Grotesque - an interactive fiction library manager

Grotesque is a library manager for interactive fiction (text adventures). Its currently at version 0.9.2, so it's close to feature complete but I'm still ironing out some bugs.
It features automatic metadata extraction for Treaty of Babel-compatible games. For other cases, metadata, coverart and ratings are fetched from the Interactive Fiction Database. For launching the games, you'll need a separate interpreter, such as Gargoyle.
There are two flavors available:
GTK2: https://aur.archlinux.org/packages.php?ID=28915
GTK3: https://aur.archlinux.org/packages.php?ID=51572
Enjoy!
Last edited by jakobcreutzfeldt (2011-08-16 18:11:37)

I don't think an interactive portion of a PDF is an obscure problem (lots of designers I know use rollable PDF files for emailing 3D models) and while I understand that it's in a legacy program, there is no guarantee if I purchase Acrobat X, that the same problem won't exist. It's no an issue in Reader 10 but then again, it wasn't an issue in Reader 9 either. Since Adobe doesn't give trial versions for Mac (stupid), I have no way of checking this. The problem doesn't annoy me as much as being an Adobe product user who upgraded only to not have functionality and not have a way to have it resolved.

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    pneb wrote:
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  • Aperture 3 VS. iPhoto Library management policies

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    The Well-trod Path. Walk it unless you have a map for a different route.
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    Within Aperture you can view individual images and any grouping of images. You can create a group based on any of the information you have about your images.
    The Project is your primary image holder. It has a unique, privileged relationship with your images: Every image must be in a Project; No image can be in more than one Project. You should make a Project from every actual, out-in-the-world photo shoot that you do. Shoot=Project. Stick to this (the mis-naming of "Project" is one of the worst interface decisions made in Aperture).
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    In additional to what I listed above, your Library may or may not contain your original image files. Each image in Aperture has an original. Aperture is non-destructive -- your original image files are never altered. If the original image file is contained within your Library, it is called a Managed Master (Aperture's pointer to this file, and the file itself, are both inside the Library). If the original image file is not contained within your Library, it is called a Referenced Master (the pointer in your Aperture Library points to a file outside your Aperture Library). Referenced Masters bring some important advantages -- but the new user of Aperture can rely on Managed Masters until the need for Referenced Masters arises. Aperture makes is easy to convert your original image files back and forth from Managed to Referenced.
    A Version is the name given to the variants and copies you make of you original image within Aperture. You use Aperture's tools to make Adjustments to images. Each group of adjustments you make to one image is saved as a Version. You can (and should) create as many Versions as you need. Versions appear as images, but are simply text instructions which tell Aperture what Adjustments to make to the original image file. Aperture presents these to you on-the-fly. This is brilliant. It means that Versions are minuscule compared to Masters. The gain in storage and computational efficiency is enormous.
    This also means that your images in Aperture do not exist as image format files. In order to create an image format file, you must export the image from within Aperture. There is no reason to do this until you need an image format file outside of Aperture.
    Aperture, then, is best understood as a workspace for
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    Your workflow is
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        add image-specific metadata
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    If you still need to synchronize between computers (which or NOT running Aperture) you could still be using your old folder structure. Import then from the _raw folder, organize and manage them in Aperture and use relocate masters to move them to the correct position. In Aperture you could setup a Project per shoot, and then (Smart)albums in that project for what used to be subfolders when you where working on Windows. For synchronizing between Aperture using computers it best to copy libraries. (You can export a project as a new library as well)
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    For HDR, there are some plugins for that, otherwise export to 16-bit TIFF (which is essentially RAW), do the HDR in PS and import back again. Not that big-a-deal.
    For there rest, when you encounter some problems anywhere on the Mac, think of the easiest solution you can imagine, that usually how it works on the Mac. That why you hardly ever have to leave your Aperture interface while organizing your photo's.

  • I am not able to open iPhoto, when I have used the iPhoto Library Manager, I get the message that "the iPhoto Library folder could not be found" Help!

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  • Suggestions for library management in Aperture, coming from iPhoto

    A little background....
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    Mac Pro Mac OS X (10.4.8)
    Mac Pro/Mac mini Mac OS X (10.4.8)
    Mac Pro/Mac mini Mac OS X (10.4.8)
    Mac Pro Mac OS X (10.4.8)
    Mac Pro/Mac mini Mac OS X (10.4.8)

    i am goin to point both of you in the same direction as i just did for another poster.
    http://homepage.mac.com/bagelturf/aparticles/aparticles.html
    he has FANTASTIC articles on use and setup of aperture ... rather than re-explain everything he has, your best bet at this point (imho) is to read over what he has ... digest that ... and then come back here for more details ...
    another solution the aperture pro training book by Luna and Long is basically an intensive course in a book ...
    http://www.amazon.com/Apple-Pro-Training-Aperture-1-5/dp/0321496620
    here is the o'reilly you speak of ...
    http://digitalmedia.oreilly.com/aperture/

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    iMac Core Duo   Mac OS X (10.4.8)  

    Hi! For those who use iPhoto Library Manager and have
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    iPhoto can only open a single library at a time.
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