Good HDTV for Program Monitor for Premiere?

Hi, firstly aplogies as I know there are quite a few threads on this subject. However, I have yet to find the answer I'm looking for. I need a monitor to connect to the HDMI port on a GTX 560 will will show the video ouput only. I have a CRT for SD material (going through firewire - although pretty useless as Premiere reverses the fields!?), this one will be for HD material.
I know baout the Ezios and Flanders etc but these are out of my budget. I also understand that using a computer monitor will not give the correct representation for video. So I'm looking for a a good HDTV at 24inches (if possible), under £500.
Please only supply your model recomendations and why. I'm not looking for another discussion on the benefits of blackmagic vs matrox vs HDMI etc please! If anyone has direct experience of a particular model in their own set up that would be great.
Thanks in advance.

why not get a 40 inch?
cheapest is dynex
but if you really want a awesome tv with good sound i would pick sony because speakers are on the bottom of the tv and it shoots the forward. samsung is good too but, the speakers are weak they shoot down not forward.

Similar Messages

Sluggish timeline and glitching/freezing program monitor in Premiere Pro CC 8.1

Hi all,
I've recently switched from CS6 to the 2014 Adobe CC due to a student license expiring. I'm also somewhat new to r3d workflow so chances are I may be doing something wrong.
I've worked on one other project with a mix of r3d and DSLR footage in CS6, but this is my first time cutting with red footage in Premiere CC.
*Apologies in advance for the novel, but I figured I'd be as thorough as possible to hopefully help get this issue resolved for myself any anyone else who's experiencing this.*
I'm cutting a 9:30 "party mix" in a music video style edit. So far I've had several (seemingly random) issues and glitches, that have been making my life exceptionally difficult and this 10/30 deadline exceptionally scary.
I'm working with content that we captured using exclusively RED Epic Dragon, and Epic Mysterium cameras. We recorded with several different frame rates, with varying resolution, compression, and aspect ratios. Project was set in-camera to 23.976.
Issue #1
I've created a nearly two hour, organized roll of sub-clip selects in a RED R3D 2K 23.976 16x9 timeline, in which i'll use to browse my raw media when sequencing on a timeline stacked directly below.
Often times when pulling clips from one timeline down to the other, the over-all responsiveness of the program will become ultra sluggish. Causing a clip (that's being dragged/placed) to lag heavily, maybe a couple seconds behind my cursor. This issue will often resolve itself after maybe 5 minutes or so, but makes fluid sequencing rather difficult.
Issue #2
The other issue I'm having is a glitchy or completely unresponsive program monitor. Again this issue appears to be totally random, and seems to happen most when I'm deep into some really intense sequencing/ clip arrangement, and scrubbing quickly.
Usually a portion of a single clip (or sometimes a couple clips) will freeze up in the program monitor while I'm scrubbing over them on the timeline. This will sometimes cause them to freeze all together during playback as well as cause surrounding clips to lag a bit (maybe 4-8fps).
I'll scrub back over the problem area and sometimes get a solid green bar halfway through my image, usually right before the program monitor just reads solid black throughout the entire timeline. This issue is temporarily resolved by restarting the program (about every 15-30 minutes).
Issue #3
As I'm scrubbing I'll also experience heavy glitching with both my image and the program monitor GUI itself. However, this issue typically wont affect playback.
I've uploaded a quick camera-phone video of this issue as it's a little tough to describe Program monitor glitch - YouTube
I know the timeline is un-rendered in this sample, (but this issue happens either way).
Two painstaking weeks later, I've finally completed the first pass.
Working on revisions now, and ultimately I'd like to copy paste the sequence into a 4K timeline for before After Effects work and export.
I tried pulling it into a 4K timeline (with playback set to 1/8 res) and the issues stated above got 10x worse.
Sticking to the 2K timeline for now (with playback at 1/4 res)
P.S. I'm also cutting a much simpler corporate project with 5DMKIII footage and having no real issues.
As for my rig,
I'm running Adobe Premiere CC 2014 v8.1
Freshly installed Windows 7 Professional SP1 PC Desktop
Freshly installed Samsung 1TB SSD running my OS and Adobe CC
Intel Core i7-2600k CPU at 3.4GHz (8CPUs) - Watercooled
16GB Ram (3gb allocated for other programs)
Nvidia GeForce GTX 570 4GB GDDR5 - 3.40.62 Drivers installed
Pulling media from 2x 3TB Seagate Barracuda 7200RPM drives, striped at RAID 0
Thanks for reading!
-Sam

So it seems to be behaving slightly better in "Software Only"
Though slightly less frequently, I'm still running into the issues stated above, mostly issue #2.
I also have a new problem to add to this thread as I'm starting to pull clips into After Effects.
First being that (again, seemingly random) dynamic-linked clips decide not to show up on the timeline in AE, and then seem to vanish from the program monitor in Premiere as well.
As you can see in the screenshots attached- After Effects see's the media itself from which the clip came from, however it won't show up in the monitor.
I'm also having issues where I'll render the Premiere project with the dynamic linked clips that DO work, and then as soon as I restart the program, those previews are gone and I have to re-render the the AE Linked comps.

Two Program Monitors in Premiere Pro CS6?

Is it possible to have 2 program monitors in Premiere Pro CS6? I'd like to view the composite video and scopes at the same time.
Thanks,
David

Use a "Reference Monitor" for your scopes

Userexit or BADI for program *RMMRP000* for background job

Hi,
We are scheduling background job for MRP through SM36 using program RMMRP000 or Through Transaction MDBT (MDBT is calling program RMMRP000) which creates PR (through background job).
I want to default one field in PR (PO Price field in valuation tab in PR default to gross) using any userexit or BADI.
Can any body suggest me userexit or BADI for program RMMRP000 for background job
Regards.

Hi,
1. The below are the List of Userexit for this MDBT t.CODE.
2. But i dont see any one helping to resolve your issue.
3. May be you should lookg at the Userexit for me21n or relevant Purhcase requisition creation transaction.
reg
dsk

Source and program monitors in Premiere are Pure Grey, no video, no frame for video

I can load a clip into the source monitor; it has the name on top ("Source: [clipname.MOV"], but there's no video there, not even a frame where video would go. Let me be clear: this is not a black video frame situation. The Source monitor is the gray background color edge to edge. If I play the clip, the position indicator moves and I hear sound.
The same situation for the program monitor. Timeline is open, video and audio are there -- and the V1 track is enabled. Play it and there's sound, the position indicator in the timeline and the program monitor track perfectly, but all there is in the program monitor is the grey background color edge to edge. The timeline that's open holds a amall edited piece that used to show up quite fine in the Program monitor.
When I go into the setting of the source and program monitors, I see that "composite video" is selected...
Ah, now the plot thickens. If I choose something else, let's say "Vectorscope", when I select "Composite Video" again, it STAYS as a Vecotorscope. In the dropdown Composite Video is checked (dotted, really), but the Vectorscope remains. It's almost as if the video is not redrawing itself.
I would think there's some easy solution to this, that this must be a newbie kind of problem, and perhaps I am not phrasing the question right when I search the forums or google the problem, but I've been unable to find the answer on my own, so I appreciate the help in advance.
Claudia

More information needed for someone to help... please click below and provide the requested information
-PPro Information FAQ http://forums.adobe.com/message/4200840
MOV is a wrapper, what is inside your wrapper?
Codec & Format information, read both links in reply #1 http://forums.adobe.com/thread/1270588
Report back with the codec details of your file, use the programs below... A screen shot works well to SHOW people what you are doing
http://forums.adobe.com/thread/592070?tstart=30 for screen shot instructions
Free programs to get file information for PC/Mac http://mediaarea.net/en/MediaInfo/Download
What is your exact brand/model graphics adapter (ATI or nVidia or ???)
What is your exact graphics adapter driver version?
Have you gone to the vendor web site to check for a newer driver?
For Windows, do NOT rely on Windows Update to have current driver information
-you need to go direct to the vendor web site and check updates for yourself
ATI Driver Autodetect http://support.amd.com/en-us/download/auto-detect-tool
nVidia Driver Downloads http://www.nvidia.com/Download/index.aspx?lang=en-us

Good 17-19" color monitor for under $200?

I'm looking for a decent color monitor -- in terms of color fidelity and contrast ratio -- for under $200, preferably $150 or less. Is that possible? My current monitor makes pictures appear too dark when editing, even with the brightness turned all the way up. When I edit photos to make them look good on the screen, they appear washed out elsewhere (i.e., on other screens or when printed).
I'm obviously not a pro looking for top of the line stuff -- just a decent 17-19 inch monitor for editing photos in Lightroom. Thanks.

While a better monitor is always, well.....better...I'm not sure that's going to solve your problem. The issue appears to be one of color management, particularly monitor calibration. I would strongly advize investing $25 and taking a one month membership at lynda.com. There you can check out some excellent video training on this subject (and many others).
My experience is that to get anywhere close to matching prints to what you see on screen, be prepared to spend a couple of hundred bucks on calibration software and hardware. I opened this can of worms a couple of years back and it took a while to get my head around the concepts of color spaces, gamuts, soft proofing, hardware profiles etc. etc. But it was worth it in the end. I'm certanly no expert, but I have a much clearer idea of what's going on with my prints color-wise. Screen-to-print is still not an absolutely perfect match (is anyone's?), but close enough for my purposes (weddings, events, portrait photography).
I looked into getting a better monitor, but my research tells me that if I'm paying much less that $1500, the result may not be much better than what I've got (an old View Sonic GS771, a snip at $20 !!).
Seriously, lynda.com, you can't go wrong. Best money I ever spent.

How do I output the program monitor from Premiere Elements 13 to an external TV monitor?

I can find information about dual monitor set ups, but is it possible to output the program monitor only to an external monitor?
If so, what is needed?
I'm using PE`3 on a PC with Windows 7 64 bit with an NVIDIA Quadro NVS 290.
Thanks

bobj
Have not found a way, but....
Do you have a HDMI cable and does your computer and TV each have a HDMI port.
The TImeline panel appears to be the only undockable panel in the Premiere Elements 13/13.1 Expert workspace area (Window Menu/Dual Monitor)
The best I can do is to make a HDMI connection between the HDMI ports of my computer and TV, with display at Duplicate or Extend. That does not appear to be what you seek.
The other part of all this is that Premiere Elements used to have a "Playback Settings" in Project Settings and accessed from
right clicking the Edit area monitor. That is no longer to be found in 13.1, even in a grayed out state. And, for me, the Playback Settings could not be made visible
when attaching a 3rd party device.
In the days of Premiere Elements 11, the answer to your question might have been as described in the following
Adobe Premiere Elements 11 * Previewing movies
Until proven otherwise, I am thinking that it cannot be done in Premiere Elements 13/13.1. But, I am not at a stage where I would put a never and always stamp on this.
ATR

Guidelines for Health Monitoring for TimesTen

This document provides some guidance on monitoring the health of a TimesTen
datastore. Information is provided on monitoring the health of the
datastore itself, and on monitoring the health of replication.
There are two basic mechanisms for monitoring TimesTen:
1. Reactive - monitor for alerts either via SNMP traps (preferred) or
by scanning the Timesten daemon log (very difficult) and reacting
to problms as they occur.
2. Proactive - probe TimesTen periodically and react if problems, or
potential problems, are detected.
This document focusses on the second (proactive) approach.
First, some basic recommendations and guidelines relating to monitoring
TimesTen:
1. Monitoring should be implemented as a separate process which maintains
a persistent connection to TimesTen. Monitoring schemes (typically based
on scripts) that open a connection each time they check TimesTen impose
an unnecessary and undesireable loading on the system and are discouraged.
2. Many aspects of monitoring are 'stateful'. They require periodic
sampling of some metric maintained by TimesTen and comparing its
value with the previous sample. This is another reason why a separate
process with a persistent connection is desireable.
3. A good monitoring implementation will be configurable since the values
used for some of the chcks may depend on e.g. the TimesTen configuration
in use or the workload being handled.
MONITORING THE HEALTH OF A DATASTORE
====================================
At the simples level, this can be achieved by performing a simple SELECT
against one of the system tables. The recommended table to use is the
SYS.MONITOR table. If this SELECT returns within a short time then the
datastore can be considered basically healthy.
If the SELECT does not return within a short time then the datastroe is
stuck in a low level hang situation (incredibly unlikely and very serious).
More likely, the SELECT may return an error such as 994 or 846 indicating
that the datastore has crashed (again very unlikely, but possible).
A slightly more sophisticated version would also include an update to a
row in a dummy table. This would ensure that the datastore is also capable
of performing updates. This is important since if the filesystem holding
the trsnaction logs becomes full the datastore may start to refuse write
operations while still allowing reads.
Now, the SYS.MONITOR table contains many useful operational metrics. A more
sphisticated monitoring scheme could sample some of these metrics and
compute the delta between subsequent samples, raising an alert if the
delta exceeds some (configurable) threshold.
Some examples of metrics that could be handled in this way are:
PERM_IN_USE_SIZE and PERM_IN_USE_HIGH_WATER compared to PERM_ALLOCATED_SIZE
(to detect if datastore is in danger of becoming full).
TEMP_IN_USE_SIZE and TEMP_IN_USE_HIGH_WATER compared to TEMP_ALLOCATED_SIZE
(ditto for temp area).
XACT_ROLLBACKS - excessive rollbacks are a sign of excessive database
contention or application logic problems.
DEADLOCKS - as for XACT_ROLLBACKS.
LOCK_TIMEOUTS - excessive lock timeouts usually indicate high levels of
contention and/or application logic problems.
CMD_PREPARES & CMD_REPREPARES - it is very important for performance that
applications use parameterised SQL statements that they prepare just once
and then execute many times. If these metrics are continuously increasing
then this points to bad application programming which will be hurting
performance.
CMD_TEMP_INDEXES - if this value is increasing then the optimiser is
comntinually creating temporary indices to process certain queries. This
is usually a serious performance problem and indicates a missing index.
LOG_BUFFER_WAITS - of this value is increasing over timne this indicates
inadequate logging capacity. Yiou may need to increase the size of the
datastore log buffer (LogBuffSize) and log file size (LogFileSize). If that
does not alleviate the problem you may need to change your disk layout or
even obtain a higher performance storage subsystem.
LOG_FS_READS - this indicates an inefficieny in 'log snoop' processing as
performed by replication and the XLA/JMS API. To alleviate this you should
try increasing LogBuffSize and LogFileSize.
Checking these metrics is of course optional and not necessary for a basic
healthy/failed decision but if you do check them then you will detect more
subtle problems in advance and be able to take remedial action.
MONITORING THE HEALTH OF REPLICATION
====================================
This is a little more complex but is vital to achieve a robust and reliable
system. ideally, monitorting should be implemented at both datstores, the
active and the standby. There are many more failure modes possible for
a replicated system than for a standalone datastore and it is not possible
to ennumerate them all here. However the information provided here should
be sufficient to form the basis of a robist monitoring scheme.
Monitoring replication at the ACTIVE datastore
1.     CALL ttDataStoreStatus() and check result set;
If no connections with type 'replication' exists, conclude that
replication agents are stopped, restart the agents and skip
next steps.
It is assumed here that the replication start policy is 'norestart'.
An alarm about unstable replication agents should be raised
if this is Nth restart in M seconds (N and M are configuration parameters).
The alarm can later be cleared when the agents stayed alive K
seconds (K is configuration parameter).
2.     CALL ttReplicationStatus() and check result set;
This returns a row for every replication peer for this datastore.
If the pState is not 'start' for any peer, raise an alarm about paused or
stopped replication and skip rest of the steps.
It is assumed that master cannot help the fact that state is not
'start'. An operator may have stopped/paused the replication or
TimesTen stopped the replication because of fail threshold
strategy. In former case the operator hopefully starts the replication
sooner or later (of course, after that TimesTen may stop it again
because of the fail threshold strategy). In latter case the standby
side monitor process should recognise the fact and duplicate the data
store with setMasterRepStart-option which sets state back to 'start'.
If for any peer, lastMsg > MAX (MAX is a configuration parameter), raise
an alarm for potential communication problems.
Note that if replication is idle (nothing to replicate), or there is
very little replication traffic, the value for lastMsg may become as
high as 60 seconds without indicating any problem. The test logic
should cater for this (i.e. MAX must be > 60 seconds).
3.     CALL ttBookmark();
Compute the holdLSN delta between the values from this call and the
previous call and if the delta is greater than maximum allowed
(configuration parameter), raise an alarm about standby
that is too far behind. Continue to next step.
Notice that maximum delta should be less than FAILTHRESHOLD * logSize.
4.     CALL ttRepSyncSubscriberStatus(datastore, host);
This step is only needed if you are using RETURN RECEIPT or RETURN TWOSAFE
with the optional DISABLE RETURN feature.
If disabled is 1, raise an alarm for disabled return service.
Continue to next step. If RESUME RETURN policy is not enabled we could,
of course, try to enable return service again (especially when DURABLE
COMMIT is OFF).
There should be no reason to reject TimesTen own mechanisms that
control return service. Thus, no other actions for disabled return
service.
Monitoring replication at the STANDBY datastore
1.     CALL ttDataStoreStatus();
If no connections with type 'replication' exists, conclude that
replication agents are stopped, restart the agents and skip
next steps.
It is assumed that replication start policy is 'norestart'.
An alarm about unstable replication agents should be raised
if this is Nth restart in M seconds (N and M are configuration parameters).
The alarm can later be cleared when the agents stayed alive K
seconds (K is configuration parameter).
2.     Call SQLGetInfo(...,TT_REPLICATION_INVALID,...);
If the status is 1, this indicates that the active store has marked this store
as failed due to it being too far out of sync due to log FAILTHRESHOLD.
Start recovery actions by destroying the datastore and recreating via a
'duplicate' operation from the active.
3.     Check 'timerecv' value for relevant row in TTREP.REPPEERS
If (timerecv - previous timerecv) > MAX (MAX is a configuration parameter),
raise an alarm for potential communication problems.
You can determine the correct row in TTREP.REPPEERS by first getting the
correct TT_STORE_ID value from TTREP.TTSTORES based on the values in
HOST_NAME and TT_STORE_NAME (you want the id corresponding to the active
store) and then using that to query TTREP.REPPEERS (you can use a join if
you like).
The recovery actions that should be taken in the event of a problem with
replication depend on several factors:
1. The application requirements
2. The type of replication configuration
3. The replication mode (asynchronous, return receipt or return twosafe)
that is in use
Consult the Timesten replication guide for information on detailed recovery
procedures for each combination.
================================ END ==================================

The information in the forum article is the abridged text of a whitepaper I wrote recommending best practice for building a monitoring infrastructure for TimesTen. i.e. you write an 'application' in C, C++ or Java that performs these monitoring activities and run it continually in production against your datastores. Various aspects of the behaviour of the application could be controlled by configurable parameters; these are not TimesTen parameters but parameters defined and used by the monitoring application.
In the specific case you mentioned, the 'lastMsg' value returned by ttReplicationStatus is the number of seconds since the last message was received from that peer. The monitoring application would compare this against some meaningful threshold (maybe 30 seconds) and if lastMsg is > that value, raise an alarm. To allow flexibility, the value compared against )MAX) should be configurable.
Does that make sense?
Chris

Good low-cost widescreen monitor for one-screen editing?

Hello, I'm on a tight budget, looking for a widescreen monitor that is a good blend of low-cost but good quality (if possible!).
I will be doing all my work off this single monitor. I will unfortunately NOT be able to have a dual-monitor setup, nor have an external reference monitor. I will be editing HDV footage.
Any suggestions? Thanks!

It is a PVA screen with dual DVI and a D-sub connector.
I use three of them and they give me a good BFTB, "Bang-for-the-Buck".
If you consider the various panels in use, they go from low to high in quality, TN >> PVA >> IPS.

Using the 23" HD for only monitor for Macbook

I just bought the 23" HD cinema display and when I am at my desk I just want to use the 23" display. I just want to close the lid of my macbook and use the HD screen. I also bought a wireless keyboard for that purpose.
But I cannot get the macbook screen to turn off. I turned the mirroring off, I still have two monitors on though. On my pc I can turn the laptop screen off and just use my LCD TV in the living room. I hope I can do this, otherwise it is not going to serve its purpose.
Any quick response is appreciated.

Hi there, I just read this post because I have this same problem. I bought the 20" Cinema Display which is hooked up to the 2.2Ghz MacBook. And like the post says, the display on the MacBook stays on the whole time and I have to lean over and turn the brightness down. Apparently you have a different idea. Let me see if I get this right:
1. You shut the lid on MacBook
2. It puts the MacBook to sleep
3. Then you touch the on button on the display which wakes up the display only
4. Is that right?
Thanks
ejr1959

Need Driver for external Monitor for Macbook Pro

Does anyone know where I can get a driver to utilize the output from my macbook pro to an external monitor? It works great for my iOS but Windows 7 doesn't recognize any external monitor.

I've never seen an instance where an external monitor needed a driver.
What monitor? Did you download and install the Windows support software?

How can I generate clock in labview 8.0 and use it for programming and for hardware?

I have to generate clock for synchronizing hardware with my program, so I need to to use this clock inside the program and as an output from A/D. The clock frequency has to be aproximately 3kHz.

*Insufficient information*
First of all, i suspect that you are somehow believing that software can be timed by external signals. That is normally not the case, at least if you are using a standard Desktop PC.
So please do not mix software with "data acquisition". Data acquisition can be configured to be "buffered" which means externally clocked. You can use the onboard clock for this or (in case of most hardware) any other TTL compatible "clocksource". This will ensure a clocked acquisition of the samples. The samples are then transferred to your PC and stored there as an array. So your program has to fetch the data "in time", but not "hardwaretimed".
So please share some more information about:
-What is your task
-What is the hardware you are using
-Software versions (driver, LV)
-What is your current approach
thanks,
Norbert
[Edit] There is a difference between "softwaretimed" and "hardwaretimes" acquisition. What i described in my reply would be the hardwaretimed acquisition, which i would say make the majority of all acquisitions. Softwaretimed acquisition describes a single point acquisition where a single sample is requested by the software. So each time the software requests a new sample, it will be acquired. This method heavily depends on the performance of the systems and does most often not exceed few kHz (maybe 2 or 3). Furthermore, if you do not have a realtime or fpga, the acquisition if not deterministic which means that the samples are not acquired in a "static timeframe"; the delta t is not constant.....
Single point acquisition is only worth for very slow signals (most often up to 1kHz) or control circuits.
Message Edited by Norbert B on 12-01-2009 04:11 AM
CEO: What exactly is stopping us from doing this?
Expert: Geometry
Marketing Manager: Just ignore it.

I use my tv for a monitor for my imac, the past 3 days my tv screen blacks out for a second or 2 every 30 or so seconds

my tv blacks out every 30 seconds for about a second or 2.just started a couple days ago.I am using an imac, tried new hdmi cord and adaptor, hooked up my pc laptop via hdmi and no problems has to be the mac
Thanks David

I got an EyeTV Hybrid last week, and all I can say is wow, the image quality is amazing! I hooked up my Xbox 360 and it plays with absolutely no latency, just as they said!
So yeah, get the EyeTV!

Re: Using SAP QM & PM for Enviro monitoring for items like water, rooms

I am also using functional location and using the PM as a task list to generate an inspection lot (14). However, I am having issues getting the inspection lot to have a end date. The lots are only generating a 0 day cycle time for the lab.

Hope, Inspection start date & End date falls on same date.
Think, its being copied from PM Order Basic Start date & End Date in Header.
If you want to have some date period, you can make use of Priority field in Maintenance Plan (if you are generating orders through plan). Else, select the priority in Calibration PM Order directly.
Still, you face that problem, check the Scheduling Parameters for the Order type & Plant combination. Maintain some no. of hours in operation & do the scheduling in order.

Which cable connection do i use for exterior monitor for my macbook OSX version 10.7.3.

please help me figure out which port i need to use for this situation. Thank you for helping save this fail. Happy Monday.

Depends on what input plug you'll be using on your TV. VGA, DVI, Composite or HDMI. You'll need a Mini-DVI adapter and a cable from that to your TV. Here's the various types of Mini-DVI adapters on Amazon.com http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=min i-dvi&x=9&y=13
(Composite is the red, white and yellow RCA plugs on your TV or red, white and S-Video plugs.)
You'll also need audio cables to the TV using a 3.5mm stereo headphone jack to RCA sound plugs for VGA, DVI or Composite. You attach it from the headphone jack of your MacBook to the appropriate input plugs on your TV http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=min i-dvi&x=9&y=13#/ref=nb_sb_ss_i_2_19?url=search-alias%3Daps&field-keywords=macbo o k+audio+cable&sprefix=macbook+audio+cable&rh=i%3Aaps%2Ck%3Amacbook+audio+cable
If you connect the MacBook using a Mini-DVI to HDMI adapter you will probably need to use external speakers or a 3.5mm stereo headphone jack to RCA sound plugs connected to a stereo system for audio if your TV doesn't have separate RCA input plugs or a 3.5mm stereo input plug for audio with the HDMI plug. The Mini-DVI to HDMI doesn't carry audio and there're no audio plugs on most TVs to work with HDMI since it's expecting audio with the HDMI.

Good HDTV for Program Monitor for Premiere?

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