Final Output DILEMMAS!!!!
Hi everyone!
I'm about to finish a rough cut of about 90minutes video and I have a couple of DILEMMAS!!! Please HELP.
original footage was shot HDV 16:9 NTSC (with a Sony HDR FX1), then imported in SD for sake of space and render time.
Timeline settings: DV-NTSC (capture DV NTSC 48KHZ, Playback output to Video Firewire NTSC 720-480, PTV output Video same as playback) and the timeline was set to anamorphic.
Dilemma N°1: if my timeline is 720-480 and so is the imported footage, why is the image in the canvas not only letterboxed but totally surrounded by black frame? It's like having two rectangulars one in the other but proportional.Isn't my image supposed to fill the entire screen? How can I fix this at finisehd editing?
Dilemma N°2: this rough footage is supposed to be shown to a TV editor... what type of Quicktime conversion should I use to put it at a good quality on a DVD? (H.264, DVC Pro, cinepak...?????)
i tried to read about this without bothering any of you but got to no solution.
THANK YOU in advance.
DUZ from Italy
G4 Mac OS X (10.4.6)
"ok, the material was imported DVC Pro NTSC 720x480, and so is the sequence."
Those are not the correct settings. Most HDV cameras when they downconvert do so to DV anamorphic. You're material should be anamorphic, should have the anamorphic flag set, should have used that setting for capture and for the sequence. If that was not set correctly then everything downstream of that will be hosed.
if the background is bigger than the clip it sounds as if you had an HDV sequence created and edited into that. If when you first launch the application you set it to HDV, the the initial sequence will be in HDV. Changing the settings after that will not change the settings of the existing sequence. If you edit your material into that, you've edited material captured with the wrong settings into a sequence with the wrong settings.
Did you look at the media file on your hard drive in the QT player?
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at com.businessobjects.report.web.a.t.if(SourceFile:2104)
at com.businessobjects.report.web.e.a(SourceFile:300)
at com.businessobjects.report.web.e.a(SourceFile:202)
at com.businessobjects.report.web.e.a(SourceFile:135)
at com.crystaldecisions.report.web.ServerControl.a(SourceFile:607)
at com.crystaldecisions.report.web.ServerControl.processHttpRequest(SourceFile:342)
at com.crystaldecisions.report.web.viewer.CrystalReportViewerServlet.a(SourceFile:109)
at com.crystaldecisions.report.web.viewer.CrystalReportViewerServlet.doPost(SourceFile:69)
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at javax.servlet.http.HttpServlet.service(HttpServlet.java:717)
at org.apache.catalina.core.ApplicationFilterChain.internalDoFilter(ApplicationFilterChain.java:290)
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at org.apache.catalina.core.StandardHostValve.invoke(StandardHostValve.java:127)
at org.apache.catalina.valves.ErrorReportValve.invoke(ErrorReportValve.java:102)
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at org.apache.tomcat.util.threads.ThreadPool$ControlRunnable.run(ThreadPool.java:690)
at java.lang.Thread.run(Thread.java:636)
Edited by: muthusada on Jan 11, 2012 3:09 AM -
Keep Time Codes in Final Output?
For various reasons I won't bore you with here, I want to show the time codes in my final output. I have them (audio and video) on the canvas, and it's exactly what I need, but I can't seem to permanently keep them with my video. They disappear when I play or export the video. Does anyone know of a way to keep the time codes on the screen somehow for final output? I'm using FCP 6.02 and my video is HD1080i50 if that helps.
-JOELOops....never mind. I found the answer to this in another post on this forum. Missed it the first time I searched.
Sorry....... -
When I apply a plug in compressor on the final output track I get a click
1/I am applying a compressor on to a particular point of the track (in the final output track) and naturally all tracks go louder.. however my problem is at that point where the compressor switches on from its previous bypass status, I get a click. this is a problem I always have when suddenly I introduce a 'serious' plug into the final mix... your suggestions will be very welcome
2/ While my output never goes over 2.0 below the threshold 0.0 some times the final mix gives me much unwanted buzz in the speakers which must come from individual samples - probably samples that cant take that sort of compression- is there a standard way or a more conventional approach to compress the final mix so you get the loudness of everything still without buzz... a particular logic setting that seems to work for many cases perhaps with instrumental and orchestral work?
3/ would you compress track by track first and go through everything in this laborious way or just experiment on the final output track is equally the same?
I ll be grateful for any valuable advise..Gosh, that was quick! Or perhaps you were just way ahead of me…
1 • This may not be the answer if it really is happening with many plug-ins, but you can get a click when a compressor cuts in if the attack setting is too short. And if the mix is getting louder at that point, you might consider turning down the gain on the compressor.
2 • If you're compressing a whole mix, then individual samples are not going to be "unable to take it". Check for the buzz with the speaker volume turned right down, or in headphones, or examine the final stereo mix audio file to look for clipping… because it may just be the speakers. If it's still definitely there, you need to find the source of the distortion, & the best way is to eliminate possible sources one at a time. Compression wouldn't be my preferred suspect, unless you have the gain cranked up. Which in light of the above, perhaps you have!
3 • Compression on the whole mix should be as effective as on individual tracks, but this is assuming you have already taken care to ensure your tracks are in a fit state. Compression introduces noise (can't be helped!), & in a mix it may be hard to hear just where that pesky noise is coming from… whereas if you check out individual tracks you may suddenly realise that by compressing that guitar you have made the amp hum REALLY LOUD when the guitar isn't actually playing. Time for a Noise Gate on that track! -
How to add virticle line in the final output
Dear Fiends,
Iam facind problem while getting final output,
i have to get the output as below
__________________________________________________ | |_____Volunatary___________________
| Function | Customer |_______________________________
can i get output as above please , if any body could let meknow
regards
madhuriUse WRITE statements and you can get that output.
REPORT ztest_output no standard page heading line-size 60.
*__________________________________________________ |
*|_____Volunatary___________________
*| Function | Customer |_______________________________
write: sy-uline.
write:/ sy-vline,
2 '_________________',
'Voluntary',
60 sy-vline.
write:/ sy-vline,
15 'Function' ,
24 sy-vline ,
26 'Customer',
36 sy-vline,
60 sy-vline.
write:/ sy-uline.
Edited by: Vijay Babu Dudla on Aug 16, 2008 12:04 PM -
Hide the group by item in the final output
Hi All,
I am using BIP version:10.1.3.4.1
I have BIP publisher which is a group by report
Group1
item dept
it1 d1
it2 d2
Can I not to display the Group1 field in the final output(but the field should be present in the .rtf file).
Thanks in advance
Regards,Sorry for the confusion.
I have generating the report on the basis of Group1 field.
in the RTF file I have code for
Group1 <?VENDOR?>
F <?for-each:current-group()?>
I want to keep the Group1 the rtf file but do want not want to display in the output file.
Is there any setting for the item where we can hide the item from the final output but the item will be present in the rtf file.
Thanks & Regards -
Shooting 24P Need final output to be XDCAM 1440x1080i60
I will be cutting spots shot at 24P and some variable High Speed frame rate footage. My final output needs to be 1440x1080i XDCAM format. What is the best sequence settings to work with? Does the footage need to be converted before cutting or should I cut to the native forma shot and conform it after finals are approved?
If it's shot at 24p without pulldown (what's your original format?) then cut at 24p and add pulldown to the final masters. I don't know if there's any way to add pulldown to a file using FCS. I always use AE or output to tape. Conforming 24p to 60i using Cinema Tools is definitely not what you want to do.
-
Importing Illustrator files into AE CS6 render lo-res in final output video
Everything imports, loads, plays and renders from Illustrator into AfterEffects CS6. When I render the final video, the AI files are appearing lo-res in the HD video (1280x720).
Do I have a lo-res output setting turned on?What version of After Effects? Include the minor version number (e.g., After Effects CS5.5 with the 10.5.1 update).
CS6
Have you installed the recent updates? (If not, you should. They fix a lot of problems.)
No, but I don't think this has anything to do with an update.
What operating system? This should include specific minor version numbers, like "Mac OSX v10.6.8"---not just "Mac".
Mac OS X 10.8
What kind(s) of source footage? When telling about your source footage, tell us about the codecs, not just the container types. For example, "H.264 in a .mov container", not just "QuickTime".
Adobe Illustrator CS6 file
If you are getting error message(s), what is the full text of the error message(s)?
No errors
What were you doing when the problem occurred?
The AI file is not rendering hi-res
Has this ever worked before?
No
What other software are you running?
Photoshop CS6 and Illustrator CS6
Do you have any third-party effects or codecs installed?
No
Tell us about your computer hardware. Include CPU type and number of processor cores, amount of RAM installed, GPU, number of disk drives, and how any external drives are connected.
Mac Mini with 8 GB of RAM, 500 GB hard drive, 2.5 GHz duo-core Intel i5
Do you have any third-party I/O hardware (e.g., AJA, Matrox, Blackmagic, MOTU)?
No
Are you using OpenGL features in After Effects?
No
Does the problem only happen with your final output, RAM preview, or both?
Preview and final output
Are you using Render Multiple Frames Simultaneously multiprocessing?
No
Screen shot of HD video. Graphic to right of (live action) actor is not rendering hi-res. -
I have some shots in full HD 1920*1080 (shot in SONY PMW ex 1) and some in *. Mpeg ( shot in SONY HDV) . Which seq setting should I use and edit it if my final output was to come out on DVD. Or it doesn’t matter whatever sequence setting I used? Any help/advice?
Cheers
DannyEdit in HD and export as MPEG2-DVD and use the 2 (audio and video) files in Encore
CS5-thru-CC PPro/Encore tutorial list http://forums.adobe.com/thread/1448923 may help -
Hey Guys stupid question for final output.
Heres a dumb one guys. Ive been working long enough with this program and ought to know but Im having a terrible time. Let me start from the end.
Final output is 1280 X 720 QT movie inserted into keynote 08' in a new imac 20"
Knowing that computer displays, display a square pixel I start there.. here are my project settings.
preset: custom
1280 x 720
8 bit
ntscd1/dv
field order none
dither -unchecked
field rendering and motion blur off
All looks good here... then off to FCS2 timeline.. here are those settings
1280x720 (hdtv 720p 16x9 pulldown
pixel aspect ratio: square
field dom: none
Compressor: dv/dvcpro ntsc
So heres the deal...my video all looks great once on the imac, My GFX however are blown out and somewhat blurry...... I have messed and messed with this thing. My original thinking was to stick with broadcast specs and all would be fine, Now ive starred at this for so long Im losing focus.
So heres the big question.. knowing we going to a computer display what settings would you guys use??
ThanksI don't know a huge amount about NTSC, but you seem to be mixing square and non-square pixels here from what you have written.
If you drag a rendered clip into a new timeline do you not get the dialogue box asking if you want to make the sequence into the same format as the clip?
Check render settings too
Peter
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