H.264 gamma and/or color off

Anything I export as h.264 using QTPro looks washed out and the colors are off. Is there any way to tweak the export settings to correct this?

I have been spending the better part of 2 days trying to figure this out. So far I have learned that Quicktime is displaying a gamma shift in the rendered video and that the actual file is okay, it is quicktime that is messing it up. This also goes for anything that uses quicktime, like safari, itunes, and similar players that use the Core Video hardware acceleration. Computers or Players that don't use hardware acceleration will show the same file correctly when played. But of course this is still an issue for anyone viewing your video on another computer with hardware acceleration enabled. To them your video will look faded.
It happens far worse on windows machines where the gamma is set to 2.2 (my mac was set to 2.2 until I found this nasty H.264 bug in quicktime rendering.) In the 2.2 gamma environment the shift in brightness is very pronounced. In the 1.8 mac gamma environment, it is less pronounced but still problematic enough that many of the studios that I know won't use Quicktime or the H.264 codec until this bug is corrected.
This problem is documented all over the web and it has caused major headaches for a lot of people for somewhere around 3 years. So far Apple hasn't done anything to fix it (or can't fix it) even though it is a persistent problem, especially for people who calibrate their monitors or people on PC's.
It's really frustrating and after hours of scouring the net for an acceptable solution, I still haven't found anything that doesn't involve simply not using quicktime or h.264. Here is one (partial) solution I found:
+This tip from Mitch Gates:+
+As you may have noticed, the current implementation of the H.264 compressor for Quicktime has the nasty side-effect of raising the gamma or black levels of the resulting movie file. In order to fix this you must have Quicktime Pro (otherwise the fix will not hold since you can't save the updated .mov). Here are the steps?+
+Open the QT+
+Go to "Window/Show Movie Properties"+
+Select "Video Track", then click the "Visual Settings" tab+
+At the bottom left, change the transparency to "Blend" then move the slider to 100+
+Change the transparency to "Straight Alpha"+
+Close the Movie Properties window, then play or scrub the QT. Your black levels should now look correct+
+Save over old .mov+
This is for PC's. On the mac you change the transparency to "composition."
The problem with this solution however is that doing this disables the settings that allow fast playback (playing the movie before it is completely downloaded.) Another issue with this solution is that, while it fixes the look of the video in Quicktime, VLC player still exhibits the 'washed out' look on the same file. Finally, this "solution" isn't actually a solution at all.
An interesting thing about this is that the video file itself is not really washed out as far as I can tell. There are a few things that point to this. One, exporting the h.264 file and changing the codec to "Animation" or "None" corrects the gamma shift and returns the colors to where they should be, but this increases file size dramatically. Second, I noticed that when I select the h.264 file and choose "get info" the preview thumbnail shows the poster frame with correct colors. Third, when I put the h.264 file online Safari shows it all washed out but FireFox shows it correctly. Strange...
At this point I think the only viable solution is to do this:
+MacInTouch Reader+
+I too have been plagued by this H264 problem for the past 2 years it seems.+
+I have a suspicion that if we polled the users experiencing this effect that it would result they all use custom or modified Display Profiles in the Display System Preferences.+
+My temporary (and somewhat silly workaround) has been to change my display profile to the standard "Cinema HD Display" instead of my user-created "Cinema HD Display Calibrated" profile.+
+It does alter the gamma of my display to a unpleasing value, but after changing it, the H264 export works beautifully. No gamma shift at all.+
+I have read all the suggestions on trying the quicktime "filter then colorsync" export and always got unsatisfactory results. My silly workaround always produces the best results. I just have to change the dang setting back after I export so my eye don't burn out of my skull.+
So it all comes down to a gamma shift on the part of Quicktime's render of H.264. You would think that after so many years of this issue going on Apple would have fixed it since they have documented that they know of the problem. A little baffling.
If you want to research this further, as I will continue to, just type "h.264 gamma" into google and you will find a ton of fellow frustrated users trying to figure this out. Most just switch to Sorenson 3 it seems or "un-calibrate" their displays when doing the render export. None of this is perfect unfortunately and I find myself using "Animation" even though the file size is insanely huge. It is better that having upset clients telling me that the video is washed out.

Similar Messages

  • Why are the colors in Illustrator and Photoshop so off?

    Hi,
    Let me just start off by saying I have the color mode in both Illustrator and Photoshop set to RGB. Yet, there is a noticeable color difference between a picture on the internet and when I paste it in for example Photoshop.
    Picture from the internet:
    Picture when pasted in Photoshop:
    It's the same thing in Illustrator. And this is not just with pictures by the way, it's affects all the colors I use, which is a major pain in the rear.
    Anyone know a fix?

    Well, my suggestion in post #13, was to help me find out what the cause of your problem is. It doesn’t solve your problem permanently but temporarily, only for the current session of Photoshop or Illustrator by making these programs show your image without applying any color management conversions.  So, you have to do this every time you open such files in these programs.
    If you want to understand what is going on and be in control, you have to go through a lot of walls of text unfortunately .
    I’ll try to explain it roughly but if you don’t understand it you need to read more about color management.
    You are using Safari and this is how its color management  works:
    https://developer.apple.com/library/safari/technotes/tn2220/_index.html
    on that page it says:
    "Important: For images that are not tagged with a color profile, their color values will be displayed on the screen by Safari with no optimization or adjustment for differences between devices in how they render colors. This may result in the colors not being displayed as originally intended"
    This made me think that like most images on the web, the image you are using doesn’t have a color profile. In that case, assuming a certain scenario based on your input, the reason it is displayed differently from Photoshop and Illustrator is because you have a color profile of your monitor used by your system that is different than the color space used for the display of the image. By default RGB Images without a color profile are displayed using  the color space set for the working space in the Color Settings of Photoshop and Illustrator. Also by default this color space is sRGB.  If your monitor was also with an sRGB profile assigned in the system, which is the case with all monitors that come without a color profile provided from the manufacturer, you should have not experienced this problem because Photoshop and Illustrator will see that the color space you want to display your image is sRGB and your monitor is sRGB, and there will be no color conversions because both color spaces, source and destination are the same.  Unless someone else has setup your system ,color management, and installed a monitor profile,  my guess is that the manufacturer of your monitor has provided a color profile installed in your system that is not sRGB.
    When you choose View > Proof Setup > Monitor RGB, this in effect turns off the color management because you are displaying the image in the same color space as the one assigned to your monitor.
    If you want to turn off the color management permanently which will be valid only when displaying images in the sRGB color space, you can assign the sRGB color profile to your monitor. This will show the images on your monitor with the same colors as those displayed without color management in the other applications and choosing View > Proof Setup > Monitor RGB will make no difference.
    Non color managed programs can display the color only in the way your monitor displays it. Color managed programs simulate other outputs on your monitor. The only way to match the display in color managed and non color managed software is to turn off the color managed software. This will display the same color values with the same color in all programs on your monitor.
    The purpose of the color management is to allow the viewer  see the colors as intended (the way the creator sees them when creating the image). Different devices and media output the same color values differently resulting in different color. Therefore, when the viewer uses different device or media the colors if not color managed properly will look different or not as close as possible.
    When you turn off the color management, or even when it is on but not properly applied, which I suspect is the case in your situation, you can’t be sure that the colors you see are as intended. In other words, you can’t tell if an image is supposed to look the way you see it, and you can’t create images providing means that will allow others to see them the way you see them. 
    So, for whatever reasons you want to make colors look the same in all your programs, have in mind that this is valid only on the current state of your monitor, and this also cuts the possibility to see and send to others colors as intended.

  • HT4528 the camera on my iPhone 4s color is all weird and the shutter keeps opening and closing trying to fix its self but cant.  I rest my phone and turned it off and back on again.. how do i fix this. I only had the phone maybe six months.

    The camera on my iPhon 4s is not working correctly.  It is colored all strange and the shutter keeps opening and closing trying to fix the problem but it cant.  I have already reset my phone and turned it off and on again.  How do I fix this??

    If resetting the camera app doesn't work you can try restoring your iPhone's software. The entire process takes about an hour to an hour and a half. Make sure you do a backup. Make sure you do a backup.
    Backup:
    http://support.apple.com/kb/HT1766
    Restore:
    http://support.apple.com/kb/HT1414

  • JPG and TIFF colors in Bridge CS5 way off, but fine in Photoshop

    Just started happening, but not sure if it was after updating to Bridge 4.0.3 or Camera RAW 6.2.  The colors for RAW and PSD files are fine in Bridge, but all JPGs and TIFFs colors are blown out and way off.  Opening the JPG or TIFF in Photoshop looks fine though.  Anyone else having this issue, or know how to fix it?
    Update:  If I set the "Develop Settings" in Bridge CS5 to "Camera Raw Defaults" for the JPGs/TIFFs that are displaying improperly, the colors and tones go back to normal, but if I "Clear Settings" everything turns to crap again.

    PLEASE  help save my sanity and my reputation!  --I have spent the last five days exhausting every possible solution to this debilitating issue. I have spent countless hours perusing the web for a solution, spent 4 hours yesterday with Adobe customer support and yet, there is no solution to be found. My issue is that the color (in every file format NEF, JPEG, PSD) completely changes color and desaturates in every one of the adobe products: Photoshop CS5, Camera RAW 6.2, Lightroom 3.2. -
    Everything was working fine, and then out of no where my productivity has come to a crashing halt. This is the steps I have taken to this point:
    -Uninstalling/re-installing all of the software
    -Purging anything that can be purged.
    -Changing color profiles
    -Resetting defaults
    -Resetting preferences
    -Installing updated drivers for monitor, video cards
    -rollling back drivers for monitor, video cards
    -monitor recalibration
    **and finally, today...I set the monitor up on another computer, OS windows xp, and to my complete surprise, the issue persists even on another pc with completely different hardware.
    -I am at my wits end with this. I have clients ringing my phone off the hook. This is crazy!
    -I have sent out for another monitor as a last ditch effort to see if something is wrong with the monitor.
    PLEASE, if anyone has a solution please let me know. Apparently, the folks at Adobe are just as perplexed by these issues as we are, as I have found numerous posts on forums throughout the Internet with this same issue---and yet none of the post every found a solution.
    Primary System
    Windows7 64-bit
    Nvidia fx 580 video card
    Dell U2410 Ultra Sharp Monitor
    Abobe CS5 Photoshop -64-bit
    Lightroom 3.2
    Camera Raw 6.2
    Secondary
    Windows XP
    Nvidia GeForce 8400gs
    Same software, just in a 32-bit

  • On my screen the image is clear and the colors are right, However when I print to either my epson of HP the image color is off.

    On my Mac screen my photo image is clear and the color are right, however when I print to either my epson 2200 or my HP printer bother the colors are off and the image is not as clear as on the screen.

    Hi there,
    This article should cover the issue you are experiencing. Give the steps outlined a shot and let us know if it helps.
    Best of Luck!
    You can say thanks by clicking the Kudos Star in my post. If my post resolves your problem, please mark it as Accepted Solution so others can benefit too.

  • Color space, gamma, and code value range data

    Greetings!
    I'm getting close to submitting my film for professional DCP creation.  It's a ProRes 422 4096 by 1716, 2.39 - 1 file, created as a "master file" in a Premiere Pro CC export (the sequence being an "online" of sorts, built from SpeedGrade color-corrected DPX files).
    The Guidelines for "Digital Cinema Source Delivery" require me to provide information about Color Space, Gamma, and Code Value Range Information (head vs full).  Specifically, an order form asks for TRT, Color-Space, and Full or Head. 
    This is simply all Greek to me.  I know my film looks gorgeous, and the rest of what I've told you, but that's the limit of my experience.
    Can someone help me out?  Specifics are preferred to broad strokes.  Many thanks in advance.

    This is probably too late now for you anyway but here is some extra information:
    The "Digital Source Master" is the video footage before any D-Cinema formatting or encoding has been done.
    It can be literally anything. The DCI specification did not specify this.
    They did however specify exactly what the transcoded verison has to look like. The "D-Cinema Distribution Master" (16bit TIFF, XYZ)
    So in other words, you need to tell your service provider:
    The resolution, fileformat, frame rate and especially the colourspace that you used.
    For example r709 for HD or any other RGB colourspace with applied gamma value (2.3 for example).

  • 1st box of cards looked great. 2nd box of same cards was printed with the colors off balance, and don't have a quality look.  Who do I call?

    I have ordered many books and cards and been thrilled with the results.  Unfortunately the latest box that arrived were not printed well, and the colors are off balance.  What can be done?

    1-800-263-3394 (english & french)
    Applecare.
    They will help. Don't worry.

  • Why would I not want to Blend RGB and Text Colors Using Gamma 1.00?

    Shapes and text are anti-aliased visibly better with the blending settings in the Advanced Controls section of the Color Settings set as follows:
    Just as an example, consider the appearance of the edges of this text and circular shape layer in an sRGB document with those settings set vs. cleared:
    Set as above:
    Cleared:
    The difference is subtle, but significant in my opinion, marking the difference between okay quality and good quality.  You can see the difference in the partial pixel shading at the curved edges in this enlargement of a portion of the above:
    So my question is this:
    Is there any reason I wouldn't want to just set the above values and use them all the time?
    I fully understand the concepts of gamma and pixel blending (and I think it's great that Photoshop has this feature), but I ask this question here because there may be subtleties of how Photoshop uses these settings I'm not aware of, and notably they are NOT set this way by default with Photoshop CS6.
    -Noel

    Chris Cox wrote:
    You may need to change kerning or spacing to get them to hit different phases.
    I've got several tests showing this, and the result is quite visible with Roman and Japanese glyhps.
    Nope.  I can easily see the differences in a line of lower case L characters.  I don't know how well this will show for others, but here are screen grabs of the various settings.  Of course you'll have to look at these at full size.  On my well-calibrated sRGB monitor the gamma 1.0 text clearly has the least variation across the lines of characters in apparent brightness.
    Gamma calibration and sharpness of the viewer's monitor will figure into how these look.
    -Noel

  • Any solution to the h.264 gamma bug?

    I am one of those victims of the h.264 gamma bug. When I compress a movie out of Final Cut Pro using h.264, the gamma in the resulting video is too bright, making the movie look washed out. This happens regardless of whether I use Compressor or Quicktime compression, or even save a full quality and compress it later.
    I'm using Final Cut 6.0.6, OS X 10.6.2, a MacBook Pro with an external HP monitor. Both the external (main) monitor and the built-in monitor use custom calibrations. I have also tried disconnecting the external monitor and compressing when the built-in monitor is the only one, but that makes no difference. I've also tried x264 but that did not improve anything either.
    Thanks for any thoughts...

    Yes, I've experienced this phenomenon as well. The H.264 codec squeezes down, compresses, all your beautiful color information into a tighter package but loses some of the color and luminance factors. I'm sure there's a more scientific description of what happens but anyway...
    To my knowledge there is no filter for Quicktime that fixes this issue, that's just the way it will come out looking. But you can handicap your image, darken or otherwise adjust the gamma levels or color settings, so that when the "gamma bug" hits your video, you've already compensated for the change in brightness & color. You can use the Color Correct 3-way tool in FCP to darken the darks, mids and whites so that when the gamma shift takes place in creating the H.264, the output will look closer to the original image.
    Now, this will take some playing around with. And it will probably vary some depending on the make-up of your source footage. But it's worth a shot if you want better looking H.264's.
    Hope this helps.
    ~reicko

  • My tx is so slow, the web cam is not working, the screen freezes and got color distortions

    - My tx is so slow, and heats up very fast... so i think that the advance is not working properly
    - the web cam is not working, since the 3th time iused... when i try to use it with my msn... got freezed, then y try ending the process and doesnt work, y     have to restart it but it stay just on logging off... and do nothing more... so i have to switch off directly from the power button
    - The screen freezes... some thimes the screen got freezed... and got color distortions too... so i have to to switch off again directly from the power button
    i was thinking that it was a software problem... but i restore my lap and it doesnt work cuz it still being with the same problems... so lately im thinking that its a hardware problem... i call to technical support from mexico... but they can do nothing for me cuz i bought my lap at circuitcity from el paso... and that store close a few months ago... so i need help before de warrantie expires...
    This is the second time that my lap gives me problems, last time I made the change at the store but this time it will be impossible cuz is now closed...
    that is why I seek your help...
    i will be grateful if you answer in Spanish because my English is not very good...
    thankyou so much...

    If your warranty has not yet run out get it serviced, now!  All of the comments seem to indicate that it is the motherboard>

  • Can you remove a date and time stamp off a photo that has already been taken?

    Can you remove a date and time stamp off a photo that has already been taken?

    only with Photoshop or similar software that offer some clone/heal feature.
    Weekend Travelers Blog | Eastern Sierra Fall Color Guide

  • MacBook Pro DVI-Out and FrontRow Color Anomalies

    ok, so i've got one of the first generation MacBook Pros 2.0GHz processor, 2GB RAM, etc. i want to use the DVI-out to connect to my Sharp Notevision projector, which has a DVI-input. i have a standard DVI cable and when i connect, everything is fine. i can display at the projector's 1280x1024 native resolution and finder and other application windows look just fine, color-wise.
    however, when i jump into FrontRow (or play any Quicktime movie or use iTunes to play movies), the color shifts and looks horrible. the glow around the icons in FrontRow are oddly red, and other nuetral colors look greenish or otherwise. its almost like you've got a component cable connected with two of the channels swapped.
    the same projector works fine and displays accurate color with my AppleTV and if i connect the laptop to one of my Cinema Displays, the colors for movies are all accurate. i thought maybe the DVI cable was bad, and bought a replacement and the new cable produces the same off-color results.
    any help or guidance here would be greatly appreciated!
    thanks,
    scott

    Another update, I did some research and it seems that ATI are cagily admitting to the fact that there might be a problem with the X-series;
    http://support.ati.com/ics/support/default.asp?deptID=894&task=knowledge&questio nID=26586
    http://support.ati.com/ics/support/default.asp?deptID=894&task=knowledge&questio nID=21266
    http://support.ati.com/ics/support/default.asp?deptID=894&task=knowledge&questio nID=25682
    You'll notice that ATI tell you to contact the manufacturer of your computer if the graphics are integrated into the motherboard. Like with Apple. Much joy to be had there.
    I phoned their technical support and got talking with a specialist who was mystified and suggested 'turning off the airport'.
    Also, it seems that Apple rather significantly "underclocked" the GPUs in their macbook pros;
    http://www.reghardware.co.uk/2006/04/19/applemacbook_pro_gpuspeed/
    http://www.maconintel.com/news.php?article=178
    http://forums.macrumors.com/showthread.php?t=306024
    http://forums.macrumors.com/showthread.php?t=194647
    Could be running the GPUs are running on a lower voltage and maybe they're not working right, or the signal isn't stable enough to pick up an EDID? It seems to be quite a mystery. Perhaps the osx86 community will have some tricks up their sleaves for twisting the x1600's arm. Still doesn't explain why the monitor worked that one time.
    This probably isn't an issue for anyone who doesn't want to plug their laptop into an external display, but I suspect it's a widespread problem just waiting to rear its ugly head, especially as HDTVs become more ubiquitous.
    Anyone else struggling with external display devices, or with solutions, I'd appreciate your input.

  • Change blink BG and FG colors

    Hi,
    I have four different controls on my front panel. each of them blinks at different stages of the program. I want them to blink in different colors. Which ever is related to emergency, should blink in bright colors, routine ones should blink in softer colors etc. where do I edit/set foreground and background colors for blinking of each control?
    Regards.

    i like to do this with system LED's, usually like to overlay them with the blinking led on top layer and transparent in the off condition...
    Attachments:
    BLINK.vi ‏7 KB

  • Huey Pro and Win7 color profil - W700

    Hi,
    I have a w700 with Win7 business and Huey Pro 1.24.
    If I calibrate the screen all works perfectly. The problem is I use the Huey profil by default for my build in screen on Win7 color management, the red are not red on Win7 image viewer or Photoshop.
    If i want something looking good i have to use the Lenovo maxbright display profil.
    If i try to reload (reload button) the Huey pro profil on windows color manager, i get an message error.
    If somebody have an idea ?
    Any help will be highly appreciated.
    Marc
    Moderator note; subject edited
    T61P 6460DVU - XP PRO - 3 Gb ram - 320 Gb Hd - 15,4" display
    W700 27584SU - SEVEN PRO - 4 Gb ram - 2x320 Gb hd raid 0 - 17" display

    Same here. Reds are way off.
    Recently I attended a colormanagement workshop by X-Rite and mentioned that problem with the Huey Pro built into some Lenovo Models. The verbal reply was shocking: The speaker (X-Rite ) knew about this problem and named Huey Pro a 'Toy' certainly not meant for serious photographers. This I heard from X-Rite, no kidding. So this feature is only a useless marketing gimmick between Adobe and Lenovo, nothing more. And we paid for it some extra $$.
    Furthermore, the same person strongly advised me to disable the built in Huey Pro and properly calibrate the screen (W701) with a professional unit in order to get correct colors.
    I followed this advice and now the colors are right and the prints come out as I am expecting them to be - no more hues and/or color casts.
    As a photographer using the W701 often and allover the place I need to calibrate it every 10 days to 2 weeks.
    For me this is a sad issue and does not raise the reputation of Thinkpads.
    Apart from that I am very happy with this powerfull machine.
    Hope this helps others to remedy their color problem with this machine.
    Dig-IT-all

  • The ackground and icon colors changed on my ipad. how do i change them back ?

    the background and icon colors changed on my ipad. how do i change them back ?

    that fixed it. thanks a bunch. what did i do to change it ? all i did was turn it off, when i turned it back on it was in "white on black " mode.

Maybe you are looking for

  • How to add a new field in Query Builder or Report

    Hi, I am writing a report using Oracle 6i query builder and report. example: QTY_1 QTY_2 QTY_3 QTY_1 and QTY_2 are table fields and QTY_3 Is not. I need to show the value of (QTY_2-QTY_1) in QTY_3. I need to create a field QTY_3 which is not in the d

  • Report Writer Issue - Revenue Cost Element - After Upgrade.

    Hello ,    After upgrade some of the report writers are not pulling up all the plan data.    I found out that the revenue cost elements (cost element category - 11) are not being pulled by    report writer in ECC 6.00, where it used to pull them in 4

  • Work-around for SSD password lockout

    I have a Mushkin 240GB Atlas mSATA SSD that my W520 doesn't play well with once a password is set. I was able to get going again by locating an eSATA docking station and an mSATA-to-SATA adapter.  With the docking station powered up and the SSD not p

  • Citrix Issue

    Hi All, I don't know if this is a correct place...but pls guide me. We have installed SAP B1 server and client in the Citrix server. Now this is a demo version. Basically, we want to test whether we can access the SAP application from a remote client

  • IPods and my iPhone have linked text messages. I want this stopped

    My granddaughters iPods and my iPhone have linked text messages.  How do I stop this?