Film look help
Does anyone know of any film look software that will work with ppro cs3? I was using magic bullet movie looks with my ppro 1.5 version but it doesn't work with cs3. I really need to age a few of my shots for effect. Any help would be greatly appreciated. Thanks
WMM should get you close and with a few more Effects back in PrPro, you can probably find what you want. Other than WMM Exporting to DV-AVI Type I, instead of Type II, you should not have a problem. PrPro usually handles Type I's pretty well. When there is a slip up, it's often OOS. This is fixed pretty easily, but you may want to keep your existing Audio, and just use the Video output from WMM.
ProDAD's Vitascene has some of the effects that constitute an aged film look. It's farily cheap, and DigitalJuice has had several of the ProDAD plug-in "on sale." Don't know what they are offering right now. Last time that I checked, it was their music/SFX libraries, but it changes often.
Good luck,
Hunt
Similar Messages
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Why can't my HD to SD SHORT film look good? Best Encode?
I have a 12 minute short film on HDV. I imported it to FCP5 and then DVDSP4 and created an HD-DVD and it looked GREAT. Then I found out my computer is pretty much the only DVD player that can play the HD-DVD I had created. Thus began my journey to make a decent SD-DVD, and so far I am not even close...
HERE'S WHAT I'M DOING:
1. I used FCP to downconvert from HDV to DV (I don't have access to the camera to use it downconvert option). I'm sure this step is where the quality drops at least 4 generations!
2. DVDSP5 > Preferences > Mode: Two Pass VBR, Bit Rate: 5.5, Max Bit Rate: 8.5, Motion Est: Best
IMAGE PROBLEM:
Lots of pixelation in darker areas of the screen. Places i could see in HD are now just black and pixelated black at that.
TWO QUESTION:
1. My main annoyance is this: When I burn the DVD, it only burns about 20% of the DVD (HD-DVD would use 60%). I have the space on my DVD-R, why can't I utilize this space and burn 90% of this space with data to make my film look good?
2. iDVD did a better job of making the SD DVD look good. So I know there is something i could do. I've never used Compressor. How can I encode my HDV for use in SD DVD environement in DVDSP5?
Any help will be much appreciated... I hope answers to these questions helps others as well...
Best,
AJAJ -
Thanks for your reply -I hope i can clarify below.
Yes i have been editing the sequences using native HDV 1080i.
When comparing the output of the converted formats here is what i did.
I have a Sony a HC1 HDV Camcorder. I captured and edited all clips with native HDV. Then i recorded back the HDV material back into the camera (HUGE issues with doing this in FCP - but ill leave that to another thread)
From there i did two things
1) I sent the native HDV Final Cut sequence to compressor and set it to DVD, 90Min, Best quality, 2pass VBR. I burned a DVD with DVDSP4 with this encoded sequence
2) i played back the HDV Sequence from my sony camcorder back into the television directly - but using the composite video output (not using the high definition component output).
3) I set my Sony HDV cam to output via firewire as standard DV (eg - i let the camera do its own HDV to DV downconvert). from there i recaptured back into FCP, compressed with the same compressor settings, and sent to DVDSP4
I compared side by side the content from all three options. Hands down Options 2 and 3 looked MUCH better than option 1.
Here is what i noticed
1) A lot of motion artifacts with option 1. This especially when the camera pans and moves. I think this has to do with the way interlacing during downconversion happens. If i run the FCP sequence through a de-interlace filter it actually does come out better - though not as smooth since you are loosing 1/2 the frames.
2) A lot of digital artifacts. pixellation and such like. It looks almost like one of those old VCDs in terms of image quality.
I had searched the forums and found that many other people are having the same problems - so i know that i am not alone on this one (unfortunately). I do find it frustrating that a very expensive >$1000 application suite which claims to support HD has so many issues with editing in HD (this is just one of the issues.. others are that you cannot reliably export HDV back to tape, there are issues with editing multi-cam with HDV with more than 3 sequences... etc..). -
Hi all i hope you can help me here.
Im used to doing safety, corporate, induction videos so Ive never been interested in getting the "film look" But now Ive got a music video to do and i really don't want it to look interlaced.
Now i did some test on my HVX200 25p, and read up on it a little. Which brought me to my question.
I know that when shooting with real film cameras AND HD 25p cameras there is the rule not to pan very fast because it becomes jittery. But when i did my tests outside with my HVX200 25p PAL on a tripod (no panning) my footage seem a whole lot more jittery that film movies i see on tv. Its so jittery i cant use the footage! im to scared to do the music video on 25p.
So now i want to know, am i doing something wrong? Is the shutter speed or the way you capture in FCP got anything to do with the jittery? Or is 25p just that jittery?
Another question. Does anybody have some tips to get a better look and feel to my music video? plug ins? or whatever?
Thanks so much for your replies.
Andre MeyerHi Meyer,
The reason I said your video still looks jittery is because you have not graded or used any additional adaptors on your cam. Turning on a progressive shutter alone will just make your VIDEO look like 24/25P video! The movement is greatly exaggerated! The point I was trying to make is that once you have graded your footage and if you are lucky enough to use a 35mm adaptor, much of that jitteriness (if that’s a word?!) will not be so noticeable. Remember, if it goes away completely, you are back to square one almost! Its about how acceptable you can get with the 3 components I was talking about in my previous post.
I dont own an HVX200, but I have a V1E (not as good as the HVX200) and I find the cinema Gamma not that great as a default.. I have to tweak it quite a lot to achieve the all important contrast and saturated colours. As for your HVX, just have a play until u get a look u like. The Cinema Gammas on the Cheaper Canons are dreadful and make the cam lose all their contrast! I guess this varies a lot with the mid-priced prosumer cams?!
You don’t need to own a 5D MkII (an ergonomic disaster in my opinion unless u have the full rail kit!) to have that 35mm DOF control. There are quite a few 35mm adaptors out there that have attachments for many types of video cameras. There are users in this forum I think that use these types of adaptors with the HVX200’s. However, such equipment is not cheap.. and of course a good quality stills lens’s are not exactly cheap either!
So to summarise:
1. Use a progressive frame rate 24/25P
2. Colour Grade to film... Best bet is to use Apple Colour... this is a really good colour corrector which has various preset that’s you can tweak and work pretty good as the film look. Of course you will need to experiment to get the effect u want. Alternatively, you can use Magic Bullet Looks.. which can be use used as a Plug-in to FCP, and is like Apple Colour on Steroids! It doesn’t offer the same amount of control as Color, but has some really interesting presets that can be easily tweaked.. and the good things is, this is all done without leaving FCP.. so its quick.
3. If you want to go the whole way and go for a 35mm adaptor.. then do your home work. Do you currently own a select of still lenses? Canon L series or Nikon Pro series? Of course u don’t need the pro lenses, but in this set up the quality of your stills lens becomes really critical! Take a look on YouTube and see the effect these adapter give, they can be quite amazing! Be prepared to spend over £2500 for the adaptor alone!
4. And of course, remember technique when shooting like this.. these adaptors do stop down your camera, you will probably have less light to play with. When u r tracking etc, DOF is really critical and can be difficult to master at first.
I don’t have any 35mm adapter, i try to achieve the film look by using steps 1 and 2..the result, well... its ok but often means I have to mess about with camera distances sometimes to achieve a decent DOF. Swings a roundabouts! -
Hi everyone,
I'm editing a moutain bike video shot with a sony HDR FX1 in HD and imported as SD.
Editing is finished and if I preview the video on my computer screen its just fine, but if viewed on a TV it has of course that artificial digital look far away from film. now, I noticed that the portions of clips that have been slowed down to 50% and used "frame blending" do look a lot better... by better I mean, they loose a bit of that digital "sharpness". I also played with gamma and colors but I think that the "frame blending" adds a sort of "softness.
I was wondering: if I duplicate my sequence, overlap the original with it's duplicate and play abit with blur (or else?) and make it let's say 30% transparent... would that help?
any suggestions?
I've seen a skiing video presented on QT website shot in HD and compressed H264... and it has that perfect film look.
Would love to know your thoughts.
Thanks
CiaoOk,
this is the procedure I courageously undertook:
1. duplicate of my sequence
2. added to the new sequence a level 4 blurr
3. played with color and gamma levels
4. overlapped the two sequences
5. adgusted transparency of the copy sequence according to the different portions of clips... some may result too dark. Transparency goes from 50 to 75%
Result: clearly a less digital look - closer to film -smooth
Downsides: loss of luminosity - everytime I change transparency it takes about 5 hours to render and if it doesn't look how you want it, you have to add another 5 hours.
Raises a problem: on TV it has a look and on a computer screen it has another. Consequently you have to create two separate files according to where you want to play it!
I'm sure there is a better way to do it. -
Hi
I'm trying to get an old vintage film look to my footage. Faded colours, scratches that sort of thing. Does anyone know of a filter thats available (to buy or free) or is there a way of doing within FCP?
Many Thanks
AdrianHi there
I'm also looking to achieve the 'old film' look and downloaded the plugin you suggested. But FCP came up with "File Error - Wrong Type". Could you help me with this?
Thanks! -
Jeff Bellune has just completed a new TUTORIAL for using AVISynth to get a "Film Look" from Video.
Hope that this helps someone.
Good luck,
HuntAlso remember, a "film look" goes beyond just shooting at 24p. Many other aspects, such as lighting, DOF (Depth of Field) and effective shutter angle, can all contribute to the filmic feel of the video.
Hunt -
Film Look in FCPHD from PAL miniDV
Hi everyone...
So, I shot a documentary on Pal miniDV (25fps). I'm hoping to achieve a more film-ish look.
I know that you can do this through Adobe After Effects by playing with the gamma curve and creating a small amount of motion blur - http://www.dvinfo.net/articles/filmlook/broadway1.php - though this deals with NTSC rather than PAL.
I have a couple of questions relating to the use of pal here, and I'd really appreciate the help from someone who's more experienced than I (which means just about everyone!)
(1) Does anyone have any comments about creating a more filmish look for PAL minidv rather than NTSC minidv? Is there a preferred method for PAL? With the frame rate at 25fps, you're theoretically 'closer' to film there, but what else can I do and what do I need to do differently?
(2) Is there a way of creating the film look in FCP directly without going over to Adobe After Effects? And does anyone have any opinions about the dis/advantages of the various methods for creating a film look?
(3) If I had to move over to Adobe After Effects to create the filmish look, I'd prefer to stay there to color correct. Anyone have any ideas about the dis/advantages of FCP's against AfterEffects's color correction tools?
If anyone can refer me to any articles with step-by-step instructions about creating the film look, I'd really appreciate that. There seem to be so many different ideas.
Okay, so I know I'm asking a lot and I apologise ...
Thanks so much!
Richard, Los AngelesHi Richard,
Part one of the dvinfo net article you referenced is to do with reproducing the motion signature that results when you add pulldown to 24fps film to get to 30fps for NTSC output. It does not apply to PAL footage. In PAL land, material shot at 25fps is simply slowed down to 24fps when printed to film (and vice versa for film material that is bound for video or TV).
So to repeat, pulldown motion signature is not really an issue for PAL projects (I say not really because it can be done, but the speed change is more commonly applied).
In your case however you are not concerned with frame rate changes, I don't think, you just want to apply a film look to your video. There are a number of ways to do this and by all accounts the Nattress filters are top notch for the price.
I'm sure you checked out part two of the article you referred to above, which is the real meat of the piece, so to speak. Personally I prefer to do this kind of curve/saturation/unsharpening etc in After Effects, although you I believe you can do all of this with equivalent filters in FCP. It's a matter of personal choice and AE has a fairly steep learning curve if you're not familiar with it already. If you have AE 6.5, however, check out the included Color Finesse colour correction suite, which is almost a standalone application and is pretty great. In my opinion it's better than AE's colour correction window but again it's a matter of choice as you can do pretty much everything you'll need to in both (especially for DV material).
Someone spoke of applying Motion Blur in the FCP motion tab - forget about that, that applies to blurring composited objects moving across the screen and will have no effect if applied to an entire layer of video. You could experiment with blur filters to soften your video slightly but if you're going this route the Nattress filters will probably be easier.
Good luck with your project!
Edit: on reading your post again I notice you're in LA - so I suppose you DO intend transferring your PAL material to NTSC. D'oh! Mea culpa - in that case as mentioned above I suppose conforming to 24fps then adding pulldown to get to 30fps is the way to go and will automatically give you the motion signature you require. I assume you can do this in Cinema Tools (not familiar with it) but you can also do it in AE by simply interpreting your footage in AE as 24fps and then adding pulldown. -
Creating a film look in Final Cut Pro 3
I have finished editing my short in and some of the images are too harsh; please advise me on how I can get a more film like look. I shot the short on a Sony PD-150 and edited it on Final Cut Pro 3 using a G4 and running OS X. 2.6
A friend suggested using a filter like Magic Bullet, which doesn't work on OS X. 2.6. Someone else suggested rendering it in 30 frames per second but don't know how to do that in FCP.
G4 Mac OS X (10.2.x)You're not going to be able to make magic happen with DV footage on final cut 3. Film has a generally softer and murkier look than video, so try bringing down the harsher higlights and desaturing colors somewhat. You're just going to have to play arround with the the filters and color corrector, and eyeball it on a broadcast monitor.
As far as frame rate is concerned, there's nothing you can do. DV is 29.97fps, film is 24fps. Simply changing the framerate (especially to 30) won't make it look more film like. 24 fps pulldown needs to happen in camera to achieve such an effect.
If you're interested in something like Magic Bullet (which you'll have far better luck with), you'll have to find someone who has it.
Honestly, my advice would be to worry about your film looking good more than worry about your film looking like film. -
Quick Look Helper (32bit) quit unexpectedly
I have a MacBook Pro 13" Retina Display running OS X Mavericks 10.9.4, and I've been getting multiple error reports about Quick Look Helper (32bit) quitting unexpectedly. It seems completely random, there's nothing I can so it happens. Even though I click "Ok", the error report immediately appears once again. I have searched about it and I couldn't find anything to solve my problem. Here is the error report:
Process: quicklookd32 [664]
Path: /System/Library/Frameworks/QuickLook.framework/Versions/A/Resources/quicklookd3 2.app/Contents/MacOS/quicklookd32
Identifier: com.apple.QuickLookDaemon32
Version: 5.0 (622.7)
Build Info: QuickLook-622007000000000~2
Code Type: X86 (Native)
Parent Process: launchd [166]
Responsible: quicklookd32 [664]
User ID: 501
Date/Time: 2014-08-22 13:40:40.585 -0300
OS Version: Mac OS X 10.9.4 (13E28)
Report Version: 11
Anonymous UUID: A0B1D78C-EFEF-BF0E-3A7D-F7C5B6B4661D
Crashed Thread: 2 Dispatch queue: quicklookd.serialgenerator
Exception Type: EXC_BAD_ACCESS (SIGBUS)
Exception Codes: KERN_PROTECTION_FAILURE at 0x000000007be6bed0
VM Regions Near 0x7be6bed0:
__LINKEDIT 000000000489f000-000000000506b000 [ 7984K] r--/rwx SM=COW /Applications/SolidWorks eDrawings.app/Contents/PlugIns/EModelXlator.bundle/Contents/MacOS/EModelXlator
--> MALLOC_TINY 000000007be00000-000000007c000000 [ 2048K] rw-/rwx SM=COW
MALLOC_SMALL 000000007c000000-000000007d800000 [ 24.0M] rw-/rwx SM=PRV
Application Specific Information:
last threaded generator: com.Solidworks.EModelQuickLook
Thread 0:: Dispatch queue: com.apple.main-thread
0 libsystem_kernel.dylib 0x94fb1f7a mach_msg_trap + 10
1 libsystem_kernel.dylib 0x94fb116c mach_msg + 68
2 com.apple.CoreFoundation 0x93edbbf9 __CFRunLoopServiceMachPort + 169
3 com.apple.CoreFoundation 0x93edb1d1 __CFRunLoopRun + 1393
4 com.apple.CoreFoundation 0x93eda9ea CFRunLoopRunSpecific + 394
5 com.apple.CoreFoundation 0x93eda84b CFRunLoopRunInMode + 123
6 com.apple.QuickLookDaemon32 0x0002dad5 0x2b000 + 10965
7 libdyld.dylib 0x917c9701 start + 1
Thread 1:: Dispatch queue: com.apple.libdispatch-manager
0 libsystem_kernel.dylib 0x94fb7992 kevent64 + 10
1 libdispatch.dylib 0x9406b899 _dispatch_mgr_invoke + 238
2 libdispatch.dylib 0x9406b532 _dispatch_mgr_thread + 52
Thread 2 Crashed:: Dispatch queue: quicklookd.serialgenerator
0 ??? 0x7be6bed0 0 + 2078719696
1 com.SolidWorks.EModelMDReader 0x0028f272 EMDAddInMgr::LoadAddIn(EString const&, EApplicationFileIO*) + 90
2 com.SolidWorks.EModelMDReader 0x0028f373 EMDAddInMgr::LoadAddIns(EApplicationFileIO*) + 233
3 com.SolidWorks.EModelMDReader 0x0028f9d1 EMDReader::EMDReader() + 111
4 com.Solidworks.EModelQuickLook 0x00167b78 GenerateThumbnailForURL + 38
5 com.apple.QuickLookFramework 0x97ee2853 _QLThumbnailRequestCallGenerator + 642
6 com.apple.QuickLookFramework 0x97ee2b2a _QLThumbnailRequestDispatch + 161
7 com.apple.QuickLookDaemon32 0x000323eb 0x2b000 + 29675
8 com.apple.QuickLookDaemon32 0x00035784 0x2b000 + 42884
9 com.apple.QuickLookDaemon32 0x0003227b 0x2b000 + 29307
10 com.apple.QuickLookDaemon32 0x0003387f 0x2b000 + 34943
11 com.apple.QuickLookDaemon32 0x00033291 0x2b000 + 33425
12 libdispatch.dylib 0x9406c76b _dispatch_call_block_and_release + 15
13 libdispatch.dylib 0x9406baf3 _dispatch_queue_drain + 410
14 libdispatch.dylib 0x9406cfcf _dispatch_queue_invoke + 126
15 libdispatch.dylib 0x9406b38a _dispatch_root_queue_drain + 72
16 libdispatch.dylib 0x9406c70e _dispatch_worker_thread2 + 39
17 libsystem_pthread.dylib 0x926aedab _pthread_wqthread + 336
18 libsystem_pthread.dylib 0x926b2cce start_wqthread + 30
Thread 3:
0 libsystem_kernel.dylib 0x94fb7046 __workq_kernreturn + 10
1 libsystem_pthread.dylib 0x926aedcf _pthread_wqthread + 372
2 libsystem_pthread.dylib 0x926b2cce start_wqthread + 30
Thread 4:
0 libsystem_kernel.dylib 0x94fb7046 __workq_kernreturn + 10
1 libsystem_pthread.dylib 0x926aedcf _pthread_wqthread + 372
2 libsystem_pthread.dylib 0x926b2cce start_wqthread + 30
Thread 5:
0 libsystem_kernel.dylib 0x94fb1f7a mach_msg_trap + 10
1 libsystem_kernel.dylib 0x94fb116c mach_msg + 68
2 com.apple.CoreFoundation 0x93edbbf9 __CFRunLoopServiceMachPort + 169
3 com.apple.CoreFoundation 0x93edb1d1 __CFRunLoopRun + 1393
4 com.apple.CoreFoundation 0x93eda9ea CFRunLoopRunSpecific + 394
5 com.apple.CoreFoundation 0x93eda84b CFRunLoopRunInMode + 123
6 com.apple.QuickLookDaemon32 0x000304f0 0x2b000 + 21744
7 com.apple.Foundation 0x9b27df0e -[NSThread main] + 45
8 com.apple.Foundation 0x9b27de66 __NSThread__main__ + 1426
9 libsystem_pthread.dylib 0x926ad5fb _pthread_body + 144
10 libsystem_pthread.dylib 0x926ad485 _pthread_start + 130
11 libsystem_pthread.dylib 0x926b2cf2 thread_start + 34
Thread 6:
0 libsystem_kernel.dylib 0x94fb7046 __workq_kernreturn + 10
1 libsystem_pthread.dylib 0x926aedcf _pthread_wqthread + 372
2 libsystem_pthread.dylib 0x926b2cce start_wqthread + 30
Thread 2 crashed with X86 Thread State (32-bit):
eax: 0x7be5efe0 ebx: 0x0028f221 ecx: 0x02ca109f edx: 0x047b14c8
edi: 0x7be5efe0 esi: 0x7db40670 ebp: 0xb00929e8 esp: 0xb00929bc
ss: 0x00000023 efl: 0x00010286 eip: 0x7be6bed0 cs: 0x0000001b
ds: 0x00000023 es: 0x00000023 fs: 0x00000023 gs: 0x0000000f
cr2: 0x7be6bed0
Logical CPU: 0
Error Code: 0x00000015
Trap Number: 14
Binary Images:
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0x98337000 - 0x9835bfff libJPEG.dylib (1043) <257BE460-DFB1-3398-8AC5-A2E50FBED794> /System/Library/Frameworks/ImageIO.framework/Versions/A/Resources/libJPEG.dylib
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0x987a9000 - 0x987d4ff5 com.apple.ChunkingLibrary (2.0 - 155.1) <50BBBBF8-F30B-39EA-A512-11A47F429F2C> /System/Library/PrivateFrameworks/ChunkingLibrary.framework/Versions/A/Chunking Library
0x987e0000 - 0x98855ff1 com.apple.ApplicationServices.ATS (360 - 363.3) <FD423680-01A1-357A-89A7-33910A87DE65> /System/Library/Frameworks/ApplicationServices.framework/Versions/A/Frameworks/ ATS.framework/Versions/A/ATS
0x9885f000 - 0x989d2ffb com.apple.audio.toolbox.AudioToolbox (1.10 - 1.10) <4248C0FE-F872-34AB-9402-0045D5CD0CC1> /System/Library/Frameworks/AudioToolbox.framework/Versions/A/AudioToolbox
0x989d3000 - 0x989e1ff3 com.apple.opengl (9.6.1 - 9.6.1) <B8205F16-6435-3062-89C9-2D8FF1799B3C> /System/Library/Frameworks/OpenGL.framework/Versions/A/OpenGL
0x989e2000 - 0x98a32fff com.apple.opencl (2.3.59 - 2.3.59) <9A8EF83B-78F9-3278-8812-5A0ECB09F8B7> /System/Library/Frameworks/OpenCL.framework/Versions/A/OpenCL
0x98ba4000 - 0x98bbdfff com.apple.Kerberos (3.0 - 1) <91F17EB2-C70C-359C-B09D-96B52D2A9C9F> /System/Library/Frameworks/Kerberos.framework/Versions/A/Kerberos
0x98bbe000 - 0x99a5fffb com.apple.WebCore (9537 - 9537.77.4) <4D8AF042-0E87-307D-BA40-15D5F841F573> /System/Library/Frameworks/WebKit.framework/Versions/A/Frameworks/WebCore.frame work/Versions/A/WebCore
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0x99b55000 - 0x99b59fff com.apple.CommonPanels (1.2.6 - 96) <E7CA63C6-CEE9-3F0A-93A7-C12C653FFB80> /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/CommonPanels. framework/Versions/A/CommonPanels
0x99b6e000 - 0x99b6efff com.apple.Accelerate (1.9 - Accelerate 1.9) <C85070A7-D942-3CFA-981F-5864480788C8> /System/Library/Frameworks/Accelerate.framework/Versions/A/Accelerate
0x99b6f000 - 0x99ba0ffb com.apple.GSS (4.0 - 2.0) <145B389F-AC1E-3817-835D-8EA263E96EA5> /System/Library/Frameworks/GSS.framework/Versions/A/GSS
0x99ba1000 - 0x99ba1ffd com.apple.audio.units.AudioUnit (1.10 - 1.10) <9515158F-3A33-39CF-AD5A-201C2B121F33> /System/Library/Frameworks/AudioUnit.framework/Versions/A/AudioUnit
0x99ba2000 - 0x99ba7ff7 com.apple.print.framework.Print (9.0 - 260) <A6C465F6-C5D1-353A-9F33-19B9CEDBBC2A> /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/Print.framewo rk/Versions/A/Print
0x99ba8000 - 0x99baffff libMatch.1.dylib (19) <3B3680FC-2AC9-37CC-B262-5ACE2CF8939A> /usr/lib/libMatch.1.dylib
0x99bb0000 - 0x99bbdfff com.apple.AppleFSCompression (56.92.1 - 1.0) <D2E7A2DF-9E5B-35E6-9CCD-0D40ADA7E021> /System/Library/PrivateFrameworks/AppleFSCompression.framework/Versions/A/Apple FSCompression
0x99bbe000 - 0x99bd9ff6 libPng.dylib (1043) <AFF54258-8124-31AE-BBAA-575FD7C43EF3> /System/Library/Frameworks/ImageIO.framework/Versions/A/Resources/libPng.dylib
0x99bda000 - 0x99bdafff com.apple.Carbon (154 - 157) <6E680560-FD53-3C00-BDF7-7AFA28747DC8> /System/Library/Frameworks/Carbon.framework/Versions/A/Carbon
0x99be6000 - 0x99beefff libcopyfile.dylib (103.92.1) <9B62DDFE-FEFD-31CA-989F-9BE0AB606C49> /usr/lib/system/libcopyfile.dylib
0x99c56000 - 0x99c92ff4 com.apple.RemoteViewServices (2.0 - 94) <BEEE6ADF-7DA3-3D68-BCB0-9863BE1A1F46> /System/Library/PrivateFrameworks/RemoteViewServices.framework/Versions/A/Remot eViewServices
0x99c93000 - 0x99d2aff7 com.apple.ink.framework (10.9 - 207) <EF00BCCB-B270-3F3D-9424-EF5F4BC23E25> /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/Ink.framework /Versions/A/Ink
0x99d2b000 - 0x99d33ffe libGFXShared.dylib (9.6.1) <632989B3-36C2-302E-8A85-A02125A9C5D6> /System/Library/Frameworks/OpenGL.framework/Versions/A/Libraries/libGFXShared.d ylib
0x99d34000 - 0x99d34fff com.apple.CoreServices (59 - 59) <06747539-5035-3307-8645-9BC4E7F89023> /System/Library/Frameworks/CoreServices.framework/Versions/A/CoreServices
0x99d35000 - 0x99d4fff7 com.apple.GenerationalStorage (2.0 - 160.3) <D39634C9-93BF-3C74-828B-4809EF895DA0> /System/Library/PrivateFrameworks/GenerationalStorage.framework/Versions/A/Gene rationalStorage
0x9a6a8000 - 0x9a709ff7 com.apple.Symbolication (1.4 - 129.0.2) <774BC6EC-450B-3AE8-BBED-F1F140B93E7E> /System/Library/PrivateFrameworks/Symbolication.framework/Versions/A/Symbolicat ion
0x9a70a000 - 0x9a70bffd libunc.dylib (28) <22A126A1-DCFB-3BE5-A66B-C973F0A5D839> /usr/lib/system/libunc.dylib
0x9a70c000 - 0x9a715fff com.apple.speech.recognition.framework (4.2.4 - 4.2.4) <CF8E5706-F744-3139-8A51-D52BF055D19F> /System/Library/Frameworks/Carbon.framework/Versions/A/Frameworks/SpeechRecogni tion.framework/Versions/A/SpeechRecognition
0x9a716000 - 0x9a985ff2 com.apple.security (7.0 - 55471.14.8) <8AF3BEF0-0EF9-32CD-A316-F9C6325E3491> /System/Library/Frameworks/Security.framework/Versions/A/Security
0x9acf4000 - 0x9ad0cff7 libsystem_malloc.dylib (23.10.1) <CB52555E-0F5B-31E3-A42A-FD4F930E2192> /usr/lib/system/libsystem_malloc.dylib
0x9ad0d000 - 0x9ad34fff com.apple.CoreVideo (1.8 - 117.2) <A53FDD90-F200-3F7C-8A8E-5DE36D3DFBB0> /System/Library/Frameworks/CoreVideo.framework/Versions/A/CoreVideo
0x9ad35000 - 0x9ad40fff com.apple.CrashReporterSupport (10.9 - 539) <10FE9B2D-404F-32B8-B3CA-CBA3524B4CFF> /System/Library/PrivateFrameworks/CrashReporterSupport.framework/Versions/A/Cra shReporterSupport
0x9ad41000 - 0x9ae4eff7 com.apple.ImageIO.framework (3.3.0 - 1043) <3AA4C524-1B31-39AC-A641-189D0D6EA427> /System/Library/Frameworks/ImageIO.framework/Versions/A/ImageIO
0x9b211000 - 0x9b53cffe com.apple.Foundation (6.9 - 1056.13) <C33A8984-7E97-36BE-B842-EE4FE35F53EA> /System/Library/Frameworks/Foundation.framework/Versions/C/Foundation
0x9b53d000 - 0x9b5b0fff com.apple.SearchKit (1.4.0 - 1.4.0) <6F607AB6-7553-37BA-BEC5-98FD7C27FAD7> /System/Library/Frameworks/CoreServices.framework/Versions/A/Frameworks/SearchK it.framework/Versions/A/SearchKit
0x9b618000 - 0x9b6a9fff com.apple.ColorSync (4.9.0 - 4.9.0) <8366AE10-0396-3100-B87A-A176E8ECE7B6> /System/Library/Frameworks/ApplicationServices.framework/Versions/A/Frameworks/ ColorSync.framework/Versions/A/ColorSync
0x9b6aa000 - 0x9b6e7ffb libGLImage.dylib (9.6.1) <E2DADD8A-8A60-3F39-840B-4B7FE7001384> /System/Library/Frameworks/OpenGL.framework/Versions/A/Libraries/libGLImage.dyl ib
0x9b6e8000 - 0x9b6fafff libbsm.0.dylib (33) <1BE92DB5-0D2F-3BB5-BCC6-8A71EF2A3450> /usr/lib/libbsm.0.dylib
0x9b84a000 - 0x9b874fff libxslt.1.dylib (13) <249D54AB-1D82-38FE-ABEC-0D575450C73B> /usr/lib/libxslt.1.dylib
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External Modification Summary:
Calls made by other processes targeting this process:
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thread_set_state: 0
Calls made by this process:
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thread_create: 0
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Calls made by all processes on this machine:
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thread_create: 1
thread_set_state: 0
VM Region Summary:
ReadOnly portion of Libraries: Total=202.2M resident=84.2M(42%) swapped_out_or_unallocated=118.0M(58%)
Writable regions: Total=51.9M written=2100K(4%) resident=3108K(6%) swapped_out=0K(0%) unallocated=48.9M(94%)
REGION TYPE VIRTUAL
=========== =======
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Kernel Alloc Once 4K
MALLOC 40.7M
MALLOC (admin) 48K
Stack 66.6M
VM_ALLOCATE 524K
__DATA 16.2M
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mapped file 118.6M
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Model: MacBookPro10,2, BootROM MBP102.0106.B03, 2 processors, Intel Core i5, 2.5 GHz, 8 GB, SMC 2.6f59
Graphics: Intel HD Graphics 4000, Intel HD Graphics 4000, Built-In
Memory Module: BANK 0/DIMM0, 4 GB, DDR3, 1600 MHz, 0x80AD, 0x484D5434314753364D465238432D50422020
Memory Module: BANK 1/DIMM0, 4 GB, DDR3, 1600 MHz, 0x80AD, 0x484D5434314753364D465238432D50422020
AirPort: spairport_wireless_card_type_airport_extreme (0x14E4, 0x10F), Broadcom BCM43xx 1.0 (5.106.98.100.22)
Bluetooth: Version 4.2.6f1 14216, 3 services, 15 devices, 1 incoming serial ports
Network Service: Wi-Fi, AirPort, en0
Serial ATA Device: APPLE SSD SM256E, 251 GB
USB Device: Hub
USB Device: Hub
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USB Device: Bluetooth USB Host Controller
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USB Device: Hub
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Thunderbolt Bus: MacBook Pro, Apple Inc., 23.4
Thank you very much for your help!Mr. Toad,
In fact, the issue with Java is NOT a load of hype. You are best advised to disable it if you do not have an urgent requirement to use it. There are legitimate exploits in the wild, and recent patches to Java have not resolved all of the security concerns. Best to wait...
As for your Quicklook issue, I suspect you have (or had) some 32-bit Quicklook Plugins in your plugins folder
(/Users/"your user name"/Library/QuickLook/)
If you go there and select a plugin and choose "Get Info" from the file menu, you will see in the "General" section near the top of the window "Kind" followed by "Quick Look Generator (32-bit)" if the plugin is actually 32-bit.
In my case, I had some animated GIF files in a folder and an old 32-bit animated GIF quicklook plugin. Once I deleted the plugin, the problem went away.
Realize this reply is long after your post and hopefully you resolved your issue. If not, this should help. -
Film Look ...
Hi,
I have been racking my brains as to figure out how to give that 'film look' to PAL video in FCE. Using a clip, I 'selected all' and went into video effects to find de-interlace (or is 'interlace' that I need) ... I clicked on de-interlace and nothing happened.
Is someone going to tell me that PAL is already de-interlaced? Have I got my terminology all wrong?
If so, how can I get the effect I'm looking for?
Thanks for your expertise!Doing a forum search would give you a plethora of results from people asking about the "film look", so please do your research; that having been said, I think you'll find that Nattress Film Effects is your answer. It's not free, but considering its performance, its completely worth it.
http://www.nattress.com/ -
Mixing Frame Rates and Creating Old Film Look?
Hello, I'm working with AVCHD footage which is 59.94 fps and have made my sequence settings at this frame rate. I've dragged in a few clips 23.98fps, 24fps, 25fps and 29.97fps, I'm attempting to give it a old film look so was going to render out at 14 fps as this is what 8mm is filmed at, I've never worked with mixed rates so any advice as to whether this is going to work? Should I have my sequence setting at my highest frame rate and the majority of the video is 59.94fps? would it work exporting at 14 or 16 fps?
I've never worked with mixed frame rates, but for the old film look, I like the Posterize Time effect set to 18 (one of the two standards for Super 8 that my camera had) and use Magic Bullet Misfire.
-
How many frames should I cut out each second to get a old film look?
Hi,
What is the general rule of thumb (if their is one) of how many frames should be cut every second to achieve a choppy old film look? Or maybe it's not every second? What do you guys do?you will get a more realistic look if you chop out frames manually
dump the playhead arbitrarily on the time line insert a cut nudge the playhead either i or 2 frames on and cut again discard the frames and either leave the black or butt the clips up for a "skip".
this really doesn't take long to do and is better than a predetermined sequence of chops made by a filter.
CGM do a free filter for aged film to add the hairs, navel lint, boogers etc . . -
How to get this kind of film look?!
How to get the film look like in this video:
I shoot on the canon 60d with multiple lenses.
Thanks.Thanks for the answers, finally I've got the result. May be it'll be useful for other people:
So i've used one popular magic plugin for adjusting look with default presets and lowered fps with default effect "Posterize time".
Good luck -
Film look and final presentation techniques
I have a feature film that is in the final stages of editing. I recently got the Final Cut Studio package with FCP 5, Studio Pro 4, Motion, Soundtrack, etc.
The movie was shot on DV and looks about as good as it could. I know there are a lot of 'film look' techniques out there, some of them work, some of them look terrible. Unfortunately I don't have the time to experiment at this point, so if anybody can point me in the right direction it would be appreciated.
I also have a copy of Magic Bullet from a couple years ago, but I don't know much about the program. I'm pretty good about figuring these things out with a nudge, though.
Thanks.Magic bullet does good stuff. There is a new version of that due out soon.
Also go to www.nattress.com and look at the Film Effects filters.
Cinelook is another route.
Welcome to the forums, BTW.
And it would be good if you could do a search for your topic next time, as this question comes up at least once daily, if not twice. -
What Exactly Is Meant By "The Film Look"?
I have been puzzled by this expression for the past few years.
What IS a "Film Look"?
I started with cine (Super 8) exactly 30 years ago, so my thoughts whenever a "film look" is mentioned dwell on jerky movement, dull images, grain and scratches!
I am sure this is NOT what is meant - please tell me it isn't!
Is it connected with sharper images, purer colours and smoother movement obtainable with which - DV or film?
Ian.I wonder if the very coy Mr Brown is trying to get to this point:
People who buy a consumer video camera who instantly expect their movie to look like Star Wars are struggling in vein. Inexpensive video gear allows people to express their creativity, not to get into the commercial film market. You cant compare low, or even medium level video to high end film
A professional videographer, who shot music videos for people like Leonard Cohen on video at a time where most high end music "videos" were still be shot on film explained it to me this way: He saw the essential difference as being one of gamma, of the ranger of light and shadow. See a movie shot in 35 mm black and white and compare that to a high end video in black and white ... you will see what the difference is
That being said, this camera man thought it was silly to try to use video to emulate motion picture film. He liked the use of video and with his exquisite lighting and use of filters, he created work so good looking you wanted to eat it.
Most people, I think, make movies with video because it is much cheaper and more accessible than film ... they have no idea what the video really is .. they watch Star Wars on their home TV and go .. well, thats what I want.
I have worked in the pro video world for 20 years, everything from local TV commericials to corporate video to weddings... my gear has ranged from 500 buck cameras to 15,000 cams ... and I have never tried to acheived the "film" look. My work is all about communication and video, with its clean, clear look and quick turnaround time, gives me that. I dont make "movies" nor do I have a desire to.
Friend of mine currently makes music videos with one of the Panny high end cameras, doing everything in 24p. No denying, it looks great. Is it "film" look?
Meet me in the balcony
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