G530 / XP. Playing projects in 44100 Hz makes problem. Can't set sample rate of the sound cart

Hi, I have already instal Sonar on my new Lenovo...
And what i see.... In the soundCart (conexant HD smartAudio 221) no 44100 Hz!
And i can't find something that looks like place to change it.
How can i do this?
PS: XP.
Thanx

The red line indicates the audio must be rendered. This may be caused by several things but your playback settings may be set too high for your system to handle. You may have too many audio tracks for your computer to play in realtime.
Select one of the audio files in the timeline, get properties, not the audio format and sampling rate.
Now got to Sequence>Settings and determine if the settings match your audio settings.
Your online help system can guide you through adjusting your system settings, user settings and sequence settings.
bogiesan

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Project sample rate vs the audio interface clock

I used Audition for digitizing archival audio and I mostly work in 96 kHz because it's the current archival standard for analog audio, however I occasionally need to transfer DAT or ADAT tapes at 44.1 or 48 kHz. One thing I noticed when I went to change the project format was that my audio interface clock did not change and match the multitrack settings. I was able to change the clock manually but I had to go to the Audio Hardware preferences.
I find this behavior for a DAW very strange. If I have a multitrack open of one bit rate and my clock set to another, how does that work? How does Audition 6 play and record audio at differnt sample rates than the interface clock? When I open a multitrack that's 96 kHz and my clock is set to 48, what sample rate am I getting? The audio file being saved says 96 kHz but is it?
Audition 6
RME Fireface UCX
Mac Pro mid-2010

loneraver1 wrote:
If true, this is indeed strange. I have used just about every DAW under the sun for the last 10 years based on what my employer purchased and I have never seen a DAW allow you to record sample rates where the project didn't match the incoming clock.
There should be an option that locks the audio interface internal clock to the opened project. It makes it annoying any time I have to switch between recording in 96 kHz to 48 kHz. That's annoying on it's own right, but what's really annoying is that it's an extra step that I have to train our archival technicians who don't have a techical background in audio.
I can definitely say it's true for my set-up!
Surely, the "extra step" you refer to is not necessary if AA is resampling the audio to match the desired sample rate?
As for the "option" to "lock the audio interface clock to the opened project", for those cards, like mine, which cannot have their sample rate changed by the audio software, how is that going to work? I suspect this was how AA CS5.5 and earlier worked: unless session/project and interface sample rate matched, no audio. I much prefer the current "resampling" method; no necessity to have to think about soundcard/interface settings every time a different sample rate is being used.
FWIW, if I want to record something at 44.1 I always ensure the card and AA settings are 44.1; but for "playback" (or video editing which I do quite a lot of and which requires 48 - my video editor software will not "play" unless the audio sampling rate of the card is 48 - ) 48 is my "default" setting.
JMO!

Can new PWA views be created whereby a filter can be set and associate to the view by default? (Project Server 2013 ONLINE)

My main question is: Can new PWA views be created whereby a filter for that view can be set, and associate to the view by default? (Project Server 2013 ONLINE)? and can I have a filter set to filter on person logged on to...
In previous versions of Project Server, when CREATING a PWA view, we were able to apply/ define a filter for that view. Does not seem like it is the case in Project Server 2013 Online. And if I remember, we could also use the URL Guid_view_id.
Please confirm; and / or tell me how-to.
What I was hoping to do is the following... Given that our standard that we have adopted for reporting time is 'My Timesheets' (fyi, Single Mode Entry=ON), we have some resources who have others who do it on their behalf via 'My Tasks' (ie., accomplished
by using the 'Assignment Owner' field, accordingly). Therefore, when entering time on someone else's behalf within 'My Tasks', we like to present the user that is logged in only the tasks that they are are assigned to update on others' behlaf.
I know that there is another more elegant approach to doing this which may be to use the Delegation feature. But since we are trying to stick to Sharepoint Security mode for now, this is not an option for the time being.
Any help appreciated would be greatly appreciated.
\Spiro Theopoulos PMP, MCITP. Montreal, QC (Canada)

Hi Spiro,
1- You still can define in Project Online a filter in the view settings, it is located just above the category setting. Here is a screenshot of the summary project center view:
2- The view GUID is not anymore in the URL, since the URL triggers an action only on the webpart and not on the whole page. I agree this is annoying since it was great to send a URL with a specific view.
3- Concerning the access to my timesheet versus my task, I'm not sure to get a full understanding but on a general way, it is much more easy to deal with those situation using categories which you cannot do with the SP permission mode.
Hope this helps,
Guillaume Rouyre, MBA, MVP, P-Seller |

Why do I lose sound when I try to make a dvd from imovie to idvd. The sound is all there in iMovie, but when I make my dvd, I have sound for about 3-4 minutes and then its gone.

I have made a 1 hour 30 minute dvd in IMOVIE. The video and the sound are perfect. However, when I make it into a dvd on IDVD, I lose sound after 3 or 4 minutes. Any Suggestions?

Hey MichiganMan32,
I found an article that looks like it applies to that audio issue you're experiencing. Check out the following troubleshooting steps here:
Resolution
Make sure the audio track has not been muted in the timeline.
Switch to timeline view by clicking the clock button in the iMovie window.
There are three checkboxes on the right side of the iMovie window underneath the sound icon. These checkboxes correspond to the video track and two additional audio tracks. Make sure all three tracks are selected. Any deselected tracks are muted.
If you are using iMovie 3 or later, check the "Edit Volume" option to see if it is selected. If so, make sure the volume of the affected video clips is not set to its lowest level, or try deselecting the option to Edit Volume.
See if the volume in iMovie is set to its lowest setting. Directly under the Preview pane in iMovie is a volume slider. Set this slider to maximum volume.
Make sure the computer's audio is not muted.
Quit and reopen iMovie, then check the clip to see if it now plays with audio.
Check to see if any of the video clips you have imported are in the MPEG-1 format. MPEG-1 clips will lose audiowhen you export them as part of your iMovie project.
Quit and reopen iMovie, then reimport the footage from the camera. Play the newly imported footage and see if you now have audio.
If you are using an analog to DV converter instead of a camera, make sure the audio connections are good between your VCR or other analog device and the converter. Check the documentation that came with your converter for more information.
Check /Library/QuickTime/ and ~/Library/QuickTime/ for any third-party plugins. Remove them if present, log out, and log back in. Check to see if the issue persists. If not, check with the manufacturer of the disabled plugin to see if an update is available. Note: The tilde (~) represents your Home directory.
Note: "Apple Intermediate Codec" and "QuickTimeMPEG2" are Apple components. For more information about a particular plugin, select the item in the Finder and choose File > Get Info. Look at the version string of the Get Info window to see if the plugin developer name is listed.
iMovie is missing audio on import, export, or playback
http://support.apple.com/kb/ts2289
Cheers,
David

Just purchase ipad3 trying to play from favorites in you tube but can't set up a play list, username /password not recognised, tried some apps like SoundBox but same issues, can anybody help?

Just purchase ipad3, trying to play you tube favorites but can't set up a play list (username /password not recognised)
Tried downloading apps such as SoundBox but no joy
Can anybody help?

Thanks for that. Much more constructive than the last comment. It's only the restriction code I can't recall, not the access passcode. So I can currently access the device, just not age restricted content. Does that's make a difference? I also wondered if anyone knew how many attempts you get to try to get it right. Now tried 21 times and so far nothing bad has happened but I am concerned I'll eventually be completely locked out of the device. That doesn't seem in the spirit of things though. Surely it's foreseeable that a child could repeatedly try to guess the code so I can't see that it would be right to lock the device down completely in that circumstance, particularly if the access code is being typed in correctly every time.
Thanks

When trying to play music from my sons iPad through his Beat Pill Speaker via Bluetooth, the sound is only coming through one side.

If I play the Beat Pills via Bluetooth with my iPhone, sound comes out of both sides. Is there a setting on his IPad I need to alter?

I've done that, and still no sound is coming out the speakers....
It does say the "type" of the device is Bluetooth Headphones, when its a stereo, if that makes any difference?

I can't hear with my earphones, the sounds keeps playing like the are not connected.

I plug in my earphones and the music keeps playing aloud, like there's no earphones connected.

https://discussions.apple.com/thread/1343532?start=315&tstart=0
same deal but rather then being stuck in headset mode you issue is the opposite but the solution is the same

SB Audigy 2 ZS Platinum "colors" the sound of music when played back. How to change th

I recently purchased a Line 6 POD X3 for recording guitar tracks, and when connected using USB it can function as my computer's sound device. Now here is what I observed:
In all cases described below, the "reference" case is that of the guitar played through the POD X3 with headphones connected directly to the POD (no computer sound device involved).
) When I record guitar tracks using either the POD X3 or the SB Audigy 2 as the computer's recording device, and then play the recorded tracks back using the POD as the computer's playback device (headphones plugged into the POD), the sound is exactly the same as the reference case.
2) When I record guitar tracks using either the POD X3 or the SB Audigy 2 as the computer's recording device, and then play the recorded tracks back using the SB Audigy 2 as the computer's playback device (headphones plugged into the SB Audigy 2), the sound is MUCH different than the reference case.
To put it simply, the Sound Blaster card is "coloring" the tone of the recorded guitar (regardless of recording device) during playback. I realize that the Sound Blaster drivers are probably designed to "enhance" sound for gaming and such, but the way it shapes the sound of recorded music during playback is extremely undesireable for home recording projects.
Here is another clue that leads me to believe that the Sound Blaster drivers are responsible for this tone shaping: If I am playing my guitar through the SB Audigy 2 and monitoring the sound through computer speakers or headphones (hooked up to the SB Audigy, of course) WHILE Windows is booting up, I can hear a very distinct change in the sound when the SB Audigy 2 drivers are loaded. It seems to me that when Windows is booting up, the Audigy 2 card allows transparent playthrough before the drivers are loaded, but the drivers then take over and shape the sound.
So, if you've understood my observations, my question is how can I avoid any sort of tone shaping during playback by the SB Audigy 2 drivers? I want completely transparent playback such that what I hear during playback is exactly what it sounds like going in, i.e. the reference case described above.
Message Edited by killrbuckeye on 08-8-2008 02:08 PMMessage Edited by killrbuckeye on 08-8-2008 02:0 PM

Just for kicks, I decided to install this card on a Dell that I happen to have around.. the specs are above and beyond the configuration of my regular computer (whose specs are above and beyond the specs listed for the Audigy 2 ZS Platinum).. and I am unhappy to report that the same freezing problems occur. I am still unable to use any web update features for ANY of my software, and I am still unable to record in 24 bit audio.

Whenever I try to play a game on my iPad it will not play the sound. But when I play music it works.why?

so basicall whenever I play a game the sound won't work but if I play a song or go on to youtube it works

Could you have muted the sounds? Some games have separate sound controls.

I have used still photos to make a Quick Time movie using FCE. The DVD made using i-DVD looks somewhat grainy and the motion isn't smooth when played on my TV. Other DVD's I have made play much better and I am wondering if the problem is my Quick Time m

I have used still photos to make a Quick Time movie using FCE. The DVD made using i-DVD looks somewhat grainy and the motion isn’t smooth when played on my TV. Other DVD’s I have made play much better and I am wondering if the problem is my Quick Time movie settings. The Dimensions and size of the problem movie are 1920X1080 and 584 MB respectively, while the movies that play better have Dimensions of 853X480 and are about 1.3 GB in size. Is this the source of my problem and how do I change things for the better.

Are you exporting to QuickTime Movie, or to QuickTime Conversion? For iDVD, you need to export to QuickTime Movie. Exporting to QT Conversion will kill the quality if you are moving the video from FCE to iDVD.
The file size per se makes no difference.
What size (pixel dimensions) are the photos that you put into your 1920x1080 sequence? Also, exactly what are the sequence properties ... is it 1920x1080i60 ... or i50? In North America it should be i60.
853X480 is an odd frame size. Where are you seeing this number? It would appear to be DV-NTSC, which has a frame size of 720x480. Your 1920x1080 frame size would not be DV-NTSC, it would be Apple Intermediate Codec. DV and AIC will look different, for sure.
Also, your quality setting in iDVD can affect the final video. You may want to check that also (in iDVD Preferences > Projects). Set it to Professional Quality if at all possible.

Play project on projector with MBP retina. Best way?

I have a video project (Anamorphic DV with music) that will be shown in an auditorium on a projector. I want the best possible quality with least chance of problems. I'm just starting the editing, but want to get an idea of how I will present the final video.
The auditorium is primarily used for live plays, but they have an AV crew that I will be working with on the day of the showing. I haven't met with them yet, and want to make sure I start this project correctly.
For the showing, can I just connect the projector to my new MacBook Pro (Retina Display) using the HDMI port and play the project on my Mac from within FCP X? Would I just play it in the FCP timeline using full screen? Or do I select the projector somehow as a 2nd monitor? Or should I export the file as a full quality Quicktime movie? Is this better or worse than playing it directly within FCP? Less prone to problems? Would the quality be the same?
Don't have any experience with this, and there will be a couple hundred people for this event, so I want to make sure I do this right! Any help would be greatly appreciated. Thanks alot.

Thank you Tom. I like the suggestions, but still a little unsure about the mechanics of a few things you mentioned.
1) Mirroring: I see in my Displays control panel a box that says, "Show mirroring options in menu bar when available." Does this mean that we connect the projector to the HDMI port on my MacBook Pro Retina, then an icon will apear along my menu bar at the top of my display? Then I select "mirroring" from that?
2) Deinterlacing: I have my project preferences set for 720 x 480 DV Anamorphic, because it was shot in SD anamorphic. I read that this is a typical resolution for SD projectors. I hope this is correct. I also set my project settings for 29.97p. Does this still require that I deinterlace the video? If it's set for 29.97p and not 29.97i, do I still have to deinterlace? If so, then in lieu of using software like JES Deinterlacer (which I'm not familiar with), can I just turn the field dominance to none somehow for the whole project? Whould this accomplish the same thing?
3) Back to the project settings. Still unsure if 720 x 480 DV Anamorphic is the correct choice. I shot most of the video with a Canon XL2 set for 16 x 9. I also shot some footage using a Sony HDR-FX1000, which is normally an HDV camcorder, but I had the camera set for SD so as to match the Canon footage. Also, I shot a portion of one tape in HDV mode by mistake. Will all this footage be usable in the project? Do I need to transcode it? It appears that the transcoding to Apple ProRes 422 is grayed out. I think FCP X is rendering the HDV footage, because there are render bars over those clips I believe. I hope this doesn't cause problems. Any advice in this regard given the info I've provided you? Again, is 720 x 480 DV Anamorphic the project setting you would use if this is going to a projector?
I hope you can give me your advice on these three items I am still unsure about. Thank you very much Tom.

I carnt hear my message tone,the sounds it makes when the phone locks and opens.Also i am unable to hear my music playing from my phone but my alarm and ringtone are working.Can anyone help

i carnt hear my message tone,the sound it makes when the phone locks and opens,also i am unable to hear music when playing from my phone but my ringtone and alarm tone work.Ive made sure the silent button is not on,and the volume button on the side of the phone is just showing it blank instead of it going up and down.To try and fix this i have reset my settings and restored my phone,but now its just skipping the music i have purchased from itunes when in a docking station which is now another problem i have as well.Can anyone help????

Hello dbrookes,
Thank you for using Apple Support Communities!
It sounds like even though the Mute switch is not on, sounds are not making the, well, sound they should, and the volume buttons make a blank volume indicator appear on the screen that does not show the volume level.
I wanted to recommend a couple of things.
First, I would reset the phone:
Resetting your device
Press and hold the Sleep/Wake button and the Home button together for at least ten seconds, until the Apple logo appears.
From: iPhone, iPad, iPod touch: Turning off and on (restarting) and resetting
http://support.apple.com/kb/ht1430
If that does not resolve the issue, then you may want to try backing up to iTunes, and restoring the iPhone again but this time do not restore the backup and set it up as new to see if the issue persists without the previous configuration.
Just incase you need it, this article will help with that:
iOS: How to back up and restore your content
http://support.apple.com/kb/HT1766
Cheers,
Sterling

Can't get more than one Ultrabeat sound setting in one project. If I have a drum track with an Ultrabeat "downtempo kit" and I make another drum track with "hip hop kit" in the same project, the settings of the other track transform to "hip hop" setting.

So here's my situation. I'm using Logic Pro 9. I'm trying to use multiple drum tracks each with different Ultrabeat settings. So let's say I have drum track with a loop from Ultrabeat that has the "downtempo kit 2" setting on it. If I make another drum track and create a different loop in Ultrabeat with a different setting, let's say "hip hop kit" for example, and put that loop onto the new track, then the previous loop that I had in the first drum track will still be the same loop but the sound kit settings change to that of "hip hop kit." So I can have different loops, but they all have to be "hip hop kit" settings or "downtempo kit 2" settings. I am unable to multiple kit settings. Is there a box I need to check to turn some automation off or something, because this is pretty inconvinient? Why do I have to have only one Ultrabeat sound/kit setting per Logic project?

Sounds like maybe you're using the same channel strip on multiple tracks? Make sure you're creating a new software instrument channel strip for each independent instance of Ultrabeat you want to have. If you use the same CS, then all tracks that use it will have to have the same kit.

How can I sync my ipod to the i tunes library in my computer? and how can I make sure each Cd I play automatically is saved onto the Ipod?

How can I sync my ipod to the i tunes library in my computer? and how can I make sure each Cd I play is automatically saved onto the Ipod?
My problem is that if I open I tunes, the Sync ipod option in the menue is grayed out, and so not available.
This is starting to irritate me, so any help would be much appreciated.
Thanks!

I have the same problem. The Sync ipod option in the menue is grayed out, and so not available. HELP!

I want to play video on my computer to make some analysis to frames,the problem that I face ,I can't change video frame rate using labview,but I can change frame rate to the video out of labview using some program

HI All
I want to play video on my computer to make some analysis to it's frames,the problem that I face ,I can't change video frame rate using labview,but I can change frame rate to the video out of labview using some program .
I used IMAQ AVI Read Frame VI
for example I have avi video It's frame rate is 25 fbs ,my image processing code is very fast that can process more 25 fbs,so I want to accelerate video acquisition

Hi abdelhady,
I looked into this further, and reading an AVI file into LabVIEW faster than its frames per second won't be possible. LabVIEW could read in frames faster than 25fps, but because it will be pulling the available frame at that point in time this would just give you duplicate frames. If you want to be able to read in frames at faster than 25fps, you would need to speed up your AVI file before reading into LabVIEW.
There's a good shipping example to show how to read in from an AVI file, "Read AVI File.vi". You'll notice that they add timing to make sure that the while loop runs at the right speed to match up with the frames per second of the file being read. This is to make sure you're not reading duplicate frames.
Thank you,
Emily C
Applications Engineer
National Instruments

G530 / XP. Playing projects in 44100 Hz makes problem. Can't set sample rate of the sound cart

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