FCP X DV Export Settings

I need help with some export settings for DV in FCP X
I've downloaded the 30 trial. I'm working with a DV clip that's about 10 minutes long. I'd like to export the finished moved to a file format so I can brun it to a DVD and send to relatives, etc.
I've tried exporting to quicktime using current settings, changing it to progressive, even exporting to h.264. In each case, I get different and undesirable results. Sometimes the footage is interlaced to the point where it is very obvious (sometimes it's so bad it's unwatchable). Sometimes the footage is "shimmery" or jumpy. My comparison point is the same film I exported to QT years ago using FCE 4. None of these exports look close to that level of picture quality.
I was hoping to use FCP X because of it's similiarity to iMovie '11 and because of the single field processing problem affectinf the quality of DV footage with iMovie '08-'11 exports. But I can't seem to get the export settings right. I'm sure it's just a minor issue.
I really need some guidance on the right DV Export settings, as I have almost 100 hours of familiy footage in DV and was hoping to see improved picture quality if I used FCP X.
I'm using a mid 2009 MacBook Pro 13 inch, 2.53ghz processor with 8GB of RAM and a 500GB 7200rpm HD.
Thanks,
Bryan

Well, here's an interesting phenomenon. Until now, I have just been working on VHS-DV transfers for DVD end point. I haven't thrown any HD stuff at a DVD yet (except for an experiment on the pretty useless FCPX DVD export.)
All of those VHS projects have required chapters, so I just export media -> DV as we have discussed here. There was one 15 min segment I pulled out and made as a separate DVD for a friend. All of these have been SD and life is good.
Just finished a 720p project. Shared one copy out for my iPad, then went thru the proper project settings for DV Anamorphc and did the Export Media -> DV. Checked it in QTP and saw it was 853x480 as expected. Ran it straight to iDVD since I didn't need Chapt Markers. Made 5 copies and last night proudly played it for the recipients. The sucker was squished to 4:3 (yes, iDVD project was set for 16:9). That'll teach me to not play the DVD first.
Couldn't change it in QTP cuz it was already 853x480. Had to run it thru FCE first to get the 720x480 out, and then thryu QTP to change it back to 853x480.
Just thot I'd come over here and mention it.
As an additional observation, it was interesting to see that the iDVD result was no different for theVHS-DV project SD (640x480 out) whether I ran it thru FCE (720x480 out) or not.

Similar Messages

FCP export settings for import in iMovie '08

Q: What QT/ Compressor export settings do I need to use in FCP in order to be able to import the MOV file in iLife '08?
The reason for using iLife '08 is solely for sharing the movie to dotMac.
(if you know alternatives bypassing iMovie '08 ... be my guest).
Background:
I create my footage with a Sony HDR-HC7.
I capture the footage on my Macs (G5 and MBP) via FCP.
I edit my sequence in FCP using the HDV sequence presets
I output using FCP export to Quicktime. MOV file has HDV properties.
Funny: the captured MOV file with HDV properties can be read by iMovie '08 , the edited sequence with exactly the same HDV properties can not be read by iMovie '08 .
I tried a Compressor conversion to:
- Apple preset iTV --> no import
- Apple preset iPod video --> no import
- Apple preset m2v and m4v --> both no import
- Apple preset mp4 --> no import
iLife help mentiones that it accepts DV, mp4 and some MOV formats.
Q: what is the list of "some"
Please help.
Coen

Q: What QT/ Compressor export settings do I need to use in FCP in order to be able to import the MOV file in iLife '08?
Don't have FCP v5/6 but with older FCP/FCE usually use AIC for crossover in MOV file container.
iLife help mentiones that it accepts DV, mp4 and some MOV formats.
Q: what is the list of "some"
I have personally used DV, AIC, MJPEG, MPEG4, H.264 and i believe Photo-JPEG with which another individual indicated he was having problems. As to audio for these files, usually use DV, Linear PCM ("Big Endian" Integer), AAC, or even uncompressed. Avoid Apple Animation and Apple Video compression formats which will import/edit but will not correctly export. However, be advised that there are some caveats. E.g., a "Large or Full" slideshow export from iPhoto places the MPEG4/AAC data in an MOV file container which iMovie '08 will not import. However, if you use the MPEG Streamclip "Save As..." File menu option to save the same data in an MP4 file container. Therefore, would say that some problems here may be associated with iMovie '08 "pre-scanning" of files and possible minor bugs in proper error trapping on compression formats vs file containers.

FCP export settings ratio gone wild please help.

Any edit i decide to export turns out like this:
shaped in a black box.
i understand that the 16:9 ratio has the letterbox, but why the left and right side lines?
For picture example, see here:
https://discussions.apple.com/message/15653584#15653584
I cant change it, it's getting annoying, something has happened and I dont know how to change it back.
I have tried changing the settings during the expor save config,
i have tried easy setup settings,
settings for FCP - but the exported video always comes out in a box now.
i have tried them all, and set them to really weird things,
i have messed it up and I dont know what to do......
is there a way to change FCP settings back to default?
Erase a FCP cache?
I dont know, please help.

AdamStansfield wrote:
I didnt set anything up, i just edit using the same sequence settings and everything.
Final Cut Pro rule number one: The Sequence settings must match the characteristics of your source footage.
You can't just drop any old video into a particular setup and expect it to work.
AdamStansfield wrote:
i dont know what i am doing. sorry if i am coming across as an idiot.
Not an idiot. A twerp, maybe.
AdamStansfield wrote:
i need to know how to change the 'pixel dimentions' and make everything back to normal.
This is what we are trying to explain. It's complicated stuff, this video business.
Once, I bought a camera. The salesman offered me a copy of some Windows editing software for free. I don't remember what it was called, but it said "Be your own director!" on the box in ComicSans font. I lost my temper and now sit in prison as a result, which is why I can't do FaceTime with you. Also, I am only allowed one phone call per month and my mother misses me.
Yes. I am an FCP wizard.

Best FCP QT export settings for HD video to Keynote?

I am exporting 3-5 minute long HD video clips shot at 1080i and then deinterlaced in FCP. These short vids will be embedded within Keynote, which is starting to have a problem with these 1gb to 2gb files (when exported at h264.)
HDV already reduces image sharpness it is. I want to keep the quality/footage sharpness up as high as possible. The selected video size ends up being about 1065 x 569, but that is a size, not a sharpness, one of the things I always found confusing when referring to it as "resolution".
So what settings would you suggest when outputting via FCP?

I found (via a friend who is experienced in Pr & En) that it all comes down to the export/authoring settings.
In Pr, my export settings needed to be adjusted as follows:
Format: MPEG2-DVD
Preset: PAL Progressive Widescreen High Quality
Selected 'DVD' in the Basic Settings section of the
Multiplexer tab (this creates a single mpeg file rather than a m2v file which has a separate video and audio file)
Selected the highest possible quality (5) in the Basic Video Settings section of the Video tab, changed the TV Standard to PAL (to suit Australian TVs) and then
Set the minimum/target/maximum bitrate settings to 8Mbps (when I set it at 9Mbps, the final file had too high a bitrate for DVD)
In the Audio tab, I selected PCM as the audio type.
I also ensured that the Use Maximum Render Quality checkbox was ticked at the bottom of the export settings window.
Then I exported.
Once encoding was complete I opened Encore, started a new project, selected DVD as the authoring mode and PAL as the Television Standard within the Basic settings for the new project. I then imported the final mpeg file as a timeline into Encore, set all the appropriate first play/title button/end play functions as necessary, then I opened the Edit Quality Presets window from the File menu and made the following settings;
Format: MPEG2-DVD
Presets: PAL DV High quality 8Mb CBR 1 Pass
Basic Video Settings - Quality: set to maximum (5)
Basic Video Settings - Field Order: None (Progressive)
Basic Video Settings - Pixel Aspect Ratio: Widescreen 16:9
Basic Video Settings - Bitrate Settings - Bitrate [Mbps]: set to maximum (9)
Basic Audio Settings - Audio Format Settings: Audio Format: PCM
click OK
Then I authored the DVD and was quite pleased with the result. Still not quite to the quality I was hoping for (i.e. the quality of a DVD movie), but still a significant improvement on my initial attempts using default Pr & En settings.
Hope it helps

Best AVI export settings for a XDCAM EX 1080i60 35VBR FCP timeline

I've editted a couple of XDCAM EX 1080i60 35VBR timelines in Final Cut Pro. The dimensions of the source footage and timeline sequence settings are 1920 x 1080 XDCAM EX 1080i60 35VBR.
They will be used at a large conference center and the client has asked me to delivery HD AVI files.
So far, everytime I export an AVI file from either the FCP timelines, or HD Quicktime XDCAM EX 1080i60 35VBR composites that I've made from the timeline, the AVI file that results is either alot smaller than the 1920 x 1080 quicktime file and/or pixelated to some degree, and not as clean as the HD quicktime.
I have very little experience with AVI and was hoping someone could suggest appropriate export settings. As I said, the client only indicated they want AVI files, and that their equipment can display HD files.
So I'm trying to maintain the quality of the original and editted footage.
I'd like to work with the tools and export options available within FCP7 (FCS3) and quicktime, as opposed to having to purchase some AVI transcoder, but I guess I'd be open to that if I had to otherwise take a huge quality hit.
Thank you in advance for any assistance.

I'd like to work with the tools and export options available within FCP7 (FCS3) and quicktime, as opposed to having to purchase some AVI transcoder
As far as I know there are no tools/export options within FCP7 (FCS3) and/or Quicktime to do what you probably want to do (compressed HD AVI export). But if a fully uncompressed 1920x1080 AVI export is ok for you / your client then you can use Export > Quicktime Conversion, set the Format to AVI and change the Options >> Video >> Settings >> Compression type to "None" ... bear in mind that this will produce some pretty big exports file size wise (about 6-7 GB per minute).
Or instead, you can download and use MPEG Streamclip. Open your HD Quicktime XDCAM EX 1080i60 35VBR composites into MPEG Streamclip and choose File > Export to AVI ... then in the AVI Exporter window you can +choose the codec+ you need and press the "Make AVI" button (leave the settings at default, especially Frame Size which should be "unscaled"). Note that AVI is just a wrapper, not a codec. Make sure you chose an HD capable codec that your client can handle (it's unlikely that they will be able to play back any Apple XDCAM EX variant, or indeed any codec that starts with "Apple").
Or just send them an unscaled H264 test file and see how they get on with that (and you can export H264 from FCP, Compressor, Quicktime and/or MPEG Streamclip). It's scalable (handles any resolution including HD) and is pretty much universally supported delivery codec. I'd expect your client would be happy to accept it if you explain that the format will offer the quality the need.
However you proceed I'd strongly recommend you send the client a few test encodes first to have them confirm that they can indeed read / handle your encodes correctly.
Hope it helps
Andy

Export settings for sequence from FCP to Avid PC

Hi,
Please can someone give me the best export settings/codecs to use if I need to export a FCP sequence with clips shot on XDCam EX1, 1920x1080i, 35 mbs at the least quality loss possible so that it can be imported into an Avid on PC for titling, effects and other bits added? My on-line editor is on Avid PC.
Many thanks
Belinda

Hee....missed that final sentence somehow.
So...offlining imported footage on FCP that you will online in Avid? What is there to online? You imported at full resolution. Must be color correction.
OK then...you edit in FCP from imported XDCAM EX footage...and you intend to go to Avid for the final color correct and titling. Did you plan for this? Test this? because I am pretty sure that the QT files that were created when you imported with the transfer tool won't work on a PC. Unless you tested and they did. But it appears that they don't as you are asking how to get them there.
Did you not ask this question when you started this show? That is ALWAYS something you do. If you plan on doing a certain workflow, you have to make sure that the workflow in question will work. Offline and online from tape is fairly simple, as you can recapture from the tape...timecode being the big thing there. But this is IMPORTED footage. Full clips, and I don't see how you can import only what is used in a sequence.
This issue, coupled with FCP to Avid...and Avid on a PC no less. Well. Find a codec you can export from FCP that the Avid can read (this will require testing), then MEDIA MANAGE the footage to that codec. Hmm....but then how will the Avid read the FCP project file to reconnect to the footage?
Nope...I stand by my original answer. Output to XDCAM disk and recapture, or to HDCAM or HDCAM SR tape and recapture.
Shane

What fcp export settings to use for bluray DVD

I am editing a huge wedding and have to put chapters and full wedding onto a bluray dvd. What export settings could I use to compress videos a bit so they fit on a bluray without losing a lot of quality?

You have to export to QuickTime Movie, not QuickTime Conversion. You don't want to force any recompression on the video; it will only cause problemsin Toast.
If you want to save time & disk space, UNcheck the option called 'Make movie self-contained' when you export to QT Movie. As long as your Blu-ray authoring tool (eg Toast) is on the same Mac as FCE, you can use the QT reference movie produced this way as input to your Blu-ray authoring app, same as you would a self-contained QT movie.
It is important, however, that you make sure to do Sequence > Render All > Both and Sequence > Render Only > Mixdown before exporting your video from FCE.

Export settings for quicktime movie to use in DVD Studio Pro

The workflow:
I created a movie and did extensive sound adjustments in iMovie and a few video edits, and exported it to a quicktime format:
compression H.264
Quality: High
Frame reordering: yes
Encoding mode: multi-pass
Dimensions: 1280x720
Since then I upgraded to FCS, and tried to create a DVD with DVD SP and import the movie, and I get this error:
Import error:
One or more files failed to import. Common reasons for this are that they do not match the current project's video standard or their file format is not supported.
I'm fairly sure I have matching video standard...and the file format has always been supported before.
I imported the quicktime (.mov) file to FCP and added some edits, recreated the chapter markers, and early on there was a pop-up that said my movie format did not match the project settings, so I checked the "okay" to adjust the video file to match.
When I finished, I exported the file from FCP to a quicktime movie with the "current settings" that have always worked with DVD Studio Pro before, and I'm getting the same error.
I don't know where the problem is. Both the original movie I created in iMovie and the movie I recreated in FCS will import to iDVD. I wanted the better quality production from DVDSP....
I no longer have the iMovie project file. (I thot I was done.) I do have the original footage, but I'm already three days in and hoping to avoid starting over.
I would sure appreciate any help!
Thanks!

2cute2b2smart wrote:
I don't know where the problem is.
compression H.264
Quality: High
Frame reordering: yes
Encoding mode: multi-pass
Dimensions: 1280x720
The specifications you listed are the problem.
I can't comment on iMovie -don't use it personally.
From FCP, you would export a self contained movie using the current Timeline settings (not H.264 ever)
Bring that file into Compressor and apply one of the time based DVD presets that the running time of your movie fits into. This will produce a MPEG 2 video file and an AC3 audio file. Bring both into DVDSP and author.
A DVD video is always standard def 720x480 (NTSC) or 720x576 (PAL).
Converting the output from FCP to H.264 is adding an unneeded compression stage that will compromize quality -because DVD assets are always MPEG 2 / AC3. Even if DVDSP accepts that H.264 file, it gets transcoded again using DVDSP's own compression system.
All of this is covered in the DVDSP user manual. Take the time to read it. DVD authoring is complicated if you just jump in and start poking around, simple if you take the time to understand the basics.

Please help with highest quality export settings...

I have searched the forum and web for hours (no joke!) and I am still trying to figure out what are the best video settings to give me the highest HD quality video in daylight. I am using a Canon HF200 and the latest updated version of FCE. My problem is that I am unable to produce an HD quality video at 1920 x 1080 Full HD without being "jagged". I have two questions; what do you suggest to be the best FCE import and export settings to produce the best HD video, and what settings do you have your HF200 set to (for normal daylight conditions), to produce the best HD video file? The file will be played directly thru my computer to a plasma HDTV.
I have tried several settings, but using anything above 1280x720 16:9, makes the video "jagged". Again, I don't care about the size of the file or how long it takes, I just want the best. Is there something I am missing?
My FCP settings are the following:
I log and transfer the video from the camera into FCP (on a black MacBook; 2.16 GHz with 4 GB RAM) using the AVCHD Apple Intermediate Codec 1920 x 1080i source. I then export the video using the following:
Export using "Quicktime Conversion".
Quicktime options video settings are:
Frame Rate set to "Current"
Key Frames set to every "24" frames
Compressor quality: "best" (Encoding set to "best quality")
Data Rate set to "automatic"
Quicktime options video size are:
"HD 1280 x 720 16:9" (anything higher produces the jags!)
Deinterlace source video is NOT checked
My Canon HF 200 settings are the following:
- P mode
- FXP (17 Mbps)
- 60i framerate
all others are set to the normal default
I have read some reports saying the above is good and others suggesting changing FXP to MXP (24 Mbps) and/or the framerate from 60i to PF30. I don't care about the size of the file, I just want the highest quality HD file.
Any suggestions for the best FCE settings and/or HF200 settings would be very much appreciated!
Thanks for your help,
Evan

Thanks again for the feedback
Let me try my best to answer the above (I'm new at all this and I appreciate you guys taking the time to try and help me out).
First off, I tried rendering and that did not help.
Here is my sequence. I am not going into FCE from the camera directly. I have archived the video file from the camera using iMovie (as well as just making an exact copy of the camera files; they both appear to me to be the exact same, both can be logged and transferred into FCE, and both files give me a jagged FCE result).
Once I log and transfer the file(s), I then take the clip and add it to a sequence file (rendering or not rendering the clip(s) at this point does not make a difference), and then click/highlight the sequence file in the browser and export it.
As for "editing the video in a 1920x1080i60 sequence", I think I am. I am not doing any editing to the clip. It is logged and transferred using the AVCHD Apple Intermediate Codec 1920 x 1080i and then exported using either as a Quicktime Movie or Quicktime Conversion (set for 1920 x 1080 using H.264 compression; both ways still result in a jagged video).
That's about it...log and transfer, add clip to sequence, and then export sequence...
I hope this answers the above, but if not, I apologize; I'm still learning!
Also, if I use iMovie, with similar export (share) settings, I get a non-jagged video (I have tried with deinterlacing and not deinterlacing, and both video results are fine)
Thanks again,
Evan

Import and Export settings and presets

Thanks in advance.
Where can I save all the different import and export settings? Like if I just want to export Quicktime with audio and save that setting so I don't have to reset it every time. Thanks

I don't think you can in QT... You can in FCP by selecting CUSTOM as your setting when exporting to QT. Just rename the settings from custom to what you'd like it to be.

Best Export Settings For Fast/Low-Res QuickTime Movies

I couldn't find a discussion room for FCP 7 so I figured if anybody is proficiant with FCP X, they could help me.
Hello,
I really could use some help with my export settings using FinalCut Pro 7. Most of my shows are no more than 20 minutes and I pretty much know the best QuickTime export settings for uploading to Vimeo, Exposure Room,YouTube...etc. But now I am trying export a lengthy project at 53 minutes.
The footage is mixed and some of it was not converted to ProRes but it plays great and renders fine in the timeline. The sequence settings were picked automatically at 1920x1080 because of the main footage that was brought in.
This upload is for client viewing purposes ONLY so I really don't care about the quality as much as the export speed. As far as what I’ve tried - I am using the H.264 codec. I tried lowering it to NTSC 720x480, then tried 1280x720 HD. I set the compressor lower than medium and the Kbps (?) settings to AUTOMATIC when I typically set it manually, between 3000 and 5000. My audio is set at AAC.
It’s a crappy project because of the way it was frankenstein’d together in the field (I’m just cutting it), but I'm committed now and have a huge deadline. I'm getting a bit nervous because of how many hours it’s taking to export. The client is going to make inevitablec hanges and will want to see those changes quickly again - online.
NOTE: My Compressor does not work and I’ve never needed to use so far so that option is not available.
I could really use could some wisdom today!
Thanks so much to whomever can steer me in the right path.
`Patrick
Message was edited by: prepstein

Try here
https://discussions.apple.com/community/professional_applications/final_cut_stud io

Fcp 7 not exporting self contained

Hi, help me out. Fcp 7 is exporting reference movie which doesnt play on other systems. I need to create a self contained movie for distribution. But neither quicktime conversion nor checking 'make self contained' is helping out. I'm doubtful whether there r some special system settings to be checked or some export setting need to altered. Or a program error?

Please post your question on the Final Cut Studio forum.

Audio upsampling in Quicktime Pro: Best export settings for Final Cut?

I'm using Quicktime Pro to convert audio from 32 kHz to 48 kHz, for use in FCE/FCP. Quicktime gives me several options for export settings. I want to make the conversion lossless, without increasing the size of the audio file too much.
These are the settings I'm using so far:
Format: Linear PCM
Channels: Stereo (L R)
Rate: 48 kHz
Sample Rate Converter Settings: Quality: Best
Linear PCM Settings: Sample size: 16 bits
Are these settings the best choices? Does anyone have experience doing this kind of upsampling?
Here are the other options in Quicktime:
Format: Linear PCM, A-Law 2:1, IMA 4:1, MACE 3:1, MACE 6:1, QDesign Music 2, Qualcomm PureVoice, and mu-Law 2:1
Channels: 2 Discrete Channels, Mono, Stereo (L R)
Rate: there are other choices, but I know 48 kHz is what I want
Advanced Settings:
Sample Rate Converter Settings: Faster, Fast, Normal, Better, Best
Linear PCM Settings (when Linear PCM is the format): 8 bit, 16 bit, 24 bit, 32 bit (floating point checked), 32 bit (floating point unchecked).
The file size grows quickly as you increase the Linear PCM bit settings.

You can't create something that is not in the file.
Moving from 32kHz to 48 will only make the file size
larger and can't improve the audio.
Doesn't FCP or FCE import your file at 32. Or does it
change it to 48 after import?
I am aware that increasing the audio from 32 kHz to 48 kHz will not improve the quality of the audio. And yes, Final Cut Pro and Express will both capture and allow you to work witih 32 kHz audio.
I have several hours of video shot with 32 kHz audio settings that I'd prefer to have stored on disk with 48 kHz audio, because (a) some applications like iMovie have demonstrated problems with 32 kHz audio in the past, and (b) the majority of my video is shot with 48 kHz audio, so my 32 kHz video will eventually end up in a 48 kHz project, leaving the upsampling to Final Cut. Yes, I do eventually plan to burn my projects to DVD as well, but this isn't an immediate concern.
The problem with doing the conversion in Final Cut is this: Some of the people knowledgeable about Final Cut Pro and Express recommend doing the upsampling using Quicktime or another application, instead of using Final Cut, because Final Cut may not do as good a job as Quicktime. So my intention is to upsample the audio now in preparation for later projects. I don't completely understand why Final Cut wouldn't do as good of a job at upsampling, but a couple of experienced users in the FCP and FCE forums have independently corroborrated this.
Thanks to everyone for their helpful posts and responsiveness.
PowerMac G5 Quad 2.5 GHz 3GB RAM Mac OS X (10.4.5) NVIDIA GeForce 7800GT
Message was edited by: Anthony M Kassir MD

Ideal import and export settings to make a master (uncompressed file)

editing in FCP VERSION 6.0.5 ON A MACBOOK PRO. The footage I'm working with is one 26 GB Quicktime file (16 minute duration), standard definition, 725 x 576, 10 bit uncompressed.
Basically I need to make this file, which is a short film, 1 minute shorter to be eligible to enter it into the Cannes Film festival next week.
What would be the ideal import and and export settings to make a new master e.g. to create a new file that is most uncompressed.
I very much appreciate your help!

It seems that every time you reply your goal has changed.
If you're worried about the self-contained movie requiring FCP to open, that's a simple fix. Right-click on the file and choose Get Info. In the Info window, change the 'Opens With' to QuickTime Player. You'll maintain the best quality and others won't need FCP to open it.
-DH

Export Settings for HD footage

Hello,
Please excuse my lack of knowledge........
Basically I have finished my project, which was shot on a Panasonic AGHMC41E and edited on FCP Studio, clips were format DVCProHD.
I am looking to find out the best quality Export Settings so I dont loose pic quality or encounter pixelation.
So the footage is HD but I only want it for SD DVD
I am looking for the QT Movie Setting Options for:
Compression type:
Motion:
Date Rate: ie restrict too etc..
Additional advice is welcome....

If your audio has an issue which remains consistent throughout the track, then just deal with it in the timeline using FCP Audio filters. However, for intermittent audio harshness, you will want to export your audio into Soundtrack Pro.
Go through the audio looking at the Spectrum View, narrowing the frequency spectrum a bit so you can see what you're doing, like 80 - 10K. The "harsh sounding" audio will show a bright color. In my setup, that color is yellow. Draw rectangular boxes around the yellow audio "clouds" and reduce the Amplitude by a percentage, but not too much!
The audio should sound better after the offending frequencies have been reduced to an appropriate level. Just don't make your rectangles too tall because tallness means a wider swath of the frequency spectrum will be affected and it can begin to sound noticeably weird, so be careful. The affect should sound smooth when you play it back.
I hope that helps.
Eddie

FCP X DV Export Settings

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