FCP capture problem with Blackmagic Intensity Pro

I just installed a Blackmagic Intensity Pro and I am having problems capturing in Final Cut Pro 6. I have a Sony VCR/DVD player with a HMDI out connection that works fine when connected to my TV. The video setting on the VCR/DVD are 720P. In FCP I have chosen the “Blackmagic HDTV Intensity Pro 720P 60 Uncompressed” capture/input setting. If I unplug the HDMI cable from the VCR/DVD and plug it back in I see the video for about 4 seconds and then just a gray screen. I have tried several video tapes all with the same results.
Any suggestions?
Dennis

I am having the same problem. I edit reels and was trying to use the higher quality HDMI input to capture video from my DVD player for client's video reels.
I could be mistake, but I do 'recall' hearing that you cannot record HDMI video (copyright issues) but only play back HDMI. We may be stuck using component.
Intensity Pro's website only mentions recording HDMI video from a camcorder with an HDMI output.
Maybe someone will clear this up for us with a definite answer. I have put a request in to Blackmagic support and will let you know what they say.
Rob

Similar Messages

Hi! After Effects CC 2014 do not work with Blackmagic Intensity Pro.

After Effects CC, Premiere Pro CC 2014, Photoshop CC 2014 work correct with Blackmagic Intensity Pro.

Uninstall the Blackmagic drivers and install the latest version.
If that doesn't help, make sure you are using a comp size that matches a frame format supported by the Blackmagic card.
Rather than repeat myself, here are other threads where I've replied about similar issues. Please read through them.
AE CC 2014 Mercury Transmit kills odd sizes
mercury transmit doesn't work with my blackmagic studio 2 card
Problems with preview video with BM ultrastudio mini monitor and AE CC 2014
Here is more information about Mercury Transmit in After Effects CC 2014 (13.0): http://bit.ly/AE_video_preview

Problem with video capture with Blackmagic Intensity Pro card

I have just installed a blackmagic Intensity Pro card to download analogue VCR tapes to DVD. I have set all the input parameters to the Blackmagic card in both Premiere and the input routine for the card. I am using the breakout cable for NTSC input with the green Y input for the video and the L & R audio inputs. When I try to capture I get snow in the premiere capture window, but it does record the L & R audio. When I stop the tape deck I momentarily get the blue screen with STOP showing and then back to snow. I am hoping it is just a setting somewhere but where????
The computer is running Vista 32 home premium with 3G ram
Comments very welcome

Is there a BlackMagic setting required to tell the driver to see the green as composite rather than component?

Premiere Pro with Blackmagic Intensity Pro; Importer

I'm using a Blackmagic Intensity Pro with Premiere Pro. I don't Import anything with it directly, i just use it to preview my timeline on a seperate monitor.
The issue I have is when I try to import a AVI-file to my project
before I had the Intensity Pro, Premiere would input the file as a Microsoft AVI and it worked perfectly.
But now the exact same file is imported as a Blackmagic AVI-file. now I am experiencing green bars in my video and the color information is totally screwed up.
So my question is: can I deactivate or change the Import-settings of Premiere, without to remove the Card completely (turn PC off, remove card, turn back on...)?

Ok, my workflow is:
I'm importing a video file from my hard drive via double-click or drag'n'drop. i don't capture from a video source with the intensity pro!
the specs of the video file according to premiere are:
Type: Blackmagic AVI File
File Size: 1,7 GB
Image Size: 1024 x 768
Frame Rate: 18,00
Source Audio Format: 48000 Hz - 16 bit - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00;15;18;28
Average Data Rate: 1,9 MB / second
Pixel Aspect Ratio: 1,0
############### BMD Importer Supplemental ###############
AVI File Details:
Timecode:
Reel name: ''
User timecode:
Alternative reel name: ''
Contains 1 video track(s) and 1 audio track(s).
Interleave: 1 : 1.00 (conforming required)
Video Track 1:
Size is 1.49G bytes (average frame = 94.18K bytes)
There are 16541 keyframes.
Frame rate is: 18.0000 fps
Frame size is: 1024 x 768
Video format is 'MJPG' 422 8-bit ITU-R 709
Audio Track 2:
Size is: 168.2637M bytes
Rate is: 48000 samples/sec
Sample size is: 16 bits
I've tried importing the video file at a friend's pc with premiere pro 5.5 and there the file works just fine. so I'm assuming that it has to do with the intensity pro...
It has the same properties execpt under Type there is "Microsoft AVI File" and everything beneath Pixel Aspect Ratio isn't there.
Thanks

Lag with Blackmagic Intensity Pro

I just got Adobe Prod. Premium CS6 as well as a Blackmagic Intensity Pro monitoring card and an eVGA GTX570 graphics card, and to avoid problems, I did a new Windows installation from scratch on a formatted drive. This was done today, so all the drivers and program updates are completely up to date.
I know the Intensity Pro is about the cheapest card you can get to preview video correctly on a TV set, since graphics cards don't display video in the same way as a dedicated editing card does, so I'm still happy with it, but I would like to find it if I can get around this annoyance until I can get a better card, or if perhaps it's a flaw in Premiere and a more expensive card would not make a difference.
The card has about 200 miliseconds of lag compared to the program monitor in the Premiere window. This is not really terrible, but it becomes distracting when watching the TV screen and the change of frame in a cut happens first in the computer monitor in a small window within Premiere, and a fraction of a second later on the TV screen. Also, it makes it difficult when I have to sync cuts to changes in the music. I guess in that type of situation it would be better to do the cuts on the computer monitor and then switch to the TV set for color correction.
But this is not just in regular playback. It gets worse when scrubbing the timeline, or moving with JKL. In those cases, sometimes it takes it like a second to catch up to what I see on the program monitor.
I also have a GrassValley HD Spark monitoring card for Edius that while it has a little lag, it's much shorter than this and it's not so distracting. That card was connected using the same cable to the same TV set, so that tells me the Intensity Pro has some extra lag, but it's hard to complain about it on a $190 card. However, I was wondering if anyone here has found themselves in the same problem and found a solution? I searched but so far I couldn't find anything.
And as far as these type of cards, what is the least expensive one that will give me perfect preview with no lag?

Thanks, I might try that one, although it's a bit over my budget at $660.25, but I'll have to if I don't have a choice.
What about the Matrox MXO2 Mini, has anybody tried it?
About turning off MPE GPU's acceleration, that is not an option for me. I'm used to edit in Edius, where almost everything you do is real time and you barely have to render anything ever for previewing purposes, and Edius doesn't even require an expensive Nvidia card for that, it only uses the CPU. But, it lacks several features Premiere CS6 has, especially when it comes to artistic effects. Overall I'm really hooked up on Premiere CS6, but only if I can have the same fluidness of work I always had with Edius, so I wouldn't turning off MPE. That's why I spent $280 in a new graphics card.
I really hope that this is just a matter of the BM Intensity being a cheap card and not Premiere, because this past couple of days I've been editing almost all day and while I enjoyed the editing process in Premiere, it's very frustrating to start playback and sometimes it will be fine but other times the audio and video will be out of sync, so I have to position the playhead back and start playing again. When that happens half the times you play something, it's really annoying. This is regardless of real time areas or not. To make sure of this, I forced render of an area that had no effects on it and it still has the sync problem. I had to disable auto playback after rendering because that would cause the problem every time, while if I position the playhead manually and then hit play, sometimes it happens, sometimes it doesn't.

Soundtrack Pro with Blackmagic Intensity Pro Card

Hi
Just wondering if anyone was using STP with the Blackmagic Intensity Pro card to monitor video on a TV?
If so, whta are your experiences and especially does STP allow you to continue using your selected audio device (MOTU Ultralite over Firewire for me) while viewing your Quicktimes on the TV.
Thanks in advance
Gavin
gavin little
echolab
dublin, ireland
http://www.echolab.tv/
http://www.imdb.com/name/nm1962022/

Hey Bill
Thanks for getting back so quick! No, I've checked the audio/midi and the default audio device is my MOTU Ultralite firewire interface - even when the default output is set to the mac's internal speaker, once you select the external video it mutes the output.
I can still see levels withing STP as if the audio is playing. There is an official Apple Support document about audio not working when you are using external video to firewire and it says that it is a bug that can be bypassed by setting your bus to surround (1-6) instead of stereo (1-2) but this has no effect for me )-:
Would love to know if it works for you! and if so, what way you have things configured
Thanks
gavin little
echolab
dublin, ireland
http://www.echolab.tv/
http://www.imdb.com/name/nm1962022/

Numbered Stills won't preview with Blackmagic Intensity Pro in CS5

I am an animator and I import numbered stills (jpeg) into Premiere. In CS3 I would drag the sequence on to the timeline and then hit "enter" and the animation would render a preview. In CS5 the preview won't render. Instead of a red bar or green bar, there is just a gray bar and the animation plays back very choppy.
I am pretty sure this is because I am using Blackmagic Intensity Pro, but would love to know if there is a solution. The previews render when I choose a "DV" preset instead of "Blackmagic", but of course they don't show on my tv monitor then.
Has anyone come across this problem?
Thanks

There have been quite some posts here about the BM Intensity, but denying it is not uncommon in this business. Look at Dell that refuses to admit that about 12 million of their systems are suffering from faulty, leaking capacitors and die quite often. Around 97% of their Optiplex range is expected to die within three years, due to the Nichicon capacitors used .

Does anyone know the FCP 7 capture settings for Blackmagic Intensity Pro?

What are the three settings I should use for black magic intensity pro?

You really should be asking the the blackmagic people. What does your manual say?
There are only a few ways to set up , hook up and use a card like Blackmagic. The directions are specific.
But I've never used one.

Which cpu with blackmagic intensity pro for SD stream ( 1 Mbs)

Hello,
when encoding with DV my quad core Q6700 tops to 15 % CPU usage for h264 SD live streaming (< 1 Mbs).
How would encoding from an HD or SD-SDI card go (such as BM Intensity Pro)? is the cpu fast enough or should I turn to core i 7?
thanks.

This is the Final Cut Studio forum. Post this in the FCP X forum where it might be of relevance.

Dream Machine for CS6 with Blackmagic Intensity Pro

Good Day.
Im about to move from CS5.5 to CS6, and along with the upgrade of software, I've decided that a hardware upgrade is due too.
I'm looking to put together an entirely new PC as my old one (i3 with 4gb ram) will be inherited by the animator.
We shoot the majority of our footage on Canon DSLR's and my old machine really struggled with realtime playback and editing of the footage (was continuously rendering at less-than-optimum sequence settings for the chance to see something playing back in realtime)
I'd like to know what the specs would be of a machine that would be capable of working with this footage (usually graded with Colorista). And not just the bare essentials, something that would be able to handle this with ease, as often our edits include multiple layers as well as image sequences.
Thanks in advance for your help.
Warm Regards,
Gareth H. Graham

Some saved discussions...
Some ideas for a Desktop Video Editing PC
http://www.adkvideoediting.com/
-ADK Kudos http://forums.adobe.com/thread/877201
Build http://forums.adobe.com/thread/947698
-more build ideas http://ppbm6.com/Planning.html
-Build it Yourself http://forums.adobe.com/thread/815798
-http://www.shawnlam.ca/2012/premiere-pro-cs6-video-editing-computer-build/
This message has a really good graphic about requirements
CS5 Requirements http://forums.adobe.com/thread/810750
About Requirements http://forums.adobe.com/thread/618058
Disk Configurations http://forums.adobe.com/thread/878419

Blackmagic Intensity Pro using Premiere Pro CS5 Problems!

Blackmagic claims there are not alot of problems with the Intensity Pro and Premiere ProCS5. Well I am having my fair share.
Msvcr90.dll App Error (fixed this on my own doing Microsoft updates)
Decklinkapi64.dll App errors (crash) while editing from timeline
BMDPlayer.prm App errors (crash) while editing from timeline
Unable to "hold frame on in point" using a BM preset. Adobe presets work Beautifully!
and to top it off Poor performance when compared to using Adobe presets with my mediocre Nvidia 9600 GT.
My Intensity worked great with CS3. Is this card just getting outdated. Seems it was originally released with CS2 ?

Shooternz, Before I upgraded from CS3 to CS5, the BM intensity pro seemed to be an economical and popular solution for editing HD with a tapeless workflow and being able to output an accurate preview for color correction, etc... After upgrading to CS5 (I decided to skip 4 because all was well) it seems like i have jumped 10 years into the future.
I am very interested in alternate workflows now. Shooternz, I think I read on another post that you have a Quadro FX 3800. How does this work for you ?
Do you just output to a second monitor ? I to am keeping an open mind. I have been looking at possibly geting an Nvidia GTX 470, although not officially supported by adobe. I cant find a GTX 285 anywhere. All out of stock! discontinued card.
Thanks, Erwin B

FMLE + blackmagic intensity pro: Cannot adjust framerate

Using FMLE with blackmagic design intensity pro on windows 7 professional with 720p60 input, I am unable to adjust framerate from the default input value.
I want to set framerate to 30fps but the encoded output (H.264/VP6) is always 60fps.
Using ffmpeg along with bmdcapture tool, I am able to encode 500kbps, 30fps correctly.
Following are some of the FMLE configuration settings I have tried with Intensity pro:
1. Input=1280x720, Framerate=30fps, bitrate=500kbps, output size=720x576.
Result observed on statistics screen and also verified by dumping the content: output bitrate=1Mbps, Framerate=60fps.
2. Input=1280x720, Framerate=60fps, bitrate=500kbps, output size=720x576.
Result observed on statistics screen and also verified by dumping the content: output bitrate=500kbps, Framerate=60fps.
The output framerate remains unchanged irrespective of the framerate we request from FMLE. Instead, the bitrate doubles up if we try to reduce the bitrate to half.
I see same behavior with FMLE GUI / FMLEcmd.exe.
Is it just me or it is a known issue with FMLE with Intensity pro on windows?
Any pointers on how to go about fixing the problem will be much appreciated. Thanks.

I have exactly the same problem!
Please, add an fps limit feature to FMLE so that for example a 50fps device output can be lowered to 24fps (I can actually choose different fps but it still broadcasts with 50fps no matter what settings).
For now, does anyone know a kind of directshow capture proxy that captures the device (blackmagic intensity pro in my case) at 50fps, lowers the fps and puts it out (with no quality loss!) to FMLE (there selectable as a virtual camera)?
Thanks!

Are there benefits to the Blackmagic Intensity Pro for HDV capture ?

Are there benefits to the Blackmagic Intensity Pro for HDV capture ?
I have a Sony HDR-FX1 that records in HDV 1440 x 1080
I have already captured the footage to miniDV tape.
Can the intensity card get the full 1920 x 1080 video ?
I now use Premiere to capture my video and my HDV is in mpeg2 and my SD is in DV type 2 AVI
What format does the intensity card capture at ?
Are there other ways to capture that would make the footage better.
From what I have read allot of people have had problems with these cards.
Im just looking for the best way to get the footage off my camera with the best resolution.
Thanks: Glenn

Glenn,
I have posted this before in the PC Buying Guide (post #23 and later), but have a look at this diagram:
The problem is that once recorded to tape, the material is compressed to MPEG and there is no way to get the data back, that were lost during compression. The only thing you achieve is that you lose device control, lose all timecode information, lose all metadata like date and timestamp and exposure data and lose the capability of scene detection. There are no gains to compensate the losses.
Compare it to a glass of orange juice, that was made by heavily compressing oranges. How do you think you can reconstruct the original oranges that the juice came from? Were there 4 large oranges or 6 small ones or a mixture? Were they light colored or were they dark or a mixture of light and dark?
BlackMagic in their marketing may lead you to believe otherwise, but the truth is they can only guess at how many oranges were used, their size and color. It is nothing more than a guess.

Anyone using Blackmagic Intensity Pro with Premiere CS4

I've looked through the threads and have seen similar postings, but no real good answers. Is anyone using Blackmagic Intensity Pro to viiew timeline on a HDTV using the HDMI connector?
I purchasedf the Intensity Pro and can't get it to work with CS4. Any assistance would be appreciated.

If you're using a Core i7 processor, one of the problems might be with the motherboard. There's only one Intel board that BM has approved (sorry, don't have the model in front of me -- on a piece of scratch paper in my wife's car).
I'm looking to build a new system myself and have been looking at the Intensity Pro card as well. The main feature I'm looking for is real-time preview and program output to an HD monitor that I'd hook up via HDMI. I probably also would use it to capture analog sources for audio and video. I don't have any interest in BM's lossless data capture as it creates monster-sized files. That's why I was also planning to add Cineform once it's fully approved and working for CS4. However, as best as I can tell, the Intensity Pro card doesn't recognize the Cineform codec on the timeline. Does anyone know if and how well these two will function together within Premiere? (I'm also assuming that the new 4.1 release might make these types of Premiere add-ons work better.)
Thanks.

Blackmagic intensity pro not working. Has PCIe been broken with 10.7.4?

Hey there
I have a 2010 Mac Pro (5,1). 8 core. 24 gigs or RAM
I'm having trouble with my Blackmagic Intensity Pro PCI card. I've installed all drivers, tried all the different PCI ports and still my MP fails to recognise it. In the system preferences panel, all options are greyed out and a message says "No Settings Required".
At first I thought it'd be a faulty card, but then I tried the card on my friend's 2008 Mac Pro, and it works just fine. What could possibly be wrong? Are the PCI slots on my machine damaged? Is there anyway to test this?
I'm under a massive deadline, so any help will be greatly appreciated.
Many thanks,
Federico

Thanks for your replies. My friend's MP... I don't know what he's running (hes away at the moment). Prob not 10.7.4 but something before that.
And resetting the SMC: if that is just a matter of turning power off and disconnecting AC cable, wouldnt that automaitcally be done every time i unplug the MP to put the PCIe card in?
In any case, if its of any interest to anyone, the BM Intensity card is notoriously bad capturing VHS tapes (which is what I wanted to do). Frames drop everywhere, audio drifts out of sync wildy...
In the end, the best solution is to hookup the VHS deck to a DV cam and capture via firewire. Simple solution. Looks perfect

FCP capture problem with Blackmagic Intensity Pro

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