Final Cut Pro Color Settings

I have imported a file into FCP which was exported using H.264 and the file was exported out using the same decompressor does anyone have a clue why did I get a difference in color.
Regards
Netrobrat

In video you cant figure color with your computer display, the most error beginners do and FCPro give you the best tool in the market 3 WAY COLOR CORRECTOR an amazing tool to work with but you have to learn how to work with it, that is the question
AlRobi

Similar Messages

  • Final Cut Pro color problem

    So I just got myself a new 24' LED monitor for my home edit suite, and I have been very pleased with it.  I just happened to open FCP to see adjust my workspace for the bigger setup, and I noticed a strange problem.  In FCP, the viewer and the canvas look very dark, like the brightness is turned down.  It also looks that way on my laptop monitor, which has always been my second edit monitor. 
    However, my project exports look nothing like that on the same monitor.  I thought perhaps the monitor wasn't calibrated properly, but the Quicktimes look fine.  I've attached a screen shot of the problem.  The image on top is the Quicktime, and the image on the bottom is the FCP canvas.  What's happened to my FCP?  Is it some sort of color profile or does it have to do with the resolution?  Is it a FCP setting or a monitor setting?  I don't understand why it changed how it looked on my laptop monitor, since nothing changed with it.  Any insight would be fantastic!
    Thanks

    I believe this is the difference between  broadcast gamma output via something like a AJA KONA card and a regular monitor gamma. Go into Final Cut Pro- System Settings and select the Playback control tab. Change the Gamma Correction from "Accurate" to "Approximate"
    When you reset this you can then start to calibrate your monitor. Without that gamma setting changed you can crank all of your monitor settings to maximun brightness and you'll never ever see the pluge on your color bars.
    Good Luck,
    je

  • ADVC 300 and Final Cut Pro 7 Settings

    I am capturing analog video into Final Cut Pro 7. Specifically, I am playing the S-VHS tapes in a JVC HR-S5902U vcr.  The vcr is connected to a Canopus ADVC 300.  The ADVC 300 which is connected via firewire to a Mac Pro equipped with a Black Magic Intensity Pro HDMI PCI Express Card. 
    My question is which of the following settings should I choose:
    1) Sequence Preset Setting?
    2) Capture Preset Setting?
    3) Device Control Preset?
    thanks

    Also, are there any other suggestions or additional settings of which I should be aware in my converting situation? 
    thanks again

  • My Final Cut Pro render files seem to end up in seemingly random locations.

    I find my Final Cut Pro render files seem to end up in seemingly random locations on the HDD. for example, they will appear in a sub-folder of an unrelated project. I would like my render files destination to be in a sub-folder for the project I am working on. How do you tell Final Cut where to put the render files? Can't figure it out.

    By default they are put inside your scratch folder, so if you change the scratch disk and forget to change it when you switch to a different project, your render files will be put inside the other project's scratch folder.
    You can change this by going to Final Cut Pro > System Settings. If you click the Set button below your current scratch disk (not the one next to it) you can assign a second location just for the video / audio renders if you desire (this must be on a different disk though).

  • How do I achieve a high quality PAL SD DVD from Final Cut Pro?

    From a PMW-EX1 camera file edited in Final Cut Pro I am unable to produce a high quality PAL SD DVD using compressor and DVD Studio Pro (tried multiple combinations).
    Using Final cut pro and Magic iDVD I can achieve a high quality SD DVD with no changes in export.But am limited to the iDVD restrictions.
    From discussions it appears using compressor and DVD Studio pro it is not achievable, it is very frustrating that the Apple product you have to buy is not as efficient as the free one?
    If not possible then how do I access the encoded file from IDVD?
    My Final cut pro sequence settings:
    General - Aspect ratio: HDTV 1080i (16:9) 1920x1080, square and upper(Odd)
    Quicktime video settings compressor: xdcam ex 1080i50 (35 mb/s vbr)
    I

    iDVD does everything automatically for you. With DVDSP and Compressor, all steps must be done correctly. The trade off is that you achieve better quality using Compressor over iDVD.
    1. First thing to do is export your sequence as an uncompressed interlaced 25i 720 x 576 16x9 Anamorphic QT.
    2. Determine your optimal bitrate by using a bitrate calculator. Here's a good one. Remember you need to account for all video on the disc, including motion menus.
    http://www.videohelp.com/calc.htm
    3. Bring your down converted QT into Compressor and use the manual settings set your bitrate. Also encode out a Dolby digital AC3 file. These files take up less bandwidth than uncompressed audio. Also remember to match your upper fiiled dominate filed order as well in Compressor. This must be consistent throughout the export and encoding stages.
    4. bring your encoded video and audio files into DVDSP and author

  • Help serious Audio rendering issues within final cut pro

    Hello
    I have some serious audio issues I am using Final cut 6.05. Here is my problem I am putting a AUParametricEq filter on my audio due wind noise etc. Anyway when i play it back on the time line it plays fine no problems but as soon final cut renders the file say for mastering to tape. at some point at the audio the audio goes all haywire, popping sounds or the audio just repeats it self at one frame or i can here audio from other parts of the timeline. And it just happened before i never had the issue. Is it the update. Hope anybody can help as I need to master about 6 projects to tape to clean my harddrives and all 6 projects have the same issue.

    Are your audio files AIFF 48K 16 bit?
    In regard to trashing preferences you can download Jon's Prefence manager at this site
    http://www.digitalrebellion.com/pref_man.htm
    The Old School method follows
    Trashing preferences and repairing permissions.
    Close Final Cut Pro.
    Go to: Users/your user name/Library/Preferences.
    Drag, "com.apple.FinalCutPro.plist" to the trash.
    Scroll down to the Final Cut Pro User Settings folder.
    Drag, "Final Cut Pro 6 Preferences" to the trash.
    Drag, "Final Cut Pro Obj Cache" to the trash
    Drag, "Final Cut Pro POA Cache" to the trash.
    Go to: Applications/Utilities/Disk Utility
    Select your system disk
    Click on the Repair Permissions button
    Wait for the permissions to be repaired
    Restart your computer

  • Final Cut pro refuses to open

    For some reason, after the first time I quit out of Final Cut Pro (6), it has refused to open when I click on it. It shows its loading screen but then simply quits afterwards. Am I simply missing something? I have FInal Cut Studio 2 and all the other programs are running correctly, just not Final Cut Pro.
    Message was edited by: invaderDAK

    Here's the old school way to trash preferences and repair permissions.
    Close Final Cut Pro.
    Go to: Users/your user name/Library/Preferences.
    Drag, "com.apple.FinalCutPro.plist" to the trash.
    Scroll down to the Final Cut Pro User Settings folder.
    Drag, "Final Cut Pro 6 Preferences" to the trash.
    Drag, "Final Cut Pro Obj Cache" to the trash
    Drag, "Final Cut Pro POA Cache" to the trash.
    Go to: Applications/Utilities/Disk Utility
    Select your system disk
    Click on the Repair Permissions button
    Wait for the permissions to be repaired
    Restart your computer
    FYI
    Trashing preferences tends to fix some odd behavior, and will be like bringing FCP back to the first time you opened it. You will have to reset scratch disk etc. once you do this.

  • Final Cut Pro Does Not Recognize New External Hard Drive

    I am editing a large video project and I had to buy an external hard drive. When I go into FCP, it does not recognize that I now have a lot more room to store media. How do I get it to recognize. Please help! Thanks.

    I can see the new disk on my desktop. What do I change in "Preferences" exactly?
    In Final Cut pro - System Settings - Shift Q...
    You can add it to your list of scratch disks... (which, BTW, should NOT include your system disk)
    Patrick

  • Every video put into Final Cut Pro exports in horrible quality regardless of format/settings.

    Hello fellow Mac enthusiasts,
    I'm having a problem which may or may not have been plaguing my studio since day one. Every video that we edit in Final Cut Pro exports in MUCH lower quality than it was when it was imported, not only that, the file size of the newly exported video is several times the size of the original. What I end up getting is a file too large for our clients to email around. We recently had a client come into our studio with a flash drive full of 15 second avi's no larger than 900 KB, he wanted a few of them edited together with simple cross fade transitions, and even a few seconds of dead space cut out. He needed them to be the highest quality possible for a powerpoint presentation he may now be unable to give. At first I exported them as Uncompressed avi's, best quality, thousands of colors, and no sound. The resulting file was not only blurrier, but now 260.5 MB!! And that one was with zero edits! The original was 803 KB and crystal clear. So after that I decided to try a few tests. We also produce a bi-weekly hour-long local television show, which looks fine on television but now I'm wondering how much better it could and should look. I've been exporting that out as a Quicktime, Apple ProRes 442 HQ, Interlaced bottom-field-first, zero filters, both compressor native and NTSC 720 X 480. I attempted this method on the client's original 803 KB with zero edits and not only did it export a completely unusable video compared to the original, but it was now 57.1 MB. What is going on here? Is Final Cut conspiring against me? I'm guessing it's something in my settings which I'll shamefully admit I know absolutely nothing about. Could anyone help a struggling video editor do his job?
    Joey

    Hey guys sorry it took me song long to respond it's been a busy week filled with many things not relating to final cut...
    In response to David's post, the original file is indeed larger than 720X480, though it's dimensions are not available to see in the 'more info' associated with the file itself. By comparison, the apple pro res LT file I exported through final cut of the same avi file is 720X480, and looks significantly worse.
    [URL=http://imageshack.us/photo/my-images/87/screenshotofavis.png/][IMG]http://img87.imageshack.us/img87/5421/screenshotofavis.png[/IMG][/URL]
    This was after I created a new project, made the sequence settings into Apple ProRes lt 30p under the audio/video settings in Final Cut, and exported it as the same with 'current' dimensions (it was listed as 850X637, maybe that was the original?) Although I did have to render the original avi itself once it was placed in the timeline. I guess there's no way to know exactly what sort of avi my original file is so I can match my sequence to it? The 'more info' (to be fair im sort of used to 'properties') leaves something to be desired..
    I guess my question is: what else can I change in my settings to leave the quality of the video intact, if anything?
    Thanks everyone.

  • I just updated to new final cut pro x 10.1.1 and i am also on mavericks so but on my editing timeline i was trying to color grade using magic bullet looks but i am having problem with it. when it comes back to tcp x it's black.

    I just updated to the new final cut pro x 10.1.1 and i am also on mavericks so but on my editing timeline i was trying to color grade using magic bullet looks but i am having problem with it. When i send a sample to MBL and color grade it , it comes back to final cut pro x all black even after render. By the way on the MBL i am using the GPU rendering, I used before like 4months ago and it was fine. And i don't like to use the CPU because it very slow.

    What is the frame rate of the project? At what frame rate was the media recorded? What frame size?
    What are the audio settings?
    What are the specs of the machine, in particular how much RAM, how is the hard drive connected, etc.?
    If possible, post screenshots of the inspector for the project.
    It could be related to the audio frequency?

  • Trouble with the round trip from Color to Final Cut Pro

    I have edited a home movie together. I then have sent the sequence to Color for grading and then after completing the Color changes and Rendering. I sent it back to Final Cut Pro. It starts out working fine but during the transfer process it stops at somewhere between 50% and 60%. It is during the "Importing XML Data" phase. It just sits there and does not change and I have to force quit to get out of it. The exact same thing happens when I try to round trip from Soundtrack Pro 2 back to Final Cut Pro. So I am unable to make use of the changes I make in these programs.
    This is a round trip process that I have successfully made many times before. Nothing has changed. I am working in Final Cut Studio 2 with the latest updates on an Intel Mac. Any advice on how to remedy this situation would be greatly appreciated.
    Thank you in advance.

    Hard to say where the XML interpretation is getting lost... That it stalls at 60% could mean a number of things. If you have a cuts and dissolves simple timeline, that should not be an issue. Something is causing a corruption, though and it could be a media type, a filename (which can break folder paths), a filter or motion tab which generates an invalid value, or a recompression that violates the sequence settings.
    At this point, I start cutting up the original sequence and roundtripping it until it works, or breaks and then try to figure out what's different. Often there's something hidden like an imbedded recompressor in a nested sequence or something like that, that will allow COLOR will load, grade, render, and then not know what to do to re-write the export XML, or re-imbed it illegally.
    There are a lot of things that FCP does that editors take for granted that COLOR utterly cannot cope with -- but may deceptively carry along and then crash on the next step.
    jPo

  • Send to - Final Cut Pro XML data not seeing my Color render

    Sup folks,
    As always I did some lurking on these boards and consulted the manual about this issue.
    Nada.
    I've rendered my shots. They were all queued. They were all rendered.
    When I use the Send to -> Final Cut Pro command I get the "not all your clips were rendered" warning. I click yes to see what I will get.
    FCP imports the XML data and I get nothing. All of the clips in my FCP timeline generated through the Send to -> Final Cut Pro command are all of my original media prior to my color workflow. Not my graded Color renders.
    I did move my renders from a local drive to an external because of data capacity. After doing so I did update my Media, Render and Project paths to the new location of my media.
    I thought that would fix my problem. It didnt.
    So again: my issue is that even with my shots all rendered correctly (i checked them in QT) the XML being sent to FCP through the Send to -> Final Cut Pro command is not hooking up with my renders.
    Deadline tomorrow.
    As always,thanks for your time

    I did move my renders from a local drive to an external because of data capacity. After doing so I did >update my Media, Render and Project paths to the new location of my media.
    If I'm following the sequence correctly, you rendered your material to a local drive. Then you moved it, changed the paths (in COLOR), and then tried to "Send to... FCP". Is this correct? If so, doomed to failure. In your case, you may have even moved an empty folder.
    There is an ironclad and non-negotiable series of events in rendering and initiating the roundtrip. Many users regard this as a "bug". One of the first things that a user should always do is set up all the target paths before even doing the first grade. But it is essential that the target render path be set up PRIOR to loading the Render Queue. COLOR creates the receiving folder at that time, and that is where the media will go no matter what you do after the RenderQueue is loaded. Change the path, change the format... change whatever you want... the deal has been done, and all will be ignored. However, once the media is rendered and you choose Send To... FCP, then the original XML that FCP sent will be modified by COLOR and passed back to Final Cut. COLOR does NOT,repeat, NOT generate EDLs, XMLs, or any of that stuff. It only modifies original lists. That you modified the Media, Render and Project paths (probably only in the User Preferences tab) is meaningless once the project has been rendered. The Render path for this individual project is determined in the Project Settings pane, along with the render dimensions and format. However, COLOR will observe a path change AFTER the render, and edits the XML re-export to try to find the media in the newly named directory. Of course, your media is actually elsewhere, and you get a blank sequence.
    Lastly, make sure that you SAVE the project after renders, to retain the "rendered" clip status -- or COLOR won't remember any of this.
    jPo

  • How Can I do an export that from Final Cut Pro 7 that is specific to these settings?

    Hi
    I am current trying to export out a movie from Final Cut Pro 7 but the settings that are required are very specific and I was going to try it through compressor as well but I wasn't sure if that would work either.
    Here are the settings:
    HD:
    1 Video CODEC                 XDCAMHD50
    2 Wrapper format           QuickTime Self-Contained
    3 Bit rate                              50 Mbit/s Constant Bit Rate (CBR)
    4 GOP                                   Long GOP
                                                 Closed GOP
    5 Time code                       Must include embedded time code. Start-timecode: 10:00:00:00
    6 Movie version               UK Home Video Version
    7 Delivery time                 As per contract. Supplier to specify filename, delivery format and estimated time of arrival via email at least 60 days before                                                           transmission unless otherwise specified in contract. This should be accompanied by an IMDB link.
    1 HD video format           720 line progressively scanned (720p) @ 50Hz (25 FPS)
                                              1080 line interlace scanned (1080i) @ 50Hz (25 FPS)
    2 Resolution                      1280 x 720
                                               1920 x 1080
    3 Aspect ratio                    Content should be 16:9, however 4:3 will be accepted on exception (such as for older movies shot in 4:3)
    4 Graphics                           Must be within 16:9 safe graphics area (EBU R95-2000)
    5 Chroma format              4:2:2
    1 HD audio format           24 bits/sample 48 kHz sampling rate
    2 Track layout                    Track 1 – 2.0 Stereo L mono
                                                Track 2 – 2.0 Stereo R mono
                                                Track 3 – L
                                                Track 4 – R
                                                Track 5 – C
                                                Track 6 - Low frequency effects LFE
                                                Track 7 – L Surround
                                                Track 8 – R Surround

    First of all, what are your sequence settings?  Looks like they want stereo AND dolby 5.1 audio tracks embedded in the quicktime (I've delivered a few films like this).  Do you have a surround sound mix?  
    You will almost always have more options and control in compressor over fcp so that's the way I'd go, but not sure compressor will give you the ability to match these specs. 
    Do you understand about safe zones for graphics?  If not, post back.
    I don't see any option to set the GOP in xdcam in compressor.  This may be built in to the xdcam format.
    I don't see any option for 720 xdcam hd in compressor. 
    There are many other tools available for this kind of work, but they may be out of your price range.  You might want to just find a facility with experience in deliverying this sort of thing.

  • Whenever I press spacebar to playback my video project in final cut pro X, the color wheel pops up and freezes the computer. Doesn't matter what computer I use. Why and how do I fix this?

    Like I said, I'm doing a simple video and have finally made some progress in editing. All of a sudden, when I try to replay the video the color wheel pops up and nothing works. It just keeps spinning and spinning with no end. I end up having to force quit the program. When I restart it the same thing happens. I've tried it on 3 different computers and the results have been the same. I've read that perhaps the software needs to be updated through the mac store, I did that to no avail. I also read that perhaps the preferences for the project/final cut pro need to be reset. I downloaded a program that is supposed to do this for me but it didn't work I also went into Preferences in Final Cut and hit reset under editing tab which also did not work. I"m really frustrated about this and I"m getting paid for this video. This needs to be resolved ASAP.  Thanks in advance for the help: ask any questions.

    Please give complete details of your system and the media and the project properties.

  • When exporting to a DVD from Final Cut Pro X, what settings are there to make sure you making the highest quality DVD possible?

    When exporting to a DVD from Final Cut Pro X, what settings are there to make sure you making the highest quality DVD possible?

    There have been a lot of recent reports of difficulties sharing to DVD, but haven't been hearing about unreadable disks. Posibly there was an encoding error. Or it could have been bad media (blank disk).
    Does it play in your Mac?
    What brand of disks are you using?
    Russ

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