Help understanding workflow for best quality.

Greetings.
I've read countless hours on this forum in the effort to understand this extremely complicated subject of getting my video out of my camera and onto a DVD in the best quality possible, and I'm still a little confused.
I'm not recording anything that is particularly high-action, but rather weddings, funerals, (yeah, I know), children's school programs, and my next big project is a seminar with keynote speaker.
I have three Sony HDR SR-11 cameras, which clearly record video as ACHDV and the video signal is 1080/60i (NTSC). I could also record in SD with an MPEG2 file.
I understand the a DVD is only SD at best, and am recording in HD since I have room for the files, and someday we might have better options for the video than we have now.
I started using iMovie, and have iMovie 11, and just love how easy and slick it is to make impressive looking stuff.
Once I import into iDVD to make the cool menus, I use "professional" encoding. I am about to produce a longer video than will fit on a single layer disk, and will be burning to a dual-layer DVD.
I own a copy of FCE, but was overwhelmed when I first started to use it, and on a time crunch for that project, reverted back to iMovie.
How I record events is to set up three cameras from different perspectives and then create a movie from the best angles, switching back and forth. This is a little cumbersome in iMovie, but I've had no trouble except for the date stamp disappearing and having to fix that on my most recent project. (once the date stamp is gone...it's hard to figure out where the clips are that you need for the next minute or two at a time).
I'm about to embark on an effort to market my work professionally, and am clearly working with amateur equipment, and without the time or resources to start all over with a $50K investment, would like to squeak by on what I have, and need to get the best quality possible out of it. Without any question, my market requires the movies to be on DVDs.
I'm most confused by interlacing/deinterlacing issue. I understand what the two are, but not what to do about it, if anything. I notice there is a button to check "deinterlace" in iMovie, and wonder why it's there and if it works and if I should be using it.
What would my specific advantages be, if any, to learning FCE? If a huge difference could be made, I would take the time to learn FCE, and I could lay out another couple hundred bucks for other software, if you had some to recommend that would greatly surpass what I'm doing, in place of iDVD or another intermediary I should be using.
I've been exporting with QT, using the following settings:
Video:
Compression: H.264
Quality: High
Key frame:24
Frame reordering: yes
Encoding: multi-pass
Dimensions: 960x540
Sound:
Format: Integer (Little Endian)
Sample: 44.1 kHz
Sample: 16-bit
Channels: Stereo
Then create menus in iDVD and burn to DVD.
Could you please give me feedback on my process, and try to answer my questions and clear up my confusion? I'd appreciate it so much!
Karen

Does FCE do this with multiple cameras? I'd want to make sure that FCS does it, before I buy it and am stuck with it, especially if FCE will do it and I already have it.
Yes and No
No - Multicamera is a function in FC Pro
Yes - but You do it in a very "Paper-clip" way. Put each Camera on one track ontop of each other
Camera 1 - v-tr 1
Camera 2 - v-tr 2
Camera 3 - v-tr 3
Then schrink the view of each track to 25% with Vireframe and put them into one corner
each (Not the same one)
Move them so that the sync. frame eg a photo flash is on the same time for all three video-tracks.
Now when playing one see the three views in paralell.
THIS demands that all Cameras has a common Sync-point (I use a photo-flash)
AND that no Camera was turned off during uptake.
IT is also important to know if any of the Cameras are sencitive to movements.
My small one is.
So I put mine on tripods !
This recording behaviour is the same if using FinalCut Pro ! Cont. recording and one sync. frame.
Then when playing in FinalCut Express - one use the transparicy tool to make the
Camera visibly that has the best picture.
When done the full movie (by adjusting transparicy - one re-size the Video tracks to 100% and let them fill view.
Now when playback - You see the edited result.
In FC Pro - You set Your Cameras as Multi Camera and set the sync frame. Now it will
in Viewer play (in 25% size) and You just point at the best view trough the movie
and it will assemble in TimeLine. You need not to be especially on target - easily adjusted
with roll-tool (I think) in after hand.
1 hour editing two Cameras takes for me (ME)
• FinalCut Express - about 10 hours
• FinalCut Pro - 2 hours to Capture - 1h15min to edit.
There is a program - CaptureMagic SD (HD) - that let's You copy directly to Your Mac
hard disk - NEED is one FW-port per Camera
(Port is something else than the connectors, My PowerBook G4 has one FW400 and one FW800 connector
BUT ONLY one FW-port - So I need to use a CMA-CIA-card with one FW-connector to get a second FW-port )
This set-up works and I get the material Captured in real-time. Resulting in editing time 1h 15min per hour movie.
Yours Bengt W

Similar Messages

  • Tips for best quality?

    I've got a full res SD quicktime movie that I want to put onto DVD....how can I get the best quality out of this video on DVD through compressor....should I just choose best quality with a 2 pass vbr?

    Does anyone have any tips for best quality imovie3 exports but keeping file.
    Here is a quick Apple tutorial introduction that may be of some help:
    http://www.apple.com/quicktime/tutorials/h264.html
    I personally use the QVGA (AKA "Internet Content") H.264 settings for everything from family site clips to iPod compatible files. 400 kb with stereo 128kb audio should produce a good quality file at 29.97/30 fps which is on the order of 4 MBs per minute of content and are suitible for DSL/Cable QuickStart viewing. You can, of course further reduce file size by decreasing data rates, frame rates, target display size, etc. However, to my mind, the quality suffers and becomes unacceptable for my purposes. QT Kirk has other tricks such as further halving the dimensions and then doubling the playback display. This would get you down to the approximately 1 MB per minute mark or sub 1 MB rage when couple with reduced data/frame rates. Basically, you are only limited by your own idea as to the minimum level of acceptable quality.

  • ITunes 11 MP3/320  -  Joint or normal stereo for best quality ? Thanks!

    iTunes 11   encoding MP3 @ 320  -    Joint or normal stereo for best quality ?    Thanks!

    OK, I digged a bit deeper.......
    Apparently, the common LAME MP3 encoder uses JOINT mode throughout bitrates ...... ( have a look at the wikipedia pages for MP3/joint stereo) 
    This leads to a) smaller files and/or  b) gives or frees up "bandwidth for signal encoding when/if necessary.
    The iTunes encoders algorithms are unknown, thus we need Apple to help with this issue.
    If   "normal"  = separate stereo, i.e. separate encoding of the left and right audio channel, then there might be rather a quality loss despite high bitrates and large files, because that would mean using 160kbps/channel only , as MP3s are limited to 320.
    Until Apple does not specify and explain this in detail, I myself will no longer use iTunes for encoding.
    (  @keeferaf, many thanks, in "userdefined-MP3-encoding" you can select those  values  )

  • What format to import AVCHD for best quality and how to export?

    Hi
    My boss has got himself a panasonic HDC camcorder of some sort that is formatting the video in AVCHD.
    Basically he was using adobe premiere pro from around 2003 on an pc running xp and loved it. My I.T. director persuaded him to buy an iMac and Final Cut Pro 7. As we stand now he states he hates macs because he can't figure out how to get his home movies off his camcorder and onto a dvd without them looking blurry and fuzzy.
    Can anyone advise what format we should be importing the AVCHD files into final cut pro for best video quality and how we should be exporting the final movie for best quality to go onto dvd?
    I will also note that he is using toast 10 titanium to burn his movies to dvd.
    Also he is not looking to burn to blu-ray as none of his familiy have blu-ray players. He just wants his HD footage off camera and onto a dvd with the best quality picture he can get. Also his movies are approx 2 hours long and he has just ordered some Dual Layer DVDs
    Thanks
    Kieran

    I take it you mean Pro Res 422 from the AVCHD plugin options? And not going for any of the other 422's with bits in brackets?
    Sorry for being dumb in this area but my boss and i are both pretty new to FCP
    How do i ensure i edit in a pro res sequence?
    Export straight to quicktime no quicktime compression or anything?
    Thanks for your help
    Kieran

  • I would like to be able to size images by kilobytes instead of pixels--is this possible?  I use I-Contact which requires a maximum of 70kb per image.  For best quality I want to make the images as close to 70 as possible.  Currently I choose a size of 300

    I would like to be able to size images by kilobytes instead of pixels--is this possible?  I use I-Contact which requires a maximum of 70kb per image.  For best quality I want to make the images as close to 70 as possible.  Currently I choose a size of 300 pixels on the shortest side but sometimes this gives me an image of slightly greater than 70kb and sometimes the image is just 30-40kb.  Is there a way to be more precise in reaching but not exceeding 70 kb?

    That is not a feature of iPhoto - suggest to Apple - iPhoto Menu ==> provide iPhoto feedback.
    You can opnly resize using the available options and file size is not one of them
    LN

  • Setting for best quality in compressor

    Hi.
    I'm running FCP 5.1  and Compressor 2.3.1.  For best quality videos on youtube I've heard it's a good idea to max out the free space they make available to you.  What are the best settings I should use in Compressor for maximum quality uploads to youtube?  Also what's a good setting for good quality video with a smaller file size?  Also I should note most of my videos uploaded are of short duration 1 minute to 5 minutes.  I've been using the settings DVNTSC and it's okay but maybe there's something better you can recommend?  Also I tend to use Toast to burn DVD's.  What's a good setting for best quality dvd's?
    thank you!  

    For Youtube encoding, read these: http://www.kenstone.net/fcp_homepage/you_tube_redux_gary.html and http://www.kenstone.net/fcp_homepage/you_tube_hd_gary.html
    Keep in mind that the more compressed the file is (smaller file size), the lessor quality.
    As for DVD compression, I've always found Toast's encoder to create poorer quality DVDs than Compressor or DVD Studio Pro.  The best method would be to export a self-contained or reference movie from FCP (Do NOT use QuickTime Conversion), then import that file into Compressor.  Use the DVD preset in Compressor that best matches your movie's duration.  You can duplicate and adjust presets as needed for your particular movie.  Compressor will create the needed MPEG-2 video file (.m2v) and Dolby Digital audio file (.ac3).  Import those two files into DVD Studio Pro for authoring and burning.
    -DH

  • Export settings for best quality for pages with letters etc.

    Hi, I am trying to make video of a musical piece, featuring the score of the piece with pages turning following the progression of the music. I made the video in Adobe After Effects CS5 and exported it so it would be lossless. The video itself is a .mov file and looks great when I view it in Quicktime, but when I import it into FCE the quality goes down a bit. I don't know if FCE is handling the clips correctly or if it's just for making it quicker to view. Any suggestions on export settings from FCE for best quality of a video of this nature, so that the notes are clearly readable.
    Thanks in advance
    Ps. It has to be in a format suitable for Youtube.

    Under "Sequence" and in "Settings" and in the tab "Render Control" I have: Frame Rate: 100% Resolution: 100%.
    If that is what you were referring to... but under the tab which is called RT and is located left of the timeline and left of the timecode. There I have checked : Safe RT, (Playback Video Quality) Dynamic, (Playback Frame Rate) High.
    There might be a way to import the clip in better quality (so it doesn't downgrade the quality).
    Was mostly trying to find out with the export but it might have something to do with this.
    Thanks

  • AVCHD - Blu-ray: what settings for best quality?

    Hi Folks,
    I've got a BD-burner and I want to export my edited HD avchd footage to BD with minimal quality loss.
    Can you please advice me on the right settings?
    * should I go for the 'Match Sequence Settings' option in the export menu?
    * or probably select 'MPEG 2 Blu-ray' option for best quality?
    * what is better in terms of quality of the outcome: 'MPEG 2 Blu-ray' vs. 'H.264 Blu-ray'?
    Finally, I have a question related to Adobe Encore: the same footage exported through Adobe Media Encoder in 'MPEG2 Blu-ray' (takes 13 GB), Adobe Encore reports will take only 8GB?!? I'm puzzled here. How come the same footage got exported into files with different length? Is there a way to set the Encore to export in the maximum possible quality? Where can I locate this menu setting?
    Thank you very much!

    Forgot to mention, I'm using CS5 and I shoot in avchd, 30fps,
    1980i

  • Converting HDV to SD for best quality

    I shot with Sony HDV camera, need to end up in SD. How do I convert/compress to SD for best quality so I can work in Final Cut SD timeline?

    According to Apples website you can. Here is the link.
    http://www.apple.com/finalcutstudio/finalcutpro/specs.html
    Good Luck. Hope all goes well.

  • What's the best ink and paper for hp deskjet f4140 for best quality photo prints

    what's the best ink and paper for hp deskjet f4140 for best quality photo prints

    Hi,
    For inks, no choice but for papers please use the following shop (or use information to buy elsewhere):
       http://www.shopping.hp.com/en_US/home-office/-/pro​ducts/-/-/CB587A?HP-Deskjet-F4140-All-in-One&Targe​...
    Regards.
    BH
    **Click the KUDOS thumb up on the left to say 'Thanks'**
    Make it easier for other people to find solutions by marking a Reply 'Accept as Solution' if it solves your problem.

  • For Best Quality? HELP HELP HELP PLEASE =)

    Im wondering whats the best way to get best quality when i save on my g4 to get on a disc to put on my Windows Vista Laptop. (CD-R? DVD-R? or DVD+R?) i have adobe premeire pro cs3 and want to get best quality when taking from my mac to my laptop to edit on adobe. please helppp, would be greatly appriciated. Thanks.

    DV (in an AVI container) is 13 GB's per hour of recording. You will not fit very much on a CD. Better to use an external hard drive (formatted in Windows format).

  • Best image EXPORT settings for best quality

    What should i have my export settings at when exporting to a jump drive to give to clients for web and printing use???
    When i see my images uploaded on Facebook for example, the qulity looks poor which worries me that when printing the quality will be poor as well. Am i missing something in the setting for exporting? What is the proper way to export for the best quality image? HELP!
    My settings now under Aperture>Presets>Image Export:
    JPG Original size
    300 dpi

    t_hall10 wrote:
    The information provided was helpful, but did not completely answer my question...
    Are there specific settings with-in Aperture I can set for exporting so that clients have the ability to print as wanted and post on the web as wanted whithout losing any major amount of photo quality?
    No, not for one size fits all.
    I do appreciate this may be a frustrating answer, but non-the-less, that's how it is.
    t_hall10 wrote:
    Should I be gving 2 folders of pictures, one for web use and one for printing use? If I were to do that, what should the exporting setting be set for both folders?
    Maybe, it's your choice.
    Let's go through the settings.
    The only real quality setting is for JPG compression. 12 is virtually no (lossless) compression but gives huge file sizes which may breach a websites limits.
    A 16MP images on quality 12 will be about 22MB. 11 brings it down to 8MB and 10 down to 7MB. You'd be very hard pressed to see the difference between a 12 and a 10. But if you want to feel you are giving the best quality without the extreme file size, go for 11.
    The the vast majority of web sites, like facebook, will either resize uploaded images and/or re-compress them. They may also crop them to a different aspect ratio to fit their browser software.
    Many report the best size for upload to facebook, for small images is 960 pixels on the long side. For large images it's 2048. For different websites it may be different. It is discussed on many photography sites and blogs. You will find some promoting the 960 / 2048, and others with their own preferences. Here's a good one which also shows you many ways FB will mess with the images:
    http://havecamerawilltravel.com/photographer/images-photos-facebook-sizes-dimens ions-types
    The safest colour space is sRGB (Mac profile: sRGB IEC61966-2.1) as it will more often be right than wrong. You should preview your images on screen with this profile to get a feel for how it will look and avoid unexpected colour shifts in your files. Ideally your screen should be calibrated so you know what you are giving them is accurate.
    To understand the printing issue, try this exercise:
    If you have a printer installed on your Mac, it probably also installed some printer profiles. In Aperture, look at one of your nicer vibrant images. From the view menu turn on 'Onscreen Proofing' and then from the 'Proofing Profile' sub menu, select one of your printer profiles and look at how the onscreen image changes. Repeat with each of the printing profiles and see how the image changes each time.
    This is only a fraction of the colour shifts that will be occuring after you give your file to someone and they print it on their own uncalibrated system with their uncalibrated printer.
    Many photographers don't offer full size images to their clients. They will usually give them smaller versions for their own use, which may include small size printing.
    They will either do the main printing themself on their own calibrated printer, or work with a print shop, and may have installed calibrated profiles on their system for the shops printing equipment so they can use onscreen proofing to gauge what the pictures will look like when printed on that equipment.
    But if you are just giving a file to someone, you lose all control of how they will print it. Even experienced photographers and computer users can struggle to make the prints match close to what they look like on screen.
    Most often photos will appear too dark, or the colours look wrong, or it lacks sharpness. There are some settings on the export presets for gamma and blackpoint compensation. Gamma will brighten the image for when it's printing too dark, and blackpoint will try to stop the shadows turning black (within the chosen colour space). But as you don't know in advance whether the images are going to print too dark, or the shadows are turning black, you can't really set these for a one-size fits all scenario.
    So there are not many settings to help you here.
    You are actually moving into the realm of defining your product. You could, for example, ask the client which site they intend to publish the photos on, research that site and produce files optimized specifically for that site.
    You also need to decide what size (resolution) files to give them for printing and whether you are happy giving away your full size images.
    These choices will lead you to a number of a different files sizes as 'your product', all should be in sRGB colour space, and all with quality 10 or 11. For any client's who know how to make use of a wider clour space like Adobe RGB for printing, they will probably ask you up front to supply the print versions as such.
    Next, for each size and usage, you now need to sharpen these images.
    This is because sharpeing is best applied to images that have been resized to their intended output size and should be sharpened in accordance with how they will be viewed. Images displayed on computer screen generally need less sharpening than those that will be printed. Depening on the printer, the images may need some oversharpening in the file, in order to appear crisp and sharp in the print. As you won't be controlling the printing process you should probably avoid oversharpening. The bottom line is, if people are taking on the task of their own printing, they'll need to figure out what they are doing to get good results, or use a commercial printer.
    Andy

  • Settings for best quality DVD

    Hi,
    I'm hoping someone can help me to get the best quality DVD for home movies.
    I have been editing and putting the movies to DVD for a number of years and the quality has been excellent. but over the last year something has changed and the quality of the final DVD is quite poor (pixalated)
    I have tested different settings in both imovie HD and idvd but it hasn't made any difference so far.
    I am using the following:
    Sony HDR-HC9 handycam (Recording in HDV1080i)
    imovie HD 6.0.3
    iDVD 7.1
    Thanks for any insight you can give me!

    Hi
    As written - dust on lens - first thought
    If You made a lot of DVDs in a row (>3 at a time) then there is a risk to burn out/harm the laser.
    my list on DVD Quality - read or keep. It's long !
    *DVD quality*
    1. iDVD 08 & 09 has three levels of qualities.
    iDVD 6 has the two last ones
    • Professional Quality *(movies + menus up to 120 min.)* - BEST
    • Best Performances *(movies + menus less than 60 min.)* - High quality on final DVD
    • High Quality (in iDVD08 or 09) / Best Quality (in iDVD6) *(movies + menus up to 120 min.)* - slightly lower quality than above
    2.Video from
    • FCE/P - Export out as full quality QuickTime.mov (not selfcontaining, no conversion)
    • iMovie x-6 - Don't use ”Share/Export to iDVD” = destructive even to movie project and especially so
    when the movie includes photos. Instead just drop or import the iMovie movie project icon (with a Star on it) into iDVD theme window.
    • iMovie’08 not meant to go to iDVD. Go via Media Browser or rather use iMovie HD 6 from start.
    3. I use Roxio Toast™ to make an as slow burn as possibly eg x1 (in iDVD’08 or 09 this can also be set)
    This can also be done with Apple’s Disk Utilities application.
    4. There has to be about or more than 25Gb free space on internal (start-up) hard disk. iDVD can't
    use an external one as scratch disk (if it is not start-up disc).
    5. I use Verbatim ( also recommended by many - Taiyo Yuden DVDs - I can’t get hold of it to test )
    6. I use DVD-R (no +R or +/-RW)
    7. Keep NTSC to NTSC - or - PAL to PAL when going from iMovie to iDVD
    8. Don’t burn more than three DVD at a time - but let the laser cool off for a while befor next batch.
    iDVD quality also depends on.
    • DVD is a standard in it self. It is Standard Definition Quality = Same as on old CRT-TV sets and can not
    deliver anything better that this.
    HD-DVD was a shortlived standard and it was only a few Toshiba DVD-players that could playback.
    These DVDs could be made in DVD-Studio Pro. But they don’t playback on any other standard DVD-layer.
    *Blu-Ray / BD* can be coded onto DVDs but limited in time to - about 20-30 minutes and then need
    _ Roxio Toast™ 10 Pro incl BD-component
    _ BD disks and burner if full length movies are to be stored
    _ BD-Player or PlayStation3 - to be able to plyback
    The BD-encoded DVDs can be playbacked IF Mac also have Roxio DVD-player tool. Not on any standard Mac or DVD-player
    Full BD-disks needs a BD-player (in Mac) as they need blue-laser to be read. No red-laser can do this.
    • HOW much free space is there on Your internal (start-up) hard disk. Go for approx 25Gb.
    less than 5Gb and Your result will most probably not play.
    • How it was recorded - Tripod vs Handheld Camera. A stable picture will give a much higher quality
    • Audio is most often more critical than picture. Bad audio and with dropouts usually results in a non-viewed movie.
    • Use of Video-editor. iMovie’08 or 09 or 11 are not the tools for DVD-production. They discard every second line resulting in a close to VHS-tape quality.
    iMovie 1 to HD6 and FinalCut any version delivers same quality as Camera recorde in = 100% to iDVD
    • What kind of movie project You drop into it. MPEG4 seems to be a bad choice.
    other strange formats are .avi, .wmv, .flash etc. Convert to streamingDV first
    Also audio formats matters. I use only .aiff or from miniDV tape Camera 16-bit
    strange formats often problematic are .avi, .wmv, audio from iTunes, .mp3 etc
    Convert to .aiff first and use this in movie project
    • What kind of standard - NTSC movie and NTSC DVD or PAL to PAL - no mix.
    (If You need to change to do a NTSC DVD from PAL material let JESDeinterlacer3.2.2 do the conversion)
    (Dropping a PAL movie into a NTSC iDVD project
    (US) NTSC DVDs most often are playable in EU
    (EU) PAL DVDs most often needs to be converted to play in US
    UNLESS. They are plabacked by a Mac - then You need not to care
    • What kind of DVDs You are using. I use Verbatim DVD-R (this brand AND no +R or +/-RW)
    • How You encode and burn it. Two settings prior iDVD’08 or 09
    Pro Quality (only in iDVD 08 & 09)
    Best / High Quality (not always - most often not)
    Best / High Performances (most often my choise before Pro Quality)
    1. go to iDVD pref. menu and select tab far right and set burn speed to x1 (less errors = plays better) - only in iDVD 08 & 09
    (x4 by some and may be even better)
    2. Project info. Select Professional Encoding - only in iDVD 08 & 09.
    Region codes.
    iDVD - only burn Region = 0 - meaning - DVDs are playable everywhere
    DVD Studio pro can set Region codes.
    1 = US
    2 = EU
    *unclemano wrote*
    What it turned out to be was the "quality" settings in iDVD. The total clip time was NOT over 2 hours or 4.7GB, yet iDVD created massive visual artifacts on the "professional quality" setting.
    I switched the settings to "high quality" which solved the problem. According iDVD help, "high quality" determines the best bit rate for the clips you have.
    I have NEVER seen iDVD do this before, especially when I was under the 2 hour and 4.7GB limits.
    For anyone else, there seem to be 2 places in iDVD to set quality settings, the first is under "preferences" and the second under "project info." They do NOT seem to be linked (i.e. if you change one, the other is NOT changed). take care, Mario
    TO GET IT TO WORK SLIGHTLY FASTER
    • Minimum of 25Gb free space on Start-Up hard disk
    • No other programs running in BackGround eg EnergySaver
    • Don’t let HD spinn down or be turned off (in EnergySave)
    • Move hard disks that are not to be used to Trash - To be disconnected/turned off
    • Goto Spotlight and set the rest of them under Integrity (not to be scanned)
    • Set screensaver to a folder without any photo - then make an active corner (up right for me) and set
    pointer to this - turns on screen saver - to show that it has nothing to show
    Yours Bengt W

  • How much video footage can be in movie for Best Quality

    I made an IMovie with about 1 hour of video and exported it to IDVD.  I added a slideshow with about 150 photos and music - about 15 minutes long.  When I went to burn it to a DVD - it would not allow best quality.  Why?
    Is there a limit to how much video can be procesed as Best Quality?

    iDVD encoding settings:
    http://docs.info.apple.com/article.html?path=iDVD/7.0/en/11417.html
    Short version:
    Best Performance is for videos of up to 60 minutes
    Best Quality is for videos of up to 120 minutes
    Professional Quality is also for up to 120 minutes but even higher quality (and takes much longer)
    That was for single-layer DVDs. Double these numbers for dual-layer DVDs.
    Professional Quality: The Professional Quality option uses advanced technology to encode your video, resulting in the best quality of video possible on your burned DVD. You can select this option regardless of your project’s duration (up to 2 hours of video for a single-layer disc and 4 hours for a double-layer disc). Because Professional Quality encoding is time-consuming (requiring about twice as much time to encode a project as the High Quality option, for example) choose it only if you are not concerned abo
    In both cases the maximum length includes titles, transitions and effects etc. Allow about 15 minutes for these.
    You can use the amount of video in your project as a rough determination of which method to choose. If your project has an hour or less of video (for a single-layer disc), choose Best Performance. If it has between 1 and 2 hours of video (for a single-layer disc), choose High Quality. If you want the best possible encoding quality for projects that are up to 2 hours (for a single-layer disc), choose Professional Quality. This option takes about twice as long as the High Quality option, so select it only if time is not an issue for you.
    Use the Capacity meter in the Project Info window (choose Project > Project Info) to determine how many minutes of video your project contains.
    NOTE: With the Best Performance setting, you can turn background encoding off by choosing Advanced > “Encode in Background.” The checkmark is removed to show it’s no longer selected. Turning off background encoding can help performance if your system seems sluggish.
    And whilst checking these settings in iDVD Preferences, make sure that the settings for NTSC/PAL and DV/DV Widescreen are also what you want.
    http://support.apple.com/kb/HT1502?viewlocale=en_US

  • Which method for best quality video?

    I am importing analog home movies into iMovie 08 via Canopus ADVC300 (works great). Which of the following methods in iMovie will produce the best quality video when I eventually burn DVDs in iDVD: (1) Share to Media Browser and check "Large", or (2) Export to DV Stream? Or is there some other option I have not mentioned? Thanks for your help!

    I agree with most of what has been said here.
    Use iMovie 06 instead. I was having the same problem when using iMovie 08. I believe it has to do with how iMovie 08 deinterlaces your video. Even at the highest settings, my videos would look bad once burned to a DVD. At first I thought maybe it was just how the video looked previewed in iMovie, but that wasn't the case. When using iMovie 06, the video looks just like the original DV while editing.
    However I have a different opinion regarding DVD media.
    I have found DVD+R to be more reliable than DVD-R. The only disadvantage to DVD+R is that DVD players manufacture before 2003 may not play them.
    DVD+R disks are better than DVD-R disks because of the increased error correction technique used for the +R type.
    DVD+R has a more robust error management system than DVD-R, allowing for more accurate burning to media independent of the quality of the media.
    I would recommend Taiyo Yuden DVD+Rs. (I get excellent results using iMovie 06 with iDVD 08.)
    If money is no object look at MAM-A DVD+R 4.7GB. Mitsui Gold Archive DVD
    Gold archive recordables are high performance discs featuring gold-on-gold construction, which provides longevity and maximum resistance to environmental degregation.

Maybe you are looking for

  • How do I only allow comments on certain pages?

    I have a Blog and I obviously don't want every page to allow comments. It seems that you allow comments or not. Surely this cant be. Do do you allow comments on some entries and not others.

  • Why are Adobe CC programs killing my Win7 Taskbar?

    I'm running Windows 7 Pro 64bit, which runs just fine, until I run an Adobe CC App, specifically Premier Pro CC. Then, on the next rebot, my task bar loads incorrectly. It appears to operate, but not fully and it does not display properly at all. It

  • Liquidated Damages calculation in Purchase Order

    How to capture the Liquidated Damages calculation in Purchase Order in SAP MM module? I have seen many posting with the answer that this is not standard process. But this is very important process in Purchasing and Liquidated Damages is very importan

  • Midori external downloader is not working

    I'm trying to get Midori to download files via Axel. The External Download Manager extension is enabled, and the command line is: urxvt -e axel -a -H Referer:{REFERER} -H Cookie:{COOKIES} {URL} ..but Save As just saves the file normally - without pre

  • SAP WS Navigator is asking for User Credentials

    Hi all, When i am trying to test a web service in SAP Transaction SOAMANAGER->WS Navigator , it is displaying a popup to provide Username and Password. I tried giving my User credentials but no luck. Can anyone please help me in this issue, of what c