Filmic-look, Sequences, and Exporting

I shot various clips at 1920x1080 24fps and 1280x720 60fps (for slow motion scenes) using my Canon t3i. I'm using Premiere CS6 to turn this footage into a short filmic-looking video recapping my trip.
My questions lie in sequence settings and export settings. I want the video to have a cinemascope aspect ratio (2.35:1). Should I use two different sequences-- one for the 24fps video and one for the 60fps? And when I go to render the video to finish it, do I render it at 1920x818 (2.35:1) or 1280x545? I want it to be maximum HD quality, but I'm sure that with my 1280x720 footage I won't be able to have a 1080p video.
I apologize for my lack of understanding of sequences and resolution settings. I'm slowly learning!
Thank you,
Josh

Thanks for the response, Jim. So when I want to slow down my 60fps clips, do I just drag those clips into the timeline of the normal 720 24fps sequence, and then just reduce the speed to 50%?

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Right sequence and export settings in Premiere Pro CS6, video with still images

I am trying to run a video on my website (self hosted). This video, made with Premiere Pro CS6, consists of still images with different video effects.
This video is only 50 seconds, but when I transform this in the ogg, webm and mp4 format, I obtain file with large size and the quality is not good.
Could you please guide me to find out the right sequence and export settings in Premiere Pro CS6 to obtain a video for the best possible quality on the web?
A precise description of the settings would be awesome.
Thank you
Silvia

Make the export setting the resolution you want to use on the web.
Make the sequence settings accordantly to these export settings

Help choosing capture,sequence and export settings?

Hello, Im new to Final Cut. Im using final cut pro 6.0.2 and trying to teach my self the basics of this program. I Shoot with a Canon GL2 in the 16:9 setting and I'm not sure what the optimal settings are for the sequence, capture and export settings. Someone recommended the DV NTSC anamorphic for capture and sequence settings which seems to work fine except when I export to QT movie it appears to be displaying in 4:3 instead of how it previews which is 16:9. Any help would be greatly appreciated.

Hi CJ,
Welcome to the discussion agora,
...the DV NTSC anamorphic for capture and sequence settings which seems to work fine except when I export to QT movie it appears to be displaying in 4:3 instead of how it previews which is 16:9.
That's normal. Are you watching it in QT? QT displays square pixels while your movie has rectangular ones.
Go to QT main menu>Window>show movie properties>presentation check box and change *conform aperture*.
Since you say that you are new to FCP bookmark these links as they might turn useful in many occasions:
http://www.kenstone.net/fcphomepage/fcp_homepageindex.html#fcp
http://movielibrary.lynda.com/html/modListing.asp#titleListing
g.

Help with sequence and export settings

hi
need to edit some clips made with camtasia using the tech smith codec
first i convert clips to dvd using stoki converter
then when i start prem cs4 i not sure which settings to use in the "new sequence" window under the editing mode drop down
also not sure of the settings at export settings under the format drop down
need to maintain the best quality
thanks

For the answer to "what Sequence Preset?" you will want to match your Imported footage 100%, even if that means choosing the Desktop Preset, and then customizing all aspects of it, to match.
For the Export, start with "how do I intend to deliver this material?" That will give you the basic settings, and then you can tweak those to suit. How do you plan to deliver the material?
Good luck,
Hunt
PS - this ARTICLE might prove useful.

Super 8 interlaced confusion whilst editing and exporting

Hi folks
I recently had my old super 8 films telecined to disc as .avi at 18fps. I could have had them copied to a DV tape instead but due to the interlacing problems that would have caused I decided to transfer to an avi file. Now in a earlier post I had to tackle the problem of converting my footage from 18fps to 25fps using stream clip so as I could successfully edit my super 8 shots in final cut express 4:
http://www.fcpbook.com/Video6a.html
Has this converted my film back to interlaced footage because I selected DV-PAL in stream clip? I didn't think this would be the case but my titles in FCE4 are coming out like they are interlaced once exported as a quicktime mov file. I put the file through JES deinterlacer and this seems to have fixed the title problem. However this process of telecine, coversion, editing, export, jes deinterlace and youtube upload is very lengthy!
I'm not intending to show these films on an interlaced tv. I'm only going to show them on the web. Is there any way to set my frame rate to 25fps without the interlaced effect happening in final cut express to my titles? I'm a little confused to be honest!
Best
Kevin

I just set the field dominance to none for the sequence and exported it again as a quick time movie. The titles still appear to be interlaced as before? I then changed each titles field dominance to none in the timeline and exported but it has still made no difference?

Is there a way to select multiple sequences and batch export them using the same settings in CS6?

I am a current Final Cut Pro7 user and looking to switch over to Premiere Pro CS6. We edit approx. 100 short (15 sec.) videos daily, and then select them all at the end of the day and batch export them over night using the same export recipe for all. I have having trouble finding an easy way to do this in Premiere pro CS6, as command +E is grayed out if i select more than one sequence at a time.
so far, it appears that i have to select each video individually and manually set encoding recipe and export location for each.... Not only would this be terribly time consuming, but it leaves a lot of room for error and missed videos. I thought i would be able to send all of the sequences to Adobe Media Encoder, but i dont see that option either.
Any suggestions/
thanks!

Open Media Encoder and add your Sequences:
File > Add Premiere Pro Sequence
Navigate to your Premiere Project and select it in the list.
You can then select multiple Sequences from the Project (Ctrl+Click)
and load them all at once into Media Encoder and apply
the same encoding preset to all Sequences at the same time.

Still images exported to DVD look deinterlaced and flicker on TV monitor

Hi,
I have tried tried almost everything and I still have issues with the still images exported to DVD as sequencefrom FCP 7.0 by using Compressor are deinterlaced and flicker on TV monitor. Please help remove the annoying flicker.
My FCP Timeline Sequence settings match the image resolution:
Frame Size: 1024 x 682 (double of 720 x 480 standard DVD res)
Pixel Aspect Ratio: Square
Field Dominance: None
Compressor: Photo JPG (also tried, DVCPRO-NTSC)
I cropped the original images in Photoshop to the 1024 x 682 and saved as tiffs. They still look deinterlaced in FCP timeline and exported to DVD on my iMac computer monitor.
Final output of DVD will be on this monitor:
Specifications:
Ikegami
Model: VCM-2101
Resolution: 450 TV Lines (Horizontal)
Should I crop the images to 450 horizontal pixels or the double of that 900?
How can I match the sequence or the images settings to avoid the flicker and deinterlaced look on that monitor? I am not able to test the image by having the monitor next to computer.
Compressor:
I used custom DVD settings in Compressor for 90 min best quality DVD. Tried the Porgressive and "Same as Source" in Output field.
In "Crop to" and "Padding" I set for preserve source aspect ratio and letterbox area of source.
I followed the advices from below and I still did not resolve the problem. Please is there anythign else I can try?
Thanks a lot..
Re: Poor Quality Stills
Dec 19, 2006 4:08 PM (in response to Steve Braker)
Things to try (In increasing order of image degradation)
- (in FCP) field order>none
- (in FCP or Photoshop) reduce whites by 10% - reduces overly bright areas
- (in FCP) flicker filter - minimum
- (in Photoshop) motion blur>vertical> .2 - .5 pixels - blurs vertically only
- (In FCP or Photoshop) Gaussian blur> .2 - .5 pixels -blurs both horizontally as well as vertically
- (in FCP or Photoshop) deinterlace - throws away half the image and is generally not appropriate on scanned images

Dear Russ,
Thank you very much. Yes, there is something else in the sequence, old documentary, 768 x 570 (no field dominance, 25fps, Apple ProRes 422) but the images are more imporant.
make a progressive sequence with square pixels. (I am partial to 720P, 1080 should work – or 540). Choose Pro Res 422
Do you mean that I should make a sequence in FCP with these settings? If yes, how can I set a "progressive" sequence? I dont see a setting for output field in FCP sequence settings, lnly in customizing Compressor output DVD format.
Also: "720P, 1080 should work – or 540" are you talking about Frame size? If so, to set in Compressor or in FCP?
If you have interlaced material, then de-interlace before you bring it in. If you don't have interlaced clips, don't de-interlace.
The images are not interlaced after I crop them, apply motion blur filter in Photoshop but look interlaced in FCP timeline after I import them and even to the same as photos sequence in FCP timeline.
Please help and thank you for your comments.

Questions regarding sequence settings, render, and export

Just a couple of questions:
1. Will my sequence settings and render quality affect my final output? I am thinking it does, and it may seem elementary to most of you, but it would be nice to get a definite answer. If so, then should I be rendering @ the best quality possible? In turn, should I too be switching my codec? Which correlates with my next question....
2. What codec should I be using? As it is I've been just getting footage off of mini dv. For best possible quality what should my workflow look like? Should I change my sequence settings codec to uncompressed? Which one? Uncompressed-8bit or 10 or animation? Or is okay to leave that setting at DC NTSC PRO?
Then, most importantly, when exporting what is my best possible output with the least amount of quality loss? For mediocore quality i've been exporting through h.264 or sorenson 3 - for a bit higher DV NTSC PRO, for max uncompressed 8 bit.... how about the other settings? deinterlace? cbr or vbr? etc..
Much thanks - I'm a lot confused concerning the technical usage of the program. B)

Hi David, thank you for the reply and welcome.
Just to clarify my workflow a bit more - I'm importing mini dv footage, but i'm altering that pretty much extensively with many overlays, in program effects, and various exterior plugins such as boris red, magic bullet, twixtor, etc.. Would mantaining a sequence suited for dv ntsc make sense if mantaining those effect's and overlay's vibrancy, motion, and color is key? Or should I then change my sequence settings to animation or uncompressed 8 or something other?
What I want for final output is a pristine master (basically I want what I see is what I get) that I can then downcompress for either internet (h264?) or dvd without too much headache. I think Animation only plays on computers? Would it hurt quality badly moving it to a dvd that is playable on dvd players? Or is another setting that I don't know the solution?
Does it hurt quality if I render it at lower draft settings and dv ntsc and then when i'm done change my sequence settings to higher settings and change it to, say, animation, AND THEN re-render and export to my sequence codec? I'm assuming no, because I'm still working with my original capture source, but just checking.
thanks again David, and to anyone that may be able to help! B)
Message was edited by: eric sanpablo

Looking for a program that can handel import and export of palm doc files

I am looking for a program that can handel the import and export of palm doc Files that can convert them to to either txt or RTF files for Vista 32, running Palm Desktop 7.1.
Could anyone give me a few suggestions of any plug-ins that would be good me?
Hearns
Post relates to: Palm IIIxe
This question was solved.
View Solution.

Ok, you need to clean uninstall Palm desktop 6.2. Install Palm desktop 4.1.4 and download and install documents to go version 6.
Here are the clean uninstall instructioins for Vista.
You should first make a copy of your data to have just in case something
happens. You can find your data files by going to Start --> Documents -->
Palm OS Desktop. Highlight your Palm Desktop username and right click and
copy. Then go to your PC desktop right click on a blank spot and select paste.
If this is the first time you are installing Palm desktop and encountering a problem, skip the previous step.
Now you want to uninstall Palm Desktop and remove everything that has to do
with Palm Desktop from your computer.
Go to the following locations on the PC and delete the folders listed below.
C:\Program Files\Palm or Palm One
C:\Users\[Vista Login Name]\appdata\local\virtualstore\Program Files\Palm or
PalmOne
C:\Users\[Vista Login Name]\appdata
*Note you may need to view hidden folders to get to appdata. To do that go
into your control panel and open folder options. Go to view tab and uncheck
hide hidden files.
Once this is done you will need to delete some registry keys from your PC Operating System.
Word of warning, going here and deleting the wrong thing can cause your PC
from starting up, crashing and deletion of programs and data. If you feel
you are unsure of yourself, see if you have a friend that can help you or a
PC technician that you can pay to help you. This procedure will show them everything they need to delete. To make sure we have a good copy of the current registry, we need to do a backup of the Registry.
Go to start on the PC, in the search field type "regedit.exe" without quotes.
Highlight COMPUTER, go to File --> Export. Should pop up with a Save As box.
Current location is fine, should be in My Documents or save to a location you will remember. In the file name on the bottom type "backup[todaysdate]" i.e. backup07072008. Next, the hard part.
The easiest way to make sure your working with the correct key, highlight the key i.e. palm quick install, and press delete on your keyboard. It will ask you, are you sure. Say yes. Do the same thing for all keys below.
If you make a mistake, stop what you are doing. And call a PC technician.
BUT do not turn off your computer.
The reg keys are as follows (Note: some of theses reg keys will not be here
but if they are delete them)
* HKEY_CURRENT_USER\Software\U.S. Robotics\Palm Quick Install
* HKEY_CURRENT_USER\Software\U.S. Robotics\PalmOne File Transfer
* HKEY_CURRENT_USER\Software\U.S. Robotics\Pilot Desktop
* HKEY_CURRENT_USER\Software\Palm
* HKEY_CURRENT_USER\Software\Palm, Inc.
* HKEY_CURRENT_USER\Software\PalmDesktopAutorun
* HKEY_CURRENT_USER\Software\palmOne
* HKEY_CURRENT_USER\Software\PalmSource
* HKEY_LOCAL_MACHINE\Software\PalmSource or anything else that says palm
Next reboot your computer.
Then reinstall your palm desktop from the CD and do a hotsync. Use the username that is on the handheld.

I created a brochure in pages and exported it to a pdf format. The pdf looks and opens perfectly using preview but when opened in adobe reader (which my printer uses), fonts look odd, transparencies don't display...etc. Tells me error exists on page?

I created a brochure in pages and exported it to a pdf format. The pdf looks and opens perfectly using preview but when opened in adobe reader (which my printer uses), fonts look odd, transparencies don't display...etc. Tells me error exists on page?

Does this essentially mean there is no way to fix this problem on my end? It's a pity because the design and branding of my brochure will suffer if I remove transparencies and use different fonts. It also concerns me moving forward because it means the quality of print on my pieces will be significantly lower because most commercial printers use Adobe products.

Re: Best options for exporting a sequence and making a DVD

I using iPad 2.

"Re: Best options for exporting a sequence and making a DVD" and "I'm using iPad 2" and "My phone number is not verified!" don't seem to be entirely related. Can you please restate your question?

H264(Youtube/Vimeo Preset) export looks flat and desaturated- H264 Gamma?

All my h264 output both quickitme and mp4 looks flat and desaturated after export compared to to the program window.This happends with both cs5.5 and cs6.
I know there is some h264 bug with Quicktime but its flat on Youtube also( in Safari) I thought this gamma issue has been sorted out?
How can I output my files to youtube so it looks the same as my Program monitor on youtube? I know all screens are different and you need a color calibrated montior( I have that) but why the shift?
It just does not seem that anyone has an answer. x264 does not work... anything else? QUickitme x does not have the ability to do the "opacity fix"
How will i get that my output on my client screen will not be so flat. ( I know it wont be exactly the same (as TVs in a showroom) but the difference between the video inside premier and outside is VAST!
I dont want to "fix" it by addinga contrast and saturation layer and them on a Windows machine maybe its then overly contrasty?
I'm on 17" MAcbook PRo Using anexternal calibrated NEC Monitor.
Did I miss a major answer on the web somewhere?

So what do you guys do? Just add an extra layer of process ( I have added a fast color correction Adjustment layer and clipping the black at 10 and the highlights at 245 and putting the saturation at 120. Its a thumbsuck though...
How on earth do people who colour grade on Davinc or Lustre etc output there stuff to Vimeo.(Yes I know it goes to film or TV , but what about thier showreel?) It also uses H264? Is there ANY codec I can use to upload to Youtube that will look like my program monitor?
It is facinating how these companies provide all these wonderful tools and in the final polished output you cannot get it too look llike it looked inside the product! Baffling!
If I had a Windows machine would I have this problem?

Is it possible to use markers in a Premiere Pro sequence such as Chapter / Comment / Segmentation and export the XMP metadata for a database so that when the video is used as a Video On-Demand resource, a viewer can do a keyword search and jump to a relat

Is it possible to use markers in a Premiere Pro sequence such as Chapter / Comment / Segmentation and export the XMP metadata for a database so that when the video is used as a Video On-Demand resource, a viewer can do a keyword search and jump to a related point in the video?

take have to take turns
and you have to disable one and enable the other manually

What is the best way to setup premiere sequence for export when mixing 24fps and 23.976fps for final

What is the best way to setup a premiere sequence for export when mixing 24fps (CG) and 23.976fps (live action) for final output at 23.976 (vimeo and such).
Right now my sequence is at 24fps, and when I export to 23.976, my dialogues seem to shift.
Should I set my sequence at 23.976fps instead of 24fps?
Thanks in advance for the help, and sincere apologies if this is a noob question.
David

That makes it easy. Remove the CGs from the project. Go to Edit>Preferences>Media... and set the Indeterminate Media Timebase to 23.976. Then when you import the image sequence, PP will assign it the correct frame rate.
Edit in a 23.976 sequence.

Export tables, sequence, and package question

Hi all,
I've export table like: exp username/password file=export.dmp log=export.log tables=A statistics=none.
The export statement above just export only the table "A" structure not the table "A" data. So, how can I move all the data from table "A" to table "B".
How do I export the sequence, and package and its data also?
Thank you very much
Kevin

Can you create a DBlink in order to do the insert into B select * from A.
Also, you can use the SQL*Plus Copy command.
Here are some links for COPY command:
 Copying Data
 copy command
 copy command vs sql*loader
 
Here is a link for moving code:
 exporting packages,function etc. from one user to another.

Filmic-look, Sequences, and Exporting

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