Fuji RAW "RAF" How to read with photoshop?

Anyone tell me how to read a RAF file please?
I am using PS Elements 8 and a Fuji X20 with *.RAF files.
The PS e8 is fully updated.

Charleton A Wyman wrote:
I want nothing for free they are not already providing in another way.
And we've been trying to inform you, even in light of your childish insults, that the world is not like that, no matter how much you stamp your feet and cry.
Try to understand that a number of very smart people here, who have thought about this a lot longer than you have and quite likely understand things better than you do, are advising you that you're off base.
You've been given the facts, including that the camera makers are purposefully creating unique file formats for each new camera they make, a practice which costs companies like Adobe significant engineering effort and time to decode. Adobe has even developed a fully featured, open raw file specification (the DNG standard) that the camera makers could use to solve this problem directly, but nooo, most of them won't use it. So you blame Adobe for not keeping your ancient software current, free of charge, and for some reason you seem to feel a software company shouldn't be allowed to profit from their work in improving their product.
You paid Fuji, the devious one in this situation, but you refuse to pay Adobe because they didn't reach into your computer and connect all the dots for you? You seem to think that someone - anyone - other than you needs to be your system integrator. As stated, the world is not like that.
Beyond that, you apparently don't have an interest in discussing how to get good results through the DNG conversion process, which despite your ranting folks here are still willing to discuss. But it seems you're too smart to suspect that your own inability to operate the raw converter effectively could be the problem there.
Your choices are clear. Pay to play, use the free product that invokes a bit of extra work, or go elsewhere. I'm sorry I did not list 3. Go away in my first response; my mistake.
-Noel

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Fortinbras.

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Hi Frederick,
You're spending a lot of money. I will add my 2¢ -- -- but you must, as I assume you know, fully research your options.
Environment:
Start with your workspace (inc. lighting) and your clothes.
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Epson's are great, imho. I use a 3880 in my studio and rent a 9900 by the hour when needed. I have read of problems (iirc) with one of the printers in the 7000 line, however. The take-home lesson that I filed in my brain was, "If you're going to spend the money on the 7000 line, just get the 9000 line."
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Aperture is a fantastic workflow tool. Since you are adept with PS, you should set PS as your external editor. Use Apertures formidable tools for storing and organizing your Images, and its robust editing tools for either all your proofing, or all but your most demanding editing needs. That said, allow a good bit of time to get the feel of Aperture. It is not at all like Bridge. But your important choice is which RAW converter you want to use. There is, imho, no reason to use Aperture if you are going to use Adobe's (or anyone else's) RAW converter.
Good luck!
--Kirby.

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