FCP vs FCP express and XDCAMex

Hello everyone,
I want to use 4 Macbookpro with fcp express to do transfert of excam EX clip ( with the sony plugin ) once clip are capture do only in and out to clip in my bin. After that close the project and let a editor open the same project but with FCP to finish it. After the people with final cut express want to reopen the project and see it. and may be do some minor correction
1- Does FCP express support XDCAM EX CODEC video ?
2- Does FCP can open a FCP express project ?
3- Does FCP express can open a FCP project ?

It solve all.
we need to buy fcp for the news departement
thanks
Carl

Similar Messages

New 13" MacBook Pro and FCP Express?

Is the new 13" MBP OK for light video editing with iMovie or FCP Express and little photo editing with Photoshop Elements?
For video I use Panasonic AG-HMC40 AVCCAM HD.
Thanks!

Graphics.
However, as I keep telling everyone, I have an almost prehistoric 2004 G4 eMac (1.25GHz 768MB RAM and 32MB VRAM) which ran and still does run, FCE 4 and FCP 6 perfectly well.
The only minor problem was that the new FxPlug effects did not work, but with 200 other effects there was still plenty to keep anyone happy.
Your setup will not have that problem and even though it isn't the latest iteration it should still be excellent for the job.
Message was edited by: Ian R. Brown

Academic vs. Retail versions of FCP Express

Can anyone tell me the differences between the Academic version of FCP Express, and the full function version from retail? I work at a university with Final Cut Studio, and was considering FCP Express for home use.

Functionally Final Cut Express retail and academic packages are identical.
The differences are in the licensing. With the Academic Version you cannot:
1 - upgrade to a new version (say, from FCE4 to a future FCE5) by purchasing a reduced-price Upgrade Package - you would have to purchase a whole new Academic Version
2 - use the software for any commercial purpose
But if your question is also the difference between Final Cut Studio and Final Cut Express, the Studio version has more capabiities (Color, Motion, etc). If you are planning to use FCS and FCE together, keep in mind that you can move an FCE Project to Studio but you cannot do the reverse.

Jittering Graphics in FCP Express HD

I tried to do a credit roll in FCP Express and it was so jittery that I had to give it up. I also created a still credit and it too was jittery. Any suggestions as to how to keep the jitters at bay?
I have used FCP since the first day it was available at NAB but I have never seen this problem before. In the past I have used After Effects to create credit rolls and haven't had this problem. Any thoughts?

Give this a read:
http://www.kenstone.net/fcphomepage/perfect_titlesphil.html
cheers,
x

FCP express HD when I go to "Log and transfer", don't transfer.

Hi. I got an Imac 21.5 ,2010 with 10.9.5 maverick and 4GB of ram. I installed the FCP express HD. when I go to "Log and transfer", shows all the clips and when I click for log and transfer, simply does nothing. It's shows that it's trying but at the end, nothing it's transfer. What it could be? Thanks.

What are the properties of the source material you want to ingest?
What camera shot this footage?
FCE cannot log and transfer AVCHD material that was shot at 1080 60p as that standard did not exist when FCE was discontinued.
Is your copy of FCE updated to 4.0.1?
MtD

Can I monitor my video with FCP Express?

I have FCP HD express and a Sony HDR-HC3.
After setting up lights and white balance is there a way, I can plug my camcorder into my computer and see what I'm getting? Without actually capturing. I just want to see what I'm going to get later when I capture. Can I do this? thanks.

Ineterestng Tom:
I originally shot on auto - exposure, and it looks great on LCD and also on a TV. But on computer, quite dark. My editor bumped up exposure for computer, but he said, why not bump up the exposure a bit manually next time. His processing of the footage to bump up the exposure seemed like an annoying step we did not want to do on the next round. But I see what you are saying.

Can FCP Black and Code HDV tapes?

(Reposted from the FCP Express forum)
I'm running FCP Studio 5.0.4.
I'm trying to stripe some HDV tapes for an upcoming shoot. I've set up a project using the 1080i60 Easy Setup. I have my Sony FX-1 set to HDV record mode and HDV input. When I go to Edit to Tape and hit the Black and Code icon, a dialogue box pops up giving me a dropdown menu from which I can choose the 1080i60 setting.
After the warning that I'm about to erase the tape with black and timecode, I hit OK and a status bar pops up saying it's 'Conforming HDV Video.'
All that is what I'd expect, but the estimated time for it to do this is 10 hours! I let it run for about 15 minutes just to see if that would change, but it looks as though it really would be that long. The status bar counted up to 1% complete during that time. That seems way too long to wait to stripe a tape.
I also tested doing this with Print to Video. I created an hour long sequence and filled it with slug. The same message popped up...only the estimated time was now 3 hours. Better...but not reasonable just to stripe a tape.
Any thoughts?
Other than the inevitable argument over striping tapes, I mean? : )

Its always been about a 50/50 chance of the previous footage cutting through frames of the new video when I have done this, so I never overwrite. Would overwriting black video be a safer bet?
And so the argument begins... Black is previous video whether it comes from a deck via edit system or a capped camera... either way is the same, you are laying down something that you are going to erase!!!!! If you have a break between takes, something is going to bleed through. The only reason you need a stripped tape is for insert editing.
That's why the recommendation is to not bother blacking tapes for shooting. Instead, take the time to ensure that you follow proper shooting practices that will avoid time code breaks.
As for re-using tapes... (that is essentially what you do when you black a tape before use.) Tape is cheap, why risk your money and rep by re-using tape.
rh

What's the best way to share a project between FCP Pro & FCP Express?

I started a project on FCP and wanted to continue the project at ome on FCP Express. I troed to open the project but I got "-error 41"
Any suggestions would be great!

Hi(Bonjour)!
FCP can open FCE's projects, but FCE cannot open FCP's one.
Michel Boissonneault

FCP Express HD wont install on a iMac w Intel, what can I do?

I have this friend of mine that recently bought FCP Express HD 3.5 and a Imac with Intel Core Duo.
He had several issues when installing and the application doesn't open, it gets a message that the AGP Graphics card is not the indicated for the app.
Do you know what can we do? Is there an update to resolve this problem?
Thank you
It has Tiger, the most recent update, 1.3 Ghz, 512 RAM, QT 7 Pro.

If it IS FCE 3.5 and he HAS an Intel Mac that message WILL NOT appear.
It seems most likely that he is using FCE 3.0 HD which WILL produce that message.
Can you check the exact computer and the exact version of FCE?
Ian.

Panasonic sdt750 breaking signal . Fix from camera or FCP express?

Hi. I got the Panasonic sdt750 and since I don't know this camera very well I went to a party and every time that a photographic camera took a picture, the video breaks for 3 or 4 frames. How can I fix this? From the camera? With FCP express? I noticed that the other Canon I have don't break signal in front of flashes..Thanks..

It's an artifact of CMOS sensors called Rolling Shutter.
The Canon probaly uses CCD sensors.
See here for some details:
http://en.wikipedia.org/wiki/Rolling_shutter
The newer FCP X program has tools for correcting/(making less worse) the issue.
You can download a free trail version if you wish to explore the feature.
Al

Unable to capture in FCP, Quicktime and iMovie, camera not recognized.

I am unable to capture in FCP, Quicktime and iMovie.
I have been dealing with this problem for quite a while now, and I think I have tried everything posted on these forums regarding this issue. I have been to the Quicktime, iMovie, and this FCP forum looking for the solution. Hopefully someone has a suggestion that I have missed or have not tried yet. I have a Powerbook G4 running OSX Tiger 10.4. I am running Quicktime 7.04, and FCP 4.5.
My problem is this… I am unable to capture from my Canon ZR-200 Mini DV camera, using Final Cut Pro, iMovie and also Quicktime. FCP says no camera recognized. iMovie says no camera attached, and Quicktime says no recording device found. In FCP, I am using the Firewire Basic setting, and NTSC DV settings. I have captured in FCP with the same camera several times in the past. I think the problem started when I upgraded to OSX 10.4, or one of the Quicktime upgrades.
Here are the details…
- Camera is connect via Firewire. I have tried the built in ports, as well as a Firewire Carbus card.
- OSX recognizes the Canon ZR-200 in the System Profiler, so I know the computer sees the camera.
- I have tried the camera on a Windows XP machine, and capture works perfectly, so I know the camera is functioning properly in VTR mode.
- Deleted my FCP pref’s using FCP Rescue.
- Deleted the Quicktime receipts, and re-installed Quicktime 7.04
- Reverted back to Quicktime 7.01
- Set the audio to 44.1 in the the Audio MIDI setup in the Utilities folder
- Tried the “GarageBand” fix, opening the programing, playing a few notes and closing.
- I have installed Quicktime using the program “Yank” to completely delete Quicktime and re-install.
I may have tried more solutions, but these are the fixes that I can recall.
If anyone has any others suggestions, it would be much appreciated.
Brent

Hi Brent:
Although it looks as if you have tried all of the 'fixes' that are normally suggested here, please read through this Apple Article to see if some obscure thing applies to you.
iMovie: Cannot see or control camera
http://docs.info.apple.com/article.html?artnum=43000
Sue

Graphics render bug in FCP 6 and 7 - Dare to prove me wrong?

I have an issue with an HD video that contains red and purple text and graphics in the edit. I've looked for an answer tirelessly online, with friends, and through trial and error for a good 7 hours before giving up. Here's the deal,
Sequence settings: HD 1440x1080 16:9, 23.98, HDV 1080p24 for editing the canon7d footage that came in - this however doesn't matter because i tested with every setting imaginable including animation raw and ended up with the same results for the graphics problem I'm having (kind of unrelated to the actual footage).
I need to output this 9 minute edit I have to an HD file 1280x720 for youtube upload. So, it has to be under 2gb (youtube's limit) but for client purposes, it needs to be crisp and great looking as you would imagine.
I have a bunch of PSDs, each show a different line drawing of a brush. For each one, the line is a different color. For any of the colors that aren't red or purple, they render crisp and wonderful in final cut pro over top the video. However, the graphics that have the lines that are red or purple, come out pixelated and blurry no matter how i try to render them. The only solution that worked was to render and output them with the animation codec. ProRes HQ worked too but not as well. However, this makes a file way too big. Whenever I went from animation to h264 or from FCP to h264, or any other web friendly format, graphics come out way pixelated. It makes me frustrated as to why all the graphics that were exactly the same except not red or purple came out perfectly crisp. Also, why is animation codec the only codec out there (besides uncompressed obviously) that will create clean edges in these red/purple graphics?
Conclusion: Found that reds and purples are the only colors that seem to be effected when rendering the graphics. Everything else comes out nicely. Animation and pro res codecs aside, any codec making the video small enough for the web (less than 2gb) resulted in the problem of pixelation with the red and purple graphics. Based on extensive research I did online, I was surprised not to find many people posting about the exact same problem. For the issues I did find that seemed related, people concurred that HD nor regular DV video do a good job rendering bright reds or variations of red. Because I found no solutions online or from all the things I tried in the list below
-re-rendered the PSD's in Final cut pro with variation of sequence setting to see if that would make any difference - it didn't. Tried all kinds of different settings in export for h264, keyframes, max quality, etc. no luck.
-tried rendering to "Animation/uncompressed" as far through the process as possible. For instance, I outputted a perfectly crisp "Animation" file that was perfect looking. As soon as I re-exported to h264, mpeg4, or sorenson, or any other codec dropping the file size down, all results returned pixelated results for the reds and purple graphics.
-made sure photoshop settings were all good, even copied and pasted psd into new 1920x1080 project, played with DPI up to 300 to see if it did anything, saved as different formats TIFF, png, eps, layers, flattened, 8-bit, 24-bit, 36-bit, etc., none of the formats worked correctly.
-outputted my own purple and red graphics and text and rendered in final cut to see if the file had anything to do with it. same problem with my red and purple graphics and text.
-Tried adding slight moving grain to the graphic in Final cut to try and trick FCP to thinking it was a video instead of a graphic and therefore render it smoothly.
-consulted with 2 other video editors/media experts, ended up frustrating them as well (and hurting their ego a little since they were sure they could figure it out)
-Ran the shot and graphic through after effects and premiere pro separately (different video programs) to see if final cut pro was causing the problem, same problem with those programs.
-tried rendering on a different mac, still the same.
-Actually upgraded my final cut pro version to the new version (now Final cut studio 3). Ran tests on new version of final cut pro, same exact problem.
-added black edge to purple graphics to see if that did anything different to the rendering. Didn't help
-Changed the hue of the graphic to anything other than red or purple. Wouldn't you know...That fixed it.
Here is a link to the Animation Output of a half second of the edit with a sample red graphic crisp as can be for you to test (12.7mb) -
http://www.robinsonhope.com/downloads/makeup_animationtest.zip
Here is a link to view screenshots before and after to show you what rendering does to the graphics.
http://www.robinsonhope.com/downloads/makeup_ss.jpg
In case you'd like to try and find a solution, please download the link to the HD animation half-second clip and output to h264 or any other web friendly codec that would show these red graphics clean and not blurry and pixelated. Other rule is after doing the math, a 9 minute video with the compression you choose would need to be under 2gb. This shouldn't be too much of a problem because even a 1280x720 h264 at max quality for a 9min video is still under 2gb.
The first person to show me that you are truly a FCP guru and can solve this, post a link of your successful solution, I will praise you as genius all over this forum. I will also be eternally grateful. Live in LA? I'll also buy you dinner, Haha. But seriously...

Welcome to this forum,
Sorry to hear you so struggling with this issue.
And I doubt whether I can solve this for you, but I can say a few things.
The title of this thread is:
Graphics render bug in FCP 6 and 7 - Dare to prove me wrong?
I'll prove you are wrong. Or actually you've already proved yourself wrong in your post:
-Ran the shot and graphic through after effects and premiere pro separately (different video programs) to see if final cut pro was causing the problem, same problem with those programs.
Seams that I try to annoy you, but I'm not. It's not a joke. The fact that other applications can't handle it as well AND the fact that Animation Codec (Which is pretty lostless) does not have this problem, tells you that the problem is likely the low compression you want OR the footage itself. And I dare say it's BOTH.
I downloaded your testfile and have opened it in FCP and I can see in the Vectorscope that your color Red is too hot.
[Click here|http://i843.photobucket.com/albums/zz356/rienkL/Screenshot2010-04-02at1324 20.png] to see the vectorscope of your picture?
You also see the small boxes (clockwise)
Red, Magenta, Blue, Cyan, Green, Yellow. The signal of your picture should stay somewhere between those boxes. You should read [this article|http://www.larryjordan.biz/articles/lj_scopes.html] (two third on the page) about the vectorscope. Also has a picture with the range to be broadcast safe.
So back to your picture and your vectorscope. You'll see that just along the right side of the R in the vectorscope there's a peak which goes way out of the range. And that's exactly the color of your graphic.
I tried isolating that color, reducing the saturation, and then do an export, but that failed. You should adjust that within the PSD's first and then see how exporting goes.
So now you are thinking: My client wants his own colors! Sure he does. But those colors were probably designed for print, which does have another colorrange. Simple technical story. You're bound to specific saturation. Going over that means troubles....
And I'm not claiming that your problem will be solved when you adjust this. It is still possible that h264 just doesn't like red too much. Maybe that's on purpose. Our eyes are most less sensitive to red, so that gives the compressor some extra room to compress in the reds (Don't know if this is what compression developers do; just thinking out loud, just an idea...)
Hope this helps at least a little.
Rienk

What Compressor codec should I use for footage recorded on a Canon T3i, edited on FCP 6, and intended for Vimeo?

I am looking for help!
My planned workflow is as follows:
Footage recorded on Canon Rebel T3i ---> Edited on Final Cut Pro 6 (sequence compression is apparently H.264 according to the browser) ---> Compressed with Compressor (ver 3.0.5) in original 1920 x 1080, 24p format ---> Uploaded to Vimeo
I am now at the point where I am trying to find a Compressor setting that will create a compressed movie that looks somewhat similar to what I see in the canvas in Final Cut Pro 6. I have tried using the H.264, Apple ProRes 422(HQ), HD Uncompressed 8-bit, and XDCAM HD 1080p24 settings and in all cases, my movie plays back fine, however, the brightness/exposure seems to be hiked up a few stops and there is a substantial amount of noise in both the blacks and midtones that doesn't appear in FCP's canvas.
My compressed movie I wish to export is only intended for Vimeo (similar to Youtube). Is there a different setting I should be trying, or perhaps a way of downloading a more effective or current codec?? Any suggestions are greatly appreciated as it is very disappointing to see my movie degraded so much from its orginal quality.
Shaun M

H.264. But the FCP Legacy (FCP 7 and earlier) Canvas and Viewer aren't color accurate. Not designed to be. Their purpose is to show you what you are doing, show you the footage so you can make editing decisions. For color accuracy, the ideal way, since this was designed with television and feature editing in mind, is to have an IO device like those AJA.com and DECKLINK.com make, and send the signal to an HDTV or broadcast monitor.
Apple has realized that more and more people are editing for the web and computers only, so they made it so that FCX's viewer IS color accurate. So...what that means is that currently, using what you have, you won't get things to match....they aren't designed to. So you can adjust for what happens when you export.
But a big issue is that you are editing H.264 in FCP native. FCP doesn't work with H.264 native well, all sorts of potential issues can arise. Sync issues, quality issues, the correct shot be exported, all sorts of things. FCP works best with the FCP editing codecs. What are they? They are found in the EASY SETUP list. But for HD, the most commonly used option is ProRes 422. There is a BIG problem that FCP Legacy will SEEM like it'll work with H.264 natively just fine...it doens't throw up any warnings. That is bad. Also something Apple fixed with FCX.
The fact that you are editing H.264, and trying to export H.264, might also lead to the footage being more off that it would if you edited ProREs 422, and exported H.264. Note...H.264 is a higher data rate codec, and easier for FCP to work with...but because it has a higher data rate, the file sizes are much higher than the original H.264. 5-6x larger. FCP 7 did have a way to import Canon 5D, 7D and T2i (needed a hack with the T2i) via Log and Transfer. But it doesn't work with the T3i...not even with that hack. Because FCP 7 was no longer updated after the T3i came out. It's 4 year old software, discontinued 2 years ago.
If you want to edit native, you need to look at Adobe Premiere Pro CC. It's interface is more accurate too.

I have a FCP event and project with all accompanying media saved on a harddrive. I am now attempting to open the files on another computer that also has FCP X. I cannot figure out how to get it to open.

I have a FCP event and project with all accompanying media saved on a harddrive. I am now attempting to open the files on another computer that also has FCP X. I cannot figure out how to get it to open.

The events and projects folders have to be on the top level of the drive for FCP to recognize them.

Anybody experience with FCP X and Macbook pro 15inch 2.2?

My old mid 2009 macbook harddrive died on me today, and I'm thinking to upgrade. Sell the old one and buy the new 2011 2.2. The old one was slow in rendering and had lots and lots and lots of spinning beachballs. Was I pushing it too hard? Don't know, but it was horrible. I lost so much time.
Anyway, does anybody have this combo fcp x and the new 15inch macbook pro with the 1gig card and what are your findings??
Thanks
Peter

I've got a 2011/2.2/8GB/6750 running FCPX. Once I troubleshooted my external HDs (a Drobo that was nearly full with Time Machine backups was slowing down the entire Firewire bus) things run a lot better. I'm currently storing video on a Promise Pegasus R4 Thunderbolt RAID and the entire system is pretty snappy. The only slowdowns are:
1. clips, events, and projects on slower hard drives can slow down launching the app and screen refreshes
2. FCPX is still flakey. It will run great for a whole day and then will refuse to launch the next morning.
3. exporting through Compressor is slow, particularly when I'm under deadline! 10 minute HD segments can take an hour or so. The Activity Monitor shows the CPUs maxed out, so I suspect that's the bottleneck. I've tried setting up distributed rendering but it doesn't work quite yet.
4. FCPX can be a RAM hog, so if you're a rabid multi-tasker like me, prepare to beachball or change your wicked ways.
All in all, FCPX runs pretty well on my MBP. If video editing was my main line of business, I'd seriously consider a Mac Pro stuffed with RAM and as many cores as I can find. I might wait for a newer one with Thunderbolt though for a bit of future-proofing.
Hope this helps...

FCP vs FCP express and XDCAMex

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