HD Footage HD 1920 x 1080p 60fields/sec 16Mbps

I am looking to upgrade to a Mac, it been a few years but am finally coming back. i want to know if Imovie or Final cut express 4 will play and edit my HD AVCHD H.264 Footage filmed in 1920 x 1080p at 60fields/sec 16Mbps from an SD Card.
Will it be able to edited, with titles transitions and music with a few extra goodies and be able to be exported onto a DVD for and hour and a halfs viewing on a normal bog standard DVD player in the front room.
This is going to be an easy answer for some of you out there but i have had no end of problems with this footage and before i jump to spend £2000 on an i5 mac i would like someone to tell me the problems i will encounter.

it is a sanyo xacti fh1 camera
http://sanyo.com/xacti/english/products/vpc_fh1/spec.html
it is filming in Full HD: 1920 x 1080 (60fields/sec 16Mbps)which is the second setting down on the camera. 2hours and 7 minutes ish is about 16GB. if you look at the resolutions it can produce on the specs it shows them all.
i may drop the quality next time i film to the Full-SHQ: 1920 x 1080 (30 fps/ 12Mbps)to guaruntee editing? i just hope that i can edit what i have filmed on holiday,
thank you for your help any is truely appreciated at the moment before i buy.

Similar Messages

  • Will Premiere Elements 10 output full 1920 x 1080p? (not 1080i) to a file?

    I know this is a really simple question, but I can't find the answer anywhere in the software specs, and all sorts of variations of searches bring up no results in the Forum.
    I have bought, at full price, (not even upgrade price) every version of Premiere Elements since version 5.  I currently have V 9.  I can find no way of outputting proper, full, 1920 x 1080p @ 25FPS despite having this as my input source material. (UK JVC Everio Camcorder TOD format in fulll 1080p.)   (Not 1080i - 1080p!)
    I usually end up setting the project settings to 720p 25FPS (using 1080p source material) and outputting at that, which is a shame.
    So the simple question is as above. Will Premiere Elements 10 output full 1920 x 1080p (not 1080i) at 25FPS (British standard) to a file on disk?  Preferably in both MPEG4 for best quality uppload to YouTube, and also as a .WMV file format.
    (If anyone knows a way to do this in Version 9, I'd be  really pleased to hear it - although I have asked that question before.  :-)
    Cheers, folks.
    Steve.

    You should be able to set your output up for progressive scan under the Advanced settings.

  • Choppy playback of AVCHD footage. 1920 x 1080 60p. Imported as optimized media.

    So I have some stuff shot on different days, same card, same camera, same settings.  1920 x 1080 AVCHD 60fps progressive, imported as optimized media.  I know my computer and external drive are able to handle this kind of footage. What is puzzling is that some clips with the same specs, play back very choppy (like unrendered media) and others play back wonderful.  What gives, I must be missing something obvious. Why would some clips play ok and others really badly?  I have double checked that everything (codec, frame rate, optimized vs. proxy) is the same by viewing stats in the events browser. Dropping these clips into the timeline does not show they need rendering, but if I output the clip as a master file, it plays fine. I have clips in other events that play great, with the same specs.  I am at a real loss. thanks gentlemen.

    Sorry, but I can't think of anything during import that would introduce errors that would cause  choppy playback. A momemttary loss of connection would be a problem but would typically corrupt the file and it most likely not play at all.
    If you hadn't said that some clips played (or previewed) perfectly smoothly, I'd suspect a hardware problem.
    Maybe someone else will have some better ideas.
    Russ

  • 1440 footage in 1920 timeline

    hi, have started an edit that is primarily 7d 1920x1080 progressive footage. and 1920x1080 sequence ( i am uk)
    I have a small amount of footage that is hdv interlaced converted to prores 1440x1080
    its in the sequence but needs rendering all the time.
    whats best option to speed up my workflow and get best end result?
    do i continue working and add deinterlace filter and render in the 1920 sequence or convert the footage in compressor, resizing to 1920 ( do i need to use frame controls if i do this?) and deinterlacing in compressor also or just resize in compressor and deinterlace in fcp with natress ?
    final project is to dvd and most likely blueray to.
    many thanks
    ade

    I'd convert it to 1920 progressive in Compressor. Yes, use frame controls. If you resize in Compressor the interlacing is getting messed up anyway so you should make it progressive there. Rather than reinterlacing in Compressor and deinterlacing it in FCP.

  • Premiere CS6 crashes with 1920 x 1080p files

    I have recently been using my Sony A77 SLR as a video source. I had no problems with MP4 files 1440 x 1080 to match my HDV cameras. Now I have tried AVCHD 1920 x 1080 files, Premiere crashes. I do not even have to edit anything. After loading files, then using the project bin to browse files by hovering with the mouse, the application will bomb after looking at a few files.

    Hi Steven and Lasvideo. I am not sure that a short piece will help. I just brought in 4 selections from 400MB clips and it was OK. It then crashed when I double-clicked to load another for editing in the Preview window.
    My system is Windows 7, i& with 12GB RAM and a Qudro 400 card. Premiere has just been updated to 6.0.3, but I still had the problem in 6.0.2. Waiting on a RAID array, so currently using internal drives or USB 3 externals. These have been fine for everything lse, including multicam of HDV with 6+ cameras.
    I tried going back to the software, rather than GPU from the 400, but it made no difference. I also have discussion started about the NV Transmit windows popping up all the time, but no one has replied yet.
    Have spent a lot of time with NVIDA helpdesk, trying to diagnose that problem, and have tried several drivers with no improvement.

  • Combining SD footage with Sony EX 1080p footage

    Hey All -
    I have FCP 7 -I have SD footage I ripped from a DVD (640x480)
    I have Sony XDcam EX footage that was shot at 1920x1080p (23.97)
    The Codec that the EX footage was converted to is Apple XDcam EX 1080p24 (35mb)
    I have MPEG Steamclip or After Effects CS4 to convert the SD footage
    I need to edit the SD footage in the XDcam footage timeline.
    What are my options?? I know when you mix footage you usually have to render the footage.
    Any work arounds for my situation?
    thanks
    Matt

    Hey Shane
    Actually I havent had any problem playing the footage in a XDcam timeline -BUT I will take your advice into consideration
    The final product is going back to DVD and compressed for the web -
    I know this would be compressing the SD footage more but right now it doesnt matter. I was thinking of converting the DVD footage to QT -take that QT mov and make a 1920x1080 in After effects and put the SD footage inside of that and render that out so it will match the EX footage -that way I wont have to render in FCP.
    I know the client is going to want to use some of the SD footage --I just wanted to make it as easy as possible for me when the client is sitting there editing it with me
    Matt

  • Exporting HD footage from Final Cur Pro 7

    Hi everyone.
    Sorry to ask such a basic question but im just getting back into this and theres been some changes since I last used FCP.
    I am working on a music video clip. The footage was shot in 1080p and the files were m2ts. I used clipwrap to convert them to Apple Pro Res 422HQ to edit in FCP 7.
    I am now ready to export. I know I dont want to use quicktime conversion because I want to keep the file in as high quality as I can, and I am aware that quicktime conversion uses compression in its process.
    So my question is what settings do I use to export it out as to keep it in its original HD quality format?
    The second part of my question is this- If I want to burn a DVD of this file I need to run the file through compressor. What setting do I use in compressor to keep it at as high quality as possible?
    thanks for any advice in advance!

    Thankyou very much. I just want to understand the process a bit more.
    When I converted the files to Apple pro res 244 HQ, did the files loose quality? That means that if I export my filmclip out at 'current settings', it will be exported out as apple prores244 HQ. Is this very high quality compared to my original clips that were 1920 x 1080p m2ts?
    Sorry for any silly questions, just trying to understand the whole process!
    Thanks!

  • HDV 1920x1080 footage in FCE 3.5 ~ UNRENDERED~

    I very much apologize if this has been addressed before, but I need to figure this out now and I've spent hours searching! :'(
    I am trying to edit HDV footage (shot 1920 x 1080) in Final Cut Express 3.5. (I added the mpeg-2 plugin for QT available from Apple.)
    Since FCE 3.5 only supports 1440 x 1080, I guess I should convert my footage to 1440 so that I can work without having to render every single time.
    Please tell me what steps to take! I have Streamclip and could convert them in that. I tried converting them to 1440 x 1080 (4:3), and they look fine in FCE, but they are still unrendered.
    I thank you with all my heart to someone who can help me. Thank you!!

    Hey Tom,
    Oh, I see about the 1920 being the display format. That makes sense now.
    Someone else (in Japan) shot and captured this into FCP. That is why it has the FCP HDV codec on it. They sent me a hard drive of the captured files. Of course I couldn't use the HDV codec until I got the mpeg-2 codec add-on for QT.
    Yes, *if I render*, I can see/hear the footage just fine in FCE. This is what the clip properties say in FCE:
    Vid Rate: 29.97 fps
    frame size: 1440x1080
    compressor: HDV 1080i60
    data rate: 3.1 MB/sec
    pixel aspect: HD (1440x1080)
    Anamorphic: +[this space is blank]+
    Field Dominance: (Odd)
    Alpha: None/Ignore
    Composite: Normal

  • Using 4k to crop then to 1080p

    What I would like to do is import 4k footage and crop this and export to a 1920 x 1080p master. My thinking is that I could still have the original pixels (w/o pixel replication or resampling) just a downsized video.
    Is this the best way to accomplish this :
    Do the crop in a 4k project, export to 4k, import back into a 1080p project ?
    I tried this and it didn't look like I expected. Ideally I would like to crop in 4K, then export to 1080p (prores 422), but FCPX doesn't seem to allow this ?

    Cropping 4k in a 4k project is completely the wrong way to do this.
    You put the 4k clips into a 1080p project so that you can adjust the framing.

  • What is best workflow for interpret NTSC footage into PAL project?

    Premier Pro CC cutting a film for HD broadcast TV. Majority of footage shot PAL at 1080p, so I made a 1920 x 1080 25p project. Is it okay to make a progressive project for broadcast? Or should I switch to interlaced?
    I am supposed to deliver an NTSC tape to the network.
    Some footage is 29.97 and 23.97.  Is it okay to Interpret footage in bin as 25p PAL and then cut it into my sequence.  It seems to play properly; I'm just concerned about problems in the final output. I've read that people duplicate the clip, then interpret to 25fps PAL, and leave the original NTSC alone.  This sounds like a good idea. Working on a MacBook Pro Mountain Lion.
    When I output the final QT movie, what are the best settings and codec to use for the final
    Hi-Res output which I will bring on a drive to a post house to do final CC and layback to tape?
    Many thanks in advance.
    Patrice Shannon

    Convert NTSC <--> PAL http://forums.adobe.com/thread/1209530 may help

  • 720p video in 1080p timeline has black borders

    Hello,
    I have Premiere Cs6, with Windows 7.
    I want to mix 1080/50p and 720/30p videos, and correctly downsize it to 720/25p in Adobe Media Encoder.
    1. When I choose 720/25p timeline, all the 1080p videos looks like zoomed (the middle of the video image can be seen). The 720p videos are fine
    2. If I choose 1080/25p timeline, the 1080p videos are fine, but the 720p ones has black border on all 4 sides:
    http://img861.imageshack.us/img861/6306/69202278.jpg
    Please help me how to do it correctly, to be able tho get a proper 720/25p video from these sources, without borders.
    Thank you!

    The timeline should match the final output so use a 720p25 timeline.
    If you have a 720p as your output you have a 1280x720 canvas. If you drop a 1920x1080 video on it will be too big. Do as SAFEHARBOR11 said....
    In Premiere Preferences, there is a checkbox for "Default Scale to Frame Size". If you enable that, when you Import clips they will automatically fit the current editing size.
    ...OR for each clip open up the effects->motion and change the scale of the 1080p footage (1280/1920=66.6666%) - it won't divide nicely so you'll have to do 66 instead of 67% so that you don't get black edges.
    As for output frame rate... do you have to do 25fps? If it's not for broadcast - it is my understanding that most PAL countries have BD players that can understand 24fps as well. I say this because maybe you'd be better off retiming the 50i footage to 48i (a 4% slowdown) and thus 24fps. You do this by right clicking and Interpret Footage-> 24fps instead of its 25fps.
    You can then edit between the two cameras without throwing frames on the floor since the 720p30 will 3:2 pulldown to 24fps too.
    BUT, you only need to do that if the shudder from dropping 1 in 25 frames on the floor has a worse look than slowing down the original footage. It is easier if you're editing back and forth with the two cameras to drop those frames but perhaps slowing down would be better for you.
    Some professionals cringe at the idea of throwing frames on the floor, others that the original is slowed down. It's up to you.
    As some food for thought....
    When I was on the DVD authoring team for the "Dune" release in Australia ('98) the telecine of the original film was sped up from 24 to 25fps. We then sped up and pitch shifted back down the 5.1 audio track to match.
    Another example [I didn't work on] is "The Thomas Crown Affair" release in the USA. The title menus must have been done in the UK (or Oz) and not pitch shifted because it has a 4% higher pitched music vs the film. - it's very noticeable because from the root menu it goes straight to the same piano tune in the film and drops a couple tones. (^dink dink dink^.... ^dunk dunk dunk^) In the film itself you have no idea that the feature was [or was not] stretched 4% to fit to 25fps or 30fps (ie 24fps original 3:2 pullup).
    my 2bits.
    Rallymax

  • RED Footage Question Upgrade/downgrade

    Can I downgrade the RED footage to Apple ProRez 1920 x 1080p and finish final edit, and then after having final cut of project, output the final cut as 2k or 4k?

    Definitely check out the Apple Workflow discussions at reduser.net
    I understand the latest FCS with the latest RED plug-in can edit 2K. You can send your FCP sequence to Color and it will access the highest resolution possible up to 4K and grade with that information, when you send the Color renders back to FCP they will be in a 2K sequence.
    Does your client want you to output 2K for color correction elsewhere? If so, don't send a exported QuickTime from FCP, export a XML file and send with the RAW RED files.
    Not sure how well this would work on a G5 machine...

  • Exporting a HD clip lossless for stock footage.

    Hi all,
    I want to start submiting some of my archive footage to a stock site. I want to trim the clips in FCP but not sure the best way to export them without losing any quality. Its HD footage at 1920 x 1080 (Pal).
    Any advice on the best way to do this would be greatly appreciated.
    Many thanks,
    Simon.

    I have experience, both with buying and providing clips.  The most common format is Photo JPEG...and it is pretty darn good.  If you weren't impressed, you did something wrong.  Some people like PhotoJPEG at 75%, but they provide, and I have given them, Photo JPEG at 100%. 
    Some do ProRes, but that is RARE. Animation too, but also rare, due to file size. H.264 is not unheard of, but is so uncommon that it is barely a blip.  I have only seen that format a handful of times. 

  • Changed sequence settings to match source footage but only half footage now matches even though they're from the same camera and same aspect ratio

    My source footage is 1920 X 1080 from a canon 60D. I changed my sequence settings to Digital SLR 1920 X 1080 to match. On the program window I have it set at "Fit". Only about a quarter of my footage now fits the program screen and looks to be the matching aspect ratio. The rest of the footage when on "fit" fills a tiny portion of the viewing window so it appears they don't match the sequence settings. I don't understand why this is happening because this footage is from the same camera, shot the same day, and have the same aspect ratios.
    Can anyone tell me why this is happening and how I can fix it??

    First of all, the setting that you mention is on Fit is the Zoom Level of the Program Monitor. It controls only how the sequence is shown in that monitor; it has nothing to do with how any sources are handled in the sequence.
    Please provide the following information:
    Exact version of Premiere Pro
    Exact version of operating system
    Graphics card and driver
    Also, please post a screenshot showing the following
    Project panel with the Video Info column visible
    the Timeline visible
    one of the problematic clips selected and the Effect Controls panel visible, with the Motion section twirled open.

  • Limited 1080p output to HDTV

    Where do i start...
    I can output 1080p at what appears to be 24 hz, I get slightly lagged playback of videos and jerky mouse movements on the TV (as expected I think at this setting).
    http://i48.tinypic.com/19t9gl.png
    When I try to output 1080p at either 50 Hz (PAL) or 60 Hz (NTSC), from the options above (IMG), I get no picture at all on the TV.
    Other Points to note:
    I can output 1080i fine.
    I am attempting to do this with mirroring off, and 1:1 pixel mapping on the TV.
    I currently have problems trying to output video at all with the lid shut, Ill try again tomorrow when I get a friends external keyboard.
    The Macbook Pro 15inch - mid 2009 (9600GT)
    The TV: http://www.amazon.co.uk/gp/product/B003BVI49Y
    The MDP-DVI: http://www.amazon.co.uk/gp/product/B002ERZGKQ
    The DVI-HDMI: http://www.amazon.co.uk/gp/product/B000SSNH9U

    Thanks for the reply again BSteely, this is the Export using the 3rd party mini DP adapter, as the apple mini DP adapter does not show/recognise the monitor in the the system preferences.
    Rapidshare link to file: http://rapidshare.com/files/399304722/SONY_TV.html
    DDC block report generated by SwitchResX version 4.0.3 for display
    SONY TV
    ------------------- RAW DATA ------------------------
    0 1 2 3 4 5 6 7 8 9 A B C D E F
    0 | 00 FF FF FF FF FF FF 00 4D D9 01 EE 01 01 01 01
    1 | 01 14 01 03 80 A0 5A 78 0A 0D C9 A0 57 47 98 27
    2 | 12 48 4C 21 08 00 81 80 01 01 01 01 01 01 01 01
    3 | 01 01 01 01 01 01 02 3A 80 18 71 38 2D 40 58 2C
    4 | 45 00 40 84 63 00 00 1E 01 1D 00 72 51 D0 1E 20
    5 | 6E 28 55 00 40 84 63 00 00 1E 00 00 00 FC 00 53
    6 | 4F 4E 59 20 54 56 0A 20 20 20 20 20 00 00 00 FD
    7 | 00 30 3E 0E 46 0F 00 0A 20 20 20 20 20 20 01 BE
    0 1 2 3 4 5 6 7 8 9 A B C D E F
    0 | 02 03 2C F0 50 1F 10 14 05 13 04 12 11 16 15 03
    1 | 02 07 06 01 20 26 09 07 07 15 07 50 83 01 00 00
    2 | 68 03 0C 00 40 00 B8 2D 0F E2 00 7B 02 3A 80 D0
    3 | 72 38 2D 40 10 2C 45 80 40 84 63 00 00 1E 01 1D
    4 | 00 BC 52 D0 1E 20 B8 28 55 40 40 84 63 00 00 1E
    5 | 01 1D 80 18 71 1C 16 20 58 2C 25 00 40 84 63 00
    6 | 00 9E 01 1D 80 D0 72 1C 16 20 10 2C 25 80 40 84
    7 | 63 00 00 9E 00 00 00 00 00 00 00 00 00 00 00 DE
    < 00FFFFFF FFFFFF00 4DD901EE 01010101 01140103 80A05A78 0A0DC9A0 57479827 12484C21 08008180 01010101 01010101 01010101 0101023A 80187138 2D40582C 45004084 6300001E 011D0072 51D01E20 6E285500 40846300 001E0000 00FC0053 4F4E5920 54560A20 20202020 000000FD 00303E0E 460F000A 20202020 202001BE 02032CF0 501F1014 05130412 11161503 02070601 20260907 07150750 83010000 68030C00 4000B82D 0FE2007B 023A80D0 72382D40 102C4580 40846300 001E011D 00BC52D0 1E20B828 55404084 6300001E 011D8018 711C1620 582C2500 40846300 009E011D 80D0721C 1620102C 25804084 6300009E 00000000 00000000 000000DE >
    Valid EDID block: checksum passed
    ------------------- MAIN EDID BLOCK -----------------
    EDID Version........1.3
    Manufacturer........SNY
    Product Code........494 (01EE) (EE01)
    Serial Number.......01010101
    Manufactured........Week 1 of year 2010
    Max H Size..........160 cm
    Max V Size..........90 cm
    Gamma...............2.20
    Display Supported Features:
    Display type:
    RGB 4:4:4 & YCrCb 4:4:4 Color Encoding Formats
    Display is non continuous frequency
    Default color space is not sRGB standard
    Preferred timing mode includes Native Pixel Format
    Input signal & sync:
    Digital Input
    Color Bit Depth is undefined
    Digital Interface is not defined
    Color info:
    Red x = 0.625 Green x = 0.280 Blue x = 0.155 White x = 0.283
    Red y = 0.340 Green y = 0.595 Blue y = 0.070 White y = 0.298
    Established Timings:
    640 x 480 @ 60Hz
    800 x 600 @ 60Hz
    1024 x 768 @ 60Hz
    Manufacturer Reserved Timings:
    Standard Timing Identification:
    #0: 1280 x 1024 @ 60Hz (8180)
    Monitor Description blocks:
    Descriptor #0 - Timing definition:
    Mode = 1920 x 1080 @ 60.000Hz
    Pixel Clock............. 148.50 MHz Non-Interlaced
    Horizontal Vertical
    Active.................. 1920 pixels 1080 lines
    Front Porch............. 88 pixels 4 lines
    Sync Width.............. 44 pixels 5 lines
    Back Porch.............. 148 pixels 36 lines
    Blanking................ 280 pixels 45 lines
    Total................... 2200 pixels 1125 lines
    Scan Rate............... 67.500 kHz 60.000 Hz
    Image Size.............. 1600 mm 900 mm
    Border.................. 0 pixels 0 lines
    Sync: Digital separate with
    * Positive vertical polarity
    * Positive horizontal polarity
    Descriptor #1 - Timing definition:
    Mode = 1280 x 720 @ 60.000Hz
    Pixel Clock............. 74.25 MHz Non-Interlaced
    Horizontal Vertical
    Active.................. 1280 pixels 720 lines
    Front Porch............. 110 pixels 5 lines
    Sync Width.............. 40 pixels 5 lines
    Back Porch.............. 220 pixels 20 lines
    Blanking................ 370 pixels 30 lines
    Total................... 1650 pixels 750 lines
    Scan Rate............... 45.000 kHz 60.000 Hz
    Image Size.............. 1600 mm 900 mm
    Border.................. 0 pixels 0 lines
    Sync: Digital separate with
    * Positive vertical polarity
    * Positive horizontal polarity
    Descriptor #2 - Monitor name:
    SONY TV
    Descriptor #3 - Monitor limits:
    Horizontal frequency range.......14-70 kHz
    Vertical frequency range.........48-62 Hz
    Maximum bandwidth unspecified
    ------------ EXTENSION EDID BLOCK 1 ---------------
    CEA-EXT: CEA 861 Series Extension:
    Revision:..............................3
    First DTD block at offset..............40
    Display Supports:
    overscan
    basic audio
    YCbCr 4:4:4
    YCbCr 4:2:2
    Data Block Collection:......1
    Video Type: standard CEA Timings
    #1: 1920 x 1080p @ 50Hz - 16:9 is not native (31)
    #2: 1920 x 1080p @ 59.94/60Hz - 16:9 is not native (16)
    #3: 1920 x 1080i @ 50Hz - 16:9 is not native (20)
    #4: 1920 x 1080i @ 59.94/60Hz - 16:9 is not native (5)
    #5: 1280 x 720p @ 50Hz - 16:9 is not native (19)
    #6: 1280 x 720p @ 59.94/60Hz - 16:9 is not native (4)
    #7: 720 x 576p @ 50Hz - 16:9 is not native (18)
    #8: 720 x 576p @ 50Hz - 4:3 is not native (17)
    #9: 720 x 576i @ 50Hz - 16:9 is not native (22)
    #10: 720 x 576i @ 50Hz - 4:3 is not native (21)
    #11: 720 x 480p @ 59.94/60Hz - 16:9 is not native (3)
    #12: 720 x 480p @ 59.94/60Hz - 4:3 is not native (2)
    #13: 720 x 480i @ 59.94/60Hz - 16:9 is not native (7)
    #14: 720 x 480i @ 59.94/60Hz - 4:3 is not native (6)
    #15: 640 x 480p @ 59.94/60Hz - 4:3 is not native (1)
    #16: 1920 x 1080p @ 23.97/24Hz - 16:9 is not native (32)
    Data Block Collection:......2
    Audio Type - not interpreted
    Data Block Collection:......3
    Speaker allocation - not interpreted
    Data Block Collection:......4
    Found HDMI 1.3a IEEE Registration Identifier
    Data Block Collection:......5
    Reserved Type - not interpreted
    Detailed Timing Blocks - 0 is native
    Detailed Timing Block #1 - Timing definition:
    Mode = 1920 x 1080 @ 50.000Hz
    Pixel Clock............. 148.50 MHz Non-Interlaced
    Horizontal Vertical
    Active.................. 1920 pixels 1080 lines
    Front Porch............. 528 pixels 4 lines
    Sync Width.............. 44 pixels 5 lines
    Back Porch.............. 148 pixels 36 lines
    Blanking................ 720 pixels 45 lines
    Total................... 2640 pixels 1125 lines
    Scan Rate............... 56.250 kHz 50.000 Hz
    Image Size.............. 1600 mm 900 mm
    Border.................. 0 pixels 0 lines
    Sync: Digital separate with
    * Positive vertical polarity
    * Positive horizontal polarity
    Detailed Timing Block #2 - Timing definition:
    Mode = 1280 x 720 @ 50.000Hz
    Pixel Clock............. 74.25 MHz Non-Interlaced
    Horizontal Vertical
    Active.................. 1280 pixels 720 lines
    Front Porch............. 440 pixels 5 lines
    Sync Width.............. 40 pixels 5 lines
    Back Porch.............. 220 pixels 20 lines
    Blanking................ 700 pixels 30 lines
    Total................... 1980 pixels 750 lines
    Scan Rate............... 37.500 kHz 50.000 Hz
    Image Size.............. 1600 mm 900 mm
    Border.................. 0 pixels 0 lines
    Sync: Digital separate with
    * Positive vertical polarity
    * Positive horizontal polarity
    Detailed Timing Block #3 - Timing definition:
    Mode = 1920 x 540 @ 60.053Hz
    Pixel Clock............. 74.25 MHz Interlaced
    Horizontal Vertical
    Active.................. 1920 pixels 540 lines
    Front Porch............. 88 pixels 2 lines
    Sync Width.............. 44 pixels 5 lines
    Back Porch.............. 148 pixels 15 lines
    Blanking................ 280 pixels 22 lines
    Total................... 2200 pixels 562 lines
    Scan Rate............... 33.750 kHz 60.053 Hz
    Image Size.............. 1600 mm 900 mm
    Border.................. 0 pixels 0 lines
    Sync: Digital separate with
    * Positive vertical polarity
    * Positive horizontal polarity
    Detailed Timing Block #4 - Timing definition:
    Mode = 1920 x 540 @ 50.044Hz
    Pixel Clock............. 74.25 MHz Interlaced
    Horizontal Vertical
    Active.................. 1920 pixels 540 lines
    Front Porch............. 528 pixels 2 lines
    Sync Width.............. 44 pixels 5 lines
    Back Porch.............. 148 pixels 15 lines
    Blanking................ 720 pixels 22 lines
    Total................... 2640 pixels 562 lines
    Scan Rate............... 28.125 kHz 50.044 Hz
    Image Size.............. 1600 mm 900 mm
    Border.................. 0 pixels 0 lines
    Sync: Digital separate with
    * Positive vertical polarity
    * Positive horizontal polarity
    -------------------------------------------------------

Maybe you are looking for

  • How to change the data type of an item in administrator

    Hi, A summary folder was created. One of the item in the summary folder is a sum. That sum item was created in the business area (based on another item). I can't refresh that summary folder because it gives me an oracle error (Ora-12008 and Ora-01401

  • 4th Gen iPod Shuffle not detected by Windows(7)/iTunes

    Hi, I have an iPod Shuffle 4th Gen (I believe it's a 2GB).  I use windows 7. I'm having an issue where Windows and iTunes cannot detect my iPod shuffle. It was working fine, then I did a restore and set it into manual handling.  About 30 minutes late

  • Why can't I email a pdf file from Acrobat XI Standard?

    Whenever I try to email a pdf file from Acrobat XI Standard, nothing happens. Outlook 2007 is my default email program. I have checked the preferences to be sure that Outlook is checked as default, and it is, but when I click on the email icon or sel

  • Stuck in a starting state

    Hi, I'm using WebLogic 9.2.2. I have a single server in my cluster. The server is perpetually stuck in a "STARTING" state (http://screencast.com/t/GMDTihmVYD). I'm not sure how it got there, but when I visit the Shutdown -> Force Shutdown Now option,

  • Oracle AQ, messages dequeued after one hour

    Hi, We are facing a weird issue in one of our databases. ATESTMED SQL> select count (*) from emx_alarm_qtab; COUNT(*) 26 SQL> set serveroutput on SQL> DECLARE 2 CURSOR c IS select * from emx_alarm_qtab; 3 r c%ROWTYPE; 4 i number; 5 BEGIN 6 i:=0; 7 FO