For those using Logic and Protools

This is for any of you out there that use both Logic and Protools in your workflow. What are the reason(s) that you might do this? How do (if they do) these programs augment one another in the process of creating music? From initial idea to final mix, where do these programs plug in and why?
Thanks in advance

Andrew Tokuda wrote:
I hear that there is no automatic Plug-In Delay Compensation in Pro Tools. You need to set a value manually. According to a training video I saw of Pro Tools, this appears to be true. I also hear that PDC still isn't implemented in the version 8.0 release, though I can't confirm that.
For a guy that's been using Logic for years, I may just be spoiled as far a PDC is concerned, but it seems like for all those missing features in Logic (such as Elastic Time), there are important things we take for granted that aren't available on the PT side. Add the 32-channel (16 stereo!) limit in LE that we rarely think about in Logic.
That said, PDC and channel limits aside, version 8 of PT seems like a pretty compelling upgrade from 7.x. I hope Apple is keeping an eye on things. If there's ever a serious competition between platforms as far as features go, it starts now.
-droo
You're right.
but the one thing I do like about not having the computer calculate the delay, is that when I am doing my final mixing, I can calculate it myself. this might be a little geeky for some, but in the end it allows me to control this aspect of the DAW that I cannot do in other DAWs.
I have noticed sometimes in Logic that some things do not get played back at the same absolute timepoint. In other words, i suspect the PDC might be changing upon each playback. This is fine for most music, but when doing either electronica or Jazz (believe it or not) this is not good.
This has only happened to me once or twice, but is something to note. In PT HD, the delay remains constant, so dealing with it is a one time deal. Set your delays, and you're done.
Cheers

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