Frame rate Conversion Upon Import

Hello All,
     Strange things in my FCP Studio. I converted an mkv file to Prores422 frame rate 23.976 using QT 7. When I import it the Vid rate says its at 10fps???? The info tab in quicktime says the frame rate is 23.976. Then it makes me render???
Also, I should be able to mix prores422 and prores422(HQ) in the same sequence without having to render,(assuming my sequence settings are correct?) Thanks in advance.
JY

Files converted from non-camera masters sometimes need a hit on the side.  use CINEMA TOOLS to CONFORM the footage to 24.  That'll do it.

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  • Frame rate changing on import?

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    Well, FCE does distinguish between the rates, and it lists videos of both frame rates in the session... and I've encountered sync drifting on edits on I've made on very long imported video in the past (over 45 minute long source material).
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  • Edit to tape with frame rate conversion

    Hi,
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    Using a capture card no doubt, right?
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    Sorry, but I do this a lot and I can't say that I have seen this issue.
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  • Frame rate conversion HELP

    Is it true there is no way to SUCCESSFULLY apply pulldown to 24pNative footage (shot with the HVX-200 on P2 cards) OTHER than laying it to tape? I'm told it's the video card that's doing the pulldown and there's no way pulldown can be done within FCP/Cinema Tools/Compressor. What I'm trying to do is convert my DVCPRO 50 23.98 quicktimes to DVCPRO 50 29.97
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    Hey Shane,
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    THE WHOLE STORY with a happy happy ending
    - shot a music vid with the HVX-200 and the mini-35 adaptor (with SLR lenses) in DVCPRO HD 720pN mode. Planned to deliver the video in standard def.
    - Chose HD 720pN recording because a) wanted to be able to have the option to deliver an HD version if ever desired b) wanted to be able to use the HVX's undercranking and overcranking abilities only available in 720p mode (which look amazing and can be played back on set real time, I'm still to this day impressed by that), 3x the recording time on a P2 card at 720p 24pN versus recording DVCPRO 50 24p, and finally wanted my VFX/compositor guy to be able to work with highest res images possible (i.e. do his work with the HD dailies and deliver me HD and SD versions of the completed VFX shots ). And yep, in order to deliver an HD version of the video I would have to do a match back edit with my HD dailies and HD VFX shots but that really doesn't take too long for a 180 second show.
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    - So, Mr. Shane, after I read your post that you were looking into what compressor can do, I thought it'd be worth a double check if DVFilm Maker could turn 23.98 to 29.97 and LOOOONG BEHOLD (wipe my eyes) it has a catagory called "Post-Edit Processing" that offers the feature "Convert 24P/23.976P to 3:2 NTSC". I quickly double checked my HVX-200 manual and sure enough, 24pNative mode records the "active a.k.a. effective" frames in the 3:2 pulldown process giving you true 24fps, so surely it could be REVERSE-reverse-telecined (also referred to as "pulldown" I guess). And it bloody well can. No recompression, no visible damage what so ever, just adds 3:2 pulldown and creates a duplicate 29.97 quicktime.
    All my footage (whether it was HD 23.98 or DV 30p) is now DVCPRO 50 29.97 and can be edited without loss of quality (other than it being SD which was intended for now).
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