FCP 7 and Sony AX2000

I'm considering getting this camera. However, I've heard and read some bad things about FCP not really liking AVCHD. But at the same time, my $300 Panasonic takes AVCHD video and FCP 7 "logs and transfers" them with absolutely no problem.
I guess I have two questions. Does anyone have any experience with this camera and FCP 7? And has FCP 7 resolved the AVCHD issues it had in past versions of FCP?
Just looking for some insight before I drop some coin on this camera/format.
Thanks!

What am I to make of the fact that my AVCHD Panasonic files "log and transfer" with no problems?
That Panasonic talks to Apple to make sure that their cameras work with FCP. Meaning that FCP will see the card structure, see all the clips, and be able to transcode them all without problem. Unlike say SONY, who makes a new camera, and if you record audio a certain way, a 10 min clip will take 4 hours to import. And, the timecode you set in the camera didn't get transferred to FCP. That's a problem.
At least, I don't know what the potential fall-out might be, as I will use Compressor to render the final version anyway.
Listed above...slow import, missing important data...and often FCP is completely unable to import the footage because the AVCHD format is different enough that FCP can't read the card structure, or can't convert the footage. This is VERY common with Canon consumer cameras, and some Sony consumer cameras. Then you need to look at outside solutions, like ClipWrap. Doesn't matter what you use to render out, if you can't get the footage into the computer in the first place...you have nothing to compress!
Shane

Similar Messages

Capturing Issues using FCP 7 and Sony HVRZ7U

I am using FCP 7.0.3
On a Mac Book Pro OS 10.5.8
With 2.33 Ghz Intel Core 2 duo processor
I am capturing HD tapes to a WD 2TB external drive.
I am using the Sony HVRZ7U as my playback deck All HD footage was shot on Sony HVRZ7U and Sony HDRFX1.
I have my capture settings set to HDV apple pro res 4222
A. I have noticed that FCP is not capturing in “real time” is this due to the hi res capturing setting? and do I need to let FCP finish process footage even though tape is done with capture? (This usualy adds another 20mins per 1 hr off footage) Is there something I can do to maintain high quality and not have to wait for FCP to be behind capture?
B. Having already gone through aprox 20+ tapes I have come across a few tapes that wont capture? is this due to the fact that not all tapes came from the same camera source? or is it perhaps a bad tape? or something in FCP that went buggy? i tried the usual dumping my preference files, but still fcp keeps frezzing on the capture and then not saving any of the file. I tired to capture smaller portions of tape but still no mater where on tape I try to capture I get same problem

A. Yes and yes. Only by increasing the speed of the processor.
B. Maybe because of the different camera types, what cameras are they? It could be a bad tape. Can you view it playing back in your camera?

FCP 6 and Sony HVR-V1U 24p; can't remove 3:2 pulldown or convert to 24 fps

Hi, all, I'm hoping someone can help me out here. I recently purchased a Sony HVR-V1U HD camera that has a native 24p setting (using 60i with 3:2 pulldown to store on miniDV tape).
I have just started experimenting with pulling footage off this camera into Final Cut Pro (6.0.3), and am having some problems getting things to work using log-and-capture. Specifically, it seems I can either choose the ProRes 422 setting and effectively use a "capture now" capturing method--which gets me native 24 (or 23.98 if 24pa is used) frames per second--or I can use the 60i setup--which gets me the standard log-and-capture window where I can actually log my clips, but brings them in at 29.97 fps.
I would make due with the 60i setting since that allows me to batch capture clips I want from my footage... however, I am not able to alter the frame rate or remove the 3:2 pulldown using cinema tools (I get a "unable to find clips with 29.97 fps" error, when the properties clearly list the clips as having 29.97 fps).
Can anyone help here? I'm quite accustomed to using the log and capture window so the "capture now" method seems very inconvenient; but if I can't get the clips transcoded to 24fps somehow I'm not sure what else I can do.
Thanks in advance!
John

Capturing HDV uses a somewhat different workflow than regular DV and other I Frame formats (if that is what you have been used to so far).
[Read this|http://documentation.apple.com/en/finalcutpro/professionalformatsandworkfl ows/#chapter=2%26section=0] to make sure that you are doing it right and not missing something along the way.

Anamorphic dilemma FCP-HD and Sony PD170

I've shot anamorphic 16:9 video with my PD170 and am not, now, able to Log and Capture with FCP 4.5
I get a message that my camera/VCR is not connected. It is. iMovie can see it and FCP can also import as 4:3. That's not, obviously, what I'm looking for.
I think I've tried all the sequence and device settings suggested in the User's Manual and also the Visual QuickPro Guide.
Has anyone encountered this problem who can offer a suggestion?

Have you done some upgrading in the last few days?
Try reading the first post on this forum and see if that doesn't help. It's a stickie, so it isn't going anywhere.
Also -- do some normal stuff like repairing disk permissions and trashing your preference files for FCP.
-- try those first and then resort to the post above.
Good luck and welcome to the forums.
CaptM

How can I download a Sony AX2000 to FCP?

How can a Sony Ax2000 download footage in 1080i, 30p, and 24p recorded settings to FCP with so many options available? I have used Imovie for years and mastered it. My Sony sr10 and Imovie were a snap to download, but now with the use of my AX2000, and wanting to use the FCP I bought a while back, and have waited to tryout, I am anxious to use FCP for the first time. Plus, FCP seems very technical at this point. It`s like going from a motor vehicle, to a space shuttle. It doesn`t appear as easy as it seems. Needing help! Needing answers! Thanks, Rob.

Your camera shoots AVCHD.
Link: Working with AVCHD in Final Cut Pro.
Link: Video Tutorial.

Sony AX2000 transfer to FCP

I am looking to buy a Sony AX2000 for my productions. Can I transfer all the files shot in HD into Final Cut Pro 6.0.6 while using my two macs, one is a Dual 2.3 GHz Power PC, Mac OSX 10.5.8 and my other one is a Dual 2 GHz Power PC G5, Mac OSX 10.5.8? I do NOT want to render. We use tapes now, and capture and scratch. We want to upgrade to PRO HD cards to save us time in productions. Can someone please help me and give us the best options for NOT rendering! Do they come in as MOV files?
< Edited by Host >

I have the Z7U and like it. It records to tape and compact flash, so you have your backup. You have to download a Sony utility to log and transfer the footage into FCP. In log and transfer you can't preview the HDV footage which is what the Z7U shoots. So basically I import the whole clips and edit in FCP. Isn't a problem for me, but may be for some. Can preview other formats. A lot of people don't like HDV. I sometimes capture mine as ProRes through an AJA IoHD, but always render as ProRes, so get around the HDV most of the time.
However, I see you are using a PowerPC machine. Don't know how the tapeless format works with that. I would for sure do research on that before purchasing a new camera. I have an Intel machine (originally used on a Dual core intel) using FCP 6.0.6.
It is a fairly large, heavy camera. The picture quality is fabulous. I notice improved quality over my old Sony FX1.
Depending on what you are using it for, many people might prefer something smaller and lighter, which is what I would do if I was in the market for a second camera.

FCP settings to read Sony AX2000 SD 480/30p files?

How should I set FCP prefs/settings to be able to read (log & transfer) Sony AX2000 SD 480/30p (MPEG-2 PS) files? These files have been downloaded to a hard disk in their original Sony folders.

Sony has like 2 or 3 plugins for FCP's Log & Transfer interface. You need to download and install them. I'm not sure what the URL is on Sony's site, but you'll need Sony's plugins for sure.

I have just upgraded from the old G5 to a new one, however I can't log and capture on the newest FCPs off my Sony Z1.. please help, deadline coming soon

I have recently just upgraded from my old white powerpc G5 which did not allow me to edit in HD and I had to down convert all my footage to edit in DV. I have bought the newest FCP studio, and I had to order a new firewire as my new desktop does not take the old one that I had before. The new firewire that I have which is the only one that fits into my iMac from my sony Z1 is a Firewire IEEE1394-B (800) 9 pin to 4 pin .
My Mac : Processor- 2.8 GHz Intel Core i5
Memory- 4GB 1333 MHz DDR3
All my settings are set to HD and the ilink convert is off, and VCR is set to auto. Why is it not reading my Z1???
Please someone help me, i have been using FCP for years now and have not come across this problem before...

camera not recognised in system profiler just says maximum speed up to 800mb/sec
still says "unable to locate the following external devices:
HDV (1440x1080) 50i" in FCP when i try easy setup
Try a different cable first ... it might be a connection problem
VCR HDV/DV- Auto
Component- 1080i/576i
i.link convert- off
down convert letter box
A/V-DV OUT- off
Bit of guesswork here - haven't used a Sony in a while - but try these:
• HDV/DV to HDV
• downconvert off/none?
mish

I record with a sony ax2000 and use the 1080 60i setting. what should i edit with when using adobe premiere ele 10

I record with a sony ax2000 and use the 1080 60i setting. what settings should I edit with when using adobe premiere elements 10?

smannino
You have duplicate threads on this issue related to project preset suggestion for your 1080 60i video.
I have responded to your question in the other thread
if i record with a sony ax2000 using 1080 60 i what is the best editing setting to use with elements 10?
Please reply in that other thread.
Thank you.
ATR

Unable to capture in FCP, Quicktime and iMovie, camera not recognized.

I am unable to capture in FCP, Quicktime and iMovie.
I have been dealing with this problem for quite a while now, and I think I have tried everything posted on these forums regarding this issue. I have been to the Quicktime, iMovie, and this FCP forum looking for the solution. Hopefully someone has a suggestion that I have missed or have not tried yet. I have a Powerbook G4 running OSX Tiger 10.4. I am running Quicktime 7.04, and FCP 4.5.
My problem is this… I am unable to capture from my Canon ZR-200 Mini DV camera, using Final Cut Pro, iMovie and also Quicktime. FCP says no camera recognized. iMovie says no camera attached, and Quicktime says no recording device found. In FCP, I am using the Firewire Basic setting, and NTSC DV settings. I have captured in FCP with the same camera several times in the past. I think the problem started when I upgraded to OSX 10.4, or one of the Quicktime upgrades.
Here are the details…
- Camera is connect via Firewire. I have tried the built in ports, as well as a Firewire Carbus card.
- OSX recognizes the Canon ZR-200 in the System Profiler, so I know the computer sees the camera.
- I have tried the camera on a Windows XP machine, and capture works perfectly, so I know the camera is functioning properly in VTR mode.
- Deleted my FCP pref’s using FCP Rescue.
- Deleted the Quicktime receipts, and re-installed Quicktime 7.04
- Reverted back to Quicktime 7.01
- Set the audio to 44.1 in the the Audio MIDI setup in the Utilities folder
- Tried the “GarageBand” fix, opening the programing, playing a few notes and closing.
- I have installed Quicktime using the program “Yank” to completely delete Quicktime and re-install.
I may have tried more solutions, but these are the fixes that I can recall.
If anyone has any others suggestions, it would be much appreciated.
Brent

Hi Brent:
Although it looks as if you have tried all of the 'fixes' that are normally suggested here, please read through this Apple Article to see if some obscure thing applies to you.
iMovie: Cannot see or control camera
http://docs.info.apple.com/article.html?artnum=43000
Sue

Graphics render bug in FCP 6 and 7 - Dare to prove me wrong?

I have an issue with an HD video that contains red and purple text and graphics in the edit. I've looked for an answer tirelessly online, with friends, and through trial and error for a good 7 hours before giving up. Here's the deal,
Sequence settings: HD 1440x1080 16:9, 23.98, HDV 1080p24 for editing the canon7d footage that came in - this however doesn't matter because i tested with every setting imaginable including animation raw and ended up with the same results for the graphics problem I'm having (kind of unrelated to the actual footage).
I need to output this 9 minute edit I have to an HD file 1280x720 for youtube upload. So, it has to be under 2gb (youtube's limit) but for client purposes, it needs to be crisp and great looking as you would imagine.
I have a bunch of PSDs, each show a different line drawing of a brush. For each one, the line is a different color. For any of the colors that aren't red or purple, they render crisp and wonderful in final cut pro over top the video. However, the graphics that have the lines that are red or purple, come out pixelated and blurry no matter how i try to render them. The only solution that worked was to render and output them with the animation codec. ProRes HQ worked too but not as well. However, this makes a file way too big. Whenever I went from animation to h264 or from FCP to h264, or any other web friendly format, graphics come out way pixelated. It makes me frustrated as to why all the graphics that were exactly the same except not red or purple came out perfectly crisp. Also, why is animation codec the only codec out there (besides uncompressed obviously) that will create clean edges in these red/purple graphics?
Conclusion: Found that reds and purples are the only colors that seem to be effected when rendering the graphics. Everything else comes out nicely. Animation and pro res codecs aside, any codec making the video small enough for the web (less than 2gb) resulted in the problem of pixelation with the red and purple graphics. Based on extensive research I did online, I was surprised not to find many people posting about the exact same problem. For the issues I did find that seemed related, people concurred that HD nor regular DV video do a good job rendering bright reds or variations of red. Because I found no solutions online or from all the things I tried in the list below
-re-rendered the PSD's in Final cut pro with variation of sequence setting to see if that would make any difference - it didn't. Tried all kinds of different settings in export for h264, keyframes, max quality, etc. no luck.
-tried rendering to "Animation/uncompressed" as far through the process as possible. For instance, I outputted a perfectly crisp "Animation" file that was perfect looking. As soon as I re-exported to h264, mpeg4, or sorenson, or any other codec dropping the file size down, all results returned pixelated results for the reds and purple graphics.
-made sure photoshop settings were all good, even copied and pasted psd into new 1920x1080 project, played with DPI up to 300 to see if it did anything, saved as different formats TIFF, png, eps, layers, flattened, 8-bit, 24-bit, 36-bit, etc., none of the formats worked correctly.
-outputted my own purple and red graphics and text and rendered in final cut to see if the file had anything to do with it. same problem with my red and purple graphics and text.
-Tried adding slight moving grain to the graphic in Final cut to try and trick FCP to thinking it was a video instead of a graphic and therefore render it smoothly.
-consulted with 2 other video editors/media experts, ended up frustrating them as well (and hurting their ego a little since they were sure they could figure it out)
-Ran the shot and graphic through after effects and premiere pro separately (different video programs) to see if final cut pro was causing the problem, same problem with those programs.
-tried rendering on a different mac, still the same.
-Actually upgraded my final cut pro version to the new version (now Final cut studio 3). Ran tests on new version of final cut pro, same exact problem.
-added black edge to purple graphics to see if that did anything different to the rendering. Didn't help
-Changed the hue of the graphic to anything other than red or purple. Wouldn't you know...That fixed it.
Here is a link to the Animation Output of a half second of the edit with a sample red graphic crisp as can be for you to test (12.7mb) -
http://www.robinsonhope.com/downloads/makeup_animationtest.zip
Here is a link to view screenshots before and after to show you what rendering does to the graphics.
http://www.robinsonhope.com/downloads/makeup_ss.jpg
In case you'd like to try and find a solution, please download the link to the HD animation half-second clip and output to h264 or any other web friendly codec that would show these red graphics clean and not blurry and pixelated. Other rule is after doing the math, a 9 minute video with the compression you choose would need to be under 2gb. This shouldn't be too much of a problem because even a 1280x720 h264 at max quality for a 9min video is still under 2gb.
The first person to show me that you are truly a FCP guru and can solve this, post a link of your successful solution, I will praise you as genius all over this forum. I will also be eternally grateful. Live in LA? I'll also buy you dinner, Haha. But seriously...

Welcome to this forum,
Sorry to hear you so struggling with this issue.
And I doubt whether I can solve this for you, but I can say a few things.
The title of this thread is:
Graphics render bug in FCP 6 and 7 - Dare to prove me wrong?
I'll prove you are wrong. Or actually you've already proved yourself wrong in your post:
-Ran the shot and graphic through after effects and premiere pro separately (different video programs) to see if final cut pro was causing the problem, same problem with those programs.
Seams that I try to annoy you, but I'm not. It's not a joke. The fact that other applications can't handle it as well AND the fact that Animation Codec (Which is pretty lostless) does not have this problem, tells you that the problem is likely the low compression you want OR the footage itself. And I dare say it's BOTH.
I downloaded your testfile and have opened it in FCP and I can see in the Vectorscope that your color Red is too hot.
[Click here|http://i843.photobucket.com/albums/zz356/rienkL/Screenshot2010-04-02at1324 20.png] to see the vectorscope of your picture?
You also see the small boxes (clockwise)
Red, Magenta, Blue, Cyan, Green, Yellow. The signal of your picture should stay somewhere between those boxes. You should read [this article|http://www.larryjordan.biz/articles/lj_scopes.html] (two third on the page) about the vectorscope. Also has a picture with the range to be broadcast safe.
So back to your picture and your vectorscope. You'll see that just along the right side of the R in the vectorscope there's a peak which goes way out of the range. And that's exactly the color of your graphic.
I tried isolating that color, reducing the saturation, and then do an export, but that failed. You should adjust that within the PSD's first and then see how exporting goes.
So now you are thinking: My client wants his own colors! Sure he does. But those colors were probably designed for print, which does have another colorrange. Simple technical story. You're bound to specific saturation. Going over that means troubles....
And I'm not claiming that your problem will be solved when you adjust this. It is still possible that h264 just doesn't like red too much. Maybe that's on purpose. Our eyes are most less sensitive to red, so that gives the compressor some extra room to compress in the reds (Don't know if this is what compression developers do; just thinking out loud, just an idea...)
Hope this helps at least a little.
Rienk

What Compressor codec should I use for footage recorded on a Canon T3i, edited on FCP 6, and intended for Vimeo?

I am looking for help!
My planned workflow is as follows:
Footage recorded on Canon Rebel T3i ---> Edited on Final Cut Pro 6 (sequence compression is apparently H.264 according to the browser) ---> Compressed with Compressor (ver 3.0.5) in original 1920 x 1080, 24p format ---> Uploaded to Vimeo
I am now at the point where I am trying to find a Compressor setting that will create a compressed movie that looks somewhat similar to what I see in the canvas in Final Cut Pro 6. I have tried using the H.264, Apple ProRes 422(HQ), HD Uncompressed 8-bit, and XDCAM HD 1080p24 settings and in all cases, my movie plays back fine, however, the brightness/exposure seems to be hiked up a few stops and there is a substantial amount of noise in both the blacks and midtones that doesn't appear in FCP's canvas.
My compressed movie I wish to export is only intended for Vimeo (similar to Youtube). Is there a different setting I should be trying, or perhaps a way of downloading a more effective or current codec?? Any suggestions are greatly appreciated as it is very disappointing to see my movie degraded so much from its orginal quality.
Shaun M

H.264. But the FCP Legacy (FCP 7 and earlier) Canvas and Viewer aren't color accurate. Not designed to be. Their purpose is to show you what you are doing, show you the footage so you can make editing decisions. For color accuracy, the ideal way, since this was designed with television and feature editing in mind, is to have an IO device like those AJA.com and DECKLINK.com make, and send the signal to an HDTV or broadcast monitor.
Apple has realized that more and more people are editing for the web and computers only, so they made it so that FCX's viewer IS color accurate. So...what that means is that currently, using what you have, you won't get things to match....they aren't designed to. So you can adjust for what happens when you export.
But a big issue is that you are editing H.264 in FCP native. FCP doesn't work with H.264 native well, all sorts of potential issues can arise. Sync issues, quality issues, the correct shot be exported, all sorts of things. FCP works best with the FCP editing codecs. What are they? They are found in the EASY SETUP list. But for HD, the most commonly used option is ProRes 422. There is a BIG problem that FCP Legacy will SEEM like it'll work with H.264 natively just fine...it doens't throw up any warnings. That is bad. Also something Apple fixed with FCX.
The fact that you are editing H.264, and trying to export H.264, might also lead to the footage being more off that it would if you edited ProREs 422, and exported H.264. Note...H.264 is a higher data rate codec, and easier for FCP to work with...but because it has a higher data rate, the file sizes are much higher than the original H.264. 5-6x larger. FCP 7 did have a way to import Canon 5D, 7D and T2i (needed a hack with the T2i) via Log and Transfer. But it doesn't work with the T3i...not even with that hack. Because FCP 7 was no longer updated after the T3i came out. It's 4 year old software, discontinued 2 years ago.
If you want to edit native, you need to look at Adobe Premiere Pro CC. It's interface is more accurate too.

I have a FCP event and project with all accompanying media saved on a harddrive. I am now attempting to open the files on another computer that also has FCP X. I cannot figure out how to get it to open.

I have a FCP event and project with all accompanying media saved on a harddrive. I am now attempting to open the files on another computer that also has FCP X. I cannot figure out how to get it to open.

The events and projects folders have to be on the top level of the drive for FCP to recognize them.

Anybody experience with FCP X and Macbook pro 15inch 2.2?

My old mid 2009 macbook harddrive died on me today, and I'm thinking to upgrade. Sell the old one and buy the new 2011 2.2. The old one was slow in rendering and had lots and lots and lots of spinning beachballs. Was I pushing it too hard? Don't know, but it was horrible. I lost so much time.
Anyway, does anybody have this combo fcp x and the new 15inch macbook pro with the 1gig card and what are your findings??
Thanks
Peter

I've got a 2011/2.2/8GB/6750 running FCPX. Once I troubleshooted my external HDs (a Drobo that was nearly full with Time Machine backups was slowing down the entire Firewire bus) things run a lot better. I'm currently storing video on a Promise Pegasus R4 Thunderbolt RAID and the entire system is pretty snappy. The only slowdowns are:
1. clips, events, and projects on slower hard drives can slow down launching the app and screen refreshes
2. FCPX is still flakey. It will run great for a whole day and then will refuse to launch the next morning.
3. exporting through Compressor is slow, particularly when I'm under deadline! 10 minute HD segments can take an hour or so. The Activity Monitor shows the CPUs maxed out, so I suspect that's the bottleneck. I've tried setting up distributed rendering but it doesn't work quite yet.
4. FCPX can be a RAM hog, so if you're a rabid multi-tasker like me, prepare to beachball or change your wicked ways.
All in all, FCPX runs pretty well on my MBP. If video editing was my main line of business, I'd seriously consider a Mac Pro stuffed with RAM and as many cores as I can find. I might wait for a newer one with Thunderbolt though for a bit of future-proofing.
Hope this helps...

When i install the new os my fcp,motion and many adobe software not working so please help me out.

when i install the new os my fcp,motion and many adobe software not working so please help me out.
there are so many videos on youtube but i want know any solution from apple side plz my so many works are pending becuze i am working as Video Editor.

You need to be more specific about which software applications you're using, the versions and what happens when you try to open them.
It would also be nice if you could include which model MacBook Air you're using.
Clinton
MacBook Pro (15” Late 2011), OS X Yosemite 10.10, 16GB Crucial RAM, 960GB M500 Crucial SSD, 27” Apple Thunderbolt Display

FCP 7 and Sony AX2000

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