Final Cut Pro Monitor/TV/Camera hookup

How do I hook up my G5 dual core Mac to JVC monitor(Model # TM-R9U) through Sony DSR 200 DV Cam camera(used for my deck) and then to my Toshiba television with RCA and S-video Line 2 outlets. tv?
I want to watch and monitor my Final Cut Pro timeline through JVC monitor for color correcting, then watch the clips through the television to see what they look like on TV.
Sorry for the mess but I need to get this hooked up ASAP.
Thanks a million,
Julian

#8 External Monitor Viewing.
Shane's Stock Answer #8:
A simple path is mac > firewire > camera or deck > rca cables > tv
Then start up your camera and tv, then open fcp.
Then go View > External video > all frames
VIEW>Video playback should be Apple firewire NTSC (If you are using an NTSC set)
VIEW>Audio playback should be Audio follows Video
Techinially, this should send synched video to your TV
If for some reason you can't view your timeline on your external monitor, there are a few things to try:
1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.
2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.
3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.
4) Click in the % box above the image and select FIT TO WINDOW.
5) Go to VIEW->refresh A/V devices
6) Make sure the Log & Capture window is closed
If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the PLAYBACK OUTPUT section
Shane

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Final cut pro not reading camera or mini dv player

My mini dv player jammed so we went to the canon gl2 to use as our vtr and final cut pro won't read it we tried our other gl2 and final cut won't read it we also tried to see if I movie would read the cameras or the machine and I movie would'nt recognize them either. Once I movie recognized the camera but would not control it or by running the camera manually. what happens when the fire wire cord is plugged in the program won't initialize. Any ideas?

Stream of consciousness writing went out with Jack Kerouac. Please use paragraphs.
What computer do you have?
Are you connecting your camera through external firewire drives?
The inability of cameras to easily connect via firewire comes up here daily, if not hourly. (facility with the SEARCH function located in the upper right of the forum is highly encouraged.) Canon cameras seem to bring their own special problems as well. If you have an iSight G5, you may have other issues ...
Try this as a troubleshooting sequence -
- Turn everything off
- If you have an external firewire drive, disconnect it.
- With only the Canon connected to the firewire bus, turn the camera on
- Turn on the Computer
- Open up System Profiler and look for the FIREWIRE section.
- Do you see your camera listed?
If no,
- you have basic connection issues - try the firewire port reset (do a search here on the forum)
- if you have an iSight camera - disconnect it and try again.
If yes,
- Open up iMovie and try to capture a short segement.
- Did it work?
if no,
- there is something potentially wacky with your camera settings.
if yes,
- Now open up FCP, make sure your firewire communication protocol is FIREWIRE BASIC
- Try to log a short clip and capture using Batch Capture.
- Did it work?
If no,
- you likely likely need to reinstall Quicktime. Search for 'quicktime reinstall' on this forum.
If yes,
- you may need to install a second bus for your capture drive. You do not want to be capturing to the system drive.
x

Regarding final cut pro and sony camera

hi,
I have a Sony HDR-CX550/CX550V XR550/XR550V Digital HD Camera Recorder, and I wanted to know if the format that this camera shoots, will it be natively compatible with Final Cut Pro?
I would really appreciate an answer, as I need it asap
Much thanks

I have the same camera, and I noticed that in Standard Def mode, the Sony HDR-CX550V shoots in MPEG 2 PS (not AVCHD)
- Can this be natively edited in Final Cut Pro? If so, how?
- Is this an XDCAM format?
- If the Sony MPEG-2 PS can't be edited in FCP directly, what's the fastest / most space-efficient way codec for me to translate this to (for example thru mpegstreamclip)?
Would much appreciate your insights-

Final Cut Pro Sudio 2 Camera not recognized

I have Panasonic Model No. PV-GS400 camera. Its recognized in I Photo but not in Final Cut Pro suite 2. Is there a way to change any of the settings to capture camera in Final Cut Pro? Stock Doc
Mac Pro Mac OS X (10.4.9)

Try changing your capture presets to one that matches your camera, and of course make sure your camera is in VTR/VCR mode. Make sure you are using Firewire.
If this doesn't work, run through the regular trash prefs, repair permissions, etc.

Final Cut Pro monitor gamma question... again!

Very confused here: can anyone tell me for sure what gamma my Cinema Display needs to be set to for work with FCP7 / Snow Leopard? I can only find contradictory information and nothing clear and conclusive from Apple.
My problem: following the latest advice, I've been using a Cinema Display calibrated to 2.2 (dual monitors on a Macbook Pro). I can export an edited file which matches FCP's canvas when viewed in QuickTime.
However, if I send to Compressor from FCP, the preview in Compressor is darker and more contrasty than FCP's canvas.
If I upload a video that looks OK in QuickTime to MobileMe it becomes dark and contrasty too.
If I convert my exported file that looked OK in QuickTime to H.264 in Mpeg Streamclip I, once again, get a version that is darker and more contrasty than in FCP or QuickTime.
I'm pulling my hair out over this, not least because it's becoming a fantastic waste of time. I would like to be concentrating on editing rather than trying to sort this out!
I had assumed that using a suite of Apple applications on an Apple computer would mean seamless and easy integration...

But the problem here is not simply viewing. I am also creating and then viewing and I think this is where the problem lies. A video uploaded to MobileMe is transformed in the process and it's during the transformation (whatever that might be) that the change in appearance occurs. I view a video in FCP's canvas but then it is exported before being viewed in QuickTime. Gamma levels may be set, colour profiles embedded and / or read, applications may make assumptions about viewing conditions or which of the two monitors I'm using is the principal one, who knows what... I think it's here that the problem lies...

Final Cut Pro Maschine Plug-In Crash

Hello, the other day i was trying out some new preset audio effects in Final Cut Pro when I came across Maschine FX. Wanting to know what it did i decided to apply it to my audio clip. Immediately after doing this Final Cut Pro X crashed and every time I open it back up it crashes and gives me this error message: Final Cut Pro quit unexpectedly while using the Maschine plug-in.
How do i disable this falty plug-in from corrupting my entire movie project?

Here is an app from Digita Rebellion that has a plug-in disabler you can use if the plug-in doesn't come with an uninstaller. There is a free trial.
Russ

Canon hfs20 1080 50i vs 25PF Final Cut Pro X Project settings

I apologise in advance if this is a newbie frustrating question....
But I have been searching and reading....and reading....and just cant seem to work it out.
I have a Canon hfs 20 legria (PAL version) camera.
I have purchased Final Cut Pro X.
The camera highest quality settings are 1080 50i or 1080 25pf.
Now, I think I understand the difference between interlaced and progressive (did some reading on the net).
What confuses me, is when I import the footage from the camera...into final cut pro X
I shot some footage at 1080 50i. ( it is intended to be used as a music video, eventually)
When I imported the footage into FCPX i let it set the project properties, taking it from the footage shot.
Expecting the project would set itself, to 1080i 50i.
I check the project properties, and they say its 1920 X 1080i 25i ( now from my reading, i assumed if it was gonna set 25 anything, it would have been 25p)
I then copied the project, and manually set its settings, to 1920 X 1080p 25p
When I play either project, and look at them in the viewer, I cant see a difference. (Now that is probably attributed to the fact that I am a newbie and dont know what I am looking for in the first place)
Now, also during my searching, I came across a plethora of people, selling coversion software, for the canon hfs20 to get it into FCP. Now I cant tell if this was prior to FCPX , and now FCPX handles my cameras footage. To be honest, from what I had read, I kinda didnt expect my footage to import, and was pleasantly surprised when it did.
So, on to my questions, you say...8)
My cameras highest quality settings, are 1080 50i or 1080 25p
I wish to get the best footage I can, and have it set so it works well with FCP X.
I dont shoot, sports, hummingbirds etc...its mainly me, sitting playing the guitar, long walks on the beach, looking longingly into the distance...8)
Which settings would work best, and what should my project be set at , in FCPX to deal with those settings.
Final delivery, will be, internet, Beta tape for TV broadcast, possibly DVD but that is a distant 3rd.
Look, I know this is probably a frustrating question, but I would really love some help. Audio, i get, Video makes my head spin..8)
thanks in advance
Wiz

Hi Tom
and thank you very much for your reply.
Okay, I will shoot in 25FP from now on...8).
I also made the change to the viewer settings, though I cant find anything in the online help manual about what it is or what it does...
thanks mate
cheers
Wiz

Final Cut Pro crashes when I try to play content.

Hey guys,
Been getting this crash whenever trying to play content. I am completely new, and don't know if there are any settings I should be changing for this to work properly?

From the Apple web site. On the FCP tech specs page
Apple ProRes family, a 10-bit, full-width VBR codec that supports all major frame sizes and frame rates from ProRes Proxy to ProRes 4444.
Resolutions supported up to 4K frame sizes.
Background transcode original media to ProRes 422 or ProRes Proxy for better performance.
Create Camera Archives from any folder of media for importing into Final Cut Pro.
Import Camera Archives from third-party video capture cards and software.
Import from Apple devices including iPhone, iPod touch, and iPad 2.
Import projects and Events from iMovie.
Sony IMX, XDCAM, XDCAM EX, XDCAM HD, and XDCAM HD422 import supported with additional Sony software.
FireWire device control for streaming capture for tape-based HDV, DV, DVCAM, DVCPRO, DVCPRO 50, and DVCPRO HD.
Export presets for Apple devices, including Apple TV, iPhone, iPad, and Mac.
Export presets for YouTube, Podcast Producer, Facebook, Vimeo, CNN iReport, and email.
Export and burn DVD, AVCHD disc, and Blu-ray disc.3
Apple-designed menus for DVDs and animated menus for Blu-ray discs.
Export as Image Sequence.
Export as HTTP live streaming for Internet streaming to cellular, Wi-Fi, and broadband.
Export to uncompressed 8-bit and 10-bit 4:2:2.
Export audio as AAC, AC3, AIFF, CAF, MP3, and WAV files.
Import and edit layered Adobe Photoshop files.
Native editing4 support for:
H.264 from GoPro and iFrame cameras.
H.264 from DSLR cameras.
Broadcast Wave Format.
DV, DVCAM, DVCPRO, DVCPRO 50, and DVCPRO HD.
HDV.
Panasonic AVC-Intra, including AVC-Intra 100 and AVC-Intra 50.
Sony IMX, XDCAM HD, XDCAM HD422, and XDCAM EX.
JVC-created XDCAM EX.
Canon XF MPEG-2; ingest supported with additional software.
AVCHD, including Panasonic AVCCAM and Sony NXCAM.
Uncompressed 8- and 10-bit SD and HD.
Apple Intermediate Codec.
Still images including PSD, BMP, GIF, RAW, JPEG, PNG, TGA, and TIFF.
Compressed audio including AAC, AIFF, BWF, CAF, MP3, MP4, and WAV.
XML import and export for collaboration with third-party finishing tools and media asset management systems.

I'm a bit confused. Since my original camera format was 720/60p, and I converted the footage to Pro Res422 in order to edit in Final Cut Pro 7, should I convert back to a higher quality format before sending the file to DVD Studio Pro?

I'm a bit confused. Since my original camera format was 720/60p, and I converted the footage to Pro Res422 in order to edit in Final Cut Pro 7, should I convert back to a higher quality format before sending the file to DVD Studio Pro? If so, which Compressor codec is best to use in order to preserve the original 720/60p? How do I maintain the highest quality?

No...ProRes is a high quality format. Finishing format. Many TV networks take that as a final deliverable.
BUT...DVDs aren't high definition...they are SD. You cannot make a 720p60 DVD with DVD Studio Pro. Any DVD you make will be SD...720x480. The only HD DVD format out there is BluRay, and for that you need a BluRay burner.
As for making a high quality DVD...using the BEST QUALITY settings in Compressor will work:
#42 - Quick and dirty way to author a DVD
Shane's Stock Answer #42 - David Roth Weiss' Secret Quick and Dirty Way to Author a DVD:
The absolute simplest way to make a DVD using FCP and DVDSP is as follows:
1. Export a QT movie, either a reference file or self contained using current settings.
2. Open DVDSP, select the "graphical" tab and you will see two little monitors, one blue, one green.
3. Select the left blue one and hit delete.
4. Now, select the green one, right click on it and select the top option "first play".
5. Now drag your QT from the browser and drop it on top of the green monitor.
6. Now, for a DVD from an HD source, look to the right side and select the "general tab" in the track editor, and see the Display Mode, and select "16:9 pan-scan."
7. Hit the little black and yellow burn icon at the top of the page and put a a DVD in when prompted. DVDSP will encode and burn your new DVD.
THATS ALL!!!
NOW...if you want a GOOD LOOKING DVD, instead of taking your REF movie into DVD SP, instead take it into Compressor and choose the BEST QUALITY ENCODE (2 pass VBR) that matches your show timing. Then take THAT result into DVD SP and follow the rest of the steps. Except you can choose "16:9 LETTERBOX" instead of PAN & SCAN if you want to see the entire image.

I am putting together a proposal for a Final Cut Pro Workstation to use with a tapeless HD camera. Can anyone suggest the best camera (in the 5-10,000 dollar range) ? What hardware and software should I include in the package?

I am putting together a proposal for a Final Cut Pro Workstation to use with a tapeless HD camera. Can anyone suggest the best camera (in the 5-10,000 dollar range) ? What hardware and software should I include in the package?

This is quite an open suggestion, but here are some ideas which might get you started. There are good HD cameras in your price range from Sony, Panasonic and Canon (and maybe other manufacturers). Tapeless formats vary. I have only worked with Sony XDCAM which seems pretty good to me. File sizes for material shot at 35MBS are not too huge and, with the free Sony transfer and conversion programme, are easy to bring into the computer via USB direct from the camera or from a fairly inexpensive converter. The Sony XDCAM EX3 can produce results well up to broadcast quality.
As to hardware, you'll need a powerful MAC - iMac, Macbook Pro or MacPro with 4GB or more of RAM and a good video card. Softwarewise, FCPX is quite a bit cheaper than FC Studio 3 and of course it's 64bit and can make better use of multi-core machines than FCP7. It's also designed to handle HD formats with less hassle than FCP7 and is matched to the latest versions of Motion and Compressor. But you'd probably be wise to search reviews of FCPX before you make your choice - it has some issues.
A good HD monitor will be essential and, for colour correction etc, you may want to consider a second monitor or HD TV foe editing. ( A MacPro is generally the best machine to connect a second monitor to).
This should give you a good editing system, but there are many other things you could add (Photoshop, professional sound monitors, etc)
Hope this helps a bit.
Jonathan

I have recently purchased MacBook Pro with Mac OSX 10.7.3 Lion and I would like to install Final Cut Pro 6 Studio2, and it came up with this error: 'you can't open application FinalCutProStudio.mpkg because PowerPc apps are no longer supported..pls advise

I have recently purchased MacBook Pro with Mac OSX 10.7.3 Lion and I would like to install Final Cut Pro 6 Studio2, and it came up with this error: 'you can't open application FinalCutProStudio.mpkg because PowerPc apps are no longer supported......Is there a way to run FCP6 on lion withoput this error? Any help would be appreciated.....

Hi Shane,
Just one more quesiton re: this topic, I am looking to get rosetta but do not have Leopard or Snow Leopard...
I read that it is not on Snow Leopard only on Leopard....so do I need to get only Leopard? Can u advise?
Alternatively I do have Mac OS X Tiger so is it on this and can I install it from here?
Please excuse my lack of knowledge here, just trying to get my FCP 6 up and running asap....
Best Rgds.

I have Video camera movies that are HD format.. I am doing editing work on them using Final Cut Pro, but using DV PAL format for the projects I am editing. When I then tried to copy my work done in FCP Project that's originally DV PAL , into a new FCP Pro

I have Video camera movies that are HD format.. I am doing editing work on them using Final Cut Pro, but using DV PAL format for the projects I am editing. When I then tried to copy my work done in FCP Project that's originally DV PAL , into a new FCP Project that is HD, and tried reconnect media with original HD movies (video), the sequence project got distorted for all the text, shapes used and all.. everything changed its orientation and scale.. Is there a way by which I can preserve my work done on DV PAL and switch it preserving its proportions, scale and orientation, but on a HD project sequence?? Appreciate your help and advice..

Yes. A couple of ways that might work.
First Way
What you need to do is load one of your hd clips in the viewer and edit into a new HD sequence. Does it display correctionly?
OK, select the clip in the hd timeline and copy (command-c). Now go to the HD sequence with the material that's distorted. Select all (command-a) and paste attributes (option-v) and choose basic motion and distort. That should maek things work. What won't work is anything that you've adjusted as far as basic motion or distort in your PAL sequence. That I'm pretty sure you'll have to redo.
Second Way.
Choose your original PAL sequence and do a Media Manage changing the sequence preset to the appropriate HD paramenters with the media offline. You then should be able to reconnect these clips with your original HD media.

HOW to temporarily use Broadcast monitoring work on snow leopard OS X v10.6.8 for FINAL CUT PRO X

thx,macmacmac give me prompt.He had an interesting trick for getting the OS X Lion 'only' plugin to work on Snow Leopard
To install the plugin on Snow Leopard OS X 10.6.8 you have to temporarily change your system version number to Lion 10.7.2!
1. Go to HD:/System/Library/CoreServices/SystemVersion.plist
2. Copy the file to the Desktop
3. Open the original with a text editor and change the string value of 'ProductVersion' and 'ProductUserVisibleVersion' to '10.7.2'.
4. Save & Overwrite.
I suddenly thought Apple said that Broadcast monitoring work on Lion OS X v10.7.3.I change system version number at once! Changing 10.6.8 snow leopard system version number to Lion 10.7.2!
ok,no problem. Restart final cut pro x,A/V output has appeared in FINAL CUT PRO X preferences and Window Menu
Enjoy it.HAHA!:cheer:

thanks for the tip fan!

I want to use my macBook Pro 2,2 (mid 2007) to display video being fed from a Canon 5D video out into the vectorscope in Final Cut Pro 7.0.3. Is it possible to input live video from another digital camera into the MacBookPro

I know that the built in iSight camera records video. I want to set up a Canon 5D video camera and feed the Canon's video output into the MacBook Pro so that I can use the vectorscope in Final Cut Pro to adjust the exposure of the Canon 5D. Basically I don't want to buy a vectorscope to have on set to make sure the picture is properly exposed and color balance is correct. (In your response it doesn't have to be the full scenario I've described. If you can just tell me if there's a way to feed live video into the MacBook and display it on the screen and possibly record it, then I'll figure out the rest.)

Dear Ben,
Thanks for your help. Apple and I dealt with this. It was an FCP, NOT Motion problem. As It seems you understand, we simply trashed my FCP prefs. Problem went right away.
Thanks. Do you live near Hammond? Played in a rugby tournment down there once. I was transformed.
MS

Can an "Archive From Camera" folder be opened up in Final Cut Pro?

Greetings.
I'm just starting out, using an AVCHD camcorder and iMovie.
I've got video in my camcorder, and I want to remove it from the camcorder to make room for more video, and edit it in iMovie.
However, I also want to preserve the original in its original form for posterity and future use. I'd like to keep an original forward-compatible version around to use in Final Cut Pro (which I don't yet have but plan to get).
iMovie gives me two import options - directly into iMovie (which changes the file), and an "Archive From Camera" which appears to save it in what looks like the same folders/files as what's on the camcorder.
If I perform an Archive From Camera, can I use the folder it generates to import the original video into FCP at a future date?
Is this the best way to take video, use it in iMovie, and save a copy of the original so that it's there if I want to step up the editing at a later date?
Thanks!

Thanks!
So the safe workflow is basically: 1) make archive, 2) backup archive, 3) import into iMovie, 4) reformat camera.
I'm nervous about errasing the video in the camera before I abolutely know it's safe, but I imagine if I leave it there and add to it, the next archive will combine new + old material..
(apologies for the mirrored post - at 1st there were no takers in FCX so I then posted here).

Final Cut Pro Monitor/TV/Camera hookup

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