For aperture: The Cinema 30 inch or the Dell 3007WFP?

Is it true that they have the same underlying LCD screen. It's $1349 instead of $1999.

Jan,
Just a nit, but you don't "calibrate" a monitor, you
"characterize" it by making a profile. (Apple makes
the same error!)
You are correct above--but not totally. Monitors can be both calibrated and characterized. In recent years calibration has fallen into the background because most LCD monitors can't be calibrated.
Calibration is what happens when you make adjustments to the monitor's display characteristics.
Characterization is when you measure a monitor and describe what it does for various inputs. That description is usually an ICC profile.
The Apple Cinema displays are set at the factory to a gamma 2.2 curve and have a native white-point of about 6300K. You can't change these features on the monitor. That's why I say the Cinema display is an uncalibrated display.
What you can do--what most profiling packages do if you ask them to adjust the white-point--is to make adjustments in the video card. This is not the same as adjusting at the monitor (not possible with Apple). The problem is that our DVI connection only passes 256 shades of each color RGB to the monitor. If you start making adjustments in the video card you will have less than 256 shades of each color available. That's not good. It's not a tragedy but you will loose the ability to see some detail that might be present in your digital files.
There are only two current LCD monitors that I know which can be calibrated Eizo and some NEC models.
Don't get me wrong. The Apple cinema displays are quite good. It they weren't I would't be using the Cinema 23. However, there are better technologies available.
The word 'ghosting' may not be precise to describe the problem with the cinema 30. What I see in all of them is when I place a window in a screen position for a few seconds (10-15s) then close the window a faint image of the window and it's contents remains for about 10-15s afterwards. All LCD displays to this, some more than others. The Cinema 30 more than most.
It's not ideal for Color work. Not deadly but definitely not ideal. I traded my Cinema display to a friend who is also a photographer. He loves it. We all interact with our tools differently. It is good get a heads-up of potential problems and decide for yourself. That is why I love the forums.

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    Gregory Rivers wrote:
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