Final Cut Pro XML from Premiere Generates Blank EDL Spreadsheet from Online Widgets

Using CS6, I am trying to create a spreadsheet based off a Final Cut Pro XML generated from Premiere Pro. I upload the XML to two different widgets (one of which being http://192.168.3.232/ingest/uploadFile.php), but then the spreadsheet that generates is blank, except for titles at the top of the columns (such as "Track #", "Shot #", etc. for this EDL). I've used these widgets to create EDL spreadsheets numerous times before, using both CS6 and CC, and this is the first time they've created blank spreadsheets.
Any help you could give would be much appreciated!
Angeli

Sort of a work around I am testing:
I have a cool script to open FCPro projects in AE. Sort of a free Automatic Duck. I was going to do this:
Remove all effects and proprietary tracks in FCPro, as some cause problems with this script. Trial and error here.
Use the free script FCP2AE to export to AE (it's hard to find now)
Open the timeline in AE via the script FCP2AE
Export that from AE as PPProCC 2014 project
Open in PPCC2014
That may work, it may also work just to remove all effects and then save the XML and open in PP CC 2014. Again sometimes it does work. The simpler the FCPro project the better.
Another option
I was able to open the FCPro audio only OMF in Audition. Then I exported via XML FCPro format from Audition and this opened the audio tracks in PPCC2014. The stereo tracks were broken and placed on two mono tracks so you'll have to address that one.

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Command to Export project as Final Cut Pro XML from jsx script

Hi All,
Can somebody get me the command to export the project as final cut pro xml from jsx script.
I was using the extension builder script earlier for cs6 panel development, so we were using pjct.exportFinalCutProXML("pathname");
Now I am working for panel in Premiere CC so working on HTML 5 panel and qe dom scripting(.jsx).
In some jsx examples i got there is script to export sequence as final cut pro xml but cannot get the code for project export.
project.activeSequence.exportAsFinalCutProXML(entire_out_path);
Also please let me know if there are any kind of reference available about all the functions and properties in the pe dom scripting for premiere pro cc.
I am using premiere pro cc 7.1, windows 7, Eclipse Kepler.
Thanks in advance,
Anoop NR

When you reimport the exported project XML to FCP, do you get the full project or just the single bin/sequence? If you get the full project then it sounds like you need Premiere help, not FCP help ... have you tried asking on the Adobe forums? If you only get the single bin/sequence then it seems you might have inadvertently selected those prior to creating the project export. Try making sure that your FCP Browser window is active and that you have not selected anything within that window prior to using the File > Export > XML command. If that still causes issue then you might try using an earlier FCP XML version.
Hope it helps
Andy

Missing all export options in Adobe Premiere (can only export to final cut pro xml). Where are the options?

Missing all export options in Adobe Premiere (can only export to final cut pro xml). Where are the options?

There never was a trial version of FCP7. The application was only ever sold as part of the Final Cut Studio suite of applications. You might still find copies on eBay.

Export a Final Cut Pro XML file problem about translation issue

When I export the final cut pro xml file, there is always translation issue like that 'Transition <....> not translated, Cross Dissolve used instead.'
Most of the transition type can cause the translation issues except the wipe and cross dissolve.
Is there any body knowing the reason? Is that OK?
By the way , I am using the trial version of cs5

Hey Ani_,
I've been working with Adobe products for a long time and typically when you come across an error that has anything to do with a XML file export problem its due to things such as effects you may have added in, color corrections, cross fades or any type of video transitions between clips. Remember your work flow should be
Import your footage into Premiere Pro
Name your clips (helps find things later on)
Place clips on time line in the order you wish (ONLY MAKE CUTS don't add anything, transitions color effects nothing)
Then once your clips are all placed on the timeline in your correct order you then EXPORT> Final Cut Pro XML
Now you can bring this into other programs for color grading or whatever else your going to do. You will notice you have no errors on the export.
Once your done doing what your doing to the clips in another program (for example: Divinci Resolve color grading) you can then export them back to your main project then add your effects and transitions.

Your experince with final cut pro vs adobe premiere?

I am just wondering about your experience with final cut pro and adobe premiere and which you like better and why. Thank you.

dorian86 wrote:
I am just wondering about your experience with final cut pro and adobe premiere and which you like better and why.
I've posted this in other threads here: I've tried the Final Cut Pro X 30 day trial on my old Mac Pro 5,1 (heavily modified) and my new Mac Pro 6,1 (8-core, D700s). I have a specific benchmark that I run on an NLE when I'm testing it: how long does it take to export one of my movies to a 720p h.264 MP4?
If we assume the length of the movie is represented by 't' (for time) -
The old Mac Pro and Final Cut Pro X 10.0: 2t
The new Mac Pro and new Final Cut Pro X 10.1: 1/2t + epsilon
The old Mac Pro and Premiere Pro CC: 1/2t + epsilon
The new Mac Pro and Premiere Pro CC: 1/2t - epsilon
The newer version of Final Cut Pro X is substantially faster at exporting my movie than the older version. But Premiere is still faster than it is. Also, Apple still can't get the whole "edit the source footage raw" bit right; my source footage is all spanned-clip AVCHD, with files that are over 4G a piece. FCPX can't just open those raw, it insists on putting a MOV wrapper around the footage. There's no transcoding happening, but the file I/O for those massive files slows the whole process down significantly.
Because I don't have years of experience editing with NLEs, I'm not married to any particular UI. FCPX's UI is ... strange, but I didn't find it too difficult to become used to it. If it were faster and more efficient for what I do, I'd reconsider it. But for now, it's all Premiere.

Switching from Final Cut Pro to Adobe Premiere

Hi everyone,
Hopefully there are others here who have made this switch and can offer me thoughts and advice. I have for the past few years used the Final Cut Pro suite as my video authoring media. It's done a great job editing and compressing my videos, so I could burn them to DVD, but the time has come for me to start burning to blu-ray. The problem is, DVD Studio Pro does not support blu-ray (something I discovered after buying the burner, etc).
After some research, it seems that Adobe Encore is the only software I've found that people recommend for blu-ray authoring on the iMac. Is this true? If I buy Adobe Premiere, will it edit, compress, does it have a color program - basically, will it do everything I've been using Final Cut for, or will I need to move files between the two programs (if they even support this?)
Anyone with experience in using both programs or just making the switch, please comment with any advice. I'd appreciate it before I take the plunge on another expensive suite of software.

You can download a trial version. I tried it some time ago and I can only use one word "boring" sorry I can not explain this feeling in a more concrete way.

Send to - Final Cut Pro XML data not seeing my Color render

Sup folks,
As always I did some lurking on these boards and consulted the manual about this issue.
Nada.
I've rendered my shots. They were all queued. They were all rendered.
When I use the Send to -> Final Cut Pro command I get the "not all your clips were rendered" warning. I click yes to see what I will get.
FCP imports the XML data and I get nothing. All of the clips in my FCP timeline generated through the Send to -> Final Cut Pro command are all of my original media prior to my color workflow. Not my graded Color renders.
I did move my renders from a local drive to an external because of data capacity. After doing so I did update my Media, Render and Project paths to the new location of my media.
I thought that would fix my problem. It didnt.
So again: my issue is that even with my shots all rendered correctly (i checked them in QT) the XML being sent to FCP through the Send to -> Final Cut Pro command is not hooking up with my renders.
Deadline tomorrow.
As always,thanks for your time

I did move my renders from a local drive to an external because of data capacity. After doing so I did >update my Media, Render and Project paths to the new location of my media.
If I'm following the sequence correctly, you rendered your material to a local drive. Then you moved it, changed the paths (in COLOR), and then tried to "Send to... FCP". Is this correct? If so, doomed to failure. In your case, you may have even moved an empty folder.
There is an ironclad and non-negotiable series of events in rendering and initiating the roundtrip. Many users regard this as a "bug". One of the first things that a user should always do is set up all the target paths before even doing the first grade. But it is essential that the target render path be set up PRIOR to loading the Render Queue. COLOR creates the receiving folder at that time, and that is where the media will go no matter what you do after the RenderQueue is loaded. Change the path, change the format... change whatever you want... the deal has been done, and all will be ignored. However, once the media is rendered and you choose Send To... FCP, then the original XML that FCP sent will be modified by COLOR and passed back to Final Cut. COLOR does NOT,repeat, NOT generate EDLs, XMLs, or any of that stuff. It only modifies original lists. That you modified the Media, Render and Project paths (probably only in the User Preferences tab) is meaningless once the project has been rendered. The Render path for this individual project is determined in the Project Settings pane, along with the render dimensions and format. However, COLOR will observe a path change AFTER the render, and edits the XML re-export to try to find the media in the newly named directory. Of course, your media is actually elsewhere, and you get a blank sequence.
Lastly, make sure that you SAVE the project after renders, to retain the "rendered" clip status -- or COLOR won't remember any of this.
jPo

Import Failure-- Final Cut Pro XML

I am editing a short film with my school imacs and I want to bring that project home to add my music and sound effects in premiere pro CS6. I Exported an XML file from Final cut pro 6 with standard settings. I copied the xml file to a flash drive and brought home to my windows 7 PC with Adobe Premeire Pro CS6 installed. When Import the XML file from my flash drive i get the error-- This project contained a sequence that could not be opened. No sequence preview preset file or codec could be asociated with this file type. I checked the codec of the XML and it is <codecname>Apple ProRes 422</codecname>. Any help?

When you reimport the exported project XML to FCP, do you get the full project or just the single bin/sequence? If you get the full project then it sounds like you need Premiere help, not FCP help ... have you tried asking on the Adobe forums? If you only get the single bin/sequence then it seems you might have inadvertently selected those prior to creating the project export. Try making sure that your FCP Browser window is active and that you have not selected anything within that window prior to using the File > Export > XML command. If that still causes issue then you might try using an earlier FCP XML version.
Hope it helps
Andy

Final Cut Pro XML for entire project?

Hi,
I would like to import my entire final cut pro 7 project (20 bins, 10 sequences, 300+ clips) to Premiere CS5.It is very important that the structure that I have setup be maintained (bins, sequences and the clips within them) About two months a ago, I did this without a hitch.
This time I can't seem to get more than 1 bin and 1 sequence to export from FCP. I checked the master clips, but still 1 bin, 1 sequence.
Help would be greatly appreciated

When you reimport the exported project XML to FCP, do you get the full project or just the single bin/sequence? If you get the full project then it sounds like you need Premiere help, not FCP help ... have you tried asking on the Adobe forums? If you only get the single bin/sequence then it seems you might have inadvertently selected those prior to creating the project export. Try making sure that your FCP Browser window is active and that you have not selected anything within that window prior to using the File > Export > XML command. If that still causes issue then you might try using an earlier FCP XML version.
Hope it helps
Andy

Final Cut Express Vs. Final Cut Pro Vs. Adobe Premiere

Hey all,
I just bought my first Apple computer and I'm loving it. I have worked with Final Cut Pro in the past and I really enjoy working with it. However, $1000 is a bit steep. I would like to ask what your opinions are on maybe getting Final Cut Express or Adobe Premiere Pro.
I have the trial of Adobe Premiere right now, but whenever I place a clip into the timeline, it needs to be rendered. This was never an issue with Final Cut on the computers at my school. I was wondering if you knew if Final Cut Express would have better rendering times and wouldnt need as much rendering. Also, it may be the graphics card in my computer. If you think this is the problem, can you provide me with a solid video/graphics card that I should look into?
Thanks all,
Kevin

I own all three programs actually - here's my advice.
Stay the heck away from Adobe Premiere. It is no where nearly as Mac friendly and for the price, just isn't worth it. I purchased it for the Blu-ray authoring capabilities of Encore, so that's all I use it for. The plus to Premiere is that it can edit some native formats that Final Cut Pro cannot. For example, native AVCHD as well as MPEG-2 in program streams. That being said, Encore is the best option for Blu-ray authoring at a reasonable cost that gives you the ability to modify menus, etc.
Final Cut Express is a great application - my only reason for having final cut pro was my need to edit footage at 23.98, 29.97, and 59.94 fps. FCE only handles 29.97 (and 25 fps). Final Cut Pro also gives you the ability to edit more footage natively. FCE only supports DV, HDV, and AVCHD, with the latter two being transcoded into Apple Intermediate Codec for editing. FCP supports a myriad of formats and allows native editing in HDV - although it still transcodes AVCHD. FCP also gives you access to the ProRes set of codecs which are significant improvements on Apple Intermediate Codec that offer high quality in transcoding and editing.
So the real question is, what are you going to be doing?

Final Cut Pro XML

Is it possible to convert an apple XML 4 file to an XML 3 file for import into Final Cut? I originally exported in Final Cut Pro 7 as an XML 4 file, I am trying to open the file in Final Cut Pro 5.

When you reimport the exported project XML to FCP, do you get the full project or just the single bin/sequence? If you get the full project then it sounds like you need Premiere help, not FCP help ... have you tried asking on the Adobe forums? If you only get the single bin/sequence then it seems you might have inadvertently selected those prior to creating the project export. Try making sure that your FCP Browser window is active and that you have not selected anything within that window prior to using the File > Export > XML command. If that still causes issue then you might try using an earlier FCP XML version.
Hope it helps
Andy

Are the sound clips from Final Cut Pro Fair Use?, Are the sound clips from Final Cut Pro Fair Use?

I recently found YouTube had flaged a video for containing a "third party" sound clip. All clips I've used in videos for YouTube have come directly from Final Cut Pro X. Any idea if the sound clips are Fair Use? I'm not sure how to repsond to YouTube and don't want to get a mark against my account due to this.

You can pretty much forget about monetizing that specific video.
[Okay... I'm going to ramble now...]
To avoid problems with youtube, you need to post a copyright (like this: @2013 by Your Name) on the video (I recommend within the first 10 seconds) -- and you better have it *right*. If you use other audio and video, as long as you have secured the proper permissions for use, you can still claim a copyright to the video you post on YouTube -- it is your creation (but it better not be a single clip of somebody else's work being passed off as something you did -- just to be clear -- your videos need to have original content that you created in order to justify the © you put on it. If you use *other stuff* as long as it's *with* permissions, it's still your video.) [If your video is going to be monetized -- make absolutely sure you have that permission for *commercial* use! Quite a lot of sources will specify that their materials *cannot* be used for any commercial use without further permissions, if at all. With Apple Loops (pro apps music and sound) you do have that express permission to be used in commercial works as long as it follows the EULA. More below.)]
You also need to specify the music and/or sound effects are "licensed from Apple Computer and used with permission" and you might as well state they are "made with Apple Loops". YouTube understands the EULA of the Apple Pro software (Logic, STP, FCP/FCPX, etc...) -- but even Apple licensed all that stuff from outside sources. Apple just takes care of paying "them" for it in advance so you don't have to (you buy it with the cost of the software license.)
You cannot use any of the "music beds" by themselves, in their entirety (all those nice long demo pieces everybody likes so much and you hear several times a day on [local] TV commercials). The EULA actually specifically states this (although you might have to read it two or three times until it becomes clear...LOL). Even loops are not to be released "as is", in their entirety, in any "derivative work". So, basically, make sure some other sound is mixed in with it (if it's music, add drums or other percussion, harmony, or duck it under talking, etc...)
The point is, no matter what audio source you have, if it is *music* (or foley) and EVEN IF you are the creator of that music or sound effect, you need to specifically put it in writing IN the video (not in the description). You need to reference the source (e.g.: stock footage by BottledVideo.com) and state it's being used with (or by) permission. [According to YouTube: I have copyright infringed MYSELF!!! just for leaving out all this *stuff* from my subsequent videos (music that I composed and performed myself on guitar... I was livid... but it stuck!).]
I can pretty much guarantee that within minutes of posting your video (if it is monetized) -- some real live person at youtube puts eyes on that video to make sure it is properly "signed". I can tell by how long it takes for the monetize checkmark to go from dark to light green -- usually less than 10 minutes.
If your video is not monetized, and it's not a blatant violation, they probably will let you off with a warning, tell you that you don't need to do anything "right now" and it won't count as a mark against you... If it IS monetized, it won't be - they'll turn it right off and your chances of winning a challenge are almost 0 (unless you can PROVE you own the material -- and I have won a challenge -- see * below); and you will probably see a "Copyright Notices" (or similar) item in the menu on your channel settings. If you can redo the video - pull the old one, put in the new info and re-up it. It's a royal PITA, but in this day and age, it's a necessity.
All videos destined for youtube should be treated as mini motion pictures and be prepared as such with full "disclosures" in titling... Welcome to 21st Century Pox [This statement is not meant to be derogatory to 21st Century Fox or imply any association or criticism or slander, and is only to be intended to be received as a parody on a common phrase that is currently still in use... No words were harmed in the formation of this pun.]
Get the point? YouTube tries to tell everybody -- but they've done a pretty lousy job of doing it. It's taken me, oh, I guess a year or so to learn to "behave" after wandering through a mire of confusing information from too many different sources -- and even if I am the sole producer of 100% of all the content in the video, I *still* have to place that © and "commit" it; it is *not* taken on faith. I actually had to go back and reread all my licenses and interpret the legalese to figure it out. It would have been simpler if they just put it: Your video is a miniature professional production. Make sure it includes all titling to reflect all participants -- *just like you'd see in a modern major motion picture or a major broadcast television series* -- I think everyone would pretty much understand what that involves. You don't have to get quite that extreme, just cover you bases and your a©©.
I tried to cover it all... but I'm pretty sure I haven't... so... good luck!
*How I won my challenge with an Apple Loops composition:
1) the music, even though using "canned" loops, was an original complex composition (I'll argue theory with anyone about this... it will be based on limited sets and recombinants as well as the theory of instrumentation and timing. In other words - I massage the heck out of loops until they don't sound anything like the originals. I almost never use audio loops -- always MIDI.) [BTW - this was another instance of copyright infringing myself - I had used the same music in a previous video I produced a year or so earlier... when I, like you, thought I was "free" to use the clips as I saw fit.]
2) the music I used in the video was originally created in Logic and I made sure the ID3 tags were filled in with my name and copyright information
3) I have a YouTube Associated Website (think this is a "partner" thing... and google "sanctioned") but if you see it, make sure you associate your domain. [I think you might be able to create a Google+ account and associate a domain that way if it's not part of your YouTube settings.]
4) I uploaded the original mp3 with the ID3 tags to my associated domain.
5) in the challenge, I 1) attached the original mp3 (w/ID3 tags); 2) gave youtube a link to the copy on my associated website for *verification* that the files belonged to ME; (and they already had the URL to the video in question -- a basic 3 point verify.)
It worked. They accepted the verifcation. (And this was the first challenge I've been able to win.) [This was very recent. What about the others? I might get a chance to complete the verifications, but I know for some, I've used up my challenges. The only other option is to pull them and redo them...]
One last word of advice: It does not pay to get "huffy", indignant, or righteous with YouTube in a challenge. They don't care. <-- read that again a lot more slowly... They have their own behinds to take care of — and your video (and/or account) lives (or dies) by their grace. If you read that and infer that I have been those things, then yes, I have... to absolutely no avail... even though I thought I was right (to the best understanding I had at the time) — they have rules. Be respectful. In general, they're pretty relaxed about all this even though it might not look that way to many users. Once you get the rules down, everything goes a lot easier... even if it is a little more work. You have to take responsibility for your own work.

Final Cut Pro or Adobe Premiere?

Can comment which is better? Tks!

While Premiere Pro and Final Cut Pro might be similar in their feature sets, one thing that sets them apart is native codecs. While I've never personally used a Premiere PC, my workplace is a split-platform house, utilizing both PPro and FCP.
So another question to ask yourself prior to purchasing either platform is, "what format do I plan on editing?". For example, my production facility is incorporating XDCAM HD as our primary field acquisition format. Thanks to Sony's free PDZK-P1 Transfer App written specifically for FCP, XDCAM HD can be edited natively. On the other hand, Adobe currently offers no native support for XDCAM HD, and has no plans to offer native support in the near future. They are relying strictly on 3rd party solutions, which can get really costly. Matrox Axio is a $4000 hardware-based solution for PPro. Quite a steep price to pay for "native editing".
Just make sure you do your homework prior to any purchase.

I am using Final Cut Pro for the first time...Converted from Premiere Pro

The interface seems very similar, but I wanted to know why it's not accepting my .avi files? I read in the help book that it's not rendered for final cut, but all my files are in this format. Is there something else I can do to get final cut to allow playback in real time?
Thanks
P.S
If you have any tips for me since im new to final cut...send them too me thanks.

You'll need to convert your AVIs into a Quicktime format that matches the settings on your timeline if you want to avoid having to render your AVIs in order to play them.
The best way to do this would be to open them in the Quicktime Player then export as Quicktime DV Pal (or NTSC or whatever format you're working in).
On the other hand, if your AVIs were generated by a codec locked into a PC video card such as Canopus then you'l need to go back to Premiere and export your AVIs as Quicktime or put them bacck onto tape and capture in FCP.
If this doesn't work then you'll need to give more details about where the AVIs came from, the codecs used etc.
Good luck

Final Cut Pro vs. Premiere

Hi everyone,
I'm about to invest in pro video software, but wanted to make sure I'm making the right decision before I do. I'm not a professional editor, but I want to be able to add chapters, titles, effects, etc. to home movies and old school play videos just for fun. I'm looking at "pro" software (as opposed to something like iMovie) because I'm a graphic designer (print) and want the creative flexibility of designing my own titles. I was planning to get Premiere simply because of my familiarity with Photoshop and I figured that there's synergy between the two. Also, I know it comes with Encore, and making cool DVD menus is one of my biggest priorities. I have no familiarity with either Final Cut or Premiere so I'd be learning either one from scratch. Can someone please summarize what the main differences are between the two? Does Final Cut have a DVD counterpart like Premiere has Encore? Why would I be better off with one than the other? It's an expensive investment either way so I just want to make sure I'm making the right decision. (I have a G4 tower now but am about to get a sparkly new 3.06GHz iMac, if that matters.)
Thanks for any and all suggestions!
Mardie

FCS2 includes FCP, LiveType, Color, DVDSP, SoundTrack Pro, Compressor and Motion.
And Adobe CS4 Production Bundle comes with a slew of things as well...After Effects, Encore, Soundbooth, Photoshop, Illustrator, On Location, Flash.
Color alone sold individually for thousands of dollars before it was bundled.
That is designed for colorists and can be intimidating as ****. But yeah, it is good. After Effects comes with COlor Finesse I believe, and that is good.
You have to look at both and see if they do what you want. Want to burn BluRay DVDS? Need Encore. And yes, if you are familiar with Photoshop, it might be easier for you to use.
Shane

Final Cut Pro XML from Premiere Generates Blank EDL Spreadsheet from Online Widgets

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