Followup question about wireless scanning (and many thanks to PaHu)

Hi,
Got my Canon MP980 communicating properly with my macs AND our linux machine now!
I'm having no luck using the bundled MP Navigator EX to scan documents and photos.. everything appears to be turned on and initialized correctly, the printer is on and idle on the home screen. but when I hit the scan button I see the error message:
cannot communicate with scanner. cable may be disconnected or device may be turned off. and an error code of 1.0.0
Is it possible the scanner (or this app) won't do it wirelessly? I can't use a cable without re-arranging a lot of furniture, lol.
Best regards,
Chris

Hello Chris. I believe the MP Navigator software should work across the network, however it may have to be configured to do so. (Personally, I don't use the application - I've never found it to be that reliable. I prefer to scan directly into Acrobat using the Create PDF > From Scanner).
I would think that in order to get Navigator working, you need to ensure that the network scanning utility is working and correctly configured. When you installed the IJ Network Tool, it should have also installed the Canon IJ Network Scan Utility. Often it will add an icon to your menubar that looks like an art-deco desk lamp. If it hasn't or you aren't sure which icon this is, you can open the application by navigating to Mac HD > Library > Printers > Canon > BJPrinter > Utilities and opening Canon IJ Network Scan Utility. This will display a pane that lets you set the MP980 as a network scanner. Once you have the MP980 you can then start scanning from an application to test.
You can use Preview, but you will need to register the scanner first via Image Capture, located in Applications. When you first open Image Capture, you may see a message stating that no image capture device is connected. To register the scanner, click on Devices > Browse Devices. This pane will show 'Canon MP980 series Network'. Click on the 'Use TWAIN UI'. Another pane will now appear asking where you want to scan the file to, what name to call it and the format to save it as. Enter/select your desired settings and click Scan. The ScanGear window should now appear letting you preview the image and select a variety of other settings. Select Preview, highlight the section of the image you want, and press Scan to finish the scan.
Once you get the above working, then you can try and get Navigator working, but as I have said, I don't think you need it unless you want to initiate the scan from the machine.
HTH
PaHu

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    1. I would like to get an internal burner. I see that at MacMall they have one that is specific for my MacPro model (2008) and there's one that they sell for the 2009 version. So it seems that I have to select a specific drive for my Mac Pro model correct?
    http://www.macmall.com/p/MCE-DVD-Drives/product~dpno~7785361~pdp.fedabdd
    Does anyone recommend a specific brand/type?
    1. If I add the chapters mark on my project and export to a Quick Time file, will the chapters be present and accessible when I burn the Blu-Ray disk?
    2. Looks like the best option is to buy Toast but, just to make sure I understood the issue with the share to Blu-Ray: If I just have one simple project with a movie with about 10 chapters, is it worth trying to use the option to share to Blu-Ray or is it not recommended for any type of project?
    OK, I know I said 3 questions Just one more?
    Back in the days, I remember compatibility issues with some types of DVD media and DVD players (DVD-R, DVD+R, brand, etc). Is there such a thing with Blu-Ray media and the current players?
    Again, many thanks for your time and patience!
    Best regards,
    Ismenio

    I use OWC (macsales.com) for purchasing blu ray burners. good company.
    Not certain on markers.
    I create blu ray disc with Compressor in FCS3 without many issues but not using Share.
    I don't advise using Share.
    Set your markers on a short clip.
    Export self contained with the markers, and then use Compressor directly

  • Some basic questions about foriegn key , and relationships.

    Hi
    Thank you for reading my post
    I read some documents about foreugn key and tables relation ships.
    but i still can not understnad some stuff.
    1-when we have a foreign key , we have two tables that we want to relate them together
    in a way that one of ? table columns forced to be a value from ?? table column.
    what is name of those two tables , i saw , child-parent , ..... which confuse me.
    can some one please tell me correct name of those two tables ?
    2-some times we need some kind of master details relation like :
    one-to-many : i this case MANY table will have a column to point a record in ONE table , can this relation be a foreign key relation ?
    3-we can achieve many-to-many relation only by using a helper table to host both tables primary keys in a record to relate them together.
    can you point me to some resources that help me to find answers to this questions ?
    or explain them to me ?
    thank you for your time.

    These are critical database basics that you need to understand. I would seriously recommend getting some study in, because proper relational database design relies on the basic principle of data and relationships and a process called normalization.
    In reality, you only really need one gigantic table to host data. It would include everything you would want to know about something - let's take a sales order for example. You would have to record the customer's name, address, etc. along with every item they ordered, etc. You would have a HUGE table full of data that appeared over and over and over again. This is bad design for two basic reasons: it is difficult to query, and it is very easy to have minor mistakes like capitalization or alternate spellings that prevent things from matching up properly. For example, let's say Bob orders 40 widgets and 40 digits. In our hypothetical table, we could put it in as Bob - 40 widgets and Robert - 40 digits. See how confusing this can get even in a simple example? And let's say you wanted to correct all of Robert's orders to say Bob and you found out there were 40 orders from "Robert" How would you know which ones to change?
    The process of normalization helps to reduce the chance for these types of errors in addition to creating a good basis for indexes. You normalize the data by creating sets of parent/child tables with a "key" value to match them. In our hypothetical situation, you could create a table for orders and a table for customers. In the customers table you give all the detail for the customer in one place, and you assign each customer a unique number or ID. In the orders table we add the customer ID (NOT the name) and we ensure that we are getting the customer we want, in addition to saving a lot of space and eliminating redundancy. In our example, the customers table is the "parent" table and the orders table is the "child" table. The child table references the unique entries in the parent table via that id. That reference is referred to as a foreign key. The foreign key in the child table points back to the original and complete record in the parent table and eliminates the redundancy of keeping all that extra data for every order. Foreign keys in child tables always refer to a primary/unique key in the parent field.
    That help?

  • Question about setting cookies and custom authentication

    I have a question about setting cookies.
    I have two different 'projects' in HTMLDB - we will call them App1 and App2.
    I also have two different connection configurations setup in the DADs.conf file. - we will call them Connect1 and Connect2.
    App1 is setup to use database authentication (no user is specified in the DAD) and uses Connect1. Once the user successfully logs in, we set a username cookie (this is a persistent connection).
    We created a custom authenticatoin scheme for App2 - this scheme checks for the username cookie (set by App1). We would like for App2 to use Connect2 (HTMLDB_PUBLIC_USER is the default user specified and it uses connection pooling).
    Is it possible to set a cookie from App1, Connect1 for App2, Connect2 - then redirect to App2 and pick up that cookie?
    Here is an example of what we are trying to accomplish:
    A user loggs into App1, we set a cookie, and the user is redirected to App2. If the cookie exists, we allow them access to the home page in App2, if no cookie, we redirect back to a 'Login Failed' page in App1. We don't want App2 to use the same database connection as App1 though, we need App2 to use connection pooling.
    Is this possible? OR...Is there a better way to accomplish what we want to do?
    This is an enhancement to an existing app. Our requirements are to use Database Authentication (setup where pass expires after 60 days or so, cannot reuse last 3 passwords, etc.) - which is already setup and being used by other applications in our organization. All of our users have accounts in the database. We don't want users to have a new username/pass - and we don't want to manage a separate group for HTMLDB apps.
    The existing application uses HTMLDB's built in authentication - which uses database username/pass, and it uses connection pooling, but we cannot handle the pass expire stuff in it, unless there's something we're not seeing or understanding - at least that's how our DBA explained it to us.
    Any help with this will be appreciated so much. I can send you the code we have if needed.
    Thanks!

    Same problem here.  I have so many problems with this remote app.  Is there an iTunes API? I would like to write my own remote app that actually works.

  • Question about "Native ISO" and Color Grading in PP

    I have a question about "Native ISO" in the real world and how it relates to color grading.  I was shooting 35mm film before all these digital cameras became flat-out amazing practically overnight.  Then the goal was always to shoot with the lowest ISO possible to achieve the least amount of grain (unless you were making an artistic decision to get that look).  If I was shooting outside plus had a nice lighting package I'd shoot 5201/50 ASA (Daylight) and 5212/100 ASA (Tungsten) 99 times out of 100.
    I've recently been shooting a lot with the Blackmagic 4K and have read that its "Native ISO" is 400.  Because of my film background this seems counter-intuitive.  Yesterday I was shooting for a client and had the camera at an f16 with a 200 ISO.  Because of what I'd read, I was tempted stop down to an f22 and change my ISO to 400... but the "little film voice in my head" just wouldn't let me do it.  It kept telling me "Higher ISO means more noise... stay at 200 and you will get a cleaner image".
    So how does it work with "Native ISO"?  Should I really shoot at a 400 ISO every chance I get in order to capture the best image for how the camera is calibrated?  Will it really give me more latitude when color grading?  Or would I still get a cleaner image staying at ISO 200?   I've Googled around quite, but haven't found any articles that answer specifically this question.  Would love to hear from someone who knows a bit more on the subject or has a link that could point me in the right direction.
    Thanks much.

    Hey, shooter ... yea, interesting discussion and always nice to learn. Great pic, too!
    jamesp2 ...
    Great answer. I've followed quite a bit of the discussion about the BM cams as well, one does feel a need to check out the possibilities for that next beastie one will need to acquire. But ... which one?
    I've always been a bit of a hard-case about testing testing testing. For instance, what happens with dome down or use of a flat diffuser vs. dome in the up position in metering? Back in the film days, we had our own lab and did our own printing as well as the um ... difficult images ... from other studios. I needed to know how to get exactly the same diffuse highlight no matter whether it was a "standard" light 3:1 studio shot, or a near-profile with no fill that needs dark shadows. I tested & burned through boxes of medium-format polaroid & 120 film and a lot of color paper. Finding? To get the same print time no matter the contrast or lighting style, needed to be metered either with the flat disc (Minolta) or dome-down (Sekonic) and held at the highlight-location pointed at the main light source. I could meter and nail the exposure every time. Ahh no, insist so many ... one must have the dome on/up and pointed at the camera! Right. Do that, change the contrast, and see what happens to your diffuse forehead highlight on a densitometer ... and see how your printing exposure times change. Oh, and you've just moved your center-of-exposure up or down on the film's H&D curve, which will also change the way the shadows & highlights print. In truth, though it was subtle, we had realistically no matter latitude for a best-case image with pro neg film as one had with chromes. You could probably get away with being "off" easier, but it still wasn't dead-on.
    So wading into video ... oi vey, you may have noticed the things claimed here there & everywhere ... this setting is God's Gift to Humanity but no, it's total crap ... this sensor is totally flawed but someone else is certain it's the finest piece out there. Yes, opinions will be all over ... but ... in film, it was the densitometer. In video, it's the scopes. Truth. And getting to that can be a right pain. I've seen quite a few contradictory comments about using the BM cams in film mode and also at ISO 200. Yours above gives the most ... comforting? ... explanation (for me) because of your reference to your scopes & the waveform patterns. Thank you.
    Love to learn ...
    Neil

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