttering video you described, I'm not sure why it does this on some projects and not others, it is very random. When it does stutter I render out a complete self contained Quicktime and then print to tape from that. However, I occasionally still have this problem with that? But it does seem to help more often than not.

Send to Speedgrade and Export EDL problems

So I'm working on a small series. I've got a final cut on Premiere Pro, and having already tested out Speedgrade I would like to use that for my final color correction and export. However I'm running into problems I'd never run into before. First the "Send to Speedgrade" option. When I use Send to Speedgrade, having my sequence selected, for some reason it is only exporting the audio and not the video. Once Speedgrade opens all I have is the .wav in the timeline from my sequence, but nothing else, all on one track. I've tried making sure my video was all on one track in Premiere Pro, and exported the audio and re-imported to put that on a single track in Premiere Pro as well, but still no joy. Seems strange cause I've never had this issue.
So I tried the export as EDL function, which never seems to work cause certain "edits" are not supported (even though it's just simple cuts.) In another forum I found out the issue can also be with the audio, so I tried to cut the audio from my sequence in Premiere Pro, export as EDL, and then open up that within Speedgrade, and importing the aformentioned audio track separately on the speedgrade timeline. This lets me open the EDL no problem (no red error message) and then reconnect the reels using my desktop, but my issue then becomes the audio. I can bring the audio in fine, but I didn't count on the fact that when I rebuild the reels it uses the audio from the original files as well. (obviously I can mute the track, as I just realized that simple fix while writing this issue up, but I still feel like I might be doing something wrong - because when I try to consolidate all the audio/video onto two separate tracks in Premiere Pro, it'll let me open the EDL I export into speedgrade, but the audio is still not showing up unless I import that separately.)
Anyway this is just weird as I never ran into these problems before. They might be first version issues that have been resolved, but I refuse to update speedgrade because everytime I do it crashes on startup, and no one has helped me with that previous issue, and despite my best efforts at resolving it using the forums I haven't had any luck.

Regarding the problem when you "Send to Speedgrade" and only the audio shows up, I just worked through the same problem (Premiere Pro CC 7.01)
You need to make sure the "work area bar" is selected around your timeline that you want to send to Speedgrade. If it has disappeared mysteriously (as it did for me), simply double-click where it usually shows up and it will reappear, with in and out points set to the extents of your timeline. Then send to Speedgrade and the video is sent along with the audio. Seems like a bug, or at least something that can be better documented. Though I suspect this workflow has changed in 7.1 ...
Cheers
Andrew Kornylak
fourmilemeda.com

FCP 7.0 upgrade problem recognizing serial number

I am upgrading from FCP 6.0.6 to 7.0 on my new MacBook Pro but I can't get the installation disc to recognize the serial number. If I enter an incorrect number it will immediately say so, but when I enter the correct number I just get the spinning wheel. I've tried reinserting the disc, restarting the computer, etc. etc. but nothing will get it past the serial number page. The computer meets all the system requirements for 7.0. Also, I did successfully use the 7.0 disc to upgrade FCP on my MacPro desktop machine so I know the installation disc is not defective. Any ideas?

Thanks but that did not solve the problem. So, I went back in and uninstalled FCP 6.0.1 (following instructions on the Apple site) and reinstalled it. FCP 6.0.1 works fine but the upgrade still fails to get past the serial number input. I have another 7.0 upgrade disc here at work so I tried it to be sure it's not a problem with the disc. I did get a different result with the other disc: after inputting the 7.0 serial number, another prompt opened and asked me to input the original serial number for 6.0, which I inputted. Then it too went into spinning wheel mode. It must be searching for something and can't find it???

FCP Studio3, already RT problems?

Hi,
I am working on an absolutely brand new macbook pro, 2.8ghz 4gb ram model. Ever since the first day of operation Final Cut seems to be giving me major problems when trying to play back very simple video sequences. For example, i import a range of 1080 50i hdv footage into the appropriate bins on the left (the sequence settings are all correct), drag it into the time line to start editing, it plays fine. I add just one more layer of video, either a layer of text or one simple filter and it just stops and gives me the familiar "FRAMES DROPPED" message, cannot play RT bla bla.
I have altered all the appropriate things that i can from the help section of "things that may slow or alter the ability to play back in RT". I have changed the frame rate to dynamic, medium etc. i have tried to lower all playback options to optimise speed, but yet it STILL stops playing the sequence and gives me the RT/dropped frames message. I thought maybe its because I was editing some footage from an external harddrive that this had something to do with not being able to keep up, but i have eliminated this after transferring the footage to my internal drive and still having the same, really annoying issue.
The reason this makes no sense to me and shocks me IS that I was previously working at another place just weeks ago where the imac's and macbooks were of less grunt but could handle editing multiple layers of video (with several filters), audio and text altogether no probs. Why will FCP all of a sudden, for me, not even handle 1 layer of video with 1 layer of text? This computers specs are by far way more better than the ones i was previously using. Does something need reinstalling, or is FCP not accessing the RAM properly or something? It feels like there is no RAM and no processing power.
Any help or explanation appreciated greatly!

fowler123 wrote:
The external Drive was a 1TB (with plenty of room), although it was USB connection, dont know the rpm sorry. Will FW800 change things considerably? Maybe its a case of FCS 3 being a bit more intensive than FCS2?
At previous places, all media was saved on to external FW Drives and we worked completely from them. Although they were older Imacs so they only had a FW400 port so the drives were transferring at that speed.
USB is your issue. Use FW. If you can get FW 800 drives, so much the better. There will be a time when the FW will hit too much on transfer, but will beat USB. USB really is pretty limited on the Mac, okay for some things. Small files, pen drives, transferring files from a compact card reader. But video, nope.
EDII: Whoops see David also responded when I was typing (got a phone call and stepped away in the middle of replying)
Message was edited by: Drew13

FCP 7.01 EDL problems

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