Going from FCP to idvd

Please help me in the easiest terms possible! What is the best (easiest!) way to compress a file from FCP so that I can use idvd to burn it? It is a 3 hour wedding video.

The normal process in FCP is the same whether you're eventually going to iDVD or to Compressor then DVD-SP.
Step 1: Export a QuickTime Movie (File->Export->QuickTime Movie). Do NOT recompress all frames, but do include chapter markers (if needed). You can make the movie self-contained or not (I prefer self-contained movies but you will need more space than for a reference movie).
Step 2: Use the resulting file in Compressor. Choose an appropriate preset based on your program's run time. If no preset exists for the run time you have, duplicate a preset then adjust the bit rate to accommodate the longer run time. Make sure you use AC3 (Dolby Digital) audio - not AIFF. Once you have the settings you need, let Compressor do it's thing. You'll end up with an MPEG-2 video file (.m2v) and a Dolby Digital audio file (.ac3).
Step 3: Import the two files from Compressor into DVD-SP for authoring and burning.
Note that with a program that long, you won't have much space for menus or any other extras which is why I recommended using dual-layer media.
This tool may help in determining the bit rate you need to use: http://www.kenstone.net/fcphomepage/bitbudget.html
-DH

Similar Messages

Everything about the movie formats change going from FCP into iDVD.

I made a few movies and I simply want them on a DVD. I convert them into QT movies and everything looks great. When I move the files into iDVD, it squishes the actual movie into 4:3 even though the original QT movie is 16:9 and iDVD is set up for 16:9 and the quality is horrible. I check the "Project Info" and my 3.1GB file has shrunk down to a 376MB file. This has happened with the last two movies I made. I'm really getting frustrated. Help!!

He might also need to use Anamorphizer. See http://discussions.apple.com/thread.jspa?messageID=13023833&#13023833

What format to export from FCP for iDVD?

I am having trouble coming from FCP to iDVD. Material was shot HDV on a Sony Z5 and I downconverted to DV to edit on FCP. I make a Quick Time Movie of the edit (as DV PAL) but the pans are all juddery. How should I export from FCP to stop the juddering on pans?

http://www.sjoki.uta.fi/~shmhav/SVCDon_a_Macintosh.html#edit_convertMPEG
BTW, this is the mother of all FAQs here Sadly the FAQ section of the forum decribes just the problem, not any solutions. And searching the forums doesn't always work either.
ObSig: I don't benefit from the link.

From FCP to iDVD?

I haven't tried it yet, but I was wondering if its possible/easy to export a finished FCP movie into iDVD for the DVD production?
I didn't have enough hard drive space for everything from the FCP package, and so until I can get a better computer, or until I get more space, I only installed the essentials, which means I didn't install DVD Studio.

DVD Studio Pro itself isn't a large installation, it's just the supporting media for templates and such that will take up the extra space.
For iDVD, from FCP export a self-contained Quicktime movie, then import that to iDVD.
Honestly, you should take a look at using the FCP > Compressor > DVDSP workflow, since this will give you a lot more control over the encoding and mastering process.
For the record: DVDStepByStep

Exporting quicktimes from FCP to iDVD?

I am having trouble exporting quicktimes from FCP and bringing them into iDVD.
How do you make Chapter Markers on an export from FCP?

When creating chapter markers, make sure nothing is slected within your timeline (click in a blank space before hitting m). Hit m again and click chapter marker button.
When exporting your sequence, be sure to select Markers > Chapter Markers on the export dialog popup.

Compressed image going from iPhoto to iDVD

Why is it that the image gets compressed—like a mild version of CinemaScope opening credits on 4:3 TV—when I export from iPhoto to iDVD? The QT looks fine when I play it in QT but as soon as I bring it into to iDVD (or DVD Studio Pro), it gets squeezed. Is there a workaround?
Thanks!

I am curious about this as well. I can scan or import photo into iPhoto and they look perfect. Matter of fact, I know these are high quality images because I scan them in at 300dpi or larger and verify image settings in photoshop. They ALWAYS look good in iPhoto/Photoshop and in preview mode from iMovie but once burned in iDVD they come out like a low res preview in iPhoto - I keep waiting for it to bring in the high quality version but this never happens?

Burning anamorphic QT from FCP in iDVD-3

Hi There
I'm exporting a quicktime movie from an fcp project using a 24FPS timeline in anamorphic mode. I imported the Quicktime movie into iDVD 3 will start to burn but quits half way through. I've wasted about 4 DVD's so far using this setup does anyone know what could be the problem.
Thanks in advance

but I have QT 10.......I should drop to QT 7??
Like I said: you must have Quicktime 7 running. Anamorphizer will NOT work with Quicktime X.
If you don't have QT 7 running when you try to use Anamorphized, it will try to use QT X which won't work.
From another of my postings on the topic:
Get Anamorphizer at http://homepage.mac.com/sith33/FileSharing34.html
Make sure Quicktime 7 is open before you try Anamorphizer. (NOTE: You MUST use Quicktime 7 and NOT Quicktime X)
Place a copy of your movie clip in a new folder and drag that clip over the Anamorphizer icon. This should create a second file in that folder that start with Anamorphic- This is the reference movie you drag-and-drop into iDVD. Note that your clip in that folder (which is the movie the reference movie points to, must not be moved or deleted).

Can someone just spell it out for me? Going from FCP HD to DVD SD :-(

Hey folks. I hate to come here and ask a gargantuan number of questions, but this has been driving me out of my mind. I've tried asking specific question in hopes of simply finding one little problem that will fix my woes, but now it has come to this:
Can someone just spell it out for me?
How do I get my DVD going? I'll fill you in with all the knowlege I think you need.
I shot with Sony's HDR-FX1 and edited in Final Cut. That means I'm working with High defintion. The movie is set and solid, and runs One hour and twenty mintues. I'm trying to get it, the commentary track, the subtitle track, and a slew of video files (also shot in high def) onto one dvd. This goes beyond the 4.8 gig limit. Hence, i have a Dual layer burner, and have been burning onto DVD-R DL disks.
I've tried downgrading to SD format through steps from this website:
http://www3.telus.net/bonsai/Step-by-Step.html
I do all the steps to all of my files, and then start putting them into my DVD STUDIO PRO project. I have a recorded commentary which I add in, and I have written all the subtitles. The disk is in SD mode, and everything fits onto the dual layer disk. I've tried literally a dozen different ways, and something keeps going wrong. Either the menus won't come up, and just the film will play upon inserting, or the subtitle stream doesn't pick up- problem after problem. So, now I ask: Can someone simply spell out to me what steps I need to take to get my HD film onto a Dual Layer SD disk?
I apologize for how general this question is and how many directions it can go, but I'm at a breaking point after four months of failures. Thank you very much.

Hi man.
I don't really know which ways you've taken to put
the video into dvd studio, but since you're asking
for a step by step process, then here's what i do:
- export the entire hour out of FCP to a qt file
- take that QT file to compressor. the only audio you
really need is dolby 2.0. this would also reduce the
file size of video to make things fit in a single
layer dvd
I have always found that the 'Dolby 2.0' and '5.1' AC3 settings in Compressor badly affect your audio mix...it collapses the soundstage, takes away a lot of depth and imaging, and smudges the frequency range, so I usually output a 16-bit 48kHz, which holds things together much more nicely when working with a stereo mix. Problem is, for a feature-length films, the resulting output from compressor makes it too big to fit on standard DVD-R's with the M2V picture file. My workaround was to actually take take the original exported FCP QT movie (which has a 48kHz aiff soundtrack to begin with), and only lay the audio part of it in the track timeline in DVD studio pro, then lay the compressed M2V video on top of it. They're both still in sync, unless you picked different in/out points in Compressor. When you 'build' your Video/Audio TS in 'advanced burn' it somehow makes it small enough to all fit onto a DVD, while still maintaining the audio quality of the AIFF, instead of the crappy-sounding 2.0 AC3. Then you just use Toast to burn your disc. The difference in sound quality is night and day. So basically I do the picture in Compressor, but let DVD Studio Pro prepare the audio in the Advanced Burn stage.
It will be very difficult to get a good-sounding AC3 (what they call 'dolby' 2.0 or the wierd 5.1 encoding they use) unless you mix/master/encode your soundtrack professionally like regular studio films do. Just encoding it in compressor straight out of FCP or ProTools isn't enough. You lose too much.

Workflow that maintains clip handles going from FCP to Motion & back

I have a 25 minute Final Cut Pro sequence that consists of about 200 clips each about 7 seconds long. Each clip has a different linear speed change applied to it. I've already run the project through Media Manager, adding 5 second handles to each clip. I've been told by my color corrector that before sending the project to him I should send all the clips to Motion and apply optical flow for the speed changes there. The short version of my question is: Can I trouble anyone to suggest an efficient workflow in which I can send the entire sequence to Motion and have it make the round trip back to FCP as a sequence in which the motion files have been swapped in for the original clips and the handles of the original clips have been maintained on those Motion files?
What I've been doing is selecting the sequence in FCP and sending it to Motion. Once the sequence is in Motion I seem to have to apply optical flow to each of the 200 clips individually rather than to the group a whole, because with multiple clips selected Motion seems to want to apply the same averaged-out time remap to all of them. So I apply optical flow to the 200 clips one-by-one and Motion inevitably crashes several times during that process. After I've finally set all the clips individually to optical flow I then select the clips and choose export selection. I then have to wait by my computer for several hours while Motion asks me over and over again "Some optical flow files are outdated. What do you want to do?" I assume these prompts are the result of the Motion having crashed while the clip was still being analyzed for optical flow. Finally when this process is done, I have a series of clips without handles that I have to tediously re-import back into the original FCP sequence.
I'm using FCP 7.03 and Motion 4.0.3.
Any thoughts anyone might have would be HUGELY appreciated!!! Thanks in advance for the help!
Best,
Neil

Hi Neil,
About the handles: What do you need them for?
If the edit is not too complicated and almost all on V1, you can think of a workaround which is very tedious, and I doubt whether it will make you happy.
On V1 the original cuts. So you will always be able to find them back.
Then Copy everything to V2. And from there put every other clip on V3. (So clip A on V2, clip B on V3 , clip C on V2, etc. And now by selecting the cuts and type +500 or -500, you can extend the clips.
Like in the picture below.
Again V1 is the original edit and is there to repair the cuts on V2 and V3 later on.
(I used slug and Generators for this exemple. Off course they all stand for normal clips.)
After that you do your Motion Magic, like Patrick explained.
And back in FCP cut V2 and V3 back like V1 is.
Delete V1, and done.
Well, that's the theorethical part. I hope it somehow can help you in practice, because I assume your edit will be more complicated then the example...
I once did this trick with
Also: When you send your normal clip to Motion (So from track V1, then in Motion you can increase the value in the duration Tab (Timeline, top right, then extend the clip and then save. You know can use the handle in FCP. Not sure how to achieve that for the beginning of the clip. You should try that yourself....
Rienk

Going from FCP 6 to FCP 5

I am trying to take a project created on FCP 6 and continue editing on FCP 5.
This is what I have done so far:
I saved the FCP6 project as an XML file - in the four different versions that it gave me as options.
I took the drive that had all the files to the FCP5 machine and imported the FCP xml file. It would only take version 1.
The project opened up but it would only see the files that were on the timeline . All the masterclips and subclips in the bins were off line and the audio on the time line was out of sync.
Any ideas? Thanks in advance.
William

You must use the Media Manager (in the File menu) to create a copy of your project. This will consolidate all your media into a single folder that you can move to the computer with FCP 5. Make your XML file from the new project file that Media Manager creates.
Final Cut Pro XML compatibility list:
http://www.filmpronet.com/kb/index.php?title=FinalCut_Pro_XML_InterchangeFormats
Message was edited by: Nick Holmes, apparently I no longer speak English.

Exporting from FCP to iDVD to properly display on 16:9 and 4:3 TV

For some reason I cannot get my DVD (made in iDVD 5) to display right on 16:9 and 4:3 TV. Here is my info:
1. My clip is 720x480, anamorphic checked (fills up the canvas beautifully)
2. I export to QT movie DV NTSC 48 kHz (or DV NTSC 48 kHz anamorphic, this doesn't make any difference in the final result)
3. To display it as a widescreen in iDVD 5 I open the clip in QT Pro and change "Visual Settings" in "Movie Properties" to scaled size 853x480, than save. (That's a fix from one of the Apple articles)
3. When I import it to iDVD it displays it as "widescreen preview" and burns it as such
4. DVD comes out as widescreen, but when played on 4:3 TV doesn't display  letterboxed.
*5. How do I make it to play widescreen on 16:9 and letterboxed on 4:3?*
    - I tried to use the Anamorphicizer with many different clip-exporting options, but it never worked.
    - I also tried to use a couple of programs to change the iDVD's .ISO file, but I am not a programmer and couldn't get those programs do work for me.
    - I ordered iLife '08. Is there a fix in the new iDVD version?
    - I could use the Studio Pro, but I don't have a time to fix all those buttons, connect them to chapters, etc...  Seems like the developers should have done it for us to work as simple as iDVD.
I would appreciate any reasonable solution.

I am a five year final cut/idvd user and I am completely bewildered why my exported quicktime 720/480 movie with chapters and not widescreen defaults to widescreen in IDVD. I have tried everything, 5 days of tech help, and even brought it to the store where they couldn't figure it out..I don't know how to use studio pro but toast burns it fine 4:3 and doesn't stretch it like widescreen. Is this a bug or problen in ilife08?? I am so sad if I cant use IDVD...it has beem such a great program///how difficult is studio pro? AMy suggestions? I am working on a mACBOOK PRO...AND NEWEST FINAL CUT

Help please... Audio sync issues going from iMovie to iDVD (iLife '09 packa

I've tried technical support, I've tried looking online but nothing seems to have helped, so here's the problem:
I have a video/movie, that is around 58 minutes long, I share it to iDVD and the other media formats from iMovie. The vid has music, transitions, titles, credits, etc... It plays fine in iMovie while I am editing it. The problem comes when I try to export it to another media format and to iDVD.
There's a section that has major audio sync issues that I have no idea how to even begin to fix. There is audio and music from the 55 minute mark that plays over the 27 minute mark for a good 3 minutes of video and audio.
I've tried some of the suggestions I've come across but nothing seems to work. Does anyone have anything that they can offer this very frustrated guy? Please and thank you in advance.

I don't shoot 12 bit audio (ever) so I'm not an expert on fixing it or converting it back to 16 bit audio. I can only report what others on this forum claim to have worked (in some cases with marginal success).
The ones that comes to mind are:
1. video and audio extraction in an attempt to re sync.
2. exporting back to the camera from iMovie and then re-importing as 16 bit.
http://support.apple.com/kb/TA25603?viewlocale=en_US
http://discussions.apple.com/thread.jspa?messageID=8113985
Message was edited by: SDMacuser

Going from FCP 7 to FCP X...

I've decided to jump to FCP X. I found this app that can convert FCP 7 XML file so that FCP X can read them.
It's $10 USD in the app store.
http://assistedediting.intelligentassistance.com/7toX/about.html
Until I learn more about FCP X, I can do my edits, added audio and texts (and want-nots) in FCP 7. Export the XML file and import the edited files into FCP X to finish up. (FCP X has a better color corrector compared to FCP 7.)
Here's a video about how to use the app...
http://youtu.be/sk4eTu5nEWc?t=19m30s

David,
For the first 6-9 months after FCP x was released I couldn't see any reason to change from FCS and I only occasionally experimented with it out of curiosity. After the 10.0.3 update I did some projects partially in 7 and partially in X. I straddled the fence up to the time when 10.6 was released. I then committed to learning it and making it my primary editor. By mid last year. I had essentially completed the transition. Now the time I spend with the legacy FCP is limited to the odd re-edit of an archived FCP 6 or 7 project. And it feels kind of strange to be working in those earlier versions.
Hope you enjoy the transition experience, which I suspect will go a lot
faster than mine did.
Russ

Trouble Going From FCP to Color

Every time I send my FCP file to Color I get a red X and cannot see or play the clip back. I am new to this program and am unsure of what I am doing wrong. I have looked in the manual and haven't found anything mentioned at all about a red X. If you could help me that would be great. However, if you are going to be a douche bag in your answer, please don't respond. I know that this is probably a simple question but I need help and this IS a help forum. Like I said, if you are honestly wanting to help, please reply. If you are a jerk, go somewhere else as your response is not wanted here.

pointing out that I'm a jerk before I even get a chance to be a jerk is a bit over the top, don't you think?
Yeah remember the John Lennon Song "all we are saying is give jerks a chance."
I guess this is exactly the kid of response Ecarlso was trying to avoid..oh well at least Zeb gave you your answer. Maybe you could reward him

Going from FCP to Adobe Premiere

Hello,
I am ending a job with a company that works with all PC based programs. I have done a lot of work in FCP for them. As I leave the graphic designer of the company requested that I give her all the project files so that she can modify them if needed. Is there anyway to convert the Final Cut Project File into something that will open in Adobe Premiere? If I sent her all the capture scratch and the project files would this work?
Anything to helps.
thanks,
Johnny

Premiere Pro (CS4 and CS5) can open Final Cut Project XML files .... export your projects using the XML option in the File > Export menu, then send her those together with the Capture Scratch media.
http://help.adobe.com/en_US/PremierePro/4.0/WSd9957a95a81082eb6c225fcd126718bfe7 0-8000.html

Going from FCP to idvd

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