Final Cut Pro & Final Cut Pro HD?

Hi,
I always tought that Final Cut Pro & Final Cut Pro HD were the same.
Of course I understand that there is a difference in the HD feature.
On the website from Apple - Pro Applications, Final Cut Studio, it says that FCP has the HD feature.
I have FCP 5.0.4. Is this the HD version? And if so, Why the difference in the name?

Its primarily a marketing thing .. nothing to really be concerned about.
FCP was Final Cut Pro up through version 4. With the introduction of the 4.5 update, it became Final Cut Pro HD, due to the addition of support for DVCProHD.
Since the many varieties of HD have become so commonplace, its now just called Final Cut Pro 5 and only available in the Final Cut Studio Package.
-DH

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Hi,
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San Francisco

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x

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https://discussions.apple.com/docs/DOC-2494
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Hi everyone. I don't post very often and I decided to do so because I want to hear people's comments on this subject. I have been a premiere pro user since Premiere Pro 2.0 and I've a good handle on Final Cut and Media Composer. To this day, I've always preferred Premiere for a number of reasons.
As of late, many Final Cut users have been migrating to other NLEs and in response to that the latest iteration of Premiere (Premiere CC) has included some decidedly FCP-ish features (And some Media Composer-ish stuff too). In my opinion, some are rather welcome additions and some are not.
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Here's my list of good and bad:
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1) Auto Locate - Premiere is now smarter at finding your files. Awesome!
2) You can now select clips and move them up and down in tracks with keyboard shortcuts. Great!
3) You can move target and source tracks with keyboard shortcuts! In fact there are many new things you can do with keyboard shortcuts! (Can you tell I like keyboard shortcuts?) I'll leave the keyboard alone now. Yay! Ok now I'll leave it alone.
4) Audio Clip mixer. Now, I really don't see when I would use this, but sure. Why not? It's not invasive and they kept my track mixer as awesome as ever. I'm sure final cut users could shed some light as to it's utility. Specifically, what can you do now, that you couldn't without the Clip Mixer?
5) There are a few cool ways to expand tracks. (I've heard it works a lot like Media Composer).
6) You can now customize the buttons on your audio tracks. Sweet! (Also feels a bit Media Composerlike)
Bad stuff:
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2) Transition icon changed to a suspiciously fcp looking transition. It's smaller. I don't see the advantage of changing the look. I certainly don't see the advantage of making it smaller. Not a big deal, but not a fan.
3) The "fx" box replaced the name of the parameter whose keyframes you are currently seeing inside the clip. Now you can't tell which parameter you are looking at. Is this an attempt at removing clutter? Cause I think allow for the user to customize clip info is a better approach than simply removing stuff.
4) The clips now turn white when selected. Again I remember complaints of clips not being obviously selected but now you lose the label color when you select a clip. This means that if you select a bunch of clips, you can't use the color to see if you picked up something that should've stayed unselected.
5) Audio display now shows half of the wave instead of the doubled mirrored wave it always showed before. This sucks. Every DAW I've ever used (Pro Tools, Digital Performer and Audition to name a few) shows the mirrored wave. It's kinda standard. This new view is actually harder to look at. The negative view of the wave (the part of the wave that isn't the sound) looks like the bottom part of a wave. It's very distracting and annoying.
6) Work area bar is gone. This isn't such a big deal since the functionality has been added to the in and out marks, but since the work area bar is also a part of After Effects, this makes Premiere work differently than it's family of apps. I would think that having overlapping or similar tasks performed similarly throughout the Creative Cloud Apps would make a lot of sense to Adobe.
Again, Adobe Premiere Pro has been and still is my NLE of choice. This isn't an angry rant. I simply felt it was an update that removed some great functionallity and wondered if others felt the same. I'm sure my list is both incomplete and of course simply an opinion. I'd love to hear people's reaction to the new Premiere Pro CC. Do try and be nice though.

Jim.
Agreed. You can't please everyone every time. Though user customization goes a long way I think. And I definitely feel like this release was not really targeting me.
shooternz - Too bad. I did know this. It's not such an imposition but it does change the way I work without gaining anything I wanted. Seems like a lot of people actually like the symmetrical transitions though. Me, I think it is only useful when you don't care about being very precise. Maybe not. Maybe there's a good use for it. I haven't found it. I just wish there was a way to make the default behavior what it used to be and the symmetrical transitions work with shift. I'm already getting used to holding shift all the time so I'm not worried. I just don't see much advantage.

Comparing video quality of AVCHD BluRay discs using Final Cut Pro Share vs Compressor

Up front, I will admit to being a newbie when it comes to using Final Cut Studio 3 and would appreciate some feedback from the Apple forum experts.
I have spent a lot of time trying to determine how to achieve an optimum group of Compressor 3.5.2 settings so that the playback video quality of an AVCHD BluRay disc is equal to or better than one created by using the simpler auto settings of FCPro Share, version 7.0.2.
When using Compressor’s auto/default maximum settings, I experienced the same error message reported in:
Error MessageDuring Creation of Blu-ray Disc in FCP and Compressor 3.5
https://discussions.apple.com/message/12073794#12073794
I have since made some Compressor AVCHD Discs with smaller bit rate settings and compared video quality with a single FCP Share AVCHD disc. Both seem to be equal in providing a very good video when viewed on my new Panasonic DMP BDT 310 BluRay player. However, the Compressor AVCHD discs show some motion artifacts not present with the FCPro Share version, especially when scrolling text or when objects are moving through the field of view, and visible artifacts are seen from a stationary chain link fence and other lattice work in the background of the video sample.
My sample video used for the comparisons between Compressor and FCP Share discs is a 21 minute duration home movie, originally captured from a mini DV, Canon HV30 1080i camcorder using ProRes HQ encoding(1440x1080), and dragged into FC Pro 7.0.2 timeline where 10 chapter markers have been inserted.
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To prepare this same 21-minute video for use with Compressor, I again Select IN to Out from the FCPro timeline, but this time use File Export as a QuickTime Self Contained movie including Chapter markers. Then Open Compressor, choose Create BluRay from Template pane, right click on the down arrow in the Batch window and load the QT self contained movie file. From there I went to the Inspector window and tried various combinations of bit rate settings along with Frame Encoder options such as Better or Best motion parameter controls.
I have tried the following combinations of Bit rate settings along with varying Frame Encoder controls and burned an AVCHD disc for each example:
Example A
Compressor set to 6 Mbps Average and 8Mbps Maximum, Frame Encoder settings OFF. Approximately 4 hours to encode although the time remaining estimator indicated a larger value of ~7 hours; not an accurate estimator at all.
Example B
Compressor set to 6 Mbps Average and 8Mbps Maximum, Frame Encoder settings ON, using “Better (Linear Filter) and Better (Motionadaptive)” settings. Approximately 4 hours to encode, not the 13 hours that were estimated.
Conclusion: Comparing A & B Compressor versions, Disc B showed some improvements in reducing motion artifacts over Disc A.
Example C
Compressor set to 13 Mbps Average and 15 Mbps Maximum, Frame Encoder settings ON, using “Better (Linear Filter) and Better (Motion adaptive)” settings. Multipass checked. DeInterlace was checked. Unknown hours to encode; about 8 hours done overnight..
Conclusion: Disc C showed some minor improvements reducing motion artifacts over Disc B
Example D
Compressor Auto settings,i.e., 15 Mbps Average and 17 Mbps Maximum, Frame Encoder settings ON, using “Better (Linear Filter) and Better (Motion adaptive)” settings. Multipass checked. Approximately 12 hours to encode, done overnight. Inserted disc next morning after the overnight encoding was completed, and a few minutes later an error message pane appeared that the maximum bit rate had been exceeded. This message was consistent with the Apple posted thread referenced above. Unfortunately the long overnight encoding was wasted.
It seemed to me that the best Compressor settings for suppressing the motion artifacts were displayed by the disc burned in Example C, i.e., 13/15 Ave/Max Mbps with“Better” Motion settings in the Frame Encoder.
However, when this disc was compared to the AVCHD Disc burned using the FCPro Share, the latter still seemed much better. I do not know what the auto bit rate values are as set in FC Pro, but for me, the quality is quite good AND the motion artifacts are significantly reduced, especially evident with the scrolling text.
Sorry about this long post, but I thought the detail would be necessary for the experts, and maybe helpful to others trying to get started in this BluRay arena. Did I misuse Compressor? I think the sample video exported as a self contained QT movie was the right thing to do? Not sure where I went wrong.
Thanks in advance for Feedback and Recommendations. For now, I’m going to stay with the simpler process using Final Cut Pro Share function.
BoBo

Thank You, Brad, for responding; glad to hear I'm not the only one having similar Compressor issues.
You may have hit on something. Perhaps Compressor's use of H.264 encoding was the reason for my motion artifacts? And perhaps Final Cut Pro Share retains the 1440x1080 quality as it burns the AVCHD BluRay disc?
I had Toast 10 for less than 30 days a couple of years ago, and was lucky to get a refund.
What version of Toast do you have? Wondering if new Toast 11 has improved previous bugs, especially upgrading its Chapter text, pictures, music. I would go back to Toast if it came close to mirroring DVD Studio Pro, or even iDVD capabilities.
Thanks,
BoBo

HT201109 Final Cut Pro 10.1 crashes with Motion 5.1 custom Scrolling text and Graphics titles

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Final Cut Pro Quit Unexpectedly
Process:         Final Cut Pro [4123]
Path:            /Applications/Final Cut Pro.app/Contents/MacOS/Final Cut Pro
Identifier:      com.apple.FinalCut
Version:         10.1 (238755)
Build Info:      ProEditor-23875005025000000~5
App Item ID:     424389933
App External ID: 223682791
Code Type:       X86-64 (Native)
Parent Process: launchd [175]
Responsible:     Final Cut Pro [4123]
User ID:         501
Date/Time:       2013-12-28 12:37:04.233 -0500
OS Version:      Mac OS X 10.9.1 (13B42)
Report Version: 11
Anonymous UUID: E080EF73-4EC7-F729-7343-2C37817936C6

Thanks Tom for the advice. I have four external hard disks, all of them formatted with Mac OS Extended Journaled. On all devices (2TB) I have more than half free space. They are connected either with Thunderbolt or USB3 cables. Different manufactures: LaCie, Toshiba, WD and Samsung. I face the same crash problem if I connect a UBS drive 16GB or a any other device to the USB ports including the Sony Video camera connected with a USB1 cable. Same problem on ALL my computers! To work properly, I have to disconnect all USB devices and work only with internal hard disks. I also tried to format the MacbookPro (erasing the partitions with a new installation) but I have the same problem. I really lost hope...

Final Cut Pro & Final Cut Pro HD?

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