Final Cut Server 1.x and Final Cut Pro 7

Are there any compatibility issues with Final Cut Pro 7 (Final Cut Studio (2009) and Final Cut Server 1.x?

FCSvr 1.5 has the ability to process FCP 7 project files and well as leverage ProRes Proxy Edit Proxy workflows.
FCSvr 1.5 is recommended for FCP 7.
I've heard about problem with FCSvr 1.1.1 and FCP 7.
Are you experiencing anything in particular?
Let me know
Nicholas Stokes
XPlatform Consulting

Similar Messages

Final Cut Server 1.5 and QMaster 3.5.2?

I have a need to setup our Final Cut Server (XServe 10.5.8) to be the Qmaster Services and Cluster Controller with seven workstations to be clients submitting jobs and providing services to the cluster. The current Final Cut Server Qmaster is 3.0.5 on a 'server' subnet and the workstations will soon upgrade to Final Cut Suite 3 with Qmaster 3.5.2 on a different subnet.
What should be the solution for our environment considering the following issues if they are correct?
• Qmaster is 3.0.5 cluster and clients need to be on the same subnet?
• Qmaster 3.5.2 clients cannot service a Qmaster 3.0.5 Services and Cluster Controller?
• Final Cut Server 1.5 will not run with Qmaster 3.5.2?
We have just acquired Episode Engine to enable us to export Flash movies. Does Episode Engine provide some solutions for the above or just complicate clustering?

If you are running Final Cut Server 1.5.x, then Qmaster should be at 3.5 or higher.
Qmaster 3.0.5 was the correct version for Final Cut Server up to version 1.1.1 only.
~D

Grey screen on final burned DVD, used Compressor and DVD Studio Pro 4

Trying to create a standard dvd from a 2 hour and 8 minute 720x480 mov file. I have used compressor to create a mpeg2 as well as an ac3 audio file. After looking at other posts, I feel that what i've done in compressor is ready to be imported into DVD Studio Pro. I changed my preferences in DVD Studio Pro to support my mpeg2 and ac3 files coming in from compressor. After I import, they import very quickly. The playhead lets me scrub through the video fine, but when I go to the simulator, I get a grey screen.
I'm trying to output this file onto a dual layered Standard DVD. The fact that my video was originally an HD mp4, converted into .mov should not matter once it's converted into an mpeg2, correct? Mpeg2 is the standard DVD format.
I've also messed with the markers in DVD Studio Pro because I've read that the Automatic settings for the "break layer point" are not that "Automatic" I've seen other posters saying to add markers in the gap where the DVD laser should switch from layer to layer, but still my output burned DVD and simulator remain a grey screen!. Please help, I've referred to many posts and I believe that I've done everything right except maybe one or two things. So Close! Help! Thanks!
i

messerw8 wrote:
I changed my preferences in DVD Studio Pro to support my mpeg2 and ac3 files coming in from compressor.
What were the chamges you made?
Does the m2v file that Compressor output play OK in QuickTime?
Russ

Red Footage and Final Cut Server

Aloha gang-
I am still testing FCS in our studio and enjoy many of the features in this product. I love being able to search for footage and pull it into my FCP project with no waiting (using edit-in-place). But I am looking for some advice and knowledge regarding Red Footage.
My scenerio is this:
We render all our red footage to offline files that we will use in the post production process. I want to tag all those files with appropriate metadata so our edit team can search and retrieve files as they need it. But with red there are 7 files (in our workflow) that correspond to the same thing. Basically there is the original R3D file which can not be used in FCP, there are the 4 quicktime proxies that the camera generates and live in the same folder as the R3D, and these are the files I want to get back to after the production is through and archived. There is the offline quicktime we generate to edit with which we need to tag. There is a log and transfer quicktime we can log and transfer all this data to FCS (but it doubles the data size so I am not looking to use this one and edit performance is okay at best), and finally there is the folder that the 4 proxies and original red file live in.
All of these files should be search able by the same metadata. Imagine the shot is of a blue bird. When I type blue bird I would want all of these files to show up (obviously I could limit my search so I only get the version I need for what I am doing i.e. offline, proxie, etc. I have made metadata lookups for this so this is not the challenge.)
The challenge is I only want to log 1 of these files and have the metadata applied to all of them. They all have almost identical names. The offline, R3D, and folder file have the exact same name. The proxies are identical but with _F, _H, _M, and _P behind them. For the catalog process I only want to transcode proxies for the _M (The _F, _H take way too long and the proxies look the same as _M and the _P is too small
I could make them a bundle but that does not help too much as the offline lives in a different place as the footage.
Any ideas would be greatful. My easiest solution is to tag the files twice, once for the production and once for the archive, but this seems like a waste of time that I could have a computer do instead
P.S. anyone successful in getting the metadata out of the red file, I see the red metadata set, and have it in place, but can not get it to show anything no matter which file I upload.
Any ideas, or help would be great
mahalo
scott

Thank you for your replies. I guess my question is not really answered because of the conundrum associated with red footage
But my workflow to get through this will be as follows: (In case anyone is interested)
Set a scan to bring in the offline quicktimes as they are rendered and have someone tag them with meaningful tags to help us search during the production. I will send those to archive when we are done.
After the project is completed and the files are removed from Final Cut Server I will set a scan to import all the _M files (they transcode faster and quality is not an issue since it is making proxies) and tag them as best I can for the long haul (archive) I can either leave the media on the drive or back it up, depending on the immediate use of the files. This works very well if the media is still there as I can just drag the _M into Clipfinder and render the shot I need as I need it.
I am storing these clips in folders labeled CC_LTOXXX (where XXX is the number for the LTO tape which increases by one for each tape I use. When I import them into Final Cut Server from the LTO folder I have a direct line to which LTO tape the file lives on. It's not easy to get the files back (so with files used frequently I will also keep a copy on an external drive I can just plug in) from an LTO, but it is doable.
If anyone has an easy way to pull a list of files from an LTO tape that would be great, and even better if it could be a list Final Cut Server made, or if Final Cut Server could just pull the files. My LTO is a network drive so I would have to access it through an IP address, but if I could do that I would be golden.
Anyway I know this will all evolve and this is just where I am right now, any ideas would be appreciated.
Mahalo
scott

Final Cut Server and Compressor / Qmaster serial conflict

On my Final Cut Server machine, i have Final Cut Server version 1.1.1. On my Mac Pro i have Final Cut Studio 7. I have installed Compressor and Qmaster on my Final Cut Server from the Final Cut Pro DVD, so i can use Qmaster (the version of Qmaster must match exactly on all machines). But the two serials conflict, Final Cut Server will not start due to the following problem:
"Either the current serial number is not valid or there is another server using the same serial number.
Check the serial number and then stop and start the server using the Final Cut Server Preferences panel."
Of course both serials is completely legit. Is it really true that i either need to downgrade Compressor and Qmaster (FCS will work, but Qmaster will not) or buy FCS 1.5? I have paid lots of money for this setup already, it can't be true that i am forced to update to 1.5.
Please Apple, a solution?

I have a similar case. Maybe someone knows how to solve it:
We installed Final Cut Server and on the same MacPro we installed Final Cut Studio.
After a while we dedicated this machine to Final Cut server and used the Final Cut Studio license on another nachine.
Now, if I want to change or add a transcode setting in the compressor, I'm getting the error message: 'conflicting serialnumber' or something like it.
So compressor thinks it's still part of th FinalCutStudio installation. But I don't quite understand, because Final Cut Server has its own compressor, isn't it?
How can I solve this without loosing the custom transcode settings I've made in compressor.

Integrating Final Cut Server 1.5 with Active Directory

Following the directions in the Final Cut Server Setup Guide and I am running into errors. Fun with Final Cut Server. Fun with Kerberos.
Final Cut Server v.1.5 is running on an Intel Xserve running 10.5.6 Server, joined to AD. Active Directory is running on a Windows Server 2008 setup.
I dropped the ini files on the domain controllers, as directed by Apple KB (http://support.apple.com/kb/HT3688) and I ran the commands directed in the setup guide.
The adprincadd command should be run literally, of course, but there's a mistake straight-away when it should read "./adprincadd.pl", the ".pl" is missing. Also it says "fcsvr/fqdn of fcsvr", so naturally I replaced the fqdn, but the "fcsvr" prefixed threw me off. It gave me errors until I opened Kerberos.app and notcied that the kerb ticket was in ldap/, then the command worked for me. At least no errors, until I checked the ticket and it said I had no permissions and that the keytab entry was invalid. Wheeee.
1. First I tried:
(some info redacted)
node09:sbin root# ./adprincadd.pl -dc dc01.example.com. fcs.example.com.
Getting kerberos principal for computer account
Kerberos principal is ---
Getting computer id...---
Getting AD Domain...---
Base DN is dc=example,dc=com
getting kerb ticket using [email protected] got ticket
SASL-bind to dc01.example.com. successful
Computer record is at CN=---,CN=Computers,DC=example,DC=com
Checking to see if ---.--.---. exists...000020B5: AtrErr: DSID-031529F7, #1:
0: 000020B5: DSID-031529F7, problem 1005 (CONSTRAINTATTTYPE), data 0, Att 90303 (servicePrincipalName)
at ./adprincadd.pl line 165
2. Then I noticed the /ldap in Kerberos.app and changed the adprinadd command:
Everything ran well, with no errors...
Finding kvno...2
Reading /etc/krb5.keytab...done.
Creating new keytab file...done.
Writing out temporary keytab...done.
Making backup of old keytab and moving new keytab into place...done.
Operation Completed. You can verify with "kinit <ad user>; kvno -k /etc/krb5.keytab ldap/---.example.com"
3. Verifying with kinit gave me the keytab errors:
kinit matx; kvno -k /etc/krb5.keytab ldap/fcs.example.com
Please enter the password for [email protected]:
ldap/[email protected]: kvno = 2, keytab entry invalid
kvno: Permission denied while decrypting ticket for 'ldap/[email protected]'
Thoughts?

Hello, I'm having issues with the client login after AD integration. I followed the steps from http://support.apple.com/kb/HT3818 and the Terminal output reported a success.
I'm able to add AD groups in Final Cut Server Group Permissions. However, when I try logging in on the FCServer client using credentials associated with AD group I've added, I'm getting an error message from the client stating:
"Please re-enter the username and password or contact the server administrator. Please note that the username and password are case-sensitive."
The FQDN is correct in the Server field of the client.
I'm able to log into the client using locally created user accounts that I've created on the server so I know the client is communicating correctly.
The only thing I can find in the Console for the client machine is this:
11/25/09 10:50:12 AM /Users/*/Desktop/Final Cut Server.app/Contents/MacOS/Final Cut Server[1773] Warning: accessing obsolete X509Anchors.
In the server Console, this is a suspect message: /Library/Application Support/Final Cut Server/Final Cut Server.bundle/Contents/MacOS/fcsvr_stored[77891] pps proxy error: dsDoDirNodeAuth = -14091
Not finding much info out there regarding this. Any guidance is appreciated.

Final Cut Studio 2 on Final Cut Server 1.5

A few months back when I was looking at getting Final Cut Server 1.5, I asked a few people (including a mac employee), if FInal Cut Server 1.5 will work with Final Cut Studio 2 and they said yes.
I have now purchased final cut server 1.5 and I'm now seeing literature that says "for final cut pro integration, 7.0 or higher". Is this really true? We aren't upgrading our hardware to Intel for six more months.

Hey Jason,
Thanks for writing. Since the post I have run some tests and everything seems to be working fine. I really just need the ability to check projects in, versioning and checking projects out. That is all working fine.
Thanks!

Final Cut Server Startup Problem

Hello,
I recently installed final cut server 1.5, and when I pushed the "Start" button (in the final cut server preference pane) I got an error reading "Final Cut Server could not be started. The Final Cut Server launchd files could not be found. Please reinstall Final Cut Server." Ive reinstalled final cut server many times, and I keep on getting the same error!
Please help!
Thanks!
Manny Rothman

Are you installing on 10.8.2 as your profile suggests? OS X 10.6.8 is the last version FCSVR 1.5 was compatible with.
If you're running 10.6.8 and are still having issues, try removing FCSVR prior to reinstalling by using the following article (backup your db beforehand, of course).
http://support.apple.com/kb/ht1764
~D

Backup Final Cut Server Asset Library

Hi,
I like to find out the correct procedure to backup and restore the Final Cut Server Asset Library, and able to link up the catalog correctly.
There are instructions to backup and restore the FC Server catalog, proxies, etc, but I'm unable to find instructions for the asset library.
It's possible that the FC Server hardware goes down or Mac OS X gets corrupted, with the instructions available, it's possible to get the FC Server back working.
It's also possible that the storage hardware of asset library will fail, so I like to find out the procedure so the FC Server catalog " does not" to see the restored asset as "new".
Cheers,
Ben

Ok, nothing until now, that`s probably a tough one.
More news:
1- Recover don`t do anything, any point in time doesn`t change this problem.
2- Installing FCSrv from DVD doesn`t do anything as well the 1.1.1 update.
3- installed fresh FCSrv on another machine for tests and of course those fields are there in this new install. Compared thoroughly each ASSET_SEARCH, PAGRPASSET, ASSETTILESVIEW, ASSETINFOVIEW, ASSETTHUMBNAILVIEW, Metadata Groups between two FCsrv (the good one -fresh - and the old one) with no difference.
4- Just to clarify: I had lots of .mov files WITH all ok (with this fields appearing) on the old FCSrv, suddenly it vanished and the only thing that appears is the title (just the title not the "title:"). It doesn`t matter if upload, scan or anything. It doesn`t matter if it`s a photo (.jpeg) or .mov or anything. It doesn`t matter if it`s inside a production.
5- Just to rule out the possibility of FCSrv ruining Mime Type from the original files, I`ve uploaded from OLD-FCSRV MEDIA device to the new one and all it`s ok like the second image (that I`ve found on the FCSrv online manual).
I`ll nonetheless install FCSrv fresh on this machine anyway, but I just want to know what triggered this strange, odd and bizarre behavior if it happens again in the future.
Thank you very much for any help or comments
Regards

DNxHD footage transcode in Final Cut Server?

I'm looking at setting up a directory watcher which will automatically transcode footage from HDV to Avid DNxHD.
Is this possible at all within Final Cut Server? It seems Final Cut support all of the codecs I have installed except that one.

The codec doesn't show up as a valid codec in the list when I try to make the custom transcode setting.
I'm doing the following:
SysPrefs -> Final Cut Server -> Automations -> "plus" -> File System Watcher -> Set up the watcher filter -> Responses -> "plus" -> Copy Response -> Transcode source to -> NO AVID CODEC in list.
Am I in the right place to be setting this up, or is there somewhere else I can make sure the codec appears?
We have set the threadsafe bit to see if that made a difference but there is still nothing from Avid in the list.
It shows up just fine in the other apps on the mac, is it an incompatibility with FCS and that codec?
Your help is greatly appreciated,
Chris.
Message was edited by: witchrinser
Message was edited by: witchrinser

Starting final cut server

Hi I am completely new to Final Cut Server and was wondering if I could get some of my questions answered about it. First off some back ground, the company I work for just brought me in recently and at the same time they decided too switch over to using FCP. Well they gave me the job of setting it up on their system, organizing the projects they have been working on to be easier to find and work with on FCS. As well as this I need to find out how Final Cut Server can make their life easier and present this information to them and show how this program can make their life easier.
Know I started off by reading what I can on final cut server and installing it. Know I have it set up, running under default settings, messed around with adding files to it and such.
here comes the big question, how is the best way to organize within final cut server. I and my company are used to thinking of things in a file way where you have the project file and within you have all the smaller files with your media for the project and sound and documents. How is the best way to organize projects?
Their is another part to this answer. we are not starting from scratch and are moving over a huge quantity of projects into FCS. To get the files over I created the file that they had been using to organize before, into an edit in place device. How can i easily and efficiently organize all this data so that it is useable for every one to access and resize what goes with the project that they are currently working on.
Thanks for your time

Zann00000 wrote:
Here comes the big question, how is the best way to organize within final cut server. I and my company are used to thinking of things in a file way where you have the project file and within you have all the smaller files with your media for the project and sound and documents. How is the best way to organize projects?
Their is another part to this answer. we are not starting from scratch and are moving over a huge quantity of projects into FCS. To get the files over I created the file that they had been using to organize before, into an edit in place device. How can i easily and efficiently organize all this data so that it is useable for every one to access and resize what goes with the project that they are currently working on.
Thanks for your time
To answer your first question, there is no "right" way to work with FCSvr. It is highly customizable and you get to bend it to your will (within some boundaries, of course). You should also know, since it sounds like you are new to FCP, that the media is not held within the project. It is stored separately and the project links to it. Therefore, you can have one piece of media that is used by more than one project. How your company should organize projects is something only someone who has spent time with your company can recommend. I can tell you that I decided to organize my files at the filesystem level by file type (documents, captured media, graphics, audio, etc.) and then gathered all related files of all types into Productions within FCSvr. That works for us, but something totally different might work for you.
On your second question, how is your existing storage organized into folders? Does each project get its own column of directories? Some other way? FCSvr can scan your storage using Production Scans to automatically turn folders full of files into Productions full of Assets and assign the folder name to the Production. That is the most automatic way to absorb an existing setup into FCSvr, but it only makes sense under certain conditions.
Finally, the way FCSvr makes life easier is via its automation capabilities. Learn how responses, subscriptions, watchers, and schedules work together. Think about how they can trigger each other. You can, for instance, set up subscriptions that will automatically send an email to a producer when a Production is ready for review. You can set up watch folders that will automatically encode files for use in making DVDs. You can trigger scripts and issue certain Terminal commands. Experienced users are finding a lot of things to improve on (it is a version 1 product after all), but even at this early stage the product is very robust.
After you get the hang of responses, subscriptions, watchers, and schedules you'll have this "eureka!" moment when you suddenly realize the true potential of FCSvr.
Good luck!

Can i install Final cut studio 5 and DVD Studio Pro 4 on OSX lion

Is any body who can help me on giving me some direction on how to install Final Cut Studio 5.1 and DVD Studio Pro 4 on my OSX Lion, if it's doable. Thanks

The easiest way is to install Rosetta from a Mac OS X 10.6 DVD first.
There's also a way of doing it via Terminal that's been posted here a couple of times. A search should bring that up.
Edit: Found it... https://discussions.apple.com/message/21416133#21416133 read the second post.

Does Final Cut Server include Final Cut Studio Apps?

Hi All,
Does Final Cut Server include all the Final Cut Studio Apps, or are these two packages that I'll have to buy separately?
Thanks,
Rajnesh
G5 Mac OS X (10.4.5) Dual Proc 2.7GHz; 8GB Ram

They are indeed separate packages. One is a set of media creation apps (FCS), the other is an asset management system for projects created in those apps (FC Server).

Rebates : partial settlement and finall settlement in same order type

Hello,
I have to activate manual payment procedure for rebates
But when I put the order type which is the same than the one specified in the final settlement, i got a message VK340 telling me this document type is not allowed for partial rebates.
I've compared this order type to another one permitted by the systele, i can see no difference.
In both cases we are speaking about credit note so it could be possible ?
Thank for your help,

Hi
ya of course , Generally we use Order type R4 for Partial settlement amd R3 for Final settlement.Eventually Credit note and final bills r generated consequently.
So,error is right,
Plz Go to T.Coed Agreement type VB(2 and brush up the concept.
Thanks
mk
Note U can even make partial payment Via VBO2.Which give u credit note against that.

Long HDV and XDCAM clips through Final Cut Server

Hi,
I know that I could post this in Compressor and/or Quicktime and/or Leopard/Tiger Forums, but as this problem it`s causing my Final Cut Server to not working well, I think it makes sense to post here.
To resume: HDV and XDCAM clips (all on original codec, only xdcam transferred to mov in xdcam transfer) with file size bigger than exactly 4GB always FAILS in "Final Cut Server"/"Compressor alone in ANY machine installed from scratch"/"Anything that uses Quicktime". Source and Destination being localy or networked. DV or DV50 can get bigger than that, I`ve never seen this error with DV`s codecs.
I had seen this problem before I bought final cut server. When I was transcoding our interviews for transcription. We always worked with BETA SP and captured in DV or DV50. We were starting to go to HDV and now to XDCAM and this error has started to appear.
I have a "proxy" made a year ago from a HDV and it`s original has 8GB. I tried this file again and as I expected didn`t work. In ANY computer with any installations with only the latest updates. I`ve remembered that I was using Tiger at this time, and Quicktime/Tiger/ProApps had a old version.
My two cents are that some update from Tiger/Leopard/QuickTime/ProApps made this happen.
So ANY HDV/XDCAM file bigger than 4GB it`s FAILING in ANY system. (Tiger or Leopard, With or without FCP and QT PRO, Installed from scratch and updated every thing).
Some tests I`ve made:
-Compressor works with this two codecs to lower res in TIGER and with QuickTime Version 7.4.0 and LOWER. (had to be tested, but I think that was my version of QT when I managed to make the proxy of this two codecs).
-Compressor doesn`t work on any system with QT above 7.4.0.
-CATDV (http://www.squarebox.co.uk/) version 6 can make proxy versions of this two codecs in TIGER ONLY! They already know of this problem and CATDV 7 works on both.
-Compressing in compressor with H.264 (same codec as the FCSvr proxy) BUT without changing the resolution, size and etc. Works OK in both Tiger and Leopard.
-Exporting through QT works in ANY system BUT I loose TC, so it`s not an option (and I can`t input this workflow in FCSvr without using compressor).
-Exporting from FCP as QuickTime Movie with H.264 doesn`t work on Both (Tiger and Leopard).
-Exporting fro FCP as QuickTime Conversion with H.264 works but as exporting from QT I loose TC and can`t input this into FCSvr workflow.
Error message are always: "QuickTime error = -50" or "QuickTime error: corrupted data" (and of course it`s not corrupted because it`s used - even in FCP to edit - and opened viewed, catdv can do proxy and everything).
I`m surprised not to see anyone freaking out about this issue... I don`t think that It`s only me.
This is some problems that I came across while trying to find a solution:
http://www.paulescandon.com/blog/?p=39
http://discussions.apple.com/thread.jspa?messageID=4912265&#4912265
http://www.squarebox.co.uk/faq155.html
http://discussions.apple.com/thread.jspa?messageID=5513003&#5513003
http://discussions.apple.com/thread.jspa?threadID=1903644&tstart=0
http://discussions.apple.com/thread.jspa?threadID=1780228
http://discussions.apple.com/thread.jspa?threadID=1853507
As you can see this is not the first time I`ve posted about this issue.
I`m sending a bug report as well.
Thank You all in advance.
Regards

Hi Chará!
We should, but I think the others will be disappointed eheheheh.
It doesn`t matter what version of Leopard I`m using (right know I`m using Leopard Server 10.5.6, but this issue has happened even with 10.4 if QT is updated and all updates of 10.5 up, as I`
ve mentioned above).
What file size are those clips that are longer than 10min?
I really don`t get, how it`s possible that just the two of us has HDV and XDCAM files with file size longer than usual? Maybe people that do interviews don`t like to record the entire interview and when capturing those clips would be under this file size limit? Or maybe we are the only ones in the whole world that transcode longer HDV and XDCAM clips (it`s funny that it doesn`t even need to be FCSrv, with only ONE machine and compressor this issue happens all the time).
I`m convinced that I have to install a Tiger version in a virtual machine with compressor and doesn`t update anything to test this further on. But I`m certain that with TIGER and CATDV this works ok! And I think that CATDV uses QT engine to do this transcodes.
This is too much of a mystery to me. Maybe it`s time to spend 24+ hours with apple in a international call and probably not getting anywhere.
I`m only posting this here in FCSrv forum because this issue it`s must worse when you have hundreds of clips with this issue and if you bought the package it doen`t matter if it`s a problem with QT+OSX or whatever, apple has to solve it for FCSrv use.
Do you reckon?
Let`s get in touch through email: lucas at rwcine.com.br
(at = @ and delete spaces).
Regards

Final Cut Server 1.x and Final Cut Pro 7

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