Getting 24P raw footage from PP ro ENcore

Could someone outline an inter-application rundown between PREMIERE PRO and ENCORE of procedures and settings that make the most of 24P raw footage in editing and output.
This would include navigating extremely confusing respective frame rates of 23.97, 24, 29.97 and 30 all of which we have to choose again in outboard processing input and output (eg.in AFTER EFFECTS), then again in compression, and finally in setting up an ENCORE project.
Dealing with the interlace (which in theory you shouldnt have), and the numerous sidebar choices along the way the add to the mystery. Being consistent is not as easy as it sounds. Between what you start out with and what you end up with is a minefield where common sense does not always come out on top.
The end goal is a compression without apparent field issues that ENCORE can use to deliver an optimal Blu-ray.

The first preset has been selected.
Okay; but that is why I want to see the project panel. You can "select" a preset in the edit panel, but not "select" it as the actual transcode setting.
The Transcode Settings panel, not the Edit Quality Presets panel, is where you actually set the preset to be used.

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I was wondering though.....shouldn`t I just NOT DO Anything ?
Well, that would be ideal... but you know how THAT goes
There`s an Adobe document at its web site talking specifically about the
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Can you post a link? I'm just curious what it says. The biggest issue is that Canon actually has (at least) two different 24p "formats," and your camcorder records to the not-so-easy-to-deal-with version. It's what Canon deems "24pf," which means that it records 18 progressive frames and 12 interlaced frames, but it doesn't flag which are which, so programs that are not able to determine the pulldown cadence can't remove the necessary frames to create a true 24p clip. After Effects (and a number of other methods) can determine the cadence, but that's an extra step, obviously.
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Yeah, that makes sense, given the above. Do you have a really short clip you wouldn't mind uploading somewhere for a test? I can't find one anywhere online...
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You could, technically speaking, but aesthetically, you'd be pretty displeased with the results. The export process isn't any smarter than the import process, so unless you do the necessary steps, you won't get a good, clean 24p encode.

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I too would be interested in getting my hands on what you are looking for. And have tried. And I work on movies, tv shows, commercials as a grip... on crews....so you would think it would be fairly easy for me to find ... After more than a year of keeping my eyes peeled for stuff I still haven't been able to get material like that.
I'll mention what I've found out as it might help narrow your own search down.
First off you're not looking for "raw" footage... raw is a type of video format and when I read this thread title that's what I thought you were looking for...
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http://groups.adobe.com/assets/CreativeSuite5/CS5-Demo-Assets/
AECS 5_ Demo Assets_ final zip is the one I used...
within that zip file I used a couple clips of a guy running while explosions happen on either side of him...that you can "edit"... short though. you might find more stuff to use.
what you're looking for is "scripted" material ( could be MOS ( no sound ) --and probably would be if pro stuff )
pro stuff has sound mixed separately from the camera, and slates ( clappers ) are used in each shot to sync the sound later.
If you do manage to find "dailies" from a tv show or movie, commercial, etc... that would most likely be on DVD and the quality for editing and export would not be the best cause its aleady mpeg 2 - dvd compression for viewing....
If you want the original stuff it would have to be on hard drive or tape.... which isn't going to happen.
DVD dailies given by productions to the director of photography and some others on the crews are given BACK to production in most cases, and everyone signs secrecy clauses and all that stuff, so sharing that stuff with anyone is a clear violation of not only that contract but also the copyright laws.
So getting dailies is not a very promising and likely scenario.....
With maybe one exception... if you are an accredited school and you write to the producers of a TV show you MIGHT be able to get samples of very old show dailies or dailies from a show that has been cancelled a long time ago ( no more likelihood of marketing in a secondary market ) But as you know, DVD's are still sold now for old Hawaii Five-O TV shows...so this route for you is probably going to require you and your students sign some sort of copyright stuff etc just to "play" with the stuff...
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good luck

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Getting 24P raw footage from PP ro ENcore

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