Highlight banding problems NOT encountered in Capture One

I have noticed one issue with Lightroom since I started using it that may become a deal-breaker if I am not able to find a solution (or at least an explanation). The Issue is this:
In areas of intense, sharp highlights in my images (usually when a light source is in the frame) LR interprets these highlight areas in the Raw image much less smoothly than Capture One does. I have an example of each here (an exported JPEG that basically matches what I saw when looking at the Raw files):
Lightroom:
http://farm3.static.flickr.com/2375/1600778249_58791abf02_b.jpg
Capture One:
http://farm3.static.flickr.com/2106/1600776525_2e976c1b86_b.jpg
Notice the much better handling of the blue tonal gradations in the highlights in the upper left corner of the example from Capture One.
Is there anyone with enough knowledge of both LR and C1 to explain why the difference is so striking in the upper left corner? I've tried everything I can think of in LR (Recovery, adjusting the HSL sliders for blue and aqua, changing the contrast, exposure, etc...) and nothing works to solve the problem. Is this perhaps a color space issue? The image was shot in the sRGB color space, but the images were output in the Adobe 1998 space (this shouldn't matter and I assume the highlight problems would appear in an sRGB output as well). Or maybe it is just the way LR interprets Canon's Raw data? I find this all very confusing. Help!
Does anyone have any suggestions as to how I can get the image to look like the C1 version in LR? Or is this impossible?
The image was shot with a Canon 5D at ISO 800 without flash. I made only slight changes to the image in both LR and C1 to make the man's face less saturated. Other than that, this is the default handling of the Raw file from each program.
I'm running LR and C1 on a G5 iMac with 2GB of RAM, an ATI Radeon 9600 graphic's card, and a calibrated monitor.
Thank you to anyone who can shed some (smooth) light on this issue.

Okay, so the deal is, this area is completely blown out, even in the RAW data. You prefer the way CO handles this situation on this particular image, and I tend to agree. However, in most cases, I prefer how LR handles this by adding contrast to try to recover detail from blown areas. In this case, adding that contrast is causing a problem.
I can see no way to alter this particular image using LR/ACR to get what you want (a low-contrast diffuse transition from blown to unblown). If you have more of these, or if others have similar examples, that would be helpful.

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