Field order errors from Color

I onlined a job recently that had been done in 10-bit uncompressed (PAL). The final edit an hour-long documentary) had been sent to Color for grading, and I was picking up the job to finalise it (adding captions, titles etc. the usual stuff).
The colourist had rendered the clips, but hadn't sent them back to FCP. When I opened the projects in Color it had lost the reference to the rendered files, so I couldn't send them to FCP, so I imported the folders containing the rendered clips into FCP, and layed them back into the final edit as a new layer.
All ok so far.
When I came to play the clips, they were flickering as if they had the wrong field structure, and I had to add a shift fields filter to make them correct. The original clips, the rendered clips from Color and the sequence were all set to 10-bit uncompressed, upper field, so I'm perplexed as to why I had to do this.
I checked Color and it's set to render out in the original format.
I had to render the entire timeline because of the shift field filter, which took 3 hours! Can anyone shed some light on the problem and a solution to prevent it happening again?
I've posted this in the Color forum as well.
Cheers
Steve

I've encountered an issue similar to this with NTSC DV coming back with reversed field order. It may just be in the nature of COLOR to assume that all media is odd/upper HD. You used to be able to buy Final Touch in three variants: SD, HD and 2K. They were individually built to make the field dominance issues moot, but now that there is only "COLOR", there may still be a few old prejudices lingering. This app does not do well with interlace, and a giant problem with it is only a flick of the wrist away.
It was probably not a good idea to render the media out of COLOR without creating a new FCP sequence.
jPo

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    table_item.setValue(CUSTMAT,"CUST_MAT");// can be changed
    table_item.setValue("20041212","REQ_DATE");// can be changed in yyyymmdd
    table_item.setValue(RQTY,"REQ_QTY");// can be changed Qty * 1000
    Regards.

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