Gamma correction in Sol 10 x86

Does anyone know a way to correct the gamma value in Sol 10 x86?

(Bump)
I'd like to know how to do this myself.

Similar Messages

  • Booting from alternate disk in Sol 10 x86 1/06

    Hey all--
    I'm trying to set up a mirrored root filesystem on an x86 box with two IDE disks. It's running solaris 10 1/06. I've done this plenty of times on sparc boxes, but only once on an x86 box and after the metaroot, I had to edit bootenv.rc to point back to the "first" disk to get it to boot. That was with an older Solaris 10 release.
    I'm reading what I think is conflicting information from the SVM doc in the Solaris 10 book at docs.sun.com, various blog entries ( like this one from Mr Jelinek -- http://blogs.sun.com/roller/page/jerrysblog?entry=solaris_volume_manager_x86_root ) and I'm confused now.
    My main question is, do I need to manually put bootblocks on the second drive? My disks appear to have identical x86 partitioning as well as Solaris partitioning, and don't contain the now-deprecated x86 boot partition.
    Page 126 of the current (12/05) SVM manual says:
    You must specify slice 2 of the disk as the device, and slice 2 must comprise the
    entire disk.
    # installboot /usr/platform/i86pc/lib/fs/ufs/pboot \
    /usr/platform/i86pc/lib/fs/ufs/bootblk /dev/rdsk/c1t1d0s2but.. pboot appears to be missing in the latest Solaris 10 release.
    So does anyone know what the current situation is? Do you need to put bootblocks on the second disk in the latest Solaris 10? And if so, how? :) thanks!

    bad 12/05 SVM manual..bad! :)
    If I had done the RTFM thing like one is supposed to, I would have seen this bit of information:
    # man installboot
         The installboot utility is a SPARC only program. It  is  not
         supported   on   the    architecture.    users   should  use
         installgrub(1M) instead.I assume "the architecture" here could be better written as "the x86 architecture" :)
    and of course, this makes sense, since the Sol 10 x86 1/06 release clearly boots with GRUB. I suppose I should also get my learn on for the other binaries:
    # man -k grub
    bootadm         bootadm (1m)    - manage bootability of GRUB-enabled operating system
    grub            grub (5)        - GRand Unified Bootloader software on Solaris
    installgrub     installgrub (1m)    - install GRUB in a disk partition or a floppyI'll confirm boot-ability later today when I take the machine into the lab. But I think I'm on the right track.
    This is a great forum and I've learned a lot by reading it. many thanks to all the posters!

  • Why Levels mid-point slider and Exposure Gamma Correction slider not the same?

    Both the mid-point slider in Levels and the Gamma Correction slider in Exposure adjustment appear to modify Gamma.  They even use the same numeric scale.
    When Gamma <= 1, both sliders appear to produce the same results (confirmed with a couple of random sample settings and using the Difference blend mode).
    When Gamma > 1, however, the results are very different.  Levels produces more what one would expect in terms of moving the Gamma curve without moving the white and black points but the Exposure Gamma Correction slider seems to do something very different, either moving the black point or applying a very different curve the produces much brighter tones in the dark shadows.
    Can anyone explain why and how these two adjustments produce different results?
    Is this a bug with the Exposure adjustment?
    By the way, in my limited tests of this I was just using a standard RGB file in 16-bit mode - nothing fancy like 32-bit or LAB or anything like that.  Also, Photoshop CS6 Extended.  Both 32- and 64-bit versions show the same behavior.
    Thanks.

    The differing gamma adjustment results also occur in the OS X version of Ps 13.0.1
    The situation is worse than you realize, Dennis. Test with a linear grayscale gradient in 16-bit or 8-bit RGB mode instead of arbitrary images. Remember to view at 100% zoom for an accurate display.
    Gamma adjustments of less than 1 performed by Levels adjustment layer and Exposure adjustment layer do differ but to a less obvious extent than when the adjustment is greater than 1. Differences can be seen in histograms, and low level differences when differencing layers can be made more obvious by adding an Exposure adjustment layer with the exposure increased.
    You'll get further different results by using the gamma adjustment in the "Exposure and Gamma" method of Image > Adjustment > HDR Toning. Notice that the gamma value there has to be specified as the inverse of that in Levels and Exposure.
    I haven't bothered to calculate which, if any, of the three gamma adjustment controls gives correct results because that is Adobe's responsibility.
    It's quite ridiculous that a common routine giving consistent and correct results isn't being used for all these gamma adjustments. Code re-use makes software more robust, simpler to test, simpler to correct, leaner and overall easier to manage. But what do I know.

  • Gamma Correction - always necessary (?)

    Has anyone else had a problem with their gamma curves being seemingly whacked after going through Compressor for DVD? I've been dealing with this for the last three years and haven't seemed to find anyone else on the web with the issues I've got. Maybe I'm seeing things.
    I've been working with Varicam and XDCAM HD footage primarily. I've found that every time I export to m2v without any Gamma Correction filter adjustments, the video looks more milky and faded when viewed in the DVD Player application (after going through DVDSP) compared to the way it looks in FCP. But the m2v file looks fine when playing it though QuickTime Player. When I apply a Gamma Correction filter in Compressor to compensate for this milkiness, I get a great picture in DVD Player, but in QuickTime, it looks a little dark.
    Am I compensating for something I don't need to be compensating for? The reason I feel like I need to be compensating is because when I play regular store-bought movies on DVD Player, they don't have the same milky look in their blacks as I see in my exported files. And I know I'm not supplying milky footage because my deepest blacks are at or very near 0 IRE, and it looks great in FCP and QuickTime.
    Anyone know what's going on? I've had this problem through all generations of FCP/Compressor/DVDSP that I've worked with for the last three years or so.
    Is the problem really just with DVD Player and I'm worrying over nothing?

    Hi! I have experienced the same issues. I so happy i finally found one person with the same problem. I have also used the gamma correction and i am pretty happy with the results. As to why i get this milkiness, i have no idea. I am afraid of actually using this gamma correction thing, because i feel my settings are feirly random at times. How much do you normally correct?
    Anders Holm

  • Sol 10 X86 with Qlogic 1280 controller

    Sol 10 X86 installation problem: System has two internal disks, 1 quantum SCSI 6 gb, which was UNconnected. One Seagate 18 GB SCSI from Qlogic 1280 controller with Sol 9 installed. Disconnected Seagate to play with the old Quantum drive. Problem was the Qlogic controller driver. Installation failed after numerous attempts. I finally decided to install Sol 9 on Quantum and try an upgrade. Sol 9 succeeded but 10 failed, still due to the 1280 driver, which is downloaded from Qlogic and installed to a diskette with dd. Tried downloading the driver again to see if there was an upgrade. The product is discontinued. The driver is for up to Sol 9.
    Finally gave up and decided to make the Quantum drive non bootable and try to incorporate it into the Sol 9 installation on the Seagate disk with DiskSuite. Ran fdisk and deleted the boot partition on the Quantum. Reconnected Seagate drive and booted with both drives powered up. System failed to boot at all. Now my primary drive is trashed somehow. I went through another Sol 9 installation on Seagate, using the preserve data option. Still wouldn't boot as of last night. Gotta love this.

    Sol 10 X86 installation problem: System has two internal disks, 1 quantum SCSI 6 gb, which was UNconnected. One Seagate 18 GB SCSI from Qlogic 1280 controller with Sol 9 installed. Disconnected Seagate to play with the old Quantum drive. Problem was the Qlogic controller driver. Installation failed after numerous attempts. I finally decided to install Sol 9 on Quantum and try an upgrade. Sol 9 succeeded but 10 failed, still due to the 1280 driver, which is downloaded from Qlogic and installed to a diskette with dd. Tried downloading the driver again to see if there was an upgrade. The product is discontinued. The driver is for up to Sol 9.
    Finally gave up and decided to make the Quantum drive non bootable and try to incorporate it into the Sol 9 installation on the Seagate disk with DiskSuite. Ran fdisk and deleted the boot partition on the Quantum. Reconnected Seagate drive and booted with both drives powered up. System failed to boot at all. Now my primary drive is trashed somehow. I went through another Sol 9 installation on Seagate, using the preserve data option. Still wouldn't boot as of last night. Gotta love this.

  • Sol 10 x86 not recognizing hard disk

    Hi,
    I am trying to install Sol 10 x86 V 6/06 on a HP DL585. I am installing from a CD. When it is time to install the software , I get an error, found no disks . These are 72Gb disks. The hardware is supported under hcl. Are there any extra drivers I need for the install cd to recognize

    Either the HDD is dead or the connection cable is faulty.  Take out the HDD and place it in an enclosure and connect it to the MBP via USB.  The start the MBP with the OPTION key held down.  If the external HDD is recognized, click on it and se if it boots the MBP.  If it does, then it is the cable that is the problem.  Otherwise the problem lies with the HDD.
    Ciao.

  • Quicktime MPEG IMX 625/50 export - how to disable gamma correction?

    Hello,
    Since there seems to be no support for encoding an MPEG IMX stream into a Quicktime container out of the box in Premiere CS5.5 I have managed to cheat IMX in there by using Quicktime component files from a Final Cut Pro installation. This seems to work fine, I now see all kinds of IMX options under the Video Codec section in Quicktime export, but there is one problem...
    There is no way to edit any codec settings to turn off Quicktime Gamma correction, as you can do if you are exporting to Apple ProRes. What happens is - I need to add a Gamma Correction filter to every timeline to make it darker, because the default encoder settings automatically include some gamma correction that makes all rendered videos slightly brighter than they should be. This is a bit annoying.
    Does anyone know if there is a way to disable Gamma Correction for MPEX IMX Quicktime files? Also, when will Adobe include native MPEG IMX encoder support? A lot of broadcasters in Europe (especially Eastern countries) still use IMX as their codec in their playout facilities - sometimes in Quicktime containers and sometimes in .mxf containers. Premiere needs to supports this.
    Thanks!

    Hi JS,
    Thanks for the reply.
    I can do but they're big files (about 2 to 3 gigs each - long takes!) so would take a while.  I'd have to do it tomorrow now coz they're on a hard drive at the office.
    John

  • Console to GUI, Gamma correction Woes

    Is there any way in Linux that I can make gamma adjustments in an application basis? Switching between dark console fullscreens to a bright white browser window as fast as hitting a key combination is killing me! (I'm using i3).
    I'm not sure I will be able to handle it. However I cannot make global gamma adjustments because that will damage the contrast of the console, and very few X applications include gamma correction settings (I only found one so far, Links2).

    Currently I'm using xgamma on a couple of scripts. One of them restores to my normal settings, the other sets a darker screen. I bind the scripts to a couple of keys on i3. This works fine, but I was hoping for something more automatic.
    The difficulty in hooking to an application is that I've set the browser to open on another workspace, so xgamma kicks in and I may not even want to go to the browser just yet. I also can't seem to find a way to bind the xgamma action to the changing of workspaces (that would in fact be the ideal solution), so switching back to a darker workspace doesn't restore the gamma.

  • Question about gamma correction

    I recently ordered prints from iPhoto that came directly off my Canon EOS Rebel XT (at max quality). The resulting photos looked very much as if they were printed at PC gamma correction rather than at Mac gamma.
    Is there something else I need to set in iPhoto to get the gamma I expect?

    Catherine:
    Welcome to the Apple Discussions. Do you have your monitor calibrated so the 2.2 gamma? I've done that and prints now look more like the monitor presentation. I've set the monitor to the sRGB profile with the 2.2 gamma.
    Do you Twango?
    TIP: For insurance against the iPhoto database corruption that many users have experienced I recommend making a backup copy of the Library6.iPhoto database file and keep it current. If problems crop up where iPhoto suddenly can't see any photos or thinks there are no photos in the library, replacing the working Library6.iPhoto file with the backup will often get the library back. By keeping it current I mean backup after each import and/or any serious editing or work on books, slideshows, calendars, cards, etc. That insures that if a problem pops up and you do need to replace the database file, you'll retain all those efforts. It doesn't take long to make the backup and it's good insurance.
    I've written an Automator workflow application (requires Tiger), iPhoto dB File Backup, that will copy the selected Library6.iPhoto file from your iPhoto Library folder to the Pictures folder, replacing any previous version of it. It's compatible with iPhoto 08 libraries. You can download it at Toad's Cellar. Be sure to read the Read Me pdf file.

  • Printing and Gamma correction

    I read somewhere in the aperture manuals to match the monitors gamma in prints you may need to set gamma correction to 1.1 or 1.2 in the print dialog.
    If I am exporting prints to a pro photo lab am I likely to need to correct the gamma of the exported image or should I send it uncorrected?
    Also, should I generally have black point compensation on or off?

    I've this code :
    short[] threshold = new short[256];
    for (int i = threshold_level; i < 256; i++) 
       threshold[i] = (short) i;
    BufferedImage dest = new BufferedImage(source.getWidth(),source.getHeight(),source.getType());
    LookupTable look = new ShortLookupTable(0,threshold);
    BufferedImageOp buff = new LookupOp(look,null);
    buff.filter(src, dest);but I don't know what it's really change, if it's the input level of the BufferedImage, the gamma, the twice...
    So to compare I used a commercial Software and I seen that my result is corresponding to a change of the input level of my BufferedImage and a gamma correction too. But i just want to change the input level of my BufferedImage, but I don't find example wich does that, so I try to make a gamma correction in the aim of cancel the first gamma correction produce by my LookupTable.
    I hope you understand me. The aim is to make an histogram modification of a BufferedImage.
    thank you

  • FCP Gamma Correction

    This isn't something that can really be answered, I just wanted to vent a little frustration about the way Apple handle the display gamma with FCP.
    From my understanding, Apple assume (and advise) that monitors are set to 1.8 gamma when running FCP, video shown in the viewer and canvas windows is then shown darker to resemble a 2.2 gamma which is how most other computer users see it, although the actual footage remains unaffected.
    That's all well and good, except that I use a 2.2 gamma already because I want to see content in the same way as the majority of computer users in all my apps, and because FCP is making the video look darker I'm no longer seeing realistic results when using it. Apples recommendation to use a gamma of 1.8 to get around this seems like madness to me, why can't the gamma correction be turned off in the FCP user preferences?
    At the moment I have to export quicktime files and view them outside of FCP to see what they really look like without the fake gamma correction, and then blindly make adjustments in FCP and repeat the whole process until I get the result I'm looking for - hardly a good way of working.
    Apple, please give us a check-box in the preferences to stop this forced gamma change.
    Paul.
    Message was edited by: Videotrader

    Hi Fergus
    If your concern is regarding the gamma calibration of your apple display then open up the OS X System Preferences > Dsiplays pane, Choose the Color tab for the appropriate monitor and press the Calibrate button ... in the first window of the Display Calibrator Assistant don't turn on Expert Mode, just press Continue, the very next screen allows you to set the target gamma, either the Mac OS standard gamma setting of 1.8, or the PC/TV standard gamma setting of 2.2 ... step through the remaining settings and save / use your new calibration profile.
    As to your actual question ... go to admit that I don't know mate! But if FCP does indeed make adjustment for your display gamma settings, it will do it with reference to your displays calibration.
    All that said, your gut instint is correct, you should NOT be using your apple dispaly for making critical color correction decisions. It's totaly wasting your time. You can only make reliable critical color correction decisions when using a properly calibrated reference monitor
    Hope that helps
    Andy

  • Gamma Correction

    I have a large number of family photos which I have scanned and stored as TIFF files.   Now that I come to print them, I have found that the gamma needs correcting on all of them  to make the prints come out right on the printer I have (Canon MG6300).     Is there any software, Adobe or any other, suitable for this job?

    No, gamma correction can't be done simply by adjusting brightness and contrast. I have videos that are too dark, and increasing the brightness only changes them from murky black to murky gray. But when I saved a still frame and looked at the image with the Mac's "Preview" application, whose Image Correction tool includes a "gamma" adjustment, I found that I could expand the range of black shades to approximate a decent-looking picture. Try it yourself and you'll see what "gamma" does.
    MPEG Streamclip is a good program, though. I've used it to fix videos with faded color or poor contrast.

  • MySQL on Sol.7 x86

    Hi there,
    Has anyone compiled MySQL on Sol.7 x86?
    When I try that, I failed at configuration phase, I got the zero size of "char" error, and MySQL suggested me
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    After some troubleshooting and a bit of luck, the problem is the following:
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    There is a bit more information, the problem is recurring but I did not found which task was causing the error so it was not only the installation that was causing the problem. After installing the KB3008923, the problem was present on any x86 Windows 7
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    After installing the January update, the problem is gone.
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  • Help with Gamma correct rescaling

    So apparently Photoshop does not correctly account for Gamma when re-scaling an image, which can change the overall brightness in a noisy image:
    http://www.4p8.com/eric.brasseur/gamma.html
    http://www.kiransprojects.com/blog/2014/photoshop-blending-is-broken/
    Is there any kind of solution in the works? Scaling does the right thing when working in 32-bit mode, but when creating things like textures for games, most work is in 8-bit mode, so switching to 32-bit mode every time I need to resize my image is not feasible.

    Exactly! in a default 8-bit image the colors are gamma encoded, but when Photoshop re-sizes the image it treats it as if it was a gamma 1.0 image.
    So if I have an image that has a lot of high frequency details like this UI bar:
    if I then scale it down in Photoshop (which I would do if I was making an IPhone app that needed retina and non retina images, or if I just like making my images at a higher resolution and then scale them down when finalized), I get this:
    when I should be getting this:
    I got the second image by turning my image to 32-bit mode and then re-sizing it, which preserves the brightness in the blue area. The difference is subtle, but here is a side-by-side:
    The first one is when re-sized in 8-bit mode, the second one is re-sized in 32-bit mode. you can tell that the image on the right preserves the brightness of the blue part, while on the left it gets darker.
    In most cases the effect is not noticeable, but in some cases it can be very destructive on small patterns. I think most people who use Photoshop don't understand or care about the difference, but when I've explained it to my co-workers, they all agree that the expected behavior is that re-sizing should preserve the visual brightness of the image. At the very least there should be some sort of option to do gamma corrected re-sizing in 8-bit mode.

  • Final cut pro gamma correction

    Hello.
    I bet people have posted this before but after searching I could not find a concrete answer.
    I have FCP 6 and Color 1.5. My display gamma is at 2.2. I edit my cut in FCP and send it to color. No problems there. I color correct in color and it looks good. I render out a quicktime. Then send the sequence back to FCP. The FCP previews it really dark. I can't do anything to change that. I go to check the rendered quicktime and it's fine, looks the same as color. If I render the final out of FCP it's also dark. This is kind of driving me crazy. Can anyone help?
    Thanks.
    Joey

    Not that I know of. They aren't designed that way. Color is designed to send a proper signal to an external monitor. FCP is just there to show you the picture, the best it can, so that you can edit. Neither are designed for color correcting for the web.
    Shane

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