Hey Orchestral / Score guys...check this out...

Hey,
So some weeks ago I talked about setting up 3 G5's to run the new VIenna Library.......I worked the Logic "autoload" forever, using famous scores for references on "EQ", "IRs" panning.......everything. It took a while about a month....
Well......This week I pulled one of my scetches into the "new" autoload......and after about 36 hours of drawing swells, and tweaking....I made this.
(I thought I would start with something very simple.)
http://homepage.mac.com/WebObjects/FileSharing.woa/wa/default?user=svonkampen&te mplatefn=FileSharing1.html&xmlfn=TKDocument.1.xml&sitefn=RootSite.xml&aff=consum er&cty=US〈=en
SvK

TelePlay,
not exactly......
However, having ALL instruments loaded and at ones disposal.........makes it easier to poke around and find the RIGHT textures and feel, enabling me to make the most appropriate choices...
Especially string textures...
Some of my upcoming Action Cues will really tax the system though......
Here is what was used for this:
Orchestration
BA Flautandos (with ponticello trems on top)
VA Flautandoss (with ponticello trems on top)
VI Sordinos
VI Appassionata
Flute Perf-leg
Harp
Epic Horns (dynamic decrescendo patches)
Gran Cassa
Timps (not satisfied with tone yet)
Basses Perf-leg (doubled with CS80 Synth Bass pad an octave lower than basses will go)
IR's
Todd AO room on everything (with different send levels)
EMT Plates (for brass and percussion)
Lexicon plate on various strings
What I'm most proud of though is the EQs and MIX....I'm sitting here listening to Howard Shore's Gangs Of New York Main theme...and then my cue comes on, and to me at least it sounds completely REAL.......you would not believe how drastic the various EQ's on some of the Instrument stems are.......getting the low-end right was a chore (always is).....
The secret on the EQs (especially the Harp is that wanting to use alot of Ambience from Todd AO IR meant that I EQ'd "into the reverb" ...certain notes would introduce really nasty resonances due to the Reverb, so I would find them and surgically remove those frequencies by cutting like 24db with a ultra-razor sharp Q.........like I said low-mid tones in French Horns, pp Harps, Flutes.........and it worx. The Harp has 4 of those extreme tite-q dips.....This enabled me to use more Todd AO...without getting muddy.
Also Violins have like 12 db of 10.000Hz hi-shelf boost.......same goes for horns....
Most everything has 3.5db of 370Hz removed......(at a wide smooth q)
SvK

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