Help! Best SD export settings for web CS4

Hello and thank you in advance for your help. I'm a newbie here and have read through many posts on exporting and found some good information here for creating a master http://forums.adobe.com/message/3005601. But, I am searching for export settings to send a 3:30 min. video to a client to upload to a website and you tube that is high resolution but not too huge of a file. I am looking for setting others have used to create this.
This is a SD tutorial video with a combination of .psd and .jpeg stills and graphics in After Effects compositions mixed in video footage. There are a lot of cross-dissolve transitions and I am getting pixelization with the settings below. It is a start, but I hope to get a smoother video for the web at 320x240 and 720x480. Any suggestions on aspect ratio, file format and settings would be appreciated. The original video is 720x480.
Format: H.264
NTSC, 720x480, 29.97 [fps], Progressive
AAC, 128 [kbps], 44.1khz, Stereo, Frequencey
Field Order: lower
Pixel aspect ratio: square pixels
Profile: high
Level: 3.1
VBR, 2 Pass, Target 6.00, Max 8.00 [mbps]
Widescreen 16:9
Thank you!! I need to get this project out today, so any help is very appreciated!

You could go that way, looks very nice.
I tried it but still not able to get it in my website.
Taking the save route is by Premiere.

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Export settings for Web and Television

I am looking to Export a 30sec ad that will be posted on a website, and shown on TV in California. I have FC 5.0.4
What export settings do I use? Countdown? Bars and Tones?
any help would be greatly appreciated.

For web, I would recommend using H.264. The Web Download 800 kbps preset in Compressor, or the Broadband High preset in QuickTime would be a good choice.
As for delivering video for TV, I would recommend contacting the TV Network which will broadcast your video, and ask them about their broadcast requirements.
Good luck!

CS4: Best export settings for web delivery?

Greetings, all!
I recently upgraded to working with HDV footage in CS4 from working with SD footage in Elements 3, and have been struggling a bit with getting the best quality export from CS4/AME for delivery over the web.
I'm most concerned with exporting a best quality master that I can then transcode to m4v, flv, etc. So far, the best luck I've had is with a H.264 .mp4 export, but it's still not as clean as I'd like to see. I've also read that exporting as a Quicktime animation provides excellent results, but I'm having issues with Quicktime on my new PC (error -43 file missing, for one thing) and I've read a bunch of posts here that advise staying away from QT whenever possible. I'm working mostly with NTSC HDV 1440x1080 60i footage from a Canon XH-A1s, with some NTSC HD 1920x1080 30p and 24p footage from a Canon T2i thrown in sometimes. I don't mind shrinking my export down to 1280x720, but for my master I really want the cleanest possible video.
Any tips would really be appreciated.
Thanks!

Anybody have any tips???
Here are the specs I have been using so far.
Format: H.264
NTSC, 1280x720, 29.97 [fps], Progressive
AAC, 128 [kbps], 44.1khz, Stero
VBR, 2 Pass, Target 6.00, Max 8.00 [mbps]
Widescreen 16:9
Profile: high
Level: 5.1
What I get is a file that's about 250megs for a 5-minute video that looks pretty clean. What I'm really looking for is more like a 2.5gig file that's super clean. Back when I was shooting SD, I would export an .avi file as my master that would run about 1gig or so for a 5-minute file. I'm looking for a similar workflow now that I'm working in HD.
Any ideas?

FCE Export settings for Web content

I'm about to help a friend make a how-to video for the web. I have not shot it yet and I've never made anything for the web before so I wanted to verify the correct settings before I start. I will be shooting with a Canon HV30 in HD 30 fps. What easy setup and export settings will allow the footage to retain quality when exporting / uploading to the web? Do I need a separate compressor? Thanks.

The Easy Setup should always match the format of the footage you shot, as should the Sequence setting. The Canon shoots HDV, so [you need to read this first|http://documentation.apple.com/en/finalcutpro/professionalformatsandworkf lows/#chapter=2%26section=0].
With the correct settings make the best quality master file that the material will allow. This file can then be used for a variety of delivery formats, should you choose to show it in places other than on the web.
To make your web video, use a H264 web preset in Compressor. If you need to deliver a Flash file for the web, rename the H264 movie's file extension to .flv -in most cases it will work fine.

Best image EXPORT settings for best quality

What should i have my export settings at when exporting to a jump drive to give to clients for web and printing use???
When i see my images uploaded on Facebook for example, the qulity looks poor which worries me that when printing the quality will be poor as well. Am i missing something in the setting for exporting? What is the proper way to export for the best quality image? HELP!
My settings now under Aperture>Presets>Image Export:
JPG Original size
300 dpi

t_hall10 wrote:
The information provided was helpful, but did not completely answer my question...
Are there specific settings with-in Aperture I can set for exporting so that clients have the ability to print as wanted and post on the web as wanted whithout losing any major amount of photo quality?
No, not for one size fits all.
I do appreciate this may be a frustrating answer, but non-the-less, that's how it is.
t_hall10 wrote:
Should I be gving 2 folders of pictures, one for web use and one for printing use? If I were to do that, what should the exporting setting be set for both folders?
Maybe, it's your choice.
Let's go through the settings.
The only real quality setting is for JPG compression. 12 is virtually no (lossless) compression but gives huge file sizes which may breach a websites limits.
A 16MP images on quality 12 will be about 22MB. 11 brings it down to 8MB and 10 down to 7MB. You'd be very hard pressed to see the difference between a 12 and a 10. But if you want to feel you are giving the best quality without the extreme file size, go for 11.
The the vast majority of web sites, like facebook, will either resize uploaded images and/or re-compress them. They may also crop them to a different aspect ratio to fit their browser software.
Many report the best size for upload to facebook, for small images is 960 pixels on the long side. For large images it's 2048. For different websites it may be different. It is discussed on many photography sites and blogs. You will find some promoting the 960 / 2048, and others with their own preferences. Here's a good one which also shows you many ways FB will mess with the images:
http://havecamerawilltravel.com/photographer/images-photos-facebook-sizes-dimens ions-types
The safest colour space is sRGB (Mac profile: sRGB IEC61966-2.1) as it will more often be right than wrong. You should preview your images on screen with this profile to get a feel for how it will look and avoid unexpected colour shifts in your files. Ideally your screen should be calibrated so you know what you are giving them is accurate.
To understand the printing issue, try this exercise:
If you have a printer installed on your Mac, it probably also installed some printer profiles. In Aperture, look at one of your nicer vibrant images. From the view menu turn on 'Onscreen Proofing' and then from the 'Proofing Profile' sub menu, select one of your printer profiles and look at how the onscreen image changes. Repeat with each of the printing profiles and see how the image changes each time.
This is only a fraction of the colour shifts that will be occuring after you give your file to someone and they print it on their own uncalibrated system with their uncalibrated printer.
Many photographers don't offer full size images to their clients. They will usually give them smaller versions for their own use, which may include small size printing.
They will either do the main printing themself on their own calibrated printer, or work with a print shop, and may have installed calibrated profiles on their system for the shops printing equipment so they can use onscreen proofing to gauge what the pictures will look like when printed on that equipment.
But if you are just giving a file to someone, you lose all control of how they will print it. Even experienced photographers and computer users can struggle to make the prints match close to what they look like on screen.
Most often photos will appear too dark, or the colours look wrong, or it lacks sharpness. There are some settings on the export presets for gamma and blackpoint compensation. Gamma will brighten the image for when it's printing too dark, and blackpoint will try to stop the shadows turning black (within the chosen colour space). But as you don't know in advance whether the images are going to print too dark, or the shadows are turning black, you can't really set these for a one-size fits all scenario.
So there are not many settings to help you here.
You are actually moving into the realm of defining your product. You could, for example, ask the client which site they intend to publish the photos on, research that site and produce files optimized specifically for that site.
You also need to decide what size (resolution) files to give them for printing and whether you are happy giving away your full size images.
These choices will lead you to a number of a different files sizes as 'your product', all should be in sRGB colour space, and all with quality 10 or 11. For any client's who know how to make use of a wider clour space like Adobe RGB for printing, they will probably ask you up front to supply the print versions as such.
Next, for each size and usage, you now need to sharpen these images.
This is because sharpeing is best applied to images that have been resized to their intended output size and should be sharpened in accordance with how they will be viewed. Images displayed on computer screen generally need less sharpening than those that will be printed. Depening on the printer, the images may need some oversharpening in the file, in order to appear crisp and sharp in the print. As you won't be controlling the printing process you should probably avoid oversharpening. The bottom line is, if people are taking on the task of their own printing, they'll need to figure out what they are doing to get good results, or use a commercial printer.
Andy

Best project & export settings for GoPro 1080p 30fps - YouTube

Hi all,
Just made a new video for YouTube and it's come out a little grainy, no where near as good as the original. I know YouTube compresses footage but looking at other users with the same equipment my video quality is sub par, I seem to be editing them incorrectly causing quality loss. Footage has lot's of motion:
★ HD YAMAHA RAPTOR 700 TRAIL RIDING, OFFROAD & SUSPENSION SETTINGS! QUAD BIKE ATV ★ed - YouTube
My other videos don't seem as bad, not perfect, but maybe as this one had less light and lot's of bumps/motion it's finally come to light that something is not right.
For example look at this video, same equipment etc, similar conditions, but quality is much higher:
[HD] Raptor 700 GOPRO HERO 3 BLACK HD 1080p 2014 Raptor 700 x2 Riding in NYC - YouTube
Quite a big difference right?
I didn't realise there were project settings lol, I checked and it's set at 25FPS but my footage is 30FPS, would this cause issues? Export wise I did
I need help with project settings and export settings, can someone tell me what information you need from me to ascertain this?
Many thanks,
Toby

Toby
If you have source media = GoPro 1080p30, then your project preset should be
NTSC
DSLR
1080p
DSLR [email protected] or DSLR 1080p30 if the camera specification says 30 instead of 29.97 frames per second.
Either you set it manually or you make sure that the project is setting it automatically correctly.
ATR Premiere Elements Troubleshooting: PE11: Accuracy of Automatic Project Preset (New Project Dialog) Setting
When you go to export that to YouTube from within the Premiere Elements YouTube feature, you use the
preset = High Definition Video for Youtube - 1920 x 1080.
If you exceed the file size/duration limit of the YouTube feature within Premiere Elements, then you export the
Timeline to a file saved to the computer hard drive. Next you upload that file to YouTube at the YouTube web site.
YouTube extended time accounts do not work in the YouTube feature within the program. The suggested file for
this route would be
Publish+Share
Computer
AVCHD
with Presets = MP4 - H.264 1920 x 1080p30.
Please review and consider. If any questions or need clarification, please do not hesitate to ask.
Thank you.
ATR

Best HD export settings for YouTube

I am looking for some info on what export settings to use for YouTube with HD video. I want to export everything in 1080 (not 720) so I can also upload to Vimeo. Can someone please explain (or link) to me how I should export.
This is my first time using HD video, I shoot in 24fps onto HDV tapes.
I am not sure what else I need to know (or do) to export in the best quality.
THank you in advance!

Any other input for this topic?
I have been searching around for the past week for a solid export setting.
I've tried the above settings but I have yet to see the final product because it takes FOREVER to export (the estimated time just keeps going up and up, never down).
I found a setting a few weeks ago and used it but I cannot find it again. It did not take too long to export and the final product looked amazing both in Quicktime and on YouTube/Vimeo.
Anyone that would like to share their settings for an upload to YouTube/Vimeo, please do, I am in need.
Thanks!

Best AVI export settings for a XDCAM EX 1080i60 35VBR FCP timeline

I've editted a couple of XDCAM EX 1080i60 35VBR timelines in Final Cut Pro. The dimensions of the source footage and timeline sequence settings are 1920 x 1080 XDCAM EX 1080i60 35VBR.
They will be used at a large conference center and the client has asked me to delivery HD AVI files.
So far, everytime I export an AVI file from either the FCP timelines, or HD Quicktime XDCAM EX 1080i60 35VBR composites that I've made from the timeline, the AVI file that results is either alot smaller than the 1920 x 1080 quicktime file and/or pixelated to some degree, and not as clean as the HD quicktime.
I have very little experience with AVI and was hoping someone could suggest appropriate export settings. As I said, the client only indicated they want AVI files, and that their equipment can display HD files.
So I'm trying to maintain the quality of the original and editted footage.
I'd like to work with the tools and export options available within FCP7 (FCS3) and quicktime, as opposed to having to purchase some AVI transcoder, but I guess I'd be open to that if I had to otherwise take a huge quality hit.
Thank you in advance for any assistance.

I'd like to work with the tools and export options available within FCP7 (FCS3) and quicktime, as opposed to having to purchase some AVI transcoder
As far as I know there are no tools/export options within FCP7 (FCS3) and/or Quicktime to do what you probably want to do (compressed HD AVI export). But if a fully uncompressed 1920x1080 AVI export is ok for you / your client then you can use Export > Quicktime Conversion, set the Format to AVI and change the Options >> Video >> Settings >> Compression type to "None" ... bear in mind that this will produce some pretty big exports file size wise (about 6-7 GB per minute).
Or instead, you can download and use MPEG Streamclip. Open your HD Quicktime XDCAM EX 1080i60 35VBR composites into MPEG Streamclip and choose File > Export to AVI ... then in the AVI Exporter window you can +choose the codec+ you need and press the "Make AVI" button (leave the settings at default, especially Frame Size which should be "unscaled"). Note that AVI is just a wrapper, not a codec. Make sure you chose an HD capable codec that your client can handle (it's unlikely that they will be able to play back any Apple XDCAM EX variant, or indeed any codec that starts with "Apple").
Or just send them an unscaled H264 test file and see how they get on with that (and you can export H264 from FCP, Compressor, Quicktime and/or MPEG Streamclip). It's scalable (handles any resolution including HD) and is pretty much universally supported delivery codec. I'd expect your client would be happy to accept it if you explain that the format will offer the quality the need.
However you proceed I'd strongly recommend you send the client a few test encodes first to have them confirm that they can indeed read / handle your encodes correctly.
Hope it helps
Andy

Best possible export settings for XDCAM HD graded and minor vfx footage?

Hey all,
i know this question seems to be getting the hall of fame mark, but i cant figure out the best settings to export my HD footage, from premier, i usually mpeg2 the sequence and i get a great picture and sounds and even a reasonable filesize, but the same settings dont seem to work with after effects, is it something really lame that i'm not looking properly or its more than that, please help me out here.
Thanks

You should never use a lossy/compressed file format for intermediate files. The more times you introduce compression into the mix, the lower your final footage quality will be. Also, After Effects (especially earlier versions) doesn't play well with codecs that use interframe compression (such as MPEG). To be honest, it would be difficult for you to pick a worse thing to do.
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Export Settings for Web/PC from PAL

Hi
I primarily work in producing video for playback on a PC or Web; usually from PAL SD and Widescreen.
Therefore I mostly try to export to Progressive 4:3 standards but crop the source to 4:3 so that I can resize the video to standard ‘square’ dimensions (320x240, 480x360, etc).
I normally choose the H.264 - YouTube SD preset. Change to PAL standard (which resets the frame sizes for some reason), crop to 4:3 and change the frame size back to 640 x 480. I just leave all the other settings as default and export.
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Hi Harm
Sorry to open this thread again but I'm still having problems.
I reinstalled Premiere Pro/Media Encoder and tried downsizing to computer dimensions (320x240 - square), but I'm still getting borders.
I have attached a screen shot showing my settings and the video output, which includes the black borders.
The only reliable way of getting rid of the borders is to crop (4:3) on the source tab which obviously loses a small about of pixels from the left and right.
Any idea what I'm doing wrong?

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Thanks,

1. Calibrate (I use ColorVision's Spyder http://aps8.com/spyder.html , but any hardware calibration device will be better than calibration by eye).
2. Set the Working Space to sRGB.
3. Set the Color Management Policy for RGB to Convert to Working to be sure you are converting content to sRGB. (2 & 3 addressses pfigen's concern about making sure all images are sRGB.)
4. Make sure your monitor is set to use the ICC profile generated by the calibration device.
5. Turn off Proof Colors.
6. Embed profiles or not, but if you do use the sRGB profile. Whether it gets used or not is another story.
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Best QuickTime export quality for web

What setting are the best for exporting small .mov files to the internet. I would like to export 6 min. video in less then 20 MB. any ideas?
Thanks

Wow there are a lot of answers available for search here on this forum.
I like File-Export - Quicktime Conversion... then choose Broadband HIGH... click on OPTIONS and then SIZE and change to something a bit smaller. Change the Audio to 32k sample and it should get you down under 20megs.
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of course you're gonna lose quality. compressing already compressed marginal dv25 video to mpeg2 results in extremely compressed video, no way around that.
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Best Export Settings For Fast/Low-Res QuickTime Movies

I couldn't find a discussion room for FCP 7 so I figured if anybody is proficiant with FCP X, they could help me.
Hello,
I really could use some help with my export settings using FinalCut Pro 7. Most of my shows are no more than 20 minutes and I pretty much know the best QuickTime export settings for uploading to Vimeo, Exposure Room,YouTube...etc. But now I am trying export a lengthy project at 53 minutes.
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Message was edited by: prepstein

Try here
https://discussions.apple.com/community/professional_applications/final_cut_stud io

Best export settings for video for web

Can anyone give me some advice on the best export settings for a short video that is to be viewed on the web? I have some short, say 2 minute videos that need to be placed on a website and need a reasonable file size. What would the best Format and Preset options be in Premiere? Would it be helpful to utilize After Effects to reduce file size? Thank you in advance to anyone who has some advice!!

For now, it would be on my own website or a clients website. But there may
be another possibility, I have a client that already has some videos
available for viewing on their website, looks like they are YouTube videos
that play on their site, and there is an option to "Watch on YouTube". So I
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Help! Best SD export settings for web CS4

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