Has anyone built a job scheduling interface for BMC's Control-M product

Has anyone built a job scheduling interface for BMC's Control-M product? If so - how did you notify control-m when the XI job completed successfully versus unsuccessfully?

Have you received any help on this? I would like to know the answer to this question.

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Has anyone develped an EM plug-in for Cisco switches or routers? Please reply to this thread if you have developed one and would like to share your experience in developing this plug-in?
Thanks,

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Hi,
I have an opinion about Final Cut Pro X that hasn't changed since my first few days with it. I waited to see if I would get used to it. But, after a fair amount of time, I still am not comfortable with 'Events' and 'Projects'. The separation of the media and projects creates more problems than solutions with my workflow.
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My original fear was that FCPX was just going to be iMovie Pro... It so is not!
People use the interface in different ways. I think that's what most of us like about it, it's flexibiity to accommodate different types of workflows. For me, I use the Events browser mostly like I'd be using the Finder. All the imported clips I use are referenced by the hard disks on which they reside. I know where to find them in the Event Browser and I know where to find them in the Finder. I use a lot of stock footage and therefore *reuse* a lot of stock footage from project to project. I'm not going to re-import duplicates into different events because I don't find that the least bit convenient and I do find it a terrible waste of precious HD real estate.
But that's me.
Some people like to load up everything they're going to use in a single project in a single event... I get that. You can command click your way through a bunch of clips, type E and everything is automatically arranged on your storyline in the order you selected the clips. That is *awesome*!! Instant storyline (/timeline.) Furthermore, for those that need to share projects, it's easier to bundle up the events and projects if they're all together (albeit in two different folders) on one disk (— at least they are always at the top level of the drive and easy to find.)
Keeping your Events media in a different location (satellite drives) and keeping your current project on your *fastest* drive is probably the fastest way to edit (particularly if your satellite drives are Firewire or Thunderbolt [peer-to-peer interfaces don't hog system resources].) There is little cross interference in disk accesses that way. So essentially, you can keep FCPX dealing with original clip data that doesn't need to be quite as fast, reading and writing to slower drives on your system, while letting it plow through the heavy work on your fastest access drive (usually your internal HD.)
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Solved!
Go to Solution.

Does the T410s not have a VGA port built right in? I know my T510 does and I'm almost certain the regular (non-"s") T410 has one.
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Hi, thanks for getting back to me so quickly. Our application uses scanned images up to 10 years old, and there are thousands of images so we cannot rescan these unfortunately.
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So has anyone successfully used either of these 2 NTFS drivers to edit SD/HDV or Prores projects on? My only experience has been using SD footage on an NTFS drive with the free NTFS-3G drivers. This worked fine as long as project files were on non NTFS drive (for same reason if I saved project on NTFS is saves a file with a size of zero bytes).
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Macs can read drives that are formatted in NTFS as is. The software you mentioned enables a Mac to write to those drives. That said, you should edit using drives that are optimized for FCP and formatted Mac OS Extended.
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More negative feedback on these Canon MF4570dn devices elsewhere on the support boards. Buyer beware!
https://discussions.apple.com/message/16944619#16944619
https://discussions.apple.com/thread/3524366

Has anyone built a job scheduling interface for BMC's Control-M product

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