Hdr-hc3 problems! Interlace? PAL to NTSC

Hello. I am having problems editing a video shot in Sony hdr-hc3 PAL version. I captured in hdv and edited. In the timeline I put 25 frames per second. 1440 x 1080. 16x9... Compression HDV 1080i50
Well, I exported everything. Export/Current Settings. Then I burnt a dvd with dvd studio pro and when I look the video in the TV it looks really really interlaced. Everytime there is movement, the image looks double. Well, I have tried with after effects to remove the pull down but it's not useful. It seems it's not really a interlace problem because when I say to guess pulldown... it doesn't appear anything. I also tried with cinema tools... i did the reverse telecine... but doesnt work... or at least i dont have any idea what i have to do...
I also tried with compressor but the same problem... I dont know if I have to do something in final cut, after i export from final cut... or what i have to do with this problem. The motion looks horrible. HELP PLEASE!
Thanks a lot!

As a last resort (in case you are stuck which is a common fate of most users when dealing with this horrible legacy of NTSC frame rates) you have a simple solution that will produce flawless, no hiccups conversion from PAL to NTSC. You will need sufficient space, patience and willingness to accept 4% change in pitch.
a) edit your footage in 25 progressive. Export it as image sequence. Export audio separately.
b) In QTP import image sequence to NTSC frame rate 23.976. Add your audio (SCALED) to your movie.
c) Import your movie to 23.976 FCP sequence.
d) export it NTSC mpg2, which will add standard pulldown to bring it to 29.97.
(all this can presumably be done in FCP, if only one could figure out how!)
(Note to Apple.Please kindly note that 24 is not 23.98 nor it is 23.976, Your documentation is all over the place with no rhyme or reason. 24 can mean (FTC, QT) 24 or 23.976. Strangely 23.98 seems to be always used to denote 23.976. This is not nice nor professional and is awfully confusing)

Similar Messages

Problems with PAL/NTSC Conversion

I have a PAL Sony handycam camcorder and Final Cut Express HD installed on my 2004 iBook G4 (both purchased in North America, if that makes any difference)
- I capture both PAL recorded footage (from my camera) and NTSC recorded
footage (from other cameras) in Final Cut
- Whenever capturing I alter the settings in “Easy Setup” to “DV PAL
firewire basic” or “DV-NTSC Firewire Basic” depending on if I’m using PAL
or NTSC footage at the time
-After capturing, when I drag captured clips from the Browser window down
into the Sequence timeline, every clip has to be rendered in the timeline.
This is very time-consuming (rendering can take up to 10minutes for what
might be a 2minute clip); and this happens regardless of my “easy setup”
settings or the regional code of the footage.
-In addition, after a clip has been rendered once, and I then make an
alteration (usually a cut) the clip has be re-rendered
-Also – when PAL footage is rendered and then exported usually frames are
dropped and the image appears choppy.
- Furthermore (and I suspect this is related) the program will not print
to video; and I have tried using both PAL and NTSC cameras. Therefore I
have to export all projects as quicktime files and then burn DVDs.
- Any suggestions?
Thanks,
Marc Griffin

Hi(Bonjour)!
One important thing: FCE sequences's settings have to match your clip's settings.
If you mix PAL material in a NTSC sequence, your material will need rendering and vice versa.
Secondly: PAL format is a 25 FPS material, and NTSC is a 30 (29.97) one.
So when you convert PAL to NTSC, there is a frame rate mismatch, thus the choppy playback.
Your camcorder cannot record PAL material if it's a NTSC model. You need a plugin that converts PAL material to NTSC.
There is a nice plugin pack from Nattress that performs PAL to NTSC conversion with various pulldown options (ie scalling 30 fps to 24 fps by blending frames selectively).
See:
http://www.nattress.com/Products/standardsconversion/standardsconversion.htm
Final Cut Studio 2 (Final Cut Pro 6) will support multiple resolutions sequences (shipping in may), it's a new great feature.
Michel Boissonneault

PAL to NTSC Big Problems

We shoot and edit in PAL on FCP and output to Quicktime MOV. When I convert the MOV to MPEG2 NTSC in Compressor I am getting some bad shuddering on any camera pans.
I have tried changing field dominance and turning on and off the deinterlacing. I have even tried transcoding from an encoded mpeg 2 PAL with no improvement
I am using version 1.2.1 of & have almost no control over the GOP settings. I don't know what do do
Please help

As a last resort (in case you are stuck which is a common fate of most users when dealing with this horrible legacy of NTSC frame rates) you have a simple solution that will produce flawless, no hiccups conversion from PAL to NTSC. You will need sufficient space, patience and willingness to accept 4% change in pitch.
a) edit your footage in 25 progressive. Export it as image sequence. Export audio separately.
b) In QTP import image sequence to NTSC frame rate 23.976. Add your audio (SCALED) to your movie.
c) Import your movie to 23.976 FCP sequence.
d) export it NTSC mpg2, which will add standard pulldown to bring it to 29.97.
(all this can presumably be done in FCP, if only one could figure out how!)
(Note to Apple.Please kindly note that 24 is not 23.98 nor it is 23.976, Your documentation is all over the place with no rhyme or reason. 24 can mean (FTC, QT) 24 or 23.976. Strangely 23.98 seems to be always used to denote 23.976. This is not nice nor professional and is awfully confusing)

PAL to NTSC menu problem

I have to create a NTSC DVD for a client- now i have done the PAL version
created a new menu for NTSC version and will create itall from scratch encoded the .mov file with Episode PRO form PAL to NTSC but when I use the same menu template (the wedding ring) and choose Display mode 16:9 letterbox in DVDSP it stretches the menu, any way of forcing it to 16:9 the way it does when I create a PAL menu?
Message was edited by: Allister Gourlay

The Wedding Ring background does not like being made into a widescreen version. I made my own by extending the sides of the original in Photoshop.
You can find the background here: hard Drive / Library /Application Support / DVD Studio Pro / Apple / Templates. Locate the "Wedding Band Cover" template, right click and choose "Show Package Contents". Click the Resources folder. The file is called "background.tiff".

Advantages of FCE HD over iMovie HD (with Sony HDR HC3)?

Hi!
I'm new to the digital Video world. Sadly I'm always a bit crazy and thought to buy a camera which will be a bit more future proof and decided to go for a Sony HDR HC3. I was using iMovie 6 HD with it and can import movies fine (ok not full speed on my 2Ghz iMac G5 but I can live with that), I can cut them but I can't realy render them as normal movies out of iMovie. Actually I can't do anything with them it always turns out to be a very bad jerky output format. So reading the iMovie forum, it seems thats normal behavior. People say it needs to be sent back on camera tape and get it converted by the camera to DV and then use it. Actually importing DV and then writing a DVD or encoding it to an other fileformat really works well.
So my question is, can FCE HD handle HDV better? Like export it to normal DVD? Meaning like rendering the 1440 x 1080 interlaced to the DVD non interlaced resolution?
iMovie shows me the Project is 1080i-25 (yes I'm using PAL). So I asume it merges the two half pictures to one 1080 and that results in 25 frames/sec...
Any experiance with FCE and Sony HC3 here? Roughly 300 Euros/$300 is a bit too much to buy it and it turns out to be not much of a difference then iMovie (for exporting and handling HDV).
Thanks for your help and feedback!
Holger

Hi!
The reason why I ask is some weired behavior I have with IMovie 6 HD/Quicktime 7 on the latest Tiger release:
I can import HDV from my Sony HC3 perfectly, and also export every unedited material to the camera perfectly. But when the HD material needs to recoded for use on DVD or as quicktime movie or just when you add titles effects etc. Output is getting very jerky.
To test I did the following. I recorded a 360 degrees turn in a room in HDV. It shows perfectly smooth on the camera screen when playbacked, smooth on TV etc. Smooth means as you see it when turning your head..
So now I import it in HDV into iMovie. If i take the unedited film and want it to export it to any other format like DVD or an MPEG4 movie, things get jerky, the 360 degrees turn doesn't look nice anymore.
I read in other forums, that thats in issue with HDV and you should let the camera convert it to DV, so the cuted material needs to be transfered back to the camera, and then let it convert it to DV.
OK, so if I import HDV converted by the camera to DV its perfectly smooth, also on DVD on quicktime movies etc.
When I import HDV in iMovie, and put a title text in the movie for like 10 secs out of the 20. iMovie will split the clip to two 10 sec ones and render the text in the first block. If I record it back as HDV on the camera tape and then reimport it with beeing converted as DV the following happens:
The first 10 secs with the title are jerky, the second 10 secs are smooth as before.
This needs to be related with the IMovie/Quicktime encoding, not with the camera (I have two of it to see if its not the hardware). So I'm really thinking It's either an iMovie problem an Quicktime problem or both together...
So if FCE would handle the rendering process different... It would be worth to get it...
Any ideas?
Holger

PAL or NTSC for international distribution?

Hi everybody, we have a 5 hrs film shot and edited in Premiere Pro CS6 in HD pal, 50fps, 16:9 intended for international distribution on 2 double layer DVDs. How should we best author it to guarantee worldwide compatibility and best possible quality? PAL or NTSC? There is no budget to press both, PAL and NTSC DVDs. Thanks for your help!!!

NTSC every time.
All PAL players these days will happily output NTSC content either as true NTSC (by running an on-the-fly standards conversion in the video decoder chips) or else as PAL-60.
Very few NTSC players will output PAL in any form.
Your biggest problem will be standards converting your 50i footage into 29.97.
EDIT.
Here's a great tip for you.
Do not ever shoot at 25 fps in any shape, way or form if you need international release. Use 24p instead - and when the time comes to burn a DVD all you need to do is scale it down & render to DV 24p widescreen from Adobe Media Encoder. All will be fine, and you can use fully progressive images all the way through.
Pros:
24p footage is universal, 25p is not spec compliant, must be interlaced & will only work in PAL regions.
24p will play - in an upscaling player (such as a modern Universal, or a good BluRay player) at the encoded rate (Hollywood have been pulling this trick for years now) and in a non-upscaling player it will automatically pull to 29.97 with no intervention needed from the user.
Cons.
None that immediately come to mind - although of course 24p footage has it's own issues but these are outweighed by not having to standards convert.
Why this is needed.
Because although most US discs will play in PAL players, either as pure NTSC or PAL-60, the reverse is not true and even when you can find a US player that will handle a 25i stream, you will run into difficulties with the display because the mains is at the wrong frequency (60Hz instead of 50Hz) and the image will be garbled, black & white or missing altogether. A study by Sony showed that perhaps 1/20 players can output PAL frame rates properly in NTSC regions.

I want to convert a movie that I've created in iMovie from PAL to NTSC.

I've created a large movie using PAL but now want to convert it to NTSC to send to my family in Canada. It took ages to create. Is there an easy way of doing the conversion? I don't want to have to do it all again.

Hi
A. Using iMovie'08 to 11 - Will not give 100% result - as You want interlaced SD-Video = NTSC
B. Converting from PAL to NTSC - is Never 100% loss free - but You lose a bit
I use iMovie HD6 or FinalCut - as they can deliver 100% over to program that converts.
• iMovie and iDVD can convert - BUT RESULT WILL BE Very POOOOR.
My notes on How I do it
PAL to NTSC or NTSC to PAL
A. Copying commercial DVDs - No Not possibly at all - Not even legal to discuss.
B. Home made DVDs (DVDs without copy protection)
C. Movies from iMovie or FinalCut
• Save as full quality QuickTime .mov and convert this with JES_Deinterlacer (free on Internet)
NTSC ---> PAL.
• Most often not necessary - Most stand alone PAL DVD-players playback NTSC
(if TV is old in BL/W)
PAL ---> NTSC.
• If played on Mac - not necessary AT ALL
• If on NTSC DVD-player - CONVERSION IS NEEDED - nearly no Stand alone NTSC-DVD-players
playback PAL at all.
To do this You need to convert the PAL DVD to streaming.DV or full quality QuickTime .mov
• I use Roxio Toast™ to do this (There are no free converter)
• JES_Deinterlacer (free on Internet) to convert to NTSC
• Set up an NTSC project (29.97fps or 30) in iDVD and import then burn
I burn to
• Verbatim DVD-R
• Set down burn speed in iDVD to x1 or x4 recommended by many
• Secure a minimum of 25Gb free space on internal boot hard disk before burning (IMPORTANT)
PAL is 25 fps and an analog TV standard of 625 lines
NTSC is 29.97 fps and 520 lines
NTSC (29.97fps) 520 lines - about 640x480 pixels (square) 720x480 rectangular (narrow) pixels
PAL (25 fps) 625 lines - about 768x576 pixels (square) 720x576 rectangular (narrow) pixels
to use a photo 702x480 resp 576 then add 9 pixels on each side to add together as 720
If iDVD hangs on PAL or NTSC.
Bengt W wrote
Deleting iDVD pref. file - should return You into NTSC mode.
Yes iDVD can switch to PAL - BUT as You see with a rather lousy result.
a. Need to convert to PAL - most often not - Most PAL-player can playback NTSC
and on a fairly new TV in color. (old TV in Bl/W)
(Other way around - from PAL to NTSC most often a must - few NTSC-player can use PAL)
b. IF MUST - then use JES_Deinterlacer to do this conversion - so much better and free.
My list on this (or rather PAL --> NTSC - just think the other way around)
I have to send it overseas
That too can be a problem. As USA = NTSC = 29.97fps and EU = PAL = 25fps.
DO Not let iMovie or iDVD do this conversion from one to the other - Result will be Very
BAD
I save the movie as a full quality QuickTime .mov file then I use JES_Deinterlacer to do the conversion - then I cont. in iMovie or iDVD with project set accordingly.
JES_Deinterlacer is free on Internet and there are Pro applications but not that much better and costs are astronomical.
PAL-DVDs - don't play in US
NTSC-DVDs - usually plays well in EU
All plays well on a Mac - What ever.
Allosaurus writes
Thank you SDMacuser. I dumped all the plist icons with no result, and was getting pretty plist off when it occurred to me to delete all the previous dvd.proj files. Bingo. That did the trick. So thank you for all your help and the additional information you provided.
Yours Bengt W

Pal to ntsc small query

I have read up on the forum re producing an NTSC dvd from a Pal file and taken on board the suggestions re compressor & nattress etc. One quick question though. A friend of mine who shoots in Pal and produces dvd's in both pal & ntsc says he simply nests and exports the Pal project using QTconversion, sets up a new NTSC sequence and imports the qt file into it.
I have tried a small clip this way and if I look at the new clips properties in QT player, it appears to display as the correct frame rates etc for NTSC and seems to play ok.
Is there something very obviously wrong with this method? I am assuming so as otherwise everyone would use this method.
I think my friend is working on the basis that he says FCP will happily handle a mix of PAL & NTSC in the same timeline so switching is not a problem?
Confused?

All my movies/DVD are short ones then I use the Natrress plugins with very good results. It works inside FCP. It's a time consuming process, but you can leave working alone as heavy renders.
About how to test reaults, I don't find any other option that using a real NTSC TV. I'm sure you can find some models there with both standards PAL and NTSC.
Don't judge the conversion in the computer monitor because you need to check there is no problems with interlacing/scan.

Compressor Pal to NTSC - issues - will progressive help?

I am trying to optimise a pal - to ntsc conversion. Source footage is DV tape.
I realise that there is always a quality hit - i have been using compressor following Anton Lineker's excellent article from Aussie Macworld mar 06 - on slow pal to ntsc conversion.
Am wondering if ,when using the encoder options in compressor,going progressive scan over deinterlaced will help up the quality - at the moment my final output is getting some serious "banding" when any motion happens on screen (eg moving pictureframes have "slat blind" edging while my original pal output maintains a sharp edge on the moving picture frame)- could this be an interlacing issue via the encoder in compressor?
and will progressive play out on many tvs around the world?

You may want to contact Roger Anderson at http://www.innobits.se/ssl/email_us.php . I understand that his new version of Bitvice may be able to solve your conversion issues.
You can download a demo version of this software, ( http://www.innobits.se/ssl/download.php ) to see if it solves your problems. I know that he has incorporated a new set of algorithms to scale between different source like NTSC to PAL and back as well as other new capabilities.

Pal to NTSC conversion and burning disk

I had problems burning a disk with ilife 5.0, so I bought 6.0. I make a movie using only one picture using iMovie HD. I shared this movie with iDVD and tried to burn a disk. An error message can up saying "are we trying to burn a PAL movie with a NTSC disk? When I procede anyway the disk won't burn. I looked in help to convert a PAL movie to a NTSC movie. When I went through this procedure, I got a disk icon as a Quick time movie. I couldn't burn this using disk utility. What is going on here. Wy does the new iLife 6.0 make a PAL movie. I didn't tell it to do so. Does iLife come programmed to make PAL movies, which I understand are the Euorpean format. I used to make movies just fine when I first got iLife 5.0 so I know how to use the program. Any ideas? Thanks in advance.

NTSC is the standard deployed in the USA and some other countries (post war countries relying on US for reconstruction). While the "rest of the world" looked for much-needed enhancement to NTSC, which gave birth to PAL and SECAM. Only NTSC and PAL is used for DVDs.
NTSC and PAL are television (chroma) standards. TV sets strongly rely on their power source for image synchronization. US countries use 110V/60Hz, while the rest of the world rely on (the more efficient) 220V/50Hz (multiplying by 2 the voltage divides by 4 the power rating of appliances). So, frame rate is 60Hz on one side and 50Hz on the other. PAL develops 100 more horizontal lines than NTSC (TV sets). Because of "interlacing" (to artificially reduce screen flicker), video source frame rate is 25 or 30.
In the end, converting PAL to NTSC and vice-versa is a very tough job: missing frames are "missing" and must be extrapolated. Extraneous frames needs to be dropped. Same for missing/extra lines. This is professionally done by using complex equipment capable of doing these interpolations equally balanced over the timeframes.
Because of the size of the US market, it is almost impossible to find multi-standard compatible equipments (TV sets, DVD players) in the US. While in Europe the huge majority of equipment are tri-standard (NTSC, PAL, SECAM), - for the video sources such as DVD players and various tape based recorders - and the TV sets also support the various flavors of these standards for the wireless transmission (sub-carriers, polarization, etc).
In the end, what is the benefit of a conversion? to send a homemade movie to a friend in a country of different format? Then, using a computer as player can be a good palliative.
This, as my 2 cents.

Nattress pal to ntsc degrading the image

Hi everyone,
I'm trying to use Nattress's Pal to NTSC converter & the clip got more blurry & degrading than the original PAL source. Has anyone has this same problem?
My setting:
put the source field order as UPPER & destination as LOWER
De-interlace option as NORMAL. (also tried SMART too)
Gconverter also add in the fields SHIFT direction, I chose: +1 for the first attempt, -1 for 2nd, & non for the 3rd, but still get the blurriness look (kind like degrading the image)
Is it because of the FIELD order, or De-interlace OPTION?
or should I try PROGESSIVE OUPUT option too?
I left the pulldown offset as 0
thanx
JP

Remove the Apple shift fields filter - let the plugin handle all the field stuff.
PAL to NTSC shouldn't be blurry - are you viewing out of the NTSC monitor, not relying on the FCP preview? NTSC to PAL can be a touch soft, and with that I normally drop the motion blur to around 15% to get it looking better.
For upper to lower field conversion, you should be using 2.5.2 for best results, which we'll get for you via email.
Graeme

Canon HV10 or Sony HDR-HC3 for iMovie HD 6

In case you're interested…
I'm in the process of reviewing both the Canon HV10 and the Sony HDR-HC3. Both use Mini DV tapes. I've heard hard disk models don't work with iMovie HD6.
I've tried both on my Intel iMac at 2.16 Gz and this is what happened…
Sony HC3
I used Firewire cable (must be Firewire - Sony calls it iLink) and plugged in the cam with iMovie already opened. Clicked to the camera icon and… Nothing happened. There was no recognition of the camcorder at all. Zilch. I fiddled, checked the camcorder's audio was set to 16bit and changed several prefences in iMovie but still nothing. I had previously set the cam's time too. I've since learned the HC3 and many other Sony's are incompatible with iMovie HD. It's a lovely camcorder but unless you download some extra software – as mentioned in the forums – it ain't gonna work.
Canon HV10
Performed the same Firewire connections and, lo, the camcorder was detected and I was able to begin importing HD visuals. But then… On immediate playback after importing I noticed the audio was running at half speed – subtley – the visuals too. I spent hours shooting short bits, importing them with other settings, and every time voices came out low and slurred. My wife sounded like a bloke. I posted the problem here and someone told me the HD takes a long time to render. So bear that in mind. And don't be impatient like me.
In this instance, the Canon wins.
Apple iMac 2.16 Mac OS X (10.4.8)
Apple iMac 2.16 Mac OS X (10.4.8)
Apple iMac 2.16 Mac OS X (10.4.8)
Apple iMac 2.16 Mac OS X (10.4.8)

I'm really confused now. I've set the HC3's settings to HDV (not Auto) and the iLink Conv to OFF. And still no joy. I've even tried 'Magic Movie' for which it searched for a camera but found nothing. I know the Firewire cable works because I've used it on the Canon and my own, older Digital-8 Sony Handycam.

Converting PAL to NTSC and making a DVD

I have a couple of .avi files, some are in PAL and others in NTSC, I wanna make a DVD in NTSC mode, How can I convert the files?

Hi
This is not easy and You need other programs to do this.
.avi.
You can use MPEG-Streamclip to convert the AVI files so that QuickTime can play them
and to streamingDV for iMovie.
This may work - I had great problems to get .avi into anything usably.
*PAL to NTSC or other way*
A. Commersial DVDs - No Not at all - Not even legal to discuss.
B. Home made DVDs (without copy protection)
NTSC ---> PAL.
• Most often not necessary - Most stand alone PAL-DVD players playback NTSC
(if TV is old in BL/W)
PAL ---> NTSC.
• If played on Mac - not necessary AT ALL
• If on NTSC-DVD-player - CONVERSION IS NEEDED - nearly no Stand alone NTSC-DVD-players
playback PAL at all.
• MPEG Streamclip (free on internet) to convert to NTSC
• Set up an NTSC project (29.97fps or 30) in iDVD and import then burn
I burn to
• Verbatim DVD-R
• Set down burn speed in iDVD to x1 or x4 recommended by many
• Secure a minimum of 25Gb free space on internal boot hard disk before burning (IMPORTANT)
Yours Bengt W

Capturing DV from HDR-HC3 crashes FCE

When I import HD video from my Sony HDR-HC3 into FCE (version 3.5 running on OSX 10.4.6 on a 12-inch 1.33 GHz Powerbook with 768 MB RAM) it works fine.
When I try to import DV (using the i.link conv feature on the HC3 and setting easy setup to DV-NTSC Anamorphic), it warns "Unable to locate the following external devices: Apple Firewire NTSC (720 x 480)". If I continue and try to capture video despite this warning, FCE crashes.
I have tried various other easy setup settings with the same results. (I don't know if it's significant or not, but the warning always says "Apple firewire" even for easy-setup "Basic" setting.)
Also, when FCE crashes it does not put up the usual "report to Apple" dialog. It just quits.
As an aside, I once tried checking the "Do not warn again" box, at which point the warnings, of course, went away but the crashes didn't. Since the "Do not warn again" check box was in the warning dialog, which never appears again once you check it, it seems that there is no way to turn these warnings back on once they are turned off (short of deleting the FCE prefs file, which seems rather inelegant).
Mac OS X (10.4.6)

HDV features require 1GHz or faster processor and 1GB
of RAM (2GB recommended)
I see I am not making myself clear.
I am NOT trying to capture HDV (though that actually DOES work).
I am trying to capture HDV that is being downconverted to regular DV by the camera.
Note that I CAN get this to work on my Mac Mini, which has an identical setup (same processor, same software, same memory).
Summary: capturing HD works fine on my mini and my powerbook.
Capturing standard (non-HD) DV works on my mini but NOT on my powerbook, despite the fact that the software configurations on both machines are the same as far as I can tell.

QuickTime movie in Pal to NTSC

I have a PAL camcorder.
I made an i movie in PAL and then edited it. I then converted it to QT in Pal. I then want to convert it to NTSC in JES. It doesn't seem to want to convert. ??? Perhaps I put something wrong into the slots. Could some one give me the right steps?? I thought that I followed the "Unofficial iMovie FAQ"

Hi sola
Converting from Pal to NTSC is one of the hardest things to do.
Believe me! I live in New Zealand a Pal territory but when I wanted to convert my little TV programme DIYTV Learn TV Production in 44 minutes showing the world how to make saleable, watchable TV programmes on iMovie I had to convert it to NTSC and get it to work on all USA DVD's.
It took me five months! Nobody could tell me how to do it. You can get a man on the moon but not convert acceptable PAL to NTSC cheaply and easily.
I tried everything Jes, the Compressor which comes with FC Pro , took it to production houses and still I could not get an acceptable conversion that did not cost a bomb. I tried all the forums. I begged to be given some settings which would work. Nothing! Doing it digitally takes hours and you need the correct settings which are a 'big secret'.
I did not try Platinium Alchemist as it was about NZ$1000 a go and I had 8 programmes. I reckoned I'd not sell that many to cover the cost. I think this would be the best.
Now the first thing to find out is what you want to do with it once you have converted. This makes a difference for some of the ways you do this look awful on LCD screens
I am not an expert in Jes but a lot on the forum swear by it. I too never got it to work for me.
If your video is not too long you may consider having it done professionally by a duplication house.
For this you just need to take in your tape and they can make the change either to tape or DVD. They have the equipment mainly an NTSC recorder which are are difficult to come by in Pal countries.
You can do it the analog way at home by making a DVD, playing this on a cheap DVD recorder from China, a named expensive variety will not do, which has a cunning little switch between PAL/NTSC and you can make the change in real time and as good quality as you get, better than digital and it works on everything.
The big problem with this is you need an NTSC tape recorder.
Have you noticed your PAL camcorder will play in NTSC but not record. This is because the wattage/ampage, sorry experts I am dislexic here, is different in USA and it makes the pictures flicker if filmed under lights consequently the big firms only sell the correct type of camera for the country to avoid problems.
I hire an NTSC one as I have hours of video to change but if you have just one item it would be cheaper to get it done by a duplication house. Once you have it on NTSC you can do what you like with it.
Caution. If you want your iMovie to play on all USA DVD players you have to convert the sound to Dolby Sound AC3 but that is another problem.
This is my answer to the question for what it is worth. If anyone out there has a better solution please tell us. So far I have had no complaints and I have sold many DVDs changed like this. My change costs about $20 but takes hours to achieve but worth the effort.
Good luck. Hope someone is more helpful
Jane

Hdr-hc3 problems! Interlace? PAL to NTSC

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