FCP 7 Sequence Aspect Ratio Issue

I apologize in advance if I'm using to incorrect terminology.
I've upgraded to FCP 7 and my questions concerns aspect ratio. I've just finished two sequences which are ready for export. When I first started capturing video from my Sony DCR-HC-30. I did notice a warning that came up, something to do with a conflict between the imported video and FCP settings - I selected to have FCP modify the preset to match and imported the video.
My sequence summary is: 720 X 480 frame size, 29.97 fps, pixel aspect ration is NTSC-CCIR601/DV. Under my Sequence setting menu, the sequence is identified as NTSC 720 X 480 NTSC DV (3:2).
My "easy setup" shows the Seq. and Capture preset as DV NTSC 48Khz and the device control as DVCPRO HD Firewire.
All I want is a standard NTSC format to view on a standard NTSC TV, shouldn't the aspect ratio be 4:3?
Thank You

Mr. Holmes,
Thanks for your prompt reply - the information was most valuable. I've been playing around with FCP and Express since version 1 (strictly amateur home stuff, and I can't remember seeing the 3:2 ratio displayed before - probably not paying attention. Good, I'll started the finishing touches and export.
The final product will be going to DVDS Pro, would you recommend using Compressor or Quicktime Conversion? I've always used Compressor in the past, but just read something about (perhaps) just using QT Conversion. If I could bother you with one more question - under the Easy Setup option, sub option "use" shouldn't my setting reflect/show DV-NTSC? Right now it's showing "custom setup."
Thanks again for your response, very much appreciated. Regards.

Similar Messages

FCP 7 Sequence Aspect Ratio Conflict Question

Hello,
I am working on a project that is DV/DVCPRO-NTSC, 29.97 fps, 720 x 480, Pixel aspect is NTSC-CCIR 601. I am trying to do two things with my project, one is to create a DVD for one to watch on the TV. The second is I am trying to create videos that I want to upload to youtube. I am having some issues with exporting for youtube which I am doing from FCP 7 and tried using compressor as well. The issue is that I am left with black bars on both sides of the video when I upload it at 720 x 480. When I add the tag yt:stretch=16:9 the bars go away but it looks like the top of my video is cut off as the persons head in the video shows from the nose down.
Someone suggested that I should export it as 720x404 Squared pixels, and
de-interlace it as well, in order for me to get rid of those black bars on both sides of the video that I am using on youtube.
I tried this and uploaded the 720 x 404 video to youtube, and there were no more black bars but now it seems stretched. For example there is a person in the video dancing, so in the new 720 x 404 video he looks fatter. It is like those carnival mirrors that make you look short and fat is the best way I can describe it.
Is there a way to have the video on youtube without black bars look the same as the video (720 x 480) with the black bars on the side? I am trying to upload a video on youtube that has no black bars and that is not stretched.
I really appreciate any help I can get!
Thank you,
Brad

Or you could scale up the video so it fills a 16:9 canvas, cropping the top and bottom, though this is not a very good solution for your image. You need to start shooting 16:9 if your delivery goal is going to be YouTube or pretty much anything these days.

Can you help me solve my aspect ratio issue?

Hey guys,
I'm posting this in hopes that someone can help me solve an aspect ratio issue with a project that I have to finish by tomorrow.
I'm trying to avoid having to re-edit the entire thing.
I shot the project with my Nikon D7000 DSLR. in 720p 30p (29.97)
I am running Adobe Premiere Pro CS5 (the trial version). I have the full version of Adobe Premiere Pro CS3.
The reason I was working with the trial is that CS3 can't handle the H.264 MOVs that the D7000 records.
You can work with a timeline, but if you try to export anything, it never works. I always have to convert my footage to ProRes MOVs with MPEG Streamclip before I can work with them is CS3. That takes a lot of time and a lot of hard drive space. After much research, I found out that CS5 is the way to go for DSLR footage. I just need to save up my pennies for the upgrade.
So I thought I'd edit this short (1 minute) project with the trial to see how CS5 works with the D7000 footage.
Upon installing the trial program, I found that the project presets were limited. I knew this ahead of time because it's clearly stated on the Adobe's website.
But I wasn't aware how limited they are.
Since "DSLR 1280x720p 30p" is not an option with the trial, I was going to use HDV 720p 30p. But that was not an option either!
So basically, my only option for 16x9 30p was "DV NTSC Widescreen". It's my understanding that this is 864x480 (in square pixel aspect ratio) or 720x480 (in widescreen pixel aspect ratio) I needed the output file to be 864x486. I downsized the footage to 69% in the "Video Effects: Motion" setting so it looked correct in the project. I didn't think about those extra 6 pixels until I outputed the file and saw thin black lines on the top and bottom. My guess is that Premiere is adding black pixels because my project is technically 720x480 (1.2121)
Any thoughts on how I can get a clean 864x486 export? I'd rather not re-edit the whole thing...which I would have to do in CS3 after I spent a few hours converting the original files in MPEG Streamclip. I don't know if there is a way to export something out of CS5 and then open a new project in CS3 to make this work.
Thanks in adavance!
- Jordan

On export, just crop a few pixels off of each side; that'll let the image scale correctly to the output frame size without black bars.
I'm not running the trial, but you should still be able to create a custom sequence preset using the Desktop editing mode. Just switch over to the General tab when you create a new sequence, and choose "Desktop" from the editing modes. Set the rest of the parameters as you need them.
Even easier: once you've imported your footage, just drag a clip to the New Item icon at the bottom of the project panel; a sequence will be created matching your footage parameters. You can edit at full-resolution, and then export to your desired frame size when complete--you'll probably still need to crop a few pixels (in the Export Settings window) to eliminate the black bars.

FCP: Motion Distort Aspect Ratio -33.33?

Good morning,
I recently exported two different sequences from FCP. Both films were exported using ‘QuickTime Movie’ and ‘Current Settings’.
One of the films came out letter-boxed and the other did not.
In investigating this I found the only difference in the settings of two films seems to be that under the 'Distort' field in 'Motion' tab of the FCP Viewer, the Aspect Ratio for the letter-boxed video was set at '-33.33' while for the full-screen the Aspect Ratio was set for '0'. When I changed the -33.33 to 0 I got the full-screen, non-letter-boxed image I wanted.
Both films are also played with QuickTime player using ‘Conform Aperture to: Clean’ under the ‘Presentation’ tab of [Command]-J.
Why was the Aspect Ratio for these clips set at -33.33? Since I didn't set this, it must have been an automatic setting.
I'm sure I'm missing something here.
Cheers,
BurntMonkey

Studio X,
Thanks again. 'Squeeze Mode' is the DVX100B's solution to fitting a 16:9 aspect on a 4:3 chip. If I understand correctly when in the mode the DVX basically animorphically squeezes the footage onto the chip. Then when it is handled in post the footage is 'stretched' and you are left with a 16:9 aspect ratio.
Yes, when I first drag a clip to the timeline, I do get the message about the sequence settings not matching and do I want to change them to match the current clip. Is this when the Aspect Ratio is set to -33.33?
My question is still 'Why?' When I reset the aspect ration back to '0' I get the full-screen, 16:9 image that I was hoping for in the first place. But I'm wondering when this will come back to haunt me. I have burned a DVD using the exported sequence so everything seems to be OK.
Thanks for your help in understanding this.
Cheers,
John

Pixel Aspect Ratio Issues-FCP HELPP!!!

Okay folks, so currently I am putting together my reel in FCP, however I am encountering a few issues. So my source formats are different in pixel aspect ratio, some was shot on the 7D, some on the Alexa, and some on super 16mm, and a few after effects animations. However all of it is HD, and in ProresHQ 422. My problem here is when I import all of my media into FCP if the timeline is set to square pixels, the HD(1440x1080) footage looks squished, and if I set the timeline to HD(1440x1080) the square pixel footage looks blocky, pixelated and super square.
That said, some of the footage from the 7D is labelled as square and some is labelled as HD(1440x1080), and all the after effects stuff is square.
Right now i am dealing with it and just leaving my timeline as green-preview render, so everything looks mostly normal. However whichever format is not that of the timeline, the footage is degraded a tiny bit, so that when I pause the footage it looks great, but in preview it is slightly blurry.
My question is, is there a way to format everything as either square or HD(1440x1080), so it looks normal, or is there a way to use mixed media formats and not have the preview blur. I'm going crazy over here, as I just graduated and am in dire need of a reel so I can begin to apply for jobs, etc....Or is there a way to formate my prores setting to transform everything to square pixels?
Thanks guys!

You can use compressor to convert everything to square pixels, however there's no need to worry about how it looks in fcp when it's playing but not fully rendered. Try exporting a short section (mark an in and out around the section - and going file: export: quicktime Not quicktime conversion) with current settings. If you render the material, it should look fine when you play it within fcp. Unfortunately, the render settings in the sequence menu are not particularly intuitive, but do a little playing around with them if you've got the time.
I prefer to convert all my sources to my intended pixel dimensions, frame rate and codec before I edit in fcp, but it may not be necessary in your case.

FCP export aspect ratio issue

Hi everyone!
I would like to export HD footage with FCP using quicktime conversion. My original footage is 1920 x 1080 and I would like to to convert to 640 x 272. When I export I enter the desired size and tick "preserve aspect ratio". However the footage gets distorted. Can anyone help? Thanks, Jo

What happens if you open the clip in QT player, then go into the movie properties window (cmd-J) then under the presentation tab change the aperture display mode to "production"?
About QuickTime Aperture Display Modes
QuickTime 7.1 and later supports four aperture display modes that allow you to properly display video with nonsquare pixels (such as DV video) in QuickTime Player and other applications that support these modes. The four aperture display modes in QuickTime are:
- Classic
- Clean
- Production
- Encoded Pixels
To change the aperture display mode of a QuickTime movie:
1 Make sure a QuickTime Pro registration code is entered in the Register tab of the QuickTime pane in System Preferences.
2 Open a QuickTime movie in QuickTime Player.
3 Choose Window > Show Movie Properties.
4 In the Properties window, select the main movie track (not the video or sound tracks).
5 Click Presentation, then choose an aperture mode from the “Conform aperture to” pop-up menu.

Aspect Ratio issues getting 16:9 to look right, what is the best workflow?

Hi all,
I am having trouble getting my 16:9 footage to look right when I export, especially when playing on DVD. I shot the footage with a Sony HDR-HC1 which apparently shoots in 16:9 anamorphic. Originally when I imported the footage it appeared it the FCP viewer and canvas in 4:3 letterboxed form, the image did not look squeezed or stretched but appeared with black stripes on top and bottom.
I have tried several experiments with exporting this footage to dvd with the following results:
Using Compressor with 4:3 setting in export:
DVD Studio Pro track settings to 16:9 looks extra squashed vertically
DVDSP track settings to 4:3 image looks in proper aspect ratio but displays with black stripes on all 4 sides.
Using Compressor with 16:9 settings in export gives the same results.
In conclusion, if it appears in 4:3 letterbox in FCP viewer and canvas there is no way to get it to export and display in DVD with proper 16:9 aspect ratio.
I have also done some experimenting with re-capturing some of the footage from the tape.
For one sequence I recaptured the footage and it displayed in 4:3 without the letterboxed effect (filling the whole screen) but appeared squeezed, I am guessing that this is because of the anamorphic nature in which my camera captures the footage. No pixels were missing. In the FCP viewer and canvas it looked squeezed and did not display in the correct aspect ratio, however when it was exported via Compressor in 4:3 and then in DVDSP Track Settings put to 16:9 Letterboxed, it is displayed perfectly (letterboxed vertically, the image filling the width of the screen without the extra stripes on the sides).
So I thought that I had my solution here, although that did involve re-digitizing and batch capturing all 18 tapes used in the project, so its not exactly a quick fix.
This is where it gets a bit confusing. In order to understand where I had originally gone wrong in my workflow I did some more experiments, this time with the settings on the camera (which I use for a deck in batch capturing). I found the function on the camera where you can set the "TV Type" to either 16:9 or 4:3. I switched the TV Type to 4:3 and when batching it went back to the original letterboxed look (in the batch preview screen that you see while capturing), however when put into the viewer and canvas it was too letterboxed and looked squashed vertically. So then I switched back to TV Type 16:9, now it looks 4:3 squeezed in the batch preview screen (no letterboxing, no missing pixels), however when it goes into the viewer and canvas it becomes letterboxed like the original footage that I had described earlier.
So now even though I have switched the camera back to its original settings it will not display in that 4:3 squeezed look in FCP viewer and canvas.
So after all that my main questions are, in 16:9 can I view it in the FCP viewer and canvas in its correct (anamorphically converted) aspect ratio and still export it without the black bars on all sides?
(The FCP canvas seems to only display in 4:3)
If not, what setting do I need to capture in FCP in the 4:3 squeezed look I have described earlier?
(This is the only setting that I have found that displays properly when anamorphically stretched via DVDSP)
I know that this is a long essay so thanks for making it this far. I have spent weeks experimenting trying to find the best solution so please help me if you know how! I will be very appreciative.
Thanks
Liam

Hi there,
I am not sure if it is necessarily a bug, but its a matter of understanding all of the settings needed. I had the same problems for a while but after a fair bit of trial and error have found some workable settings.
It probably has more to do with the export settings rather than what viewer options have selected (I don't think that viewer settings affect your export).
What program are you using to export?
I am using compressor to export with aspect ration set to automatic 16:9. Then use DVDSP with the track set to 16:9 letterbox, it seems to export to DVD with the correct aspect ratio that way.
I am having trouble with the image strobing, looks like some kind of interlacing problem, but at least I have got it in the right aspect ratio.
Its typical video, solve one problem and it just creates another.
I am yet to find the absolute best workflow.
In response to Andy above, the original letterboxed footage probably did have something to do with the downconverting settings on the camera, as when I import without downconverting it does not letterbox. In the HDR-HC1 there is an option in the menu called "TV Type" with options of 4:3 or 16:9. I was reviewing my footage on a 4:3 television so I most likely had it set to 4:3 which created the letterboxing in the viewer when I then imported the footage.
Importing the footage in HDV solves the issue of aspect ratio, but creates a new problem with the image strobing.
I hope this was some kind of help to you.
Liam

Aspect Ratio Issues in Timeline

This may be a simple fix, may not be. I've searched the discussions, and have come close to an answer, but each topis is just slightly different than my specific issue.
Details:
Shot in 16:9 on Canon XL2.
Imported media just fine, clips looked fine in FCP, etc.
Imported archival historical photos and film footage just fine, put them in timeline and resized each individually. They also looked fine in the 16:9 sequence.
Created a new sequence where I tried a different cut on a later section of the timline. (I just copy and pasted the material from the original timeline into the new sequence. This may be where I went wrong.)
I liked what I had and so replaced the end of the timeline in the original sequence witht the newly edited section from the second sequence. (Same copy and paste method.)
Problem:
All of the aspect ratios for the original footage (16:9) and the b-roll (4:3) material was off (stretched, etc.)
I figured out how to change the origianl shot footage to its correct 16:9 aspect ratio, but all of the b-roll still is'nt correct--it's streched virtically, covering the bars at the top and the bottom of the canvas window. (The bars are black by the way, if this is an indication of settings.)
How can I get all of my b-roll back to fit the 16:9 aspect ratio of the project?

I was able to fix my issue...sort of.
I created a new 16:9 sequence and then pasted a copy of the original timeline into it. Because it was a true 16:9 sequence, all of the b-roll (still photos) were "squished" back into a 16:9 frame, hence making them look correct (because they had been stretched vertically over the 16:9). I knew the original 16:9 clip would also be "squished", but I knew I could manipulate the size of these clips much easier (they were all the same size, unlike the b-roll, there was no motion, etc.).
So, I took one of these clips and manually resized it's aspect ratio to fit the 16:9 exactly. Then I copied the clip, selected all of the rest of the clips that needed to be resized and pasted the size attributes. Viola!
Now my only concern is making sure when I export a QuickTime, and when I show it on a 4:3 TV, it will look correct, meaning it will not be stretched vertically to fit the screen, but instead will remain 16:9, with black bars on the top and bottom of the screen.

Aspect ratio issue when watching 16'9 idvd created DVDs on regular players

I am having problems with the aspect ratio of any DVDs that I burn in iDVD as 16'9 - The original video is 16'9 and edited as such in FCP, then exported with current settings selected and then in iDVD I select a widescreen project - preview of the project is fine and when the DVD is done it plays with the correct aspect ratio if I watch on the computer's internal DVD player - but my issue is when I watch on any regular DVD player (on a widescreen tv of course) all the video looks tall and skinny, including the menu. The only way I found to get the video to look like it's natural proportion is to switch the settings to 4'3 on the DVD player, then it creates almost a "super-widescreen" look where there are bars at the top and bottom of the screen. On the otherhand, when i used to shoot in 4'3 and create DVDs as 4'3 projects, I NEVER had this problem when watching on a regular DVD player on widescreen TV! It would take up the whole screen and look normal (I know it must stretch it to fit, but it wasn't noticable). I thought creating a 16'9 video I should be able to watch on a widescreen TV and it should take up the whole screen and look normal. Please help!

No, that is not the way it should work. This may help:
iDVD: DV widescreen 16:9 workflow from Final Cut Pro
http://support.apple.com/kb/TS2179?viewlocale=en_US
Final Cut Express: DV widescreen 16:9 workflow for iDVD at http://support.apple.com/kb/TS1611
and
Preparing your Final Cut Express or Final Cut Pro movie to work with iDVD at http://docs.info.apple.com/article.html?path=iDVD/7.0/en/6652.html

FCP 5 Canvas aspect ratio 1 percent hire than Viewer

Hi, I'm somewhat new to fcp and can't figure out this problem. Here it is:
The aspect ratio (if that's what you call it) in the viewer is at 86% and in the canvas it is at 87%. Both are set to "fit to window". How can I match these up or is it normal?
More Info:
Editing NTSC quicktime files. Sequence Settings are:
Frame Size: 720x480 NTSC DV (3.2)
Pixel Aspect Ratio: NTSC - CCIR 601 / DV (3.2)
Field Dominance: Lower (even)
Editing Timebase: 29.97
Quicktime video settings:
Compressor: DV/ DVCPRO - NTSC
Quality: 100%
Macbook pro Mac OS X (10.4.8) Final Cut Pro 5
Macbook pro Mac OS X (10.4.8)

To match them exactly, if you insist on using "Fit to Window", is to get the Viewer and Canvas Windows exactly the same size.
I wouldn't bother, just use 50% for both. Your realtime performance will be better, too, if you do.
BTW: Do you really want to be editing NTSC footage in UK?!
Also: it's not "aspect ratio", it's "window magnification". Aspect ratio is the ratio between the width and height of the picture, typically 4:3 or 16:9.

Export Self-Contained / Sequence / Aspect Ratio Question

Hello all,
I have source clips, that look like this, with a command+I in quicktime:
Format: 24-bit Integer (Little Endian), Stereo (L R), 48.000 kHz
DVCPRO HD 1080i60, 1280 x 1080 (1888 x 1062), Millions
FPS: 23.98
Normal Size: 1888 x 1062 pixels
Current Size: 1888 x 1062 pixels (Actual)
Now, in FCP, I have to chop this source up into smaller clips, so as I set in and out points, I drag to my sequence, and let FCP adjust the sequence settings to match the clip. It auto-adjusts to:
Frame Size: 1280x1080
Aspect Ratio: HD (1280x1080) (16:9)
Pixel Aspect Ratio: HD (1280x1080)
Compressor: DVCPRO HD 1080i60
Audio: 48khz, 24-bit, Channel Grouped
When I export my clip, I want little/no processing of the source file, and want the aspect ratio to be locked at the highest quality possible, with no funky pixel aspects ratios, etc. So, I export a Quicktime Movie (no Quicktime conversion) with "Current Settings", and I make the clip self contained.
The output ends up as follows:
Format: DVCPRO HD 1080i60, 1280 x 1080 (1888 x 1062), Millions
24-bit Integer (Little Endian), Stereo, 48.000 kHz
FPS: 23.98
Normal Size: 1920 x 1080 pixels
Current Size: 1920 x 1080 pixels (Actual)
So, obviously the pixel aspect ratio has done something in the export, as the original size was 1888 x 1062 and is now 1920 x 1080.
Is there a way to process these clips on export from FCP, where the pixel is a normal 1:1 conversion, be it at 1280x1080, 1888x1062 or 1920x1080 with DVCPRO HD 1080i60, in FCP? Or is this something I have to achieve in Compressor? I'm looking for the Quicktime info on the resulting clip to return the same size for: Format, Normal Size, Current Size.
Any help is appreciated! Thanks!

I have read this post over and over and there are some strange things going on with analyzing media now. I am absolutely sure that my HD footage (from a Z1U) used to be read by QT at 1440x1080 (1920x1080). Actual pixels were 1440x1080, a 4x3 aspect ratio, but displayed at 1920x1080. Used to be, like I said. I recently upgraded to OS 10.6.4, and QT 10 is quite a bit different. (In fact, other that the new skin, I haven't found any new features I like. Beside the point.) Now I get a QT readout like yours: 1440x1080 (1888x1062). A 4x3 capture aspect ratio and a 16x9 display aspect ratio, but not the same numbers. This can't be right--by law one of them has to be incorrect. I suspect the new version of QT. The same clip in FCP is read as as 1440x1080 with the HDV pixel aspect ratio (Edit --> Item Properties --> Format.) Furthermore, the readout from MediInfo Mac (endorsed by Apple) is even stranger: 1416x1062, a 4x3 aspect ratio, betraying yet another suspect data output. May be MediaInfo is correct, maybe not. I suspect no--my gut says FCP is correct, since it was once matched by QT. So, three analyzations and three results. The only conclusion is one or more of the analyzers is incorrect.
I suspect that the data readout in QT 10 is questionable. According to the Z1U manual, the camera records at 1440x1080, QT and FCP have this correct, but MediaInfo Mac does not. But the display raster information, as read by QT 10, has changed from 1920x1080 to 1888x1062.
So, I did a test. I followed the same procedure you did, including letting FCP set the Sequence Settings (it was correct). The QT 10 data readout from the exported movie was, like yours, 1440 x 1080 (1888 x 1062). Same results when I forced the Sequence Settings to HDV 1060i first. [FCP 6.0.6, QT 10.0 (114) ]. This was consistent with the QT 10 readout for the original, raw media.
My conclusion? Your movie is fine, there was no Pixel Aspect Ratio manipulation. The data readout in QT 10 is wrong. Sounds like a bug to me. I'd say MediaInfo Mac also has a problem--maybe they are both "drinking from the same poisoned well" somewhere deep inside the code.
Last resort: if you have access to an older version of QT, try getting the readout from that. I'm going to. If you'd like to know the results, let me know.
One thing you must do: check the Pixel Aspect Ratio in your edited sequence:
[Sequence --> Settings --> General --> Pixel Aspect Ratio]
Make sure yours is set to HD (1280x1080). Actually, check your camera manual to determine what it should be and make sure FCP is matching it. If not, force it.

Sequence Aspect Ratio for HD

I am transferring HD video from AVCHD into FCP 6.0.4, and I need to know what the correct setting is for the aspect ratio (in the sequence preset editor). The footage is captured 1920x1080 at 30p. I plug that all in, but the only choice for plain HD at 16:9 is at 1440x1080. If I want to select 16:9 it's called HDTV 1080i???
Can someone help me understand why there is not a setting for HD 1920x1080 in that window? Is it normal for me to have to select 1440x1080? Even though all the other settings are at 1920x1080???
Also, do i have to check anamorphic 16:9?
Thanks in advance!

I'm sorry, I'm a bit confused.
this time I set up my session/sequence to be for 1440x1080, transferred the media into the session. When I drag my first clip into the Canvas - the FCP pops up a window saying that the clip and the sequence don't match. I tell it to correct it - and it puts it back to the 1920x1080 - HDTV 1080i setting.
What am I doing wrong? Should I be converting it differently?
And which is correct - anamorphic or no???
Thanks

Workflow/aspect ratio issues

I'm going wrong somewhere, but I'm not sure where. I wanted to play around with the Color fx bin presets and see how they turn out on screen - somewhere along the way the aspect ratio has gone from 16:9 to 4:3 anamorphic and squished the picture. Can someone suggest where I went wrong and need to tweak my settings??
Here was my work flow:
1. Export a couple of clips from iMove which have been captured of an AVCHD camcorder
2. Export the XML to FCP
3. Send to Color
4. Applied colour FX to sequence
5. Render
6. Send back to FCP
7. Export to "Apple TV" using QT compressor setting in FCP (saved to desktop)
8. Dragged off desktop into iTunes... (uh oh! thumbnail looks like it's 4:3)
9. Sync Apple TV and play move... yep - it's anamorphic
I'm new to FCS so still finding my way about - but not played with any of the settings as yet.

Try importing the AVCHD files through the log and transfer window to FCP. Skip iMovie... In the log and transfer window there is a little button with a gear on it. Open that to set the preferences of AVCHD to be ProRes. Perform the import..
Then put the now ProRes clips in a sequence, and send to Color. Make sure in Color that the export settings are the same as what you imported to FCP. They are found in the setup room in the project settings tab... should use ProRes for this. Then follow the same steps you used before. It should come out 16:9.
Jerry

Aspect Ratio Issues in Premier Pro CS 5.5

I'm trying to produce a DVD for my daughter's school and my wife bought me a copy of CS 5.5 to help (thanks lovely wife!).
I made a number of rookie mistakes when originally trying to produce the final video, but I think I have managed to correct most of them. Sadly, the final product still does not play correctly on a DVD player.
Here are the attributes of the original source footage (from Windows):
And here are the settings from PP for a similar file (same settings, just a file from a little later in the filming process)
And finally, here are the settings for the sequence that I created by right-clicking on the footage in PP and creating a new sequence from the file:
The problem is this... The footage plays correctly in PP when previewed. It plays fine when exported as media and played on my PC, but when played through a media player (as a digital file) the aspect ratio is off and the file seems constrained horizontally, which pushes the top and bottom of the footage off screen (not sure I'm describing this well).
Also, when I use Encore to produce a DVD as a test, the same issue occurs. So I can only assume that the problem is the render from PP.
Can anyone help? Do you need more info to help? I'm getting frustrated... time for a beer while I wait for replies.
Thanks in advance

Once I realised that I'd made some mistakes with the processing, I started doing some tests with a sample piece of footage. This has allowed me a much shorter render time when testing the settings.
Here's what I did:
I took the piece of footage and imported it into a blank Premier Pro project (with no sequences). Then I created a new squence from the file (by right-clicking and selecting "create new sequence from file). Then I dickered with the footage, inserted some picture in picture and changed the speed of some of the footage (all things I intend to do with the final production). Then I sent that to a brand new Encore project created by sending the sequence via dynamic link.
Once I was in Encore, I made sure the project made sense (set the end action etc...) then I set it to build a .ISO file. I then burned that to disc (a standard 4.7Gb DVD-R) and I also sent the ISO to my DViCO TViX media player. Whether I play the disc on my Sony Blu-Ray player or the ISO on my media player, the aspect ratio is wrong. But if I play the same ISO or disc on my PC - it works fine!
I've yet to try it on another player, but I think there's something fundamentally wrong with my process, or the way I'm doing this.
Here's a piece of footage from a camera that had EXACTLY the same setting as the original footage (I used this piece of footage because it's straight from the camera - most of the files from the main camera are too big to share):
https://www.dropbox.com/s/mocizf4d3vdx0y4/00037.MTS
(If that didn't work, I can try again...)

Letterbox Aspect Ratio Issues

I apologise if this has already been posted, but I am having some trouble with getting fcp to display the correct aspect ratio for some footage I shot.
I filmed it in PAL on a Panasonic DVX100 in Letterbox. When I put it into FCP it appears squashed. This happens regardless of whether I choose normal DV PAL or DV PAL Anamorphic.
Sorry if it is something really obvious.
Thank you in advance.
Jack

Jack Boswell wrote:
When I put it into FCP it appears squashed.
I take it you mean horizontally squashed, making the picture (and consequently people in it) tall and thin as opposed to vertically squashed, making it short and fat. If so then technically you shot 16:9 anamorphic, not letterbox, despite how it appears in the viewfinder.
Jack Boswell wrote:
This happens regardless of whether I choose normal DV PAL or DV PAL Anamorphic.
As what? clip or sequence settings? If the clips are not marked anamorphic then changing the sequence setting won't help. Make sure that the clips are set to anamorphic (right click>item properties>format), and then make an anamorphic sequence to work in.

FCP 7 Sequence Aspect Ratio Issue

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