FCP to compressor w/cluser problem FCP tmp files.

So I have no problem submitting single video to my cluster.
I use "Never copy source to Cluster" from compressor.
I keep source media on an NFS share on my desktop client.
I am submitting to a 6 machine cluster of G5s.
I recently started attempting to tackle submitting FCP projects through compressor. I have read that there are issues submitting with FIle->Export->Compressor and thus have been attemping to submit right from the sequence file in the browser. The problem that I am having is this.
<mrk tms="254678829.330" tmt="01/26/2009 11:07:09.330" pid="1736" kind="end" what="service-request" req-id="7A5BF634-78FA-478E-B15D-4AB049CA04BB:1" msg='Preprocessing job request error (exception=Source file "/private/var/folders/Jq/JqzDuvOaH6yDxo3jBmBOVk+TI/TemporaryItems/44D666EA-870F-4B47-92A8-5A.fcp" not accessible on the cluster and remote copy is disabled).'></mrk>
FCP seems to be creating a tmp file of the project on my local desktop which is NOT apart of the cluster. This tmp file is not being read by the cluster. I have even mounted the /private/var/folders/Jq/JqzDuvOaH6yDxo3jBmBOVk+TI/TemporaryItems/ location on my desktop machine to all the cluster nodes in addition to already having mounted the root location of the drive that contains the media for the project.
Any ideas would be more than welcome.

It is still possible to submit FCP sequences to Compressor, however, the batch will fail when you try to send that batch to a cluster. What QMaster does is "open separate copies" of a program per instance. For example, if you have a Cluster where service nodes are broken up into multiple instances each, QMaster will expect to open Final Cut Pro (since that's where the source footage is located) on every single instance.
If you want to use your cluster for encoding, export a Quicktime file from FCP and submit that file to Compressor.
Some better explanations:
http://support.apple.com/kb/TS1099
http://discussions.apple.com/message.jspa?messageID=8870118#8870118
http://discussions.apple.com/thread.jspa?messageID=8834921&#8834921

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    Model: iMac12,1, BootROM IM121.0047.B0A, 4 processors, Intel Core i5, 2.7 GHz, 4 GB, SMC 1.71f21
    Graphics: AMD Radeon HD 6770M, AMD Radeon HD 6770M, PCIe, 512 MB
    Memory Module: global_name
    AirPort: spairport_wireless_card_type_airport_extreme (0x168C, 0x9A), Atheros 9380: 4.0.35.3
    Bluetooth: Version 2.4.5f3, 2 service, 19 devices, 1 incoming serial ports
    Network Service: AirPort, AirPort, en1
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    Serial ATA Device: HL-DT-STDVDRW  GA32N, 4.36 GB
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    USB Device: Hub, 0x0424  (SMSC), 0x2514, 0xfa100000 / 2
    USB Device: USB-PS/2 Optical Mouse, 0x046d  (Logitech Inc.), 0xc01d, 0xfa130000 / 5
    USB Device: BRCM2046 Hub, 0x0a5c  (Broadcom Corp.), 0x4500, 0xfa110000 / 4
    USB Device: Bluetooth USB Host Controller, 0x05ac  (Apple Inc.), 0x8215, 0xfa111000 / 6
    USB Device: Hub, 0x0424  (SMSC), 0x2514, 0xfd100000 / 2
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    FireWire Device: unknown_device, Unknown

    Hi Crojet,
    This sounds strange but I have the same problem you had over a year ago with your FCP not opening up with the exact same error messages that you had.  I am curious but did you ever resolve the problem?  What did you do?
    Thank you so much for your time.

  • How to make a render farm with FCP X / Compressor??

    Wondering how to setup a min render farm with FCP X on three machines. Played around with setting in Compressor but never see any machine available when I go to render on each machine?

    Ok, so I'm using the wrong terminology.
    I want to have all my machines transcode for me, is this possible, yes or no and how do I set it up. I've buggered around with all the settings in the link above but I'd get anything to show up?
    Also I believe that compressor needs to copy the entire file to be rendered over the network for the other machine to work on it - is this correct ? I'm on wifi guess I could connect machines together via ethernet.
    I'm looking at 4x time to do a simple render on prores proxy material and when I have to do it on a 2 hour wedding video I'll be looking for the nearest bridge to jump off!

  • Problems importing audio files in FCP 7.0.1

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    Thanks for the tip re: JPG v TIFF. And I've done a MP3 -> AIFF conversion now as well.
    As it turned out, my problem was not a FCP preferences corruption, but was a matter of where the files came from...we were given a DVD with the still & audio files on them. When I copied those files from the DVD to our Server and then to the Raid hooked up to our Mac, the files would not import. If I went directly from the DVD to the raid, the files imported. Not sure how to make sense of that...but good to be aware of it, and hopefully if anyone else runs into this odd occurrence, this solves it for them...

  • Pro Tools files imported to FCP X causing QuickTime movie problem

    Well 2 days later and hours on the phone with Apple tech support Senior Advisors, and problem still not solved. HELP. 
    Everything works fine in FCP X, but when I create the QuickTime movie, it is way out of sync (by many seconds).
    We have isolated the problem to audio files that I am exporting to Pro Tools, processing, and then importing back into FCP X. I can create a QuickTime movie with the original video/audio and it is fine.
    Information
    The original video came from Canon HF M40 camcorder: AVCHD (using MPEG4-AVC / H.264 compression codec), MTS format. Audio is 48kHz, 24 bits.
    I used ClipWrap to rewrap the video into ProRes 422 and decompress the audio and save as LPCM.
    I simply provide this FYI. As I said earlier, the original video works fine and the resulting QuickTime movie works fine. So the original  files imported into the FCP project are not the problem.
    The creation of the problem audio occurs as follows:
    - Detach the original audio from the original video, and export
    - Import this audio into a 48.0 kHz/16-bit Pro Tools HD session and EQ/limit the audio
    - Import the resulting audio into FCP X (exact same length file, audio waveforms aligned with the original audio).
    This audio works fine in FCP. It is in sync with the video, everything looks great.
    I ran Pro Tools at 16-bits because a senior advisor told me FCP runs at 16-bits but does not convert imported stand-alone audio (as opposed to combined video/audio) to 16-bits; thus the Pro Tools session had to be at 16-bits. I changed from 24-bits to 16-bits, and this didn't solve the problem. (FYI, when Pro Tools imports the original audio exported from FCP, it says the audio is 24-bits, not 16-bits).
    What is the problem?
    The basic question is why does this audio cause QuickTime a problem?
    Something is going on in the conversion to the QT movie. In FCP X, I don't have a way to play with the conversion variables except to set "Video and Audio" and "Use current settings" (which is ProRes 422).
    The only difference I see between the original audio and the Pro Tools audio is that the original audio is stereo and Pro Tools works with dual mono files (L & R). The mono files work fine in FCP and I can't imagine why QT would have a problem with these, but I haven't tried converting the files to stereo before importing into FCP.
    I should also mention that I selected the stabilization and roll correction algorithms in FCP. I assume these don't create problems in QT. I mention this because I didn't use them when I tested making a QT movie with the original video/audio files.
    FCP and Pro Tools are used together all the time to do exactly what I am doing......improve the sound of the original audio. They are the premier video and audio professional programs. Of course, the final product is often not a QuickTime movie, but many times it is a QT movie.
    What the heck is going on???
    HELP.

    (1) It is immediately out of sync. It even appears to be speeded up to me initially, but this is subjective. But it is clearly out of sync throughout, not a gradual drift.
    (2) When I create the audio files in the Pro Tools session, the files are automatically stored in the audio folder of the  Pro Tools session. So I don't actually have to go through an export process. I just close the Pro Tools session, then open FCP X and import the audio from the Pro Tools folder.
    I'm not sure what additional specifications you seek, other than:
    - wav files
    - sample rate = 48 kHz
    - Bit rate = 16-bits (and earlier I used 24-bits)
    - Files are dual mono, rather than stereo (name_01.L.wav, name_01.R.wav). As I mentioned above, I have not yet tried converting these to stereo before importing into FCP, to see if dual mono causes an issue with QT. It does not cause a problem in FCP. I will try this today if we don't solve the problem.
    (3) I can upload a portion of the audio to a server and send you a link to the file so you can download it. Is there a way to private message on the forum so I can get an email address to send you the link?
    (4) The original video came from Canon HF M40 camcorder: AVCHD (using MPEG4-AVC / H.264 compression codec), MTS format. Audio is 48 kHz, 24 bits.
    I used ClipWrap to rewrap the video into ProRes 422 and decompress the audio and save as LPCM.
    The FCP Project was set up at:
    - Starting time code - 01.00.00.00
    - Format - 1080p
    - Resolution - 1920 x 1080
    - Frame rate - 29.97p
    - Audio channels - stereo
    - Sample rate - 48 kHz
    - Rendering format - Apple ProRes 422

  • What is the workflow from FCP to Compressor to preserve 24p frame rate?

    I just exported my 108-minute project from FCP to Compressor (v3.0.3). I used the MPEG-2 "setting" in Compressor. My end result was a Compressor file whose frame rate is at 29.97. When I import this new compressed file into DVD Studio Pro, the DVD project defaults to 29.97.
    I'm a little unsure of how this works. I have an FCP project set at XDCAM EX 1080p24. I'd like to preserve 24 frames per second for a "film" look in the final product, which right now is ultimately a burning of a DVD using DVD Studio Pro.
    Should I be using a different setting in Compressor to achieve 24 frames per second? Am I missing a switch to toggle in Compressor? Or FCP? Or DVD Studio Pro? Or... is my final DVD product, which is listed at 29.97, actually preserving the 24 frames and I'm just seeing things incorrectly? (It looks video-ish.)
    thanks,
    Shanked

    Hi Jerry,
    To respond to your info request: my "settings" indicate my Editing Timebase is 23.98.
    Moreover...
    Editing Timebase: 23.98
    1920x1080 HDTV 1080i 16:9
    Pixel Aspect Ratio: Square
    XDCAM EX 1080p24 VBR 35Mb/s
    Quality: 100%
    Audio: 48khz
    Audio Depth: 16bit
    Indeed, to achieve a film look I undertook the following steps in production and post...
    shot 24p
    shot with a Letus Adapter and Zeiss lenses
    created an appealing depth of field where possible
    avoided various "videofying" shots, like fast pans and so forth
    crushed the blacks in color correction
    used Nattress and adjusted the S curves in certain areas
    I'm just wondering if I missed a step somewhere when it came down to designating the frame rate in Apple Compressor. When I saw the 29.97 frame rate designation in DVD Studio Pro, it surprised me. And then watching my movie on DVD (which is always a slightly difficult experience) I was really feeling like I was seeing an undesirable crisp video-ish feel that I hadn't seen before outputing to DVD.
    obliged for the help,
    Shanked

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