Help with Premiere, After Effects and Davinci workflow

Hi
I'm scratching my head wondering how I'm going to solve this workflow issue that I have, but hopefully it isn't that much of an issue.
We have shot a short film with an A-cam that delivers CinemaDNG files. I converted these files into Apple ProRes 422 Proxy with Davinci Resolve 9 Lite
and then I imported the proxy files into Adobe Premiere CC. The idea is to then to > edit the film in Premiere > import it to After Effects CC  via Dynamic Link (to make the effects we're after) > send it back to Premiere > export as XML to Davinci > relink to the original CinemaDNG-files and perform the color grading, and then finally export the film (either back to premiere to export it with audio or export it directly from Davinci in some way?)
I'm new to all this and I would really appreciate help!
Thanks in advance
Regards
Patrik

Hi guys and thanks for your replies!
Well I thought I had a good post prod plan, but now I realized it maybe wasn't that good when AE gets involved.
My initial idea was to follow this workflow tutorial > http://www.youtube.com/watch?v=Kpg0k3aD088#t=327 (He have now made this tutorial private and I'm having a hard time remembering my YouTube password so at the moment I can't watch it... great)
CC may not specifically support A-CAM's CinemaDNG files, but it will do for a rough cut, even though it looks purple and horrible
What do you think about this? I import the cinemadng folders into premiere and make a rough cut out of it, then I'll export the sequence as a XML file and bring it into Davinci where I relink to the cinemadng files and perform the color grading and then export it as 422 HQ (for example?) and then bring it back to Premiere to make my final edit and also use Dynamic Link with After Effects? Any possible failures with that technique?
Regards
Patrik
Ps: Reason why I'd like to perform color grading in Davinci and not Speed Grade is because of the purple tint I get in SG and PP!

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