Help - NTSC Anamorphic to PAL Anamorphic ...?

I have NTSC footage which I export with the settings below and which work fine.
My question is about PAL export. What settings do I used for PAL
in terms of frame rate, canvas size etc etc...?
Unfortunately I have no PAL monitor so can't test it. :s

You need to convert from NTSC standard to PAL.
The cheapest way is using Compressor, take a look at the article below:
http://www.macworld.com/article/49306/2006/02/marchcreate.html
However, a great solution is [Nattress|http://www.nattress.com/Products/standardsconversion/standardsconvers ion.htm]

Similar Messages

PAL Anamorphic

I'm creating a 4:3 NTSC DV using PAL anamorphic footage. Normally when converting NTSC 16:9 footage to 4:3 I just change the scale to 133.33. Can I do the same to PAL 16:9 footage? I've noticed that when I do this I get a weird (-12.5) aspect ratio in the Distort drop down under the Motion tab in the Viewer. Everything seems to look alright, but I'm not sure how it will turn out once I burn it to a dvd. Any help is appreciated.

Could be a couple of things.
first double check and see if you clip settings match you footage settings.
right-click on a clip and click the format tab.
Then go up and make sure they are the same as your settings.
See if what needs to be rendered is the video or the audio. there are two bars on the render bar. video upper, audio lower.
People sometimes overlook how they recorded audio as well as video.

Dv pal anamorphic?

we have recorded some material that was obviously shot at dv pal anamorphic settings.
when i open the quicktime clips in qt-player, it shows as
DV 720 x 576 (1024x576)
in final cut, we have tried finding the correct settings for timeline, but no matter what we try, fcp seems to insist on adding black bars on top and below.
when encoding, we end up with 4:3 video, neatly blackboxed.
as nicely as this is, i would like to know how to get fcp to treat the video at it's native format and how to get compressor to encode it as such.
would prefer the dvd-player to decide how to display the video from there on...
any suggestions on where to look?
there used to be an "anamorphic" setting in fcp once upon a time, but that seems to have disappeared - or has it been replaced? if so, with what?
thanks

Hi Rene,
In oder to have handle FCP this in the right way you need to capture it as DV PAL anamorphic in the first place. An Easy Setup should exsist, but you can simply use DV PAL preset and set the anamorphic checkbox in the capture preset (preferences) as well as the timeline presets.
I you by accident did not capture the material as Anamorphic, you easily tell FCP that it really is anamorphic, by checkmarking the anamorphc column in the Browser.
If you forgot to set the sequence/timeline settings to anamorphic BEFORE dropping footage in it, then first set the settings of that sequence by checkmarking the anamorphic chekmark in the timeline settings (Command 0).
Then choose all clips in the sequence and Remove Attributes (Command-Option-V). In that pop-up menu choose Distort. This will remove the aspect settings that FCP created automattically when you dropped anamorphic material in a 4:3 timeline or vice versa.
Hope this helps.
Rienk

Editing 16:9 anamorphic dv pal without having to render

hi
i have some quicktime files which i believe to be dv pal 16:9 anamorphic.
quicktime info window says this:
DV, 720 x 576 (1024 x 576), Millions
i would like to edit this footage natively in final cut (ie. not having to render stuff)
if i drop a file onto the final cut timeline it asks me if i would like to set the sequence settings appropriately. if i say yes then it places the video on the timeline with a red bar indicating i need to render.
if i set the sequence settings how i think they should be (dv pal anamorphic etc) than i can place video on the timeline without it asking me to render green bars) BUT in this case the video does not look correct. the frame looks cropped.

Andy Mees wrote:
James
Your settings are so messed up its not funny, as is your terminology. You keep mentioning cropping whereas it sounds like there is no cropping going on at all, letterboxing yes, but cropping no.
I'm sorry if my terminology is messed up.
If I watch the footage in quicktime everything is ok. If I refer to the picture not looking correct, i mean that the footage in the final cut canvas window does not look the same as when viewed in quicktime. By cropped I mean that parts of the picture are missing, so if i looked at a picture of a man standing in quicktime and i could see his feet, i would not be able to see his feet in the final cut canvas. This could be in addition to the aspect ratio looking wrong (fat or skinny people). As far as I'm concerned, the aspect ratio being wrong or right can be entirely separated from whether or not the picture has been cropped.
That your clips are apparently upper field DV suggests that the person who supplied them to you did not have a clue.
Yes I would tend to agree. However, they did leave me a nice little note explaining this.
That your clips when displayed Anamorphic 16:9 are "too fat" suggests that they are not 16:9 at all but in fact they are normal 4:3. (Which again suggests that the person who supplied them to you did not have a clue.)
If i look at the pictures in quicktime they look correct. ie. people do not look too fat or thin, a square is square etc. if i take the quicktime window width and divide it by the window height, the ratio is the same as dividing 16 by 9, hence me thinking that the pictures are 16:9.
None of this helps you in the muddle you're in though. Drop me an email off list and/or drop me one of your source clips in my iDisk public folder (member name: andymees) and I'll see if I can help you figure this out.
Best
Andy
This is much appreciated as i am fed up of shouting at my computer!

Pal Anamorphic project - importing stills

Hi,
I'm working on a project in FCP which was shot on PAL 16:9 and imported in PAL anamorphic. I have a still that I want to use that is 1024 x 576. I have cut out a map in this still and created an alpha layer. When I bring it into FCP it seems to have 2 sets of letterbox.
Is there something I need to be doing in photoshop to avoid this? Thanks for your help.
Margie

No sure what you mean by double letterbox.
It seems to me that your timeline settings are not anamorphic.
(although you captured in anamorphic). Make sure that you're timeline is anamorphic: Sequence Settings > check the anamorphic box.
Try to drag your stil on it again.
Doesn't work? Check whether the anamorphic-column in the browser is on or off.
Try the right setting for you.
Problem must be somewhere in there.
Rienk

Wrong aspect ratio or size when exporting Pal anamorph with ProRes codec!

Hi community,
I have a problem exporting a spot in the right format. The customer/the upload service provider needs PAL anamorph 16:9 in ProRes codec.
When I export my FULLHD spot to these setting, the aspect ratio/the spot size turns out wrong. When opened in QT Pro the size is 720x576, what is correct, but the anamorph size quotet in brackets reads different values, for example 1020x576 but never 1024x576, what would be correct.
The service providers online software refuses to work with these wrong nunmbers...!?
The same export settings with QT Animation codec is correct. Also when exporting the same composition with two export modules, the Animation codec is OK, the ProRes codec is wrong. No matter whether I export a PAL-format comp or stretch it while exporting the FullHD comp.
Working with After Effects CC.
Any ideas?

Don't resize the output but instead drop your full HD comp in a standard PAL widescreen comp, fit the HD comp horizontally and then render the new comp without using any resize controls.
Second option, Render your full HD comp to a frame based production master codec (prorez) and then use the Adobe Media Encoder and setup a PAL Widescreen Square Pixel preset. Here's my Pal Widescreen Prorez 422 HQ preset. It is what I use for all requests for Pal ProRez from my clients.

Fcp - color - fcp ALL BLURRY in PAL Anamorphic - any ideas?

ok, so admittedly i'm not working on my normal system but i've been using color (and final touch before that) for a while on a number of small and large fcp projects (dv, hdv, prores) and now i'm working on a small tv show for austrian broadcasting.
naturally the project is in pal and it is in standard pal anamorphic.
when i send to color everything looks ok, my viewer is squeezed (there is no pal anamorphic setting for color it seems, just regular pal 4x3) but checking the geometry it all looks good so i wasn't concerned.
i do a correct on a 2-minute section to test everything and it all looks good in color.
i render everything out and send it back to fcp and lo and behold EVERYTHING is BLURRY.
as if a defocus filter has been applied.
i've tried a bunch of different settings, i've removed grades, de-interlace, everything and it still comes back blurry.
any ideas?
thanks,
nick.

FCP issue?
Check the rendered clips OUTSIDE of FCP, ie in Quicktime. There may be a scaling/RTE/proxy thing happening if there is not an exact match between the rendered material and the way FCP wants to handle it. Check Audio/Video settings. The anamorphic nature may be throwing a curve.
jPo

PAL anamorphic projects seem to be coming out at export at 4:3

I have Final Cut Studio 1 with all the latest updates. I am doing more video projects these days and I've noticed that upon export things seem to be going a bit wrong. Both straight to quicktime and using compressor to export a 16:9 project and out comes a 4:3 the other end. Even in the compressor preview screen. Frame size says 720 x 576 but it's not coming out widescreen. I've done 2 projects previously that worked fine, but the latest one just baffles me.
It's a trailer completely created in Motion 2. In the motion preview screen, everything looks fine. Export it (keeping the project settings) and boom 4:3. Drop it into final cut and the same. In a project with shot video footage previewing fine in 16:9 the motion file comes out as a squashed up 4:3?
Has anyone else had this problem, did a crawl through the forum, and there were a few things similar but no real answers. It's like the Final CUt to motion 3 problem but around the other way....any ideas where I'm going wrong?

pal anamorphic is a setting used when you plan to dispaly your project on a wide screen-capable tv (because it relaly is wide screen or has the ability to change aspect ratios) so it is actually a 4:3 pal format, than when you watch on your tv you squish by telling your tv to change its aspect ratio. It is actually poor man's wide screen, as you are only using 4:3 equipment and it is not as heavy pixel wise as it is not actually filling the full wide screen resolution but cheating. To make real wide screen, that exports as wide screen without the distortion and teh necessity to squish it back down, use a non anamorphic format to begin with, or do what others have said: change the resolution of your exported file by shift dragging the corner of the quick time player window, or putting in the correct resolution in pixels.....

4:3 title safe zone overlay for 16:9 anamorphic DV PAL timeline?

Hey guys,
I'm working on a widescreen TVC, and I need to be sure that the titles are safe for 4:3. Is there a way to bring up 4:3 safe zones on a 16:9 DV PAL Anamorphic timeline? Or will I need to design an overlay in Photoshop?
Pete

Do you have FCP 7? Those are built in. Although they are notches, not full lines. If not...well, even if so, you can use these. They are GREAT! I use them. Andy's Guides:
http://web.mac.com/andymees/Freeand_Easy/main/Entries/2008/1/29_Andy’sGuides.html
Shane

"PREVIEW DISABLED" APPEARS WHEN CAPTURING IN DVCAM PAL ANAMORPHIC

I'm trying to capture from a dv cam tape, pal anamorphic. the setting "DV PAL Anamorphic" results in a Preview Disabled window.
I am using a re-installed Quicktime, but that doesn't seem to be the problem because regular dv tapes are captured with no "Preview Disabled" window.
I am using a Sony DSR-11 to capture. It accepts large formate dvcam tapes, which is the tape in question.
Is there something else that I should be doing?
Can I capture even though the "preview disabled" window shows?

Yes, I've been capturing using the setting DV PAL Anamorphic for small format dvcam tapes, and it has worked fine. I have tested this before and after the large format DVCAM tape that was giving me the problem. (It was shot using a Sony dsr-500.)
So, yes, the settings are correct. I am working with QT 7 on OSX 10.3.9, becasue it works fine with capturing the small format dvcam (PAL Anamorphic).

Footage in Pal anamorph get blurry in fcp x, (not sharp as on original File... )

When i import footage pal anamorph into fcp pro x, it gets blurry.
Its not the field dominance:-)
Ist there a Function to tell fcp x that it is anamorph?
Thanx mike

It is a Animation Pal File (Typo and Packshot, where you see the sharpness perfektly) generated in AE.
If i compare the same file without doing anything to it, it looks a little blurry especially the typo.
Thanx
mike
(Im working 15years in this bussiness but i cant finde any solution....)

Changing the Videocamera Framerate from NTSC (30fps) to PAL (25fps)

When I am using the IPhone4 videocamera (with ios4.2.1) ... the framerate is something between 23.999 til 30 frames. That is very horrible for european and australian users because there is the PAL standard of 25fps valid. If you transform movies with a framerat of 30 to 25 frames, the movie looks very ugly. The picture jumps because of lost pictures through the transformation.
A videocamera without a option button for NTSC (30fps) or PAL (25fps) is for people out of NTSC Country very useless. Why doesn't fix Apple this? Evere simple Videocamera in a Handy has this option. HD 720 helps in that case nothing.

glad I could help... you're welcome...
Apple is letting the side down with it's intuitive software on that front!
... hmm, I'm pretty sure, they spend hours in a sweaty conference room, discussing "but widescreen isn't NTSC, HiDef isn't NTSC - so it HAS to be called by its fps!" - "but NO ordinairy user knows the framerate of its homevideo!" - "yeah, but the new formats are not standard, so it's not NTSC!" - "yeah, but a US video is called NTSC, that is standard" - "but what about Japan?" - "..."
finally, the "enigneers" won.. technical correct, but for you and me.. cryptical.
thanks for The Big Green One

Converting NTSC footage to PAL with compressor 4

Hello, Please can some angel help.
I have PAL and NTSC footage. I want the end output to be PAL.
I have compressor 4. What settings, step by step do I select to change the NTSC footage to PAL.
There is info. on the web all relating to old versions of compresor where there seems to have existing a helpful NTSC/DVD setting where compressor made it clear the setting you needed. This is not an option on Compressor 4 so I am hitting a brick wall.
I would greatly appreciate some advice here.
Thank you
Nicola

What formats are your source files? What format (aside from PAL standard) do you want your output file (s) to be?
Russ

Can Compressor convert my NTSC video to PAL?

I am trying to convert my NTSC footage to PAL. I was given a tip that the key is in the compressing stage and then use Studio Pro and burn a PAL DVD. Is this correct?
Thanks so much!!!! it really helps!!!

i saw you on the other forum.., you got fobbed off to this one.., actually you can 'convert' to PAL in both DVD Pro and Compressor..,
if you can use either at all you already know it.., do you know where the settings are in compressor.., (is your compressor working??).., an you load settings and assign a sourse and a destination.., if you ca do those things you can already 'convert.'
what ever, assuming compressor is working on your puter, open compressor and save a project name (give the project a name.) now in the
hit 'add file' (the icon, top left)
go to the settings/destination window (the window that covers the bottom left of your screen)
click the triangle that says 'apple'
click the triangle that says 'DVD best quality 120 minutes (if thats how long you want it.., as long as your movie is under this time your OK)'
drag that setting to the long strip in the window above (top right), check the sourse so you know where the file is going.
look in the inspector window and click the icon, second from the right, this is your encoding settings.
click, video format; change the setting to PAL.., check the frame rate has changed to 25fps
back at the window, top right, you will see 'submit.'.., hit that and it will send the job to the render window.., watch the magic
the same can be done from the inspector in DVD pro.
if this was too confusing, sorry, .., there must be some tuts somewhere.., try 'larry jordons' web site, or maybe 'peachpit.com'..??
M:)

Anamorphic to Non-Anamorphic

Hi
I filmed some footage in Widescreen format. Captured it in FCP using DV-PAL Anamorphic as my Easy Set-Up...
I want to be able to export the footage to WMV format so Windows users can see it on a standard PC monitor...obviously the final image is stretched when I view it on Quicktime or on Windows Media player beacuse FCP has condensed the image into 4:3. My question is..can I just uncheck the Anamorphic settings in the Browser and just do another export, or is it not as simple as that?
thanks Mike

You want to force the size... check your output settings to change the size to reflect a 16:9 setting.
CaptM

Help - NTSC Anamorphic to PAL Anamorphic ...?

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