GoPro and DSLR footage together

How do you handle 30 fps GoPro clips inserted into a project of 23.97 fps DSLR clips? Can I retime the GoPro footage so that it reuns at 23.93 or 24 and looks natural?

When you put the footage in a 23.98 project, the application will recalculate the frames to match the frame rate of the project.

Similar Messages

What project preset do I use? AVCHD and DSLR footage being used in same sequence

I am using a Canon DSLR T3i and Panasonic HC-X920. They can both shoot native 24p which is how I will be recording. When I set up my CS6, what project settings should I use? I want to mix the two sources on the same time line so I'm confused on how to do this because on the sequence settings I can only choose either AVCHD or DSLR. I want to do simultaneous multi-camera editing on the same timeline. So its not like I can set up two different sequences with different settings because I want to be able to cut back and forth within the same sequence while using both cameras. (problem is... two different types of footage ).
Thank you - Mark

Thank you so much for your input. Yes, I should have been more specific when it comes to the frame rate; it is indeed 23.976 for the T3i as well as the Panasonic. I have mixed T3i footage recorded at 23.976fps and then tried to mix in a Canon hf-M41 (avchd) camcorder which records in 60i "supposedly". Although Premiere says it is 29.97 when I bring it into the editor. Anyways when I would mix these two formats it looked like crap. The preset was set up for the DSLR and the hf-M41 played like it was in slow motion even upon rendering and exporting. I would get the red line above my M-41 footage because it didn't match the preset settings. I would then render it thinking it would look right but...nope. I just bought the Panasonic HC-X920 today from BandH, it has a 30 day return policy so I will see how the T3i and Panasonic work together within Premiere. I purchased the Panasonic because the Canon M-41 footage looked so crappy when it was mixed with the T3i in the timeline(because of the different fps and interlacing). I used the Adobe Media Encoder but I got the same results of crappy slow motion jittery footage from the M-41 when I tried to convert it to a 23.976fps .MOV file. Since the Panasonic shoots native 23.976, the two "should" work better together. My only concern is the difference in codecs because the frame rate should be identical. I don't want to get that red render bar when I bring the Panasonic footage into the time that was set up for a DSLR or vice versa. If I do I'm afraid of the obtaing the slow motion effect again. I must have the auto focus from a camcorder when I'm shooting on a jib or other tough moving shots like a steadicam.

Exporting R3D and Dslr footage, getting flicker/strobing on export. What is going on?

Has anyone experienced a flicker or strobing like bug when working with R3D footage?
I am currently using an ultra key effect for the green screen keying, the DSLR footage is fine no flicker or strobing, also applied ultra key effect to DSLR.
I am not sure what the problem is, my next steps would be either to check if AE green screen keying or transcoding the R3D footage to Pro-Res 1080p.
Hope people can help me out. Have a deadline and would love to figure this out before another night of exporting.

I nested the sequence and that worked.
Is it possible that my cheap dell monitors are not good enough to display video off my new Mac Pro?
If so any recommendation for monitors.
Thank you
Sergio

Editing SD and HD footage together in one project in FCE

I have both SD and HD footage that I have imported (in addition to still shots) into a project, which is now ready to edit in FCE. This is my wedding video and I would love to avoid as many problems as possible before I get too far down the road in editing. Is there anything I should know about combining the SD and HD footage in FCE? Are there certain settings that I should check before editing? I am concerned about aspect ratios and how that might ultimately skew the picture when burned to a DVD. Any basic guidelines that you could provide would be very helpful. Thanks!

This is great information, thank you. After reading the responses, (and doing some additional research) I think I'll try create a shortened version of the video using only the HD footage and share via youtube and/or vimeo. I would also like to produce a longer video (under 1 hour) that includes both my DV and HD footage and burn that DVD for a few people. Given that I will be burning this to DVD, it seems that I should downsize the HD footage before editing to have it all at the DV level for one sequence in my FCE project. I have two questions for creating this longer video with the output to DVD:
1) How to downsize the HD footage: there seems to be several suggestions for this process, so I was wondering which is the most effective (and least time consuming). Please note that I have already loaded all the clips (DV and HD clips) and still photos into a new project, which took some time. I hope to be able to leverage that effort in some way (so I don't have to start from scratch again).
     a) Convert the HD footage using Streamclip before bringing it into the project
     b) Select the HD clips and export using Quicktime Conversion, select the DV codec, and resize for DV aspect ratio pixels (either 720 x 365 to match 4:3 DV aspect ratio, or 720 x 405 to match the 16:9 DV aspect ratio)
     c) Put all the HD clips in the project and do a batch export to DV
     d) Create a DV sequence in FCE and drag all HD clips to the timeline, which will automatically downsize them and will then require rendering
     e) Create a DV sequence in FCE and drag all HD clips to the timeline, then highlight all the HD clips, go to Modify > Fit to Sequence, which should resize it to match the sequence settings
     f) Resize the HD footage using a 3rd party app called Compressor before bringing it into the project
2) Do I still need to crop the footage even after downsizing the HD footage? I assume that "crop" means that the image will stil be too big for the DV level editing, so part of the image will not fit, so I will need to scale it (or something like that). Is that right? It seems very labor intensive to do that for every clip, hopefully this is not the case.
Thank you for your help!

Using 24p footage and 60i footage together?

Hello,
I am working on a project that will combine 24p footage and 60i footage. What would be the best way to go about combining these two. It's for a short that is shot similar to Cloverfield. I want to use 60i footage for the hand held footage shoot by the actors who are capturing their experience. I'd prefer to have that footage shot on 24p as well and degrade the quality in post, but I don't want to run the risk of them dropping my DVX100a and destroying it. I don't have any experience with 60i, or combining two kinds of footage, so advice is much appreciated!
Thanks!

> that they are not true 30p but really 60i rendered to 30p
Well, I certainly can't speak for all of these cameras, but I have played around with some of this "30p over 60i" footage -- but most of this was from HDV cameras, not AVCHD. Avoid if you can. Basically, the luma is progressive and the chroma is interlaced.
I have a function (it's actually part of the dv2film and hd2sd functions) that will deinterlace only the chroma, so can recover greatly true progressive output... but this is an unmitigated a pain in the *** to deal with all the time, and you certainly lose at least a little chroma resolution. Avoid :)

Best Presets and Export Settings for GoPro and Iphone Footage?

Is there a good preset that will handle Iphone 4/4s/5 video footage (720P on the 4 and 1080P on the 4S/5), and My GoPro HD Hero2? I typically record on the GoPro in 1080 30FPs, or 720P 60FPS. I generally produce videos with both types of footage.
What about exporting the footage? I prefer max quality. I store files on PC, and typically upload to youtube ( I have no restrictions to length or size on YT)
Using Adobe Premiere Elements 10 W7 64bit, 8GB RAM, I7, NVS4200M, etc.
Thanks

Iphone won't edit http://forums.adobe.com/thread/881246
-and http://forums.adobe.com/thread/1011411?tstart=0
-and a fix http://forums.adobe.com/thread/934466
GoPro http://forums.adobe.com/message/4486784
-says Cineform WITH GoPro, to convert to other formats
-http://gopro.com/software-app/cineform-studio/
Importing Video http://forums.adobe.com/thread/1065281
Saving & Sharing http://forums.adobe.com/thread/1051093
Sharing for Computer http://forums.adobe.com/thread/1058237
Steve's Basic Training Tutorials... steps are the same for several versions
-http://forums.adobe.com/thread/537685

Mixing DSLR and HDV Footage

I did a short search and did not find anything. Also, I know this is a huge topic - so what I really am looking formis direction. As the title says, I want to mix DSLR footage with HDV footage. Whe should I start?

Just edit in HD(V) and export to whatever you want: BluRay, DVD, web.

Workflow guides for P2, RED, XDCAM, AVCCAM, and DSLR

You've probably seen some of these before, but here's a post that pulls them together:
"workflow guides for P2, RED, XDCAM, AVCCAM, and DSLR cameras and footage"

Nice work Todd.
Now...what is the chance of something similar for "Audio in Premiere Pro" please
I have avoided doing too much to do with audio in PPRO and ALWAYS leave it to the audio pros that I have access to.
Recently I had reason to do a bit more myself in a couple of projects.( budget and time constraint made me do it)
Meant mixing a few tracks in PPRO for some Presentation type videos I produced for a client.
I fudged it a bit with some rudimentary live mixing and got an acceptable result but I could have done better if I had know a bit more ( and had a bit more practice). Actually I quite enjoyed the process to my surprise.
Even after reading up the manuals (I still had them from CS2/3) , I found they informed me about the "mixer tools - Off, Read, Write, Latch etc.." but they did not give a great amount of information on how/why to use them.
LIttle workflow tutorial would be great.

DSLR footage no longer recognized? Adobe Premiere Pro 8.2.0, OSX 10.10.2

A few months ago I upgraded my mac to Yosemite, and around the same time updated Premiere.
Premiere CC 2014 Now has major issues with DSLR footage.
First, I was able to get some DSLR footage in, but whenever I scrubbed through it in the timeline or source monitor the image would freeze, then the software would lock up.
The footage worked fine on a PC running the latest version of Premiere, and there was nothing unusual about this footage - .MOV, .h263, same type of material I usually work with,
I tried opening several other projects (mainly non-DSLR footage, but .MOVs exported from other sources) and CC 2014 works fine with that, so I think it's just something specific to that footage.
TODAY I try bringing some different DSLR footage in to Premiere CS 2014 and it won't even turn up in Media Browser. I try to drag the .MOV file in, and I get an error that the file isn't recognized. I tried dragging one of the files to my internal drive, same problem.
I still have 7.2.2 installed (last full release of Adobe CC before it was relabeled 2014). That takes the footage fine in Media Browser, and scrubs through it like I'd expect.
What's going on? Is it Yosemite? Is it Premiere 8.2.0? Did Adobe suddenly drop native support for DSLR files and now expect us to transcode everything??
Please help.
-Brian

Yes, I am not sure why Vinay's response was a PM. Agreed it would have been helpful to post publicly. All I did was uninstall Premiere Pro CC 2014, clicked yes for the option to remove preferences also, then immediately re-install.
Here is Vinay's message:
Hi Brian,
We have noticed this issue recently on 10.10.2 and we are trying to find the possible cause and as per my information this issue might arise due to licensing issues. So, might be in the OS upgrade process the licensing files are corrupted but right now I cannot comment on it. Please follow the step of Clean un-installation of Adobe products and the re-install them again.
Please uninstall all the Adobe applications manually from Applications folder one by one. Once done go to below locations and delete the specific files.
~ Files / Folders ~ Click on Go menu in finder and select Go to Folders option to type these location and click go to Navigate
/tmp
/Applications/Adobe*
/Applications/.AdobePatchFiles (hidden, use Go > Go to Folder command)
/Applications/Utilities/Adobe*
/[startup disk]/Library/Application Support/Adobe*
/[startup disk]/Library/Preferences/com.adobe*
/Users/[user]/Library/Application Support/Adobe*
/Users/[user]/Library/Caches/Adobe*
/Users/[user]/Library/Caches/com.adobe*
/Users/[user]/Library/Preferences/Adobe*
/Users/[user]/Library/Preferences/com.adobe*
Once the locations are cleaned. Please re-install Premier Pro CC 2014 only to check if it works fine. Once checked you can install all the applications again.
Please PM me once it is resolved.
//Vinay

How to edit HDV and HD 24F together?

Please help! I just did a 2-camera shoot, on Canon HV 40s. The problem is that my partner and I were in two different recording modes: HDV and HD 24f.
I am new to HD, and really don't know much about it. What is the difference between the two modes, and will it affect the look of my project when I edit footage together from the two modes?

I'd suggest using Streamclip to converty the 24F footage to the specs of the HDV camera footage.
I'm not a Canon user but I think 24F is 24 progressive.
FCE does not work directly with 24 fps.
Al

Premiere Pro CS5 playback stops with Canon DSLR footage

I am using Canon DSLR footage (5D and 1D). When I import the footage for the first time everything works OK. If I save, close and reopen the project without doing anyother activity on my PC everything continues to work OK.
My problem is that after I close the project and start doing other activity on the PC e.g. using Photoshop, Dreamweaver, Flash etc and not necessarily all of them, and then reopen Premiere Pro I then start to get a problem with playback stopping on the timeline after about 5-10 seconds.
What I have found is that if I import a fresh Canon DSLR file from the camera then everything starts working fine again until I start using other programs.
There must be something on my PC that is causing a conflict but I can't work out what it is.
Are there any known issues that might help me solve this problem.
My PC is running Windows 7 Pro, 64 bit. I have two x 2.66Ghz quad core processors (NOT hyperthreading), 12 GB RAM, Nvidia FX 4800 graphics card.
Any help would be appreciated.

I have finally resolved this problem and it is several weeks since the "fix" with no repeat of the problem.
I uninstalled Nero from my system and straight away the problem resolved.
I noticed that prior to removing Nero that it was taking priority over Quicktime which, I think, was causing the conflict with codec for the Canon DSLR files in Premier.
It has now been 4 weeks since I removed Nero and there has been no sign of the problem of the video footage stopping in playback on the timeline.

Working with DSLR footage?

1. Is it easy to work with DSLR footage (Canon or Nikon) with CS6?
2. Do you just copy the folder from a media card and access it directly from the media browser?
Thanks in advance

1-depends on your computer... since you provide no hardware information, no way to answer
2-yes, and read http://forums.adobe.com/thread/1015001?tstart=0

Color noise in highlights in 16 bit comp (DSLR footage)

Hi,
I'm trying out a workflow to get the most out of my DSLR footage and it results in some weird color noise (not sure what to call it) as shown in the picture.
Here's the workflow I'm using: https://vimeo.com/39979623
Basically, I import the DSLR footage into a 16 bit project, apply Red Giant Denoiser and dither (noise). At this stage the footage looks fine.
I then render using Avid DNxHD as video codec and change colors to trillions. If I play that exported footage in VLC, there is no noise.
I re-import that footage into AE (same or new project in 16 bit) and now the highlights have gone weird and it also persists when I render the comp to h264. If I change it to a 8 bit project, that problem disappears.
Could anyone explain what's happening?
Thanks!
I'm using CS6.

Apologies
After Effects CS6 11.0.4.2
Windows 7 Professional, 64-bit
Intel(R) Core(TM) i7-3930K CPU @ 3.20GHz, 3201 Mhz, 6 Core(s), 12 Logical
16GB RAM
GeForce GTX 680 (driver version 347.52)
I have installed NVIDIA GPU Computing Toolkit 6.0 but I think there is a new version - I have no idea if that has anything to do with this but I'll update it tomorrow in any case.

Premiere Pro CS3 DSLR footage problems

Hi guys, hoping to get some help regarding adobe premiere pro CS3. I am trying to import and compress some DSLR footage which I have captured on a Canon 5D mark 2 camera. However if i drag more than 3 or sometimes 5 minutes of footage on to the timeline the program crashes. Also sometimes my compressed footage has red screens in the playback some lasting a 3 to 4 seconds at start of clip and some a split second. Any ideas and help would be greatly appreciated.

CS3 is not capable of handling dslr footage.
You need to convert.
Might want to look at Neoscene or mpegstreamclip.
http://cineform.com/products/neoscene
http://www.squared5.com/svideo/mpeg-streamclip-win.html

Are these parts ok for a premiere pro system(editing mostly dslr footage)?

Hi
I'm planning on getting a editing system for cs5.5. I'll be dealing mostly with dslr footage. Could you point out if there's anything "wrong" with the following system:
motherboard: ASRock Z68 Pro3, Z68(it has integrated graphics which I can disable in BIOS right?)
cpu: Intel Core i7 2600K
cpu cooler: Thermalright HR-02 Macho
gpu: Nvidia GeForce GTX560 Ti (1Gb gddr5)
16Gb ram (2x G.Skill RipJaws-X DIMM Kit 8GB PC3-12800U CL9-9-9-24 (DDR3-1600) (Sandy Bridge))
psu: XFX Core Edition PRO 550W
case: Fractal Design Define R3
4x Samsung Spinpoint F3 1TB(#1 for Os, programs and pagefile. #2 and #3 for media and projects in RAID-0. #4 for scratch and exports.)
BD-RW
Windows 7 Pro 64bit SP1 OEM
Any advice will be appreciated.

Ok, one more question. Which one would you pick?
XFX Core Edition PRO 750W     http://xfxforce.com/en-gb/Products/PSU/Pro-Series/750W-PSU.aspx?product=34617
Super Flower Golden Green Pro 750W     http://www.super-flower.de/index.php?id=97
Corsair TX 750 V2 750W     http://www.corsair.com/power-supply-units/enthusiast-series-power-supply-units/enthusiast- series-tx750-v2-80-plus-bronze-certified-750-watt-high-performance-power-supply.html
These are all in the same price range(95-105€) with 60 months of warranty.

GoPro and DSLR footage together

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