FCP XML Effects in Audition CS5.5

Through a very long series of circumstances, I have an XML file and multiple OMF files of a film's audio. The editor is based out of LA and I am on the east coast and communication has been...difficult at the best. Essentially I am very ready for this process to be over.
So the XML files opens like a charm, everything in place and whatnot. However my problem is that Audition loses 15/18 audio effects and does not tell me which tracks the effects were lost from, where they were, etc. Is there any way to fix this without going into Final Cut with the XML file and individually seeking out and reapplying each individual effect in Audition? I tried searching and reading the FAQ's but I could not find anything.
I have Final Cut Pro 7 and Adobe Audition CS5.5 available to me, both running on Snow Leopard. Thanks!

Sorry but the short answer is no - I'm not aware of any conversion application (other than a daw specific one like Ses2Sesx) which will not only read another daw's session details but also it's fx details.

Similar Messages

CANNOT IMPORT FCP .XML FILE INTO PREMIERE PRO CS5

Hi,
Camera used:-Sony Pmw Ex3
Footage       :- XDCAM sp(1440 * 1080i) PAL
Edited in      :-final cut pro 7
Error            :- failed to import .xml file into premiere pro cs5
I tried to import the .xml file into premiere CS5 ,it asked for the media files to relink .whn i linked the .mp4 files it showed the error messege "The selected file cannot be linked becouse it has 2 audio channel(s) and the clip was created with 1 audio channel(s).
then i tried to relink the .mov instead of .mp4 file (which i used in final cut pro on apple machine)i got the error "Codec missing or unavailable"
what should i do???..i almost done all the editing in final cut pro and i bought the adobe coz i thought i can finish all the pending FCP projects in Premier Pro..??

What is the CODEC in your MOV file(s)? MOV is but a "wrapper," like AVI. This ARTICLE will give you some background. It could be that you just need the proper CODEC, or it could be that it is a Mac-only CODEC, and then you will need for the producer to Export in another CODEC, that is PC-compatible.
This ARTICLE will give you some background on CODEC's, in general.
Good luck,
Hunt

Audition CS5.5 and Macbook pro performance

Hey guys, this is my first post on this forum. I’ll give you a little history as to how I got here.
Started off on CE2.0 then moved onto Audition 1.5 and now I’m on Audition 3.0
I know Audition like the back of my hand, It suits my workflow perfectly(well almost perfectly).
I found that I was reaching some limitations with Audition 3. A normal session for me would consist of 1 Midi track for the EZDrummer VSTi and then up to around 30 audio tracks. My genre is rock/indie/acoustic. Each track will generally have compression and reverb. My vocal track consists of Reverb, 2 compression effects(to compress and de-ess) and sometimes Antares Autotune.
What I found was that I could tell the system was starting to giveway, I was getting pops and clicks during playback, and I would have to start freezing tracks. I found that Antares Autotune was pushing my system, along with the Guitar Suite.
My main problems I found was comping tracks. I would need to create a new track for each vocal take, which ends up pushing the system even more.
I decided I needed to make a change. So I started looking for alternate DAW’s which had a “take” system. I was deciding between Logic or Protools. I’ve been running a PC setup since forever, so Logic would mean I would have to buy a Mac. I choose Logic 9 as I have witnessed my friend comp vocals on it, and it looked very user friendly, So I bought myself a Macbook Pro 15” with the i7 CPU.
So I’ve been using this setup for the last 2 months or so, and to be perfectly honest I miss Adobe Audition. Dont get me wrong, Logic is great, but it feels more like a toy compared to Audition. I feel more at home with Audition. More specifically the workflow, and the Studio Reverb plugin is the best reverb plugin I have EVER used. Not to mention the dynamics processor has great de-esser presets.
ANYWAY.
Its question time.
In Audition and more specifically Audition 5.5 Is there a built in “take” system which I’m not aware about? Or do we all just create a new track for each vocal take and comp that way? I don’t mind this way of Comping vocals, the problem lies when the system starts to pop and click due to having too many tracks. This brings me to my next question.
How is the performance of the Mac version of Audition 5.5 on a 15” i7 Macbook Pro with 4gig of ram? Unfortunately my trial period has run out, and I didn’t get much of a chance to push the system(I couldn’t open my .ses files).
Is there a way to convert .ses to .sesx? I tried converting to .xml and it didn’t carry over the plugins.
Can I extend my trial period of Audition 5.5 in anyway?
I really want to give Audition another shot if I can convert to .sesx with ease and have great performance with my Macbook pro.

Okay, I've spent some time this morning looking at Guitar Rig 5 in CS5.5 and CS6. Guitar Rig can install a lot of flavors of audio plug-in depending on your need. Audition only cares about the VST and Audio Unit (on Mac.)
There was an issue we found in Audition CS5.5 where some effects don't properly report their channelization. While not technically an Audition bug (it's part of the VST spec, I believe) we were not trapping these wayward plug-ins, which is why you saw Guitar Rig listed, but disabled. We addressed this issue in Audition CS6 by catching plug-ins that do not respond to channel requests as expected and assigning them as appropriate.
Guitar Rig is now enabled in Audition CS6 VST Effects List
More importantly, Audition CS6 opens up some pretty impressive effect channelization options which allow you to route the channels of a file into an effect in any manner you like. This allows you full control over which channel is assigned to which effect input, and which channel the output should be applied.
Feeding a 5.1 file into a Mono effect now enables precise control over channel routing.
Full control over 5.1 files into 5.1 effects as well. Any combination of channelizations and effects should work well.
Lastly, here's Guitar Rig 5 running in Audition CS6. While it definitely works, I do not recommend modifying this particular guitar track. Much like trying to pitch correct Freddie Mercury, Keith Richards guitar work does not benefit from additional processing

Adobe Audition CS5.5 with Premiere Pro CS5

Hello everybody.
I am considering downgrading from Master Collection CS5 to Adobe Production Premium CS5.5
But quite frankly it's just because of one application.
Though, i am in doubt if i'll actually going to make the downgrade.
And as you could and might have guessed it is the Adobe Audition CS5.5 Application.
Though really the whole pack has a GREAT improvement overall, I just actaully want to mix SEAMLESSLY with Premiere Pro and sound editing application (Audition).
Which leads me to my next question.
Now with Adobe Soundbooth CS5 closed off (by April 24th), and an UPGRADE for Soundbooth CS5 users to Audition CS5. Does this mean that Audition CS5.5 works SEAMLESSLY with Premiere Pro CS5?
Is there a dynamic link between the two applications? (Audition CS5.5 and Premiere Pro CS5)
AM i able to send mixes between the two? I really don't want to loose any Audio data, such as 5.1 channel mapping, volume mixing, denoising, general mixing etc.
All i really need is some good quality sound editing which works seamless, as After Effects and Premiere Pro has proved to me can be done.
Just want to know if it is possible. Or if I REALLY have to upgrade in order to get the sweet apples.
Best
Lucas

Hi _durin_
Thanks for your quick response.
But I didn't quite understand your answer.
I have seen Jason Levine's video earlier, as CS5.5 was announced and it looks natively good. I understand the mixdown attributes etc.
Please correct me if im wrong HOWEVER this workflow and settings applies still to ONLY the new CS5.5 Version?
Im currently using Master Collection CS5.
Instead of getting either the Production Premium, or Master Collection I am strongly considering updating Soundbooth CS5 to Audition CS5.5 (the option is there as i can tell by SoundBooth's website, though i get a weird error message when I click the update link...)
However I need to know, IF Audition CS5.5 works well with the PREVIOUS version (that'll be CS5 not 5.5), of Premiere Pro.
Are there an option to render the reference video, and generate a interchange session from WITHIN Premiere Pro CS5 to Audition CS5.5?
Im sorry if I either sound harsh or "willingly" misunderstanding. But I have only documentation on how the integration works between the current versions (meaning 5.5).
Im as you can guess VERY confused over the move from Adobe to make a .5 version instead of a full-fledged CS6 solution. It causes a stir, cause I then don't know much of the integration between the previous applications.
I have seen as an example that Photoshop CS5 have gotten the update to receive paintings/files made with their new touch API. So I wonder whether integrational features will be a part of the CS5 pack since, as i've mentioned, an application like Soundbooth gets replaced with Audition, with an upgrade option for the Soundbooth owners.
Im confused and hope you can help me clear my mind up, whether to upgrade or not. I will download the trial eventually, but not onto my current CS5 system since I already use this in my daily video work and want to AVOID confusion.
Best
Lucas

Missing features in Audition CS5.5

Ok, I have been playing around intensively with Audition CS5.5 for a few weeks now. Aside from the thing that SES to SESX import did not work natively (thanks Todd, for giving me the link, although I do think that it should have been included in the software in the first place), there are some other things that bug me.
Here's my top 4 (in order of personal importance):
1. GROUP CLIPS
This feature is missing. If you're working on a mix, you need to be able to move parts quickly, not risking screwing up parts that are OK. Manually selecting all clips and then moving them is timewise not very efficient. IMHO, we really shouldn't have to wait until CS6 for this feature to return...
2. LAYOUT
I keep hitting the vertical zoom sign whenever I want to zoom in horizontally. I use horizontal zooming much more than vertical. Of course you can use the + or - signs on the keyboard, but I find myself hitting the on-screen button time and again. In Au 3 they were in the "correct" position. And there's no way of adjusting the workspace so that I can place the buttons where I like them to be. I am so used to this on-screen layout, that I think it will take a long time to adjust to this.
3. CLIP TIME STRETCH
You can't drag clips to stretch them to a desired length. You do have an improved dialog for Strecth and Pitch (which I like), but you can't do it visually on the timeline.
4. PRE-LISTEN TRACKS
I Au 3 you could quickly sort through multiple effect tracks by pre-listening them using Auto-play in the import dialog to find that right type of swoosh you need from your sound collection. Now you can't, or you have to rely on Adobe Bridge.
I know that the Adobe Bug Report / Feature Request form is the best way to submit these (and I frequently use that), but I'm also curious if other sound editors deal with the same problems.

I believe no one has responded to the original post because all of these topics have been discussed in other threads since Audition CS 5.5 was released. We absolutely appreciate knowing which missing features are most important to our users so that we can place priority toward implementing them. While I can't divulge what features will be in Audition CS 6 at this time, I think it's safe to say that most of these requests will be satisfied.
Regarding the layout of the Zoom buttons, it is possible to display these buttons both within the standard Editor panel (the default view) and as a separate panel which can be positioned as you like. Click Window > Zoom in the menu bar to open this panel.

How do I master a voice recording in Audition CS5?

Hi, I want to record myself playing the guitar and singing over the top, however although I am more than capable on the guitar I can not sing for toffee. So my plan is as follows:
Using Audition CS5 I will open a new multi-track session, I will then record the guitar part (without the singing), and then will record the vocals over the top of that.
Once I have finished recording the vocals I will import the vocal file into melodyne and auto-tune it (if it's good enough for Britney spears it's good enough for me), once I have tuned my voice I will then re-inport the vocal file back into Audition CS5 ready for mastering.
This is where I need help.
What can Audition do to help me make the vocals sound as good and as proffessional as possible using different effects and so on.
If you have ever heard of a singer called "Jose Gonzalez" then that is the sort of vocal I am trying to achieve.
Thanks very much for your time
Regards
Dan

danbs10 wrote:
Hi, I want to record myself playing the guitar and singing over the top, however although I am more than capable on the guitar I can not sing for toffee. So my plan is as follows:
Using Audition CS5 I will open a new multi-track session, I will then record the guitar part (without the singing), and then will record the vocals over the top of that.
Once I have finished recording the vocals I will import the vocal file into melodyne and auto-tune it (if it's good enough for Britney spears it's good enough for me), once I have tuned my voice I will then re-inport the vocal file back into Audition CS5 ready for mastering.
This is where I need help.
What can Audition do to help me make the vocals sound as good and as proffessional as possible using different effects and so on.
If you have ever heard of a singer called "Jose Gonzalez" then that is the sort of vocal I am trying to achieve.
Thanks very much for your time
Regards
Dan
Steve's right - we have to be able to hear what you've done before we tell you what you need to do next. A couple of things, though. After you've melodyne'd the vocal (I don't think you have to do the export/import thing with the vocal, cuz Melodyne's a plugin, right? Audition isn't listed as one of the DAWs you can use it with, but I wouldn't worry - Audition's NEVER listed with other DAWs, but it works just like the others most times.) you won't be mastering what you've got, you'll be MIXING what you've got. What Audition can do with those two or three tracks you record will be along the lines of:
* noise reduction on each track
* panning
* EQ'ing
* compression, if needed
* adding space (delay/reverb) if needed
There's more, but those would be the first things you'd be looking at in most cases.

Audition CS5.5 crashes opening CS6 and CC sessions, but worked fine previously

Hi Guys,
The radio station I work at, operates 2 iMacs using Snow Leopard. One computer has Audition CS5.5 installed and the other used to have CS6 and now runs CC.
When I first started working here, the CS5.5 machine would open CS6 sesx files without issue, but for the last few months, every session crashes the program when opening the file. Same happens with CC sesx files.
Restrictions don't allow to have the CS5.5 machine upgraded to CC, so I don't have the opportunity to try a new version.
I am wondering if anyone else has had this issue and was able to find a work around.
Thanks in advance

If you want to send me one (or two) of the sesx files which don't open in Au5.5 I will be happy to check them out and advise
You can send them to me via the contact details on the AATranslator web site
Edit:
The problem is the reference to the 10 band Graphic Equalizer effect
I removed it and all is good
I didn’t have time to isolate it any further than that

Audition CS5.5 not working on 2014 MacBook Air

Greetings!
Just upgraded computers (from a 2008 MacBook) to a 2014 MacBook Air (13", Early 2014). I had Audition CS5.5 on my old Mac so I deactivated it, installed it on the new Air and activated it. Everything seemed to install smoothly, but when I open the program and open an audio file, it just doesn't work, plain and simple. I hit play and nothing happens. I try with the spacebar and nothing happens. The play button lights up, but nothing plays. I can add effects to tracks and see that changes are being made in the waveforms, but can't listen back. Even after making changes, I cannot save those changes.
The specifics:
13" MacBook Air (Early 2014)
1.4 GHz Intel Core i5
4GB 1600 MHz DDR3
Running OSX Yosemite (10.10.3, same as my old MacBook with no issues)
As for Audition, it's CS5.5. There don't appear to be any updates available. I know that I can upgrade to CS6 and I have no problem paying the upgrade charge, but will only do so if I know for a fact that the issue will be resolved. And honestly, unless there are earth-shattering updates, I'm perfectly happy with 5.5.
So there it is. Anyone have any ideas what the issue could be? I've done some searching, but can't seem to find anyone with the exact issue I'm having. Thanks in advance for any help you can provide!

Thanks ryclark!
I checked the audio settings and all appeared to be right. Just to be safe, I re-selected the correct options. The right drivers were also installed, but again, I re-selected it just to be sure. And viola! It worked!
Very strange. So essentially I changed nothing, but not it works. Can't thank you enough for the speedy response!

10 Years Plus Audition (CE) User -- Sorry I Bought Audition CS5.5

I trusted that Audition CS5.5 would be an upgrade to Audition 3, bringing it into the CS Family at a professional level.
After purchasing Prod Premium Upgrade ($400) -- primarily for Audition -- I am very unhappy to discover that is is Audition LE (Light Edition), and in fact is not a version upgrade, but rather it is a version 1.0 program that stole the Audition name as a sales gimic.
Since a major use of Audition for me is fast edits, time stretching, multi-track voice-over with effects, and constant CD burning along the way for reference files, customer samples, rehearsal music, also relying on some of the built-in effects in 3 that are gone-- I find Audition CS5.5 virtually useless.
I already use Cubase as a complement to Audition. A stripped down Audition that doesn't really do anything completely is virtually useless. Obviously I must keep using Audition 3, and unfortunately, Adobe doesn't have a refund policy... just clever sales schemes to trick people once in awhile. This is a shame for a company that generally has outstanding products.
And I am not an outsider. I have used "Audition" since CoolEdit version 1.0 on a daily basis. That's more than ten years at least. It's ridiculous at this stage of the game to be tricked into buying a ver. 1.0 new program by using the established Audition name.

This is ridiculous. You weren't 'tricked' into anything. You deliberately chose not to read any of the volumes of stuff written about this, or avail yourself of the trial version before purchasing. Why on earth would you just 'trust' something when you can obtain real data?
CAVEAT EMPTOR

Migration to Audition CS5.5

I just started using Audition CS5.5 coming from a background of using Audition 3 and even CoolEdit 2000.
There are a few important things I've notices that I can't do or seem to happen wrong with Audition CS5.5. Hopefully some can provide some insight or point me to an appropriate documentation page.
1) I see that I can zoom in on amplitude using the scroll wheel, but I can't pan up and down by clicking and dragging like I used to. Is there some new way to do this?
2) I work with WAV files that are in 32-bit floating point format. When I open them up using File -> Open, the sample values are clearly wrong. In fact changing between "Sample values" and "Normalized values" appears to have absolutely no effect. If I import my WAV as a raw file and specifically state that it is 32-bit floating point then everything looks OK. I never had this problem with older versions. Is there something I'm missing?
3) Is there a way to view or adjust the value of an individual sample? For example, I used to be able to double click a sample to see its exact value and then I could type in a new one. Alternately the UI let me drag a sample up or down to change its amplitude. Is this one of the features they "didn't get around to?"
Thanks in advance.

Durin:
Thanks for the information. As a follow-up, is there a way to change the HUD units to something other than dB, such as sample value? It would also be useful to be able to view the sample's exact value.
This actually leads into my biggest issue with CS5.5 (mentioned in my original post) where I can't pan the Y-axis in the time domain. I can zoom in to where I could get a "good enough" idea of a sample's exact value but it is still stuck centered around 0.0 with no way to move up or down (to view a peak, for example). Is there any way to do this (pan the Y axis)? I would say that, for the applications my company has for Audition, not being able to do this is a show-stopper.

Audition CS5.5 not recognizing my microphone

I am using a Mackie 402-VLZ3 and Audition CS5.5 on my Acer Aspire 5736Z. When ever I try to record my laptop microphone picks it up instead of my condenser mic. I've went to control panel, manage audio devises, but only the laptop mic shows up. HELP!

Well, if you want the truth about Behringer... yes their stuff is cheap and cheerful. How do they do this? Usually by compromising on the 'expensive' bits - no, not the electronics but the hardware. Generally it's pots (controls) switches and connectors that suffer most - but this device has only connectors, and as long as you don't pull them in and out too much, and take care when you do, it will be fine.
But the digital noise thing is different, and it all goes back to the laptop power supply. This problem has everything to do with grounding and earth coupling issues, and generally never occurs with the laptop running on batteries. Also, you can't guarantee that it's going to happen - some people never have trouble with this at all. People invariably blame the last thing they plug in - and if it's a sound device of some sort, then obviously it's that, right? Er, no... it's a system problem, almost invariably related to induced ground noise. It's the fact that the sound device has joined the laptop and something else that's grounded (your mixer, perhaps, in this case) that's causing it. It can be complicated to sort out, and the only way to do it effectively is to put isolation transformers between the output of the mixer and the sound device - this invariably cures it, because it isolates the two things that aren't getting on.
So yes, if that happens you have to purchase a couple of isolating transformers, but these are generally pretty cheap. Also you should note that this can happen with expensive sound devices as well...

Audition CS5.5 and Guitar Rig 4/5

I've just installed AA CS5.5 as a trial, and I found a strange conflict with Native Instruments Guitar Rig VST plugin. The software recognizes the plugin smoothly in the plugin manager, but it just stays greyed out, so I can't use it.
I've tried with Guitar Rig 4 & 5, with no luck. Both work perfectly on Adobe Audition 3. I'm using Windows XP SP3 and M-Audio Fast Track Pro with ASIO drivers. Anybody experiencing the same issue?

Okay, I've spent some time this morning looking at Guitar Rig 5 in CS5.5 and CS6. Guitar Rig can install a lot of flavors of audio plug-in depending on your need. Audition only cares about the VST and Audio Unit (on Mac.)
There was an issue we found in Audition CS5.5 where some effects don't properly report their channelization. While not technically an Audition bug (it's part of the VST spec, I believe) we were not trapping these wayward plug-ins, which is why you saw Guitar Rig listed, but disabled. We addressed this issue in Audition CS6 by catching plug-ins that do not respond to channel requests as expected and assigning them as appropriate.
Guitar Rig is now enabled in Audition CS6 VST Effects List
More importantly, Audition CS6 opens up some pretty impressive effect channelization options which allow you to route the channels of a file into an effect in any manner you like. This allows you full control over which channel is assigned to which effect input, and which channel the output should be applied.
Feeding a 5.1 file into a Mono effect now enables precise control over channel routing.
Full control over 5.1 files into 5.1 effects as well. Any combination of channelizations and effects should work well.
Lastly, here's Guitar Rig 5 running in Audition CS6. While it definitely works, I do not recommend modifying this particular guitar track. Much like trying to pitch correct Freddie Mercury, Keith Richards guitar work does not benefit from additional processing

Audition CS5.5 constantly crashing during editing

I am running Adobe Audition version 4.0 Build 1815 on 64-bit Windows 7 Professional edition. Audtion used to run great for the last 12 months or so, but recently - during last 4 weeks or so - it crashes unexpectedly during an edit session. While saving I also frequently see a warning that this file is being used by some other application (hence can't be saved). I have turned off all backup software (Mozy, Dropbox etc.) wondering if they are somehow conflicting with Audtion.
Here's is a typical event log entry when it crashes:
Faulting application name: Adobe Audition.exe, version: 4.0.0.1815, time stamp: 0x4d8ba538
Faulting module name: ntdll.dll, version: 6.1.7601.17725, time stamp: 0x4ec49b8f
Exception code: 0xc0000005
Fault offset: 0x0002e41b
Faulting process id: 0x1fec
Faulting application start time: 0x01cd97ea244e34f8
Faulting application path: C:\Program Files (x86)\Adobe\Adobe Audition CS5.5\Adobe Audition.exe
Faulting module path: C:\Windows\SysWOW64\ntdll.dll
Report Id: 0356a428-03de-11e2-93eb-0025115f268c
Is this a known issue and is there a fix available?
regards,
Sudhanshu Thakur
Durham, NC

Hi Sudhanshu,
Unfortunately, that error doesn't tell us too much about why the crash occurs. Are you typically working in Waveform view, or Multitrack View? If you get the error that the file is currently in use, does it work if you uncheck the box labeled "Include markers and other metadata" in the Save As dialog?
Let's try forcing Audition to rebuild its preference files as a first step and see if this makes a difference.
1. Open Explorer and navigate to C:\Users\<username>\AppData\Roaming\Adobe\Audition (Note - you will probably need to type the "AppData" folder name manually into the address bar as it's hidden by Windows by default.)
2. Click on the "4.0" folder located there and rename it to "4.0_BACKUP"
3. Launch Audition
It will rebuild all of its preferences, so for now, any presets you had will not be available. If we determine this change fixes the issue, you can move some of the files/folders from "4.0_BACKUP" into the new "4.0" folder to restore these. Notably: "EffectPresets.xml", and "Favorites.xml"

.FCP files in Adobe Premiere CS5

I'm using Adobe Premiere CS5 at work - on a PC. I just got several hours of video footage that's been captured in Final Cut Pro. The footage is in the .FCP format and need to be imported into Adobe Premiere CS5. what is the easiest way of doing this?
Is it possible to import .FCP files directly into Premiere?
Any help is appreciated - thank you.

A .FCP file is not footage; it's a Final Cut Pro project file. There is no way to import that file directly into Premiere. Instead, the project will have to be exported as a Final Cut Pro XML document from FCP--any computer with FCP can do this, so all you have to do is email the FCP file to that individual, who can open it and export as an FCP XML document. When this is emailed back to you, you import it into Premiere as any other asset, and the XML document will be converted to a Premiere Pro project. You can then relink to the media you already have.
Do note that the FCP -> PPro translation is not 100%; there are some things that don't travel over at all, and some things that don't travel well. Check out the help docs for more information: http://help.adobe.com/en_US/premierepro/cs/using/WSd9957a95a81082eb28f05af5126718c47be-800 0.html

PP crashing and giving NVIDIA OpenGL Error Code:6 when in FCP XML sequence

Hi guys/gals,
In an attempt to do an online and colour grade of a music video I shot with the EPIC recently, I loaded up a FCP XML (created with FCP version 7) file into a new 2k, 2:1, 23.98 sequence from the presets and re-linked the offline EPIC .r3D's to color in PP and AE CS5.5.
Mix of sizes, 2k, 3k and 5k as well as some 5D shots. My playback settings are Paused: Full and Play: 1/8th
As I go through and clean up the sequence for finishing Premiere Pro keeps crashing and giving me an error:
NVIDIA OpenGL Driver Error Code: 6
"Your hardware configuration does not meet minimum specs"
When I build a new sequence from scratch with all the same footage, PP chugs along and moves slowly as I make changes and scrub through the footage but it doesn't crash.
Is this a known issue with FCP XML's and PP and is there a fix?
As far as I know my system is spot on and up to date on all drivers, could it be a faulty GPU??
Specs:
GEFORCE 285.62 DRIVER
I am running CS5.5, with EPIC plug ins installed.
Asus Sabretooth
Intel i7 3600
16GB Corsair RAM
Nvidia GTX580
120GB SSD C:
2TB Raid0
Thanks for any advice in advance.
Cheers,
Kevin

"Mix of sizes, 2k, 3k and 5k"
You would need Max GPU memory to play back that high resolution material consistent flawless.
How much on dedicated Memory does the Nvidia GTX580 have?
Later, I searched at new egg, they had GTX580s with choice of either
1536MB or 3GB.
You may need the 3gb model to get MPE Hardware acceleration correctly with 3k and 5k material.

FCP XML Effects in Audition CS5.5

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