Green screen keying layer does not export with rest of media in apple pro res 422

green screen keying layer doesnot export with other media in the sequence when using apple pro res 422

You really will need to explain this a bit more carefully, pretend we have no clue what you're doing, and phrase this in the form of a question. For all we can tell, this is exactly the result you wanted and you're just telling us about it.

Similar Messages

  • Hi there. I shot with a nikon d7000. The clips look great on the viewer but quite bad on canvas (also after its been exported) I converted my clips to apple pro res 422 using mpeg streamclip. The size I used was 1920 x 1080. How can I fix these?

    Hi there. I shot with a nikon d7000. The clips look great on the viewer but quite bad on canvas (also after its been exported) I converted my clips to apple pro res 422 using mpeg streamclip. The size I used was 1920 x 1080. How can I fix this?

    This is the clip:
    This is the sequence:
    I know they both should match. Question is, should I re convert the clips in mpeg using different size settings? Or should I change the sequence settings? how?
    Thanks A LOT.

  • Exporting a DV PAL Timeline as Apple Pro Res 422.......Any Advantages????

    Hello
    Apart from the file space you save are there any quality advantages in exporting a DV PAL sequence to Pro Res 422? Some of my students are convinced that it looks better and plays better on their monitors.
    I'm thinking that their final output will be DVD so will DVD Studio Pro allow you to import Pro Res 422? Is there any point being that the final sequence is going to be re-encoded to MPEG?
    I'm yet to test things myself so any pointer would be great.
    One particular student says that their QT sequence looks grainy in QT player where as Pro Res looks GREAT!!!
    Thanks
    Til

    Til
    One particular student says that their QT sequence looks grainy in QT player where as Pro Res looks GREAT!!!
    QT plays DV files at low quality by default. You can change it to high quality playback in movie properties: Apple + J.
    You will not *add quality* transcoding the movie from one format to another. For DVD use you'll get the most of the quality exporting to MPEG2 using Compressor directly from your timeline with any extra transcoding in the middle.
    Hope that helps !
      Alberto

  • Exporting AVI to Apple Pro Res 422

    I am using Adobe Premiere Pro CS4 4.2.1 and I would like to export my source file (AVI) to Apple Pro Res 422. Is that possible?
    If not, which format do I export my video to be used on a Mac running Final Cut Pro. I realize I can export using Quicktime, but then Final Cut Pro would have to render the video. I am hoping to avoid the additional rendering step.

    Open the AVI file in MPEG Streamclip, and choose prores 422 as the export option, and see if that works.
    Here Is A Link To A Tutorial On How To Do It

  • Export to quicktime audio out of sync Apple Pro Res 422

    hello forum!
    In a tizz as have an film due tomorrow but when I export to quicktime from final cut 7, the audio is out of sync...
    I've scoured the forums and lots of other people seem to have this problem when using H264, however I converted to Apple Pro Res 422 (LT) before pulling files into final cut, plus all of the sequence and final cut settings (as far as I can tell) are already set to Apple Pro Res 422 (LT). I don't understand what I am doing wrong!
    nb. the files seem to play okay in VLC

    Thanks for your reply David! Indeed my audio is 16 bit 48 kHz and there is no MP3 audio (have a wav music file included).
    I just spoke to a techy  friend who said the fact it is playing smoothly in VLC indicates the problem is with quicktime and not with the film itself, so I am currently compressing to something smaller and will see how I fare from there!

  • Apple Pro Res 422 HQ export... no movie at the end of it

    I just let an Apple ProRes 422 (HQ) export go for four hours.  At the end, there was no error message.  There was also no movie.  My sequence settings are for Apple Pro Res 422 (HQ) as well.  What happened?

    were you doing a file:  export:  quicktime movie (NOT quicktime conversion) with current settings? 
    Have you done a search on your hard drives for the file name? 
    Was your target drive formatted macosextended?  Some pc drive formats have a file size limit which might have caused a problem.
    You might try doing a short export by marking an in and out in the timeline and see if that works.

  • Exporting FCE project to Apple Pro Res 422 HQ Quicktime conversion file

    Hi Folks,
    I have recently tried exporting an FCE project (HD 1080 16:9) as:
    1. Quicktime file
    2. Quicktime conversion using Apple Pro Res 422 HQ
    and noticed that the Pro Res file is 2Gb. larger than the standard Quicktime file.
    Does this mean the quality is 2Gb better? (it certainly looks crisp and clear)
    Should I be doing this everytime I export from now on?
    Any information much appreciated.  Regards.

    Transcoding your material from one codec to a higher quality codec will not improve the quality of your source material. You are always limited by the quality of the image prior to the transcode.
    If you have a pair of shoes you want to store, you can put them is a shoe box, or you can put them in a shipping crate - but neither method will improve the shoes.
    The shipping crate will just take up more space.
    The only possible advantage of transcoding your AIC sequence from FCE to ProRes would be:
    1) you force the need to repeatedly decompress and recompress the file  - ProRes will bear this better than AIC
    or
    2) you plan to use the file in an edit system that supports working directly in Pro Res.
    MtD

  • When sharing through the export media option as pro res 422 i get error code 108

    when sharing through the export media option as pro res 422 i get error code 108 and message saying could not complete because an error occurred when encoding frame 3297 - error 108!!!
    what is this frame...is it a jpeg file i have imported...how do i locate it... its a 40 minute movie and it will share to dvd just wont let me create a quicktime .mov file... any suggestions.

    What frame rate is the project? Divide the 3297 by the frame rate to get an approximate location? What are the specs of the media at that location, video and audio?

  • If I imported proxy media to edit in fcpx, can I export a hight resolution (apple pro res 422 (hq)) version of the project ?

    If I imported proxy media to edit in fcpx, can I export a hight resolution (apple pro res 422 (hq)) version of the project ?

    OK, let me re-answer here.  You HAVE to have either original or optimized media, you can not have Proxy only media, when using FCPX's inport options.  You will switch between which FCPX is using; in 10.1 via the Canvas menu option called "Media", or in 10.0.9 and earily via the Preference's "Playback" settings.
    When set to Proxy, FCPX only references that medai, which is 1/4 resolution, and not full quality.  When set to Original Or Optimized, you'll get full resolution output, as FCPX is not referencing those files.
    The only way to have Proxy only media is to convert it in Compressor and then import that.  And that would just be a huge mistake.

  • CS6 Export Settings for Apple Pro Res 422 HQ

    My project is 1920 x 1080 (1.0) 23.976 fps, progressive and my special effects guy is asking for the project to be rendered out to Apple Pro Res 422 HQ. I can not find an export setting that offers 23.976 fps and is progressive. I have offered to give him an "XML" file but he is insistant. What can I do?

    I believe you will only find this option on a Mac that has ProRes installed from some other application, like QuickTime Pro or Final Cut.

  • Having some problems with Apple Pro Res 422 HQ and Hard Drives

    Hey,
    I've been having trouble when digitizing video via Apple Pro Res 422. First off I'm using a macbook pro 2Ghz intel core duo/2GB of Ram and my hard drive is pretty much almost full. I've set my scratch disks to a Lacie 1TB drive via USB 2.0. Second of all during the Apple Pro Res 422 capture process in the middle of capture it says that my Internal Drive is almost full and won't let me continue on with capture. I don't get it because everything in the scratch disks are set to my Lacie Drive.

    My Lacie has 1 firewire 400 and 2 firewire 800 ports but my computer is an early macbook pro that only has 1 firewire 400 port and 2 USB ports. So yea it kinda of stinks but could you recommend a eSata Express card?
    Message was edited by: Final Cut Pro 4.5

  • Apple Pro Res 422 HQ export - "render at max depth" and "24 bit or 48 bit depth"?

    I'm exporting my 90 minute feature for DCP using the Apple Pro Res 422 HQ codec. The film is 1920x1080 and that is what the export will be. We used a variety of cameras (Canon 7D, Sony XR160, GoPro, Blackmagic in HD) for the film.
    For the export options:
    Do I check "Render at Maximum Depth"?
    Which do I choose - 24 bit or 48 bit depth? - one has to be chosen even when "Render at Maximum Depth" is unchecked
    When I asked the DCP house, they said that "Render at Maximum Depth doesn't actually do anything when using this codec" and haven't answered the 24 vs. 48 bit question.
    This discussion:
    https://forums.adobe.com/message/4529886#4529886
    says that you "never need to enable the Max Render Quality (MRQ) unless you are exporting in a format/pixel ratio different from your original video."
    This discussion:
    https://forums.adobe.com/message/5619144#5619144
    adds insight into what 24 vs 48 bit depth means, but doesn't answer my specific question
    Thanks for your help.

    For your reading enjoyment -
    http://forums.adobe.com/message/4529886
    http://images.apple.com/finalcutpro/docs/Apple_ProRes_White_Paper_October_2012.pdf
    A question for you - what is your workflow where you think you might need this? Keep in mind that the majority of cameras only record 8-bit color, and also in a very highly compressed format, so you won't necessarily gain anything by going to 4444, as the source video is of limited quality already.
    Basically, if you don't have any high-bit-depth sources in your timeline to preserve the quality of, there may be little or no benefit to enabling "Max Depth".
    Thanks
    Jeff Pulera
    Safe Harbor Computers

  • Audio Does not export with ideo in quicktime conversion

    I know i did something with a keyboard shortcut during the editing process, but i cant figure out what i did and how to change it back. What my issue is that when i try to export it to any format in quicktime (in quicktime conversion) the video is ok, but my audio does not export at all.
    I dont know what went wrong but i should note i pressed something on my timeline that i didnt realize what it did. Its hard to explain what it looks like, when you press on different clips all the clips on my time line quickly turn a more silver/light color and then change back to the normal color(not effecting the video quality just the thumbnails). But it is has a weird color
    is there a way i can reset all settings without adjusting my video clips?
    Sound settings
    Format: Lubear OCM
    Channels: Stereo (L R)
    Rate: 48.0000 hHz
    Render Settings:
    Quality: Normal
    Linear PCM Settings:
    Sample Size: 16 bits
    Checked: Little Endian

    Hi(Bonjour)!
    Does the audio play when you run sequence?
    Did you toggle off the monitor icon at the left side of timeline for audio track?
    When export to quicktime conversion, select quicktime movie and click OPTION.
    From this point, you should see a checkbox for SOUND. Be sure to check it ON.
    Michel Boissonneault

  • New Applications model DOES NOT work with StandAlone OSD media

    If you are able to create StandAlone OSD media, the new Applications model DOES NOT work with it.
    - The creation of the media will be successful
    - The application installation itself will be successful
    Yet after the application is installed, it shows the correct process it needs to complete based on the return code in AppEnforce log, but does not process that information back to the the TS Manager so it appears to attempt to download a policy which fails
    causing the task sequence to error out..
    Thanks,
    Squirre1

    It is very similar to this description:
    http://madluka.wordpress.com/2012/05/15/error-0x8000405-when-installing-applications-to-a-workgroup-system-during-build-and-capture-task-sequence/
    It is using the application model, since it is not attached to the domain it is on a workgroup. But it is on standalone media and not during a build and capture sequence, it is during an OSD. But alot of the same puzzle pieces fit. Basically pointing to
    the new applications model not working during standalone OSD when the MP is not available. i would say that not enough information is getting encapsulated into the Application when exported onto the StandAlone media.

  • Cisco Aironet FW 15.2 Does not work with Non-Cisco Media Bridges

    I have a Cisco Aironet 1142i that was just updated from 12.4(23c)JY to 15.2(4)JA1 (don’t think model matters as the issue seem to be the firmware) and now I cannot get my media bridges (3 different ones) to either connect to the 1142 AP or obtain and pass the DHCP addresses to other device connected to the built in switch. If I reload the 1142 AP firmware to 12.4, than this works fine. I have not seen anything in the release notes that changed how this works or if there is I could not find it.
    Does anyone know why this changed and if there is any settings that I need to enabled / disable?
    Any help on this would be greatly appreciated

    More info to add to this.
    AIR-AP1142N-A-K9 Hardware Version of v06 works with firmware 15.2.
    AIR-AP1142N-A-K9 Hardware Version v05 does not work with firmware 15.2, but will when downgraded to firmware 12.4.
    I'm also having this issue with Cisco Aironet 3602 Fw 15.2(2)JB and 3502 Fw 15.2(2)JB$ that's on a Cisco 2500 WLAN Controller Sw Ver. 7.4.100.0.
    Any help on this would be greatly appreciated

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