Hard Drive, Bridge CS4 QUESTION

Yesterday my Seagate 1 TB hard drive (fairly new) was acting strange in relationship to Bridge CS4.  Bridge was having problems reading the files from it and the light on the hard drive was dimming and brightening up in repetitive fashion.  I always back up, but just got back from Africa and have about 4000 images on that drive yet to be backed up, so this scares me.
Strange thing is that when I go to the drive through Windows (XP) the drive acts fine and the images come up fine and they come up fine in PS too.  So this makes me wonder if this is an issue with Bridge.  I have had some Bridge issues in the past and have thought about re installing PS and Bridge.
Question is: do you think the problem is with Bridge as apposed to the hard drive?
Thank you.

It could be due to the process of indexing the new files.
Is your cache big enough? Have you purged it lately?

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    I've not heard of corrosion internal to the eMac. Do you know if the Mac was kept in an unusually humid or wet environment, such as a beach house? While contact cleaner itself should be harmless if it's dried thoroughly before re-powering the computer, I'd be reluctant to do any sorrt of scrubbing, even light pressure with a cotten swab, on the wires on the logic board.

  • 24p Advanced on P2/Hard Drive - First Timer Questions

    I'm getting ready to edit a project that is going to be shot on a Panasonic HVX 200- onto 8 gig "P2" cards, downloading them on set to a mini mobile editing system to a Digital Hard drive. The production company is going to send me the hard drive. It will apparently be shot 24p advanced. Normally, everything I've worked on for years has been shot on 35mm or 16mm and transferred to beta or Dbeta for me to edit with. I will not be finishing this project - only offlining, but I have some questions:
    I can edit 24p Advanced HD with FCP, correct?
    Since It's only going to be on a hard drive, should I transfer it to my CalDigit SATA RAID to edit with?
    I use an AJA io SDI box and the new JVC flatpanel HD/SD broadcast monitor. Will I be able to output this on my monitor with this setup?
    Anything special to look for when outputting 24p EDLs?
    Basically, any advice on workflow with this would be greatly appreciated. I'm an old-school, film and Avid convertee and I hope to make a smooth transition to HD.
    MacBook Pro, FCP 5.1, AJA io, Caldigit SVRDuo 1.5TB, Lacie Rugged FW Drive   Mac OS X (10.4.8)   Other Macs/Editing Systems Owned

    The raw P2 files. They're in a folder with the job name. It's listed "Card 1", "Card 2", etc... I'm copying them over as we speak to the RAID.
    No no no. STop...stop now. That is NOT what you are supposed to do. You need to import the footage FROM that drive using the P2 IMPORT (or Log and Import...whatever the FCP 6 term for it is)...LEAVE the raw on the Lacie. Importing them converts them to Quicktime files you can edit.
    You gotta watch this tutorial before you go ANY further:
    http://forums.creativecow.net/cgi-bin/pagewrapper.cgi?forumid=8&page=http://www.creativecow.net/articles/ross_shane/p2workflow/index.html
    When I create a Capture Scratch folder, I tend to get several "Capture Scratch" folders inside of that folder (as opposed to having them all in the OMFI folder in the Avid). How do I keep them all organized into one folder (or do I need to do this?)\
    Stop thinking in Avid terms now. Get that out of your head.
    When you choose the CAPTURE SCRATCH, choose the drive itself. NOT A FOLDER ON THAT DRIVE. This way you'll have all the right folders on the base level of the drive.
    How do I keep them all organized into one folder (or do I need to do this?)
    Click on Underdog to get to my blog...then click on the DVD on the right hand side. This is my tutorial DVD on how to organize yourself in FCP. FCP does things VERY differently from an Avid, and if you take the Avid approach you'll get lost and burried, FAST. Buy this DVD (shameful plug) and watch it. But watch that tutorial first.
    Again, this will be conformed elsewhere, but hopefully, my EDL and ref tape will do the trick.
    Get this figured out now. Talk to who is finishing it because this workflow is VERY different from a tape based one. There is no offline, you are cutting at full resolution. There is no conform, as there will be no recapturing of the footage. It is unnecessary. They need to talk to the finishing house now and get this figured out before you do something you shouldn't.
    Shane

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