FCP has obvious interlaced lines!!!! HELP!

i would be editing a movie in FPC show with panasonic Gs-320 with 29 frames per second and in FCP everything looks PERFECT!! but then when i render it it has really bad interlaced lines whenever an object moves fast. is there any way i can get rid of these?
any answer will help!!

Well, first off your camera records 29.97fps...that is 30fps running at 29.97 (slightly slower...but that is a story in itself). And that camera shoots interlaced...unless you chose a progressive setting, if that camera even has a progressive setting. And this interlacing you don't see when playing in the camera viewfinder or on a TV because they are designed to play back interlaced properly. Computer monitors are not...so they show the interlacing in a not-so-pretty matter. If you want to see what you really have you need to send the signal through your camera to a TV.
Shane's Stock Answer #8: External Monitor Viewing
If you are working with DV, this is simple. First connect your computer to a camera or deck via firewire, Then connect the camera/deck to your TV/Monitor via RCA or S-Video.
Then start up your camera and tv, then open fcp.
Go to the View Menu, choose > External video > all frames
VIEW>Video playback should be Apple firewire NTSC (If you are using an NTSC set)
VIEW>Audio playback should be Audio follows Video
Techinially, this should send synched video to your TV
If for some reason you can't view your timeline on your external monitor, there are a few things to try:
1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.
2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.
3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.
4) Click in the % box above the image and select FIT TO WINDOW.
5) Go to VIEW->refresh A/V devices
6) Make sure the Log & Capture window is closed
If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the PLAYBACK OUTPUT section.
If you are working with HDV footage, FCP 6 allows you to view this via firewire, but ONLY as downconverted DV. It won't look the best, but you can see it. To do this,
If you need to view any format other than DV at full resolution, then you need to look into capture cards. Several standard definition and high definition models are available from www.aja.com and www.decklink.com. With these options you'll need a proper monitor to view full broadcast colors, but all models allow for realtime standard definition downconvert, allowing you to view HD on an SD monitor.
The Matrox MXO is another option that is output only, but allows you to view your footage on an Apple Cinema Display at full broadcast quality.
Shane

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Manufacturer: Panasonic
ModelName: AG-HVX200E
Type: P2 Movie
File Size: 4.0 GB
Image Size: 960 x 720
Pixel Depth: 0
Frame Rate: 25.00
Source Audio Format: 48000 Hz - 16 bit - Mono
Project Audio Format: 48000 Hz - 32 bit floating point - Mono
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Average Data Rate: 963 KB / second
Pixel Aspect Ratio: 1.3333
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Timebase: 50.00 frames/second
Frame Size: 960x720 16:9
Pixel Aspect Ratio: 1.333
Fields: No Fields (Progressive Scan)
When I export the footage using upper lines (instead of progressive) they play back fine on my DVD player.
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OH...I just remembered something...
I have an old TV...which is 4:3. ntsc but dont matter I dont think re: this subject...
I made a DVD that was 16:9 and played it on my old dvd player ...and watched it on old tv. It CROPPED the 16:9 frame !
Playing on my computer it was fine...as I have a flat widescreen...
But I wanted to watch this video while sitting on my couch, on TV , as I was making final decisions about the edit and making notes (stopping , starting, etc )
My DVD player and tv combo does not have the option to go to a 16:9 format...so it was cropping the frame and was bad news.
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NOW when I put it on my tv it was lettebox and I could see the whole frame etc...
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If this is something you want to consider with your pal project it doesnt take long to make that happen...
playing the first export ( 16:9 ) on NEW tv ( widescreen ) ...was fine by the way...

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exporting the 10 minute sequence using QT conversion, as a pro res 422 HQ quicktime movie...
You are adding an unneeded compression cycle for a start. Export with QuickTime Conversion always recompresses your footage, even when you use the same settings as your Timeline.
Export to QuickTime with Current Settings, Self Contained will give you a Master file that is identical to what you edited.
weird "interlaced" looking edges whenever there is movement in the video...
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Deinterlacing will throw away half of the vertical resolution. Bye bye HD. No good can come of that, right?
What is your intended delivery format? Does the method that you are currently using to view the material compare with how the end product will be seen?

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