Final Cut Server - Webserver Communication

Hi,
My name is Hendrik and I am currently designing a Final Cut work flow for a German WebTV Station. Of course (you might have guessed that because of this board) the Final Cut Server will be a part of that. My question is:
Is it possible for the Final Cut Server to communicate (via AppleScript) with an SQL Database behind a website? To give you an hands on example, this should be the work flow:
The clip is shot, edited and handled in the manner of Final Cut Server. For delivery the clip is being converted into FLV and uploaded to our webserver.
After that the metadata is beeing inserted by one of our editors into the database of our website, so the page knows the clip is there and what the contents are, etc.
The question is, could this last clip be automated? Meaning, all the metadata is beeing edited on the FCS and then sent automaticly on delivery to the web database?
Thanks for your time,
Hendrik

Hi Hendrik,
yes, this is possible. You can set up your own metadata set within FCSvr, which fits your website's needs and fill your assets metadata.
FCSvr can then e.g. write an XML file which you can then parse using an external script to prepare it for your website import.
If you need any help doing this, please feel free to get in touch with me.
Regards,
André

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    Message was edited by: Shiloh Arts
    Message was edited by: Shiloh Arts
    Message was edited by: Shiloh Arts

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    - Jason
    Jason Perr
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    Sr. Systems Engineer / Partner
    MacHarmony
    www.macharmony.com
    213-268-1248 (cell)
    [email protected]

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    http://discussions.apple.com/thread.jspa?messageID=4912265&#4912265
    http://www.squarebox.co.uk/faq155.html
    http://discussions.apple.com/thread.jspa?messageID=5513003&#5513003
    http://discussions.apple.com/thread.jspa?threadID=1903644&tstart=0
    http://discussions.apple.com/thread.jspa?threadID=1780228
    http://discussions.apple.com/thread.jspa?threadID=1853507
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    Regards

    Hi Chará!
    We should, but I think the others will be disappointed eheheheh.
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    ve mentioned above).
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    Let`s get in touch through email: lucas at rwcine.com.br
    (at = @ and delete spaces).
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    All of these files should be search able by the same metadata. Imagine the shot is of a blue bird. When I type blue bird I would want all of these files to show up (obviously I could limit my search so I only get the version I need for what I am doing i.e. offline, proxie, etc. I have made metadata lookups for this so this is not the challenge.)
    The challenge is I only want to log 1 of these files and have the metadata applied to all of them. They all have almost identical names. The offline, R3D, and folder file have the exact same name. The proxies are identical but with _F, _H, _M, and _P behind them. For the catalog process I only want to transcode proxies for the _M (The _F, _H take way too long and the proxies look the same as _M and the _P is too small
    I could make them a bundle but that does not help too much as the offline lives in a different place as the footage.
    Any ideas would be greatful. My easiest solution is to tag the files twice, once for the production and once for the archive, but this seems like a waste of time that I could have a computer do instead
    P.S. anyone successful in getting the metadata out of the red file, I see the red metadata set, and have it in place, but can not get it to show anything no matter which file I upload.
    Any ideas, or help would be great
    mahalo
    scott

    Thank you for your replies. I guess my question is not really answered because of the conundrum associated with red footage
    But my workflow to get through this will be as follows: (In case anyone is interested)
    Set a scan to bring in the offline quicktimes as they are rendered and have someone tag them with meaningful tags to help us search during the production. I will send those to archive when we are done.
    After the project is completed and the files are removed from Final Cut Server I will set a scan to import all the _M files (they transcode faster and quality is not an issue since it is making proxies) and tag them as best I can for the long haul (archive) I can either leave the media on the drive or back it up, depending on the immediate use of the files. This works very well if the media is still there as I can just drag the _M into Clipfinder and render the shot I need as I need it.
    I am storing these clips in folders labeled CC_LTOXXX (where XXX is the number for the LTO tape which increases by one for each tape I use. When I import them into Final Cut Server from the LTO folder I have a direct line to which LTO tape the file lives on. It's not easy to get the files back (so with files used frequently I will also keep a copy on an external drive I can just plug in) from an LTO, but it is doable.
    If anyone has an easy way to pull a list of files from an LTO tape that would be great, and even better if it could be a list Final Cut Server made, or if Final Cut Server could just pull the files. My LTO is a network drive so I would have to access it through an IP address, but if I could do that I would be golden.
    Anyway I know this will all evolve and this is just where I am right now, any ideas would be appreciated.
    Mahalo
    scott

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