Help trying to bounce a mono track in place with autotune plugin

I am trying to render a vocal track which has an Antares Autotune plugin by using the bounce track in place. It works but no matter what I try, the new track is being created in stereo. The origional track is mono. What would I be doing wrong here? Thanks
James

Ah, Thank you, so you are saying that if I uncheck the Volume and Pan automation checkbox it should work. Maybe that's it then. My origional channel strip and regions are mono. I will try this and see what happens. I also noticed I don't have the last logic upgrade. I will also be upgrading. Thanks
James

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Help, How to export multiple mono tracks?

I have eight tracks of master audio that has been captured to FCP with the video. I have sent the timeline to soundtrack to create individual mono timestamped BWF for each track (very important).
I have each of the tracks submitted to submixes. When I play the timeline you can see that each track has distinct audio assigned. Now when I export, telling the program to export all submixes, it only puts audio on tracks one and two. It is however creating 8 wav files.
Now here is the odd thing, it was working for the first 4 day of the shoot. Now it has decided to crap out. Was I just getting lucky before, and if so. What settings should I have to achieve what I need.

Yes, we are. The problem is unique, meaning that when we try aiff exports the full 8 channels right properly. But wav files don't only right the first two. We need to use wav since the tracks will be going to pro tools for the conform and mix.

Help trying to create a 2 page indesign doc with 1 landscape & 1 portrait page?

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Thank you in advance for anyone who can help with this ;-)

You can use the Page tool to change one, but if it's going to print I think it would be better to make them both either ladscape or portrait, then use Rotate Spread View in the Pages panel to make one appear inthe other orientation on screen while work.

Syncing Fast Track Ultra (Slave) With Logic Express (Master)

I'm trying to get my fast track to slave with Logic Express, using Logic as the master. It doesn't appear to be sending out any messages. On my fast track I can get the midi 'in' light to blink but not the 'out.' in Logic, the transport bar on the bottom, says 'no midi' for both the in and the out. Does this sound like a Logic setup issue or a fast track ultra setup issue?

Hi,
1st: You need to set your drum machine clock to external. That's important if you want to make Logic the master. Be aware any clock signal only is available when Logic is in play mode (naturally, but sometimes i forget even the most logical things).
2nd: In the Audio-Midi-Setup, the Fast Track should be displayed. Open the MIDI window (Window-> show MIDI window). Click on the "add device" icon. A new device will be added (new external device). Now open the inspector for this new device. You can name it, adjust all these things like MIDI clock send/receive and other gizmos and give it a nice icon. Now you must "connect" this new device with you Fast track by simpy dragging a line from it's outputs to the Fast track input and vice versa. The MIDI setup window will now represent your hardware's cabeling.
Once you have done this correctly, you should be able to correctly select the Drum machine in Logic.
Fox

Urgent!! need help to bounce all the tracks individually with same length.

i have a logic project with 20 (audio/Midi) tracks
and i want to bounce all the tracks individually...
one way i find is to solo every track and bounce the master everytime...
and other way i found was something called export all audio tracks but when i try that all tracks have different length.
i want all the tracks to be of same length and same size..
can anybody help me with that asap....
thanx in advance
boommmm
null

zerodb wrote:
even i want to know how to render multiple tracks at once using the same start point for all.. please someone.. if you're acquainted with this process in logic, do Help! thanx
File>Export>Export All tracks as Audio Files
This will export all tracks from bar 1, beat 1.
I too, am curious why the OP needs his tracks to be the same length. Using the Export feature insures all tracks start from the very beginning (i.e., the same starting point), which is what you want and need when moving the tracks to another DAW.
The length of the track is of no consequence in this example. It plays through the song, until that track is over, like a guitar solo that appears in the middle of a song, but doesn't play past that point.
Unless I'm missing something?

I did a "Bounce - replace all tracks" and now all my mono audio tracks are stereo... What's the safest way to get them mono?

I don't think I unchecked the "Include volume and pan automation" checkbox before the "Bounce - replace all tracks" conversion. I hadn't added any volume or pan automations I figured: you can't include something I haven't added, although I did probably have the pan controls set in the mixer. Anyway, now I want to convert my six (previously mono) tracks from stereo back to mono, preserving as much as possible the original mono sound quality before it was converted to stereo, so that I can start mixing. Every MP3 I've exported is ignoring the pan settings I have in the mixer, I suspect due to the fact that the audio for each track is now stereo (I changed the tracks back to "mono" in the mixer but the audio remains in stereo). Unfortunately I don't have any unused audio files in the audio bin and I killed the undo history as well.

Thats what I came up with:
As you can see I got a stereo file on track 1 to start with,
Now go to the corresponding channel strip and switch to mono,
Perform a BIP to a new track
and the result will be in mono.
Regards

Split Stereo to Two Mono Tracks - Need Help

We're having trouble with STP working with two non-stereo tracks.
We have footage that we're editing in Final Cut Pro that was captured with two separate mics providing the audio. (A wireless lav and a shotgun.) The sequence is set up with two mono tracks.
When sending the project to SoundTrack Pro, it's opened up as a pair of stereo tracks. We cannot find a way to edit just one of the tracks without it affecting both at the same time.
How can we separate the tracks so they can be tweaked individually and then sent back to Final Cut Pro?
Thanks for any help you can provide.

...and when doing that, make sure when you export, you don't fall over one of the many bugs in STP:
You will probably find that the clip with the right channel selected actually plays the left channel after being exported (sound fine on the timeline - problem only on the exported file).
The solution is to
1) duplicate the stereo file and place on new track (as suggested)
2) select left channel on first clip (control/right click the file)
3) select second clip and swap the L and R channels around (Process-> swap channels)
4) select left channel on first clip (control/right click the file)
Oh the joys of STP!

Question about stereo vs. mono tracks. (Very basic, but appreciate help)

I’m still a little confused about Stereo Vs. Mono tracks when recording in Logic. (This might sound stupid, but I’m still getting confused by this stuff.)
When first recording a track, do you guys usually do it in mono or stereo?
Secondly, I’m still confused about the benefits or stereo tracks. Why not just record mono and then pan a track left or right when mixing? I’m just not getting the concept of stereo recording. I know these are very basic questions, but I’ve read numerous books and I’m still a little in the dark on this. Thanks for the help!

Most of the things I record are done on mono tracks. Each piece of a kit goes to its own channel, then I pan things accordingly later (Overhead L & R, etc.).
You only need to record in stereo if you actually have a source that is stereo, i.e. a keyboard with stereo fx and L&R outputs, but even then I usually just set up two mono tracks, one for L and one for R. I would do a similar thing if I was using a stereo pair to mic something.
You can always make a mono track stereo later as well using a variety of plug-ins.

I am trying to import standard midi file that I created in Band in a Box into Logic Pro 9. I can not get all the track to play with internal instrument sounds... only the piano track. how can I get the others to play... drums, bass etc???? Help

I am trying to import standard midi file that I created in Band in a Box into Logic Pro 9. I can not get all the track to play with internal instrument sounds... only the piano track. how can I get the others to play... drums, bass etc???? Help

Don't drag the midi into an open Logic project. The tracks won't set up correctly.
'Open' the midi file with Logic as if it were a Logic project. Then all the tracks will be set up so you can start editing them and applying better saved sounds and instruments, but you'll be at a starting place where you can hear what's going on.

"Bounce to new track" creates a mixdown 2/3 volume of the original

When I right click and bounce a track to a new track, the resulting Mixdown file shows as only about 2/3 the volume of the original. The original is -1, the Mixdown is -4. It also looks flat and compressed. I have no buses and the volume/pans are all at 0. If I right click and "export to file" I get the same result. Shouldn't the mixdown be identical to the original track?
I've checked all settings.
Thanks for any help.

Hi Dstdean and runaway,
Thanks for the tips. Export gives the same results, in fact, every way of creating a bounce, including bounce to new track, mixdown to track, bounce master to track, and export file all have the same results, -3db cut.
My session as has no effects racks, buses, volume or pan changes. Tech support tells me that this -3db cut is a standard thing and actually Protools does the same thing, except in protools you can disable it. So far tech support hasn't been able to help me (after several hours on the phone).
The thing is I can also create a new session and have the same problem. When I change the stereo panning parameter to logarithmic in a new session it sometimes works and sometimes doesn't. I have also deleted my ini settings and started from scratch, but the results are still unpredictable and baffling. One thing is predictable though....no matter what I do to my real session I cannot bounce my tracks to files without a -3db cut, no way no how, and believe me, my session is clean. I have also tried with other sessions in progress and the result is the same. The only time I have had a good result was once when I created a new session, and changed the stereo panning to log.. but I was able to do this only once, and haven't been able to repeat the good result.
I even tried panning and saving a stereo track then pasting one side into a new mono file, but this also has processing and the data is actually clipped when I do this, because of the way audition treats stereo panning on bounce. This is not an ideal solution.
It's wacky and given that many people now are working in multi studio scenarios and flying in tracks it is essential to be able to create pristine stem files. irg....@! I need to send my drum tracks out west asap! Very frustrating. Surely someone else out there must be having the same problem! Does anyone else out there ever bounce to a new track?
I appreciate the banter on this!!
Marg

How do you bounce a stereo track to make two seperate tracks ?

I have an audio file that is a from a session where I used my Zoom H4N to make a live recording. I've imported it into LPX and would like to bounce the stereo track to two separate tracks. Can you do this in logic? I seem to remember you could in Sonar. Also, is there anyway to reduce the volume/gain at certain points of a track that briefly peg?
Thanks...

In the Bounce Window, choose "Split" instead of "interleaved" from the File Type menu to bounce your mix as separate mono files
Regarding the gain correction, use Automation
Hope that helps
Edgar Rothermich
http://DingDingMusic.com/Manuals/
'I may receive some form of compensation, financial or otherwise, from my recommendation or link.'

How do you combine 2 mono tracks into a single stereo track?

Question here:
How do I combine 2 mono tracks into a single stereo track in Logic?
I recorded using my left and right out of my keyboard to a hard-disk recorder (Korg d888). The files are made as two separate wav files. Is there way to combine these in Logic so I can treat it as one stereo track?
I have several files to do and am hoping Logic has something like a "combine tracks to stereo track" tool or something.

Solo both tracks and bounce them with no effects and faders at 0 dB.

Export mixdown of several stereo tracks as one mono track

How can I select a few stereo tracks in STP and export them as a single mono track? either back to FCP or as a standalone file?
Thanks!
Processor 2 x 2.8 GHz Quad-Core Intel Xeon
Memory 32 GB 800 MHz DDR2 FB-DIMM
Graphics NVIDIA GeForce 8800 GT 512 MB
Software Mac OS X Lion 10.7.4 (11E53)
Final Cut Studio 7
Oops, i posted this in the wrong discussion group. can this be moved to STP?

On the Channels Strip (of the Audio Track with the Audio Region), ctr+click on the left segment of the Input Button. That opens a popup menu where you can select Left (only the left channel of the Audio Region is played as mono), or Right (only the right channel of the Audio Region is played as mono).
Once the signal flow of the Channel Strip is mono (one channel), you can use the "Mono➤Stereo" version of some plugins to convert the Channel Strip to a stereo channel.
About your second question. If you are referring to the little blue "Catch Playhead Button", that automatically scrolls the Workspace when the Playhead reaches the right border to keep the Workspace visible. You also can also enable the "Scroll in Play" mode in the local View Menu. That one locks the Playhead in the center and scroll the Workspace "underneath"
However if you are referring to that little Play icon in the left upper corner of the Region Header (only visible in the Editor), that one, the "Solo Play Button", only plays that Region in solo mode. It is basically a combination of "Play " and "Solo" in on button. You can find all those little informations and much more in my graphically enhanced manual "Logic Pro X - How it Works".
Hope that helps
Edgar Rothermich
http://DingDingMusic.com/Manuals/
'I may receive some form of compensation, financial or otherwise, from my recommendation or link.'

Mono track locks iPod issue gotten worse?

So I've followed the long-running "mono track locks iPod" problem...you know, the one where a mono track (I think AAC, but I can't remember) is paused, the iPod turns off, and won't turn back on without a reset. Well, I just had it happen...while either at the very end or very beginning of a track that I ripped myself into 192 stereo AAC. I'm not sure of exactly where I paused it; I wasn't looking. I suppose this could be a random occurrence, but has anyone else had this happen when the track wasn't Mono?
General specs: iPod Photo 60; Firmware 1.2 (the one with the busted smart playlists). The tracks in question (if they matter) were tracks 4 and 5 of American Idiot ("Boulevard of Broken Dreams" and "Are We the Waiting"). Any ideas? I tried to recreate it, but no-go.

I am having the same problem. It doesn't matter what podcast I am in. I usuall play a game (Sudoku - downloaded from itunes) while listening and the two of them running at the same time is impossible now. When I am holding it, it also seems as if I am feeling (and I do hear) the HD spinning. I am wondering if there is a bad spot in it. Can you reformat the HD in the ipod? I've done everything else the site suggests!

Mono track on boom mike - how to convert to stereo

I actually have another sound question: When we where shooting we the two audio channels as follows: one came from the camera mic and one from a boom mic.
Now I think I only want to use the sound from the boom mic. So what I have then is one mono track of live sound.
What do I do with this? How do I convert it into stereo. The cameraman who shot the stuff for me told me "you just copy the track" - I can do this of course but then I have essentially two mono track as a stereo track. Is that o.k.?

If you are worried that your mono track will sound too "flat," or won't locate properly in a stereo field filled with other sound elements, then here's a tip for you. I use this for voiceovers and on-camera speech when I have wild sound, music, or other sound events happening underneath in the mix.
Add a very small and subtle amount of stereo reverb to the mono V/O or speech track.
Use a short delay or "small room" setting on the reverb. Of course, "season to taste" is the rule for the length of delay with regard to blending the reverb into the rest of the audio. But usually for speech, a short delay works best in my experience.
My method is to add just enough for the reverb to be perceivable, and then dial it back a little.
This will really help place that sound source in a "hard center" position in the stereo field.
Also, if you are mixing speech, dial in about 1 to 2 db boost of 1000hz EQ to aid in speech intelligibility. Again, "season to taste."
Good luck.

Help trying to bounce a mono track in place with autotune plugin

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