How can I creat this texture in illustrator

hello
I'm using illustrator CS5 and i want to creat an art brush with applying this texture in it. as you can see in the picture
this is my first try but i was not satisfied with this result
i zoom it in > it is consist of small squares with diffirent colors
i hope you get what i mean,
plz reply as soon as possible
thanks in advance

Art brushes in Illustrator CS5 can only contain vector artwork. So it will be very difficult to achieve what you want.
You can try to use live trace to get a vector version of your image, but you need to simplify it.
Depending on what you need this for, there might be better methods than a brush.

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Cool effect..how can i create this effect on Motion 3?

that's great.
Someone please tell me how can i create this effect on motion 3?
http://www.ayatoweb.com/aetips_e/ae17_mov05e.html
thanks

Use the bezier tool to create your shapes, give the shapes an Airbrush outline. Then apply a Write On behavior to each shape. Position the shapes in the timeline so they appear sequentially. To achieve the zooming out effect, you can either scale the whole group, or convert the group to 3D and use the camera to zoom out.

I have an old ipod 4G and im trying to create an apple id but got 1 problem... i live in canada so i chose the canada store but its telling me to submit a credit card so i tryied to find the none option! there no none option! how can i create this appleId

i live in canada so i shose the canada store so now its asking me to add a credit card most people say to chose the none option but there no none option! how can i create this apple id without credit cards or without the none option!

Either add or credit card or
Create a NEW account/ID for her using these instructions. Make sure you follow the instructions. Many do not and if you do not you will not get the None option. You must use an email address that you have not used with Apple before. Make sure you specify a birthdate that results in being at least 13 years old
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How do I create this texture?

I need to create this texture for the background of something I am working on. I am making a business logo for a woman, and she very specifically asked for this texture. I would have copied it directly from the picture she provided me, but it's very low quality and gets pixilated if I make it even a little bit bigger. I need to replicate the texture from the background of this image:
Any ideas? I've tried using different tons of brushes and filters, but I just can't get it quite right and I'm getting pretty frustrated.
Thanks!!!

The trick is to start with the right image. it looks like tree bark to me, so search Google for 'bark', go to Images, and click on Large. Find a bark pattern that suits, and copy into photoshop. Go Image > Adjust > Threshold, and drag the slider over to the left to get a mostly white image. Job more or less done, but dtretch with Free transform if the patern is too dense. Place it over a plain coloured background, and set Blend mode to Darken.

How can i create this type of texture?

Hey
I'm trying to replicate/create the texture in this poster. It looks to me like a fresh paint brush strokes or some plywood.
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Mylenium is an After Effects kind of a guy, which apparently is the go to app for fractal noise, although Render Clouds and fibers are also considered to be fractal noise. I actually tried to duplicate the texture, and while I got close, it was not close enough to put up as a suggestion. This has a base layer of a mid green, with an overlaying layer in which I used Render Clouds with blend mode set to Vivid Light. The trick is in selecting the right foreground and background colours, and then repeatedly using Ctrl Alt f to reapply render clouds with new random settings.
This is the same layer with some 90° Motion blur applied, and high settings of Smart Sharpen. Also set to Vivid Light.
Something else to try is adding some noise to your render clouds if you are going to use Motion blur, because it gives motion blur something to work on. After adding the noise, you need to soften it just a tiny bit (Blur > Blur more). Then Smart Sharpen again, but you'll need much lower settings this time.
I know that several requests for better Photoshop fractal noise have been put on the Photoshop feedback site, but the master of this stuff is Bert Monroy, and I can't actually remember him using Render Fibers (the other noise generator along with clouds and difference clouds). Bert tends to use noise and motion blur, because you get more predictable, and definitely more even results than from render fibers.

How do I create this look in illustrator....

I'm recreating some vintage art and am trying to get this spray paint look. Any suggestions on how to go about achieving this look (see photo) in illustrator?
I'm currently running CS4 (I'm on my work computer)....
[URL=http://imageshack.us/photo/my-images/23/aaaov.jpg/][IMG]http://img23.imageshack.us/img23/4 728/aaaov.jpg[/IMG][/URL]
- I've tried looking in the preset brushes, no luck!
- I've tried creating my own brush using vector spray paint, no luck!
- I've tried looking for illustrator brushes online, no luck!
This seems like a very simple effect to do, I know how to create this look in photoshop but I need this to be vector. Any suggestions would be great!
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First...
There is nothing wrong with a 1-bit diffusion dither object being raster, as far as printing results is concerned. Such images date back to the days of MacPaint and Hypercard. They are same-size (historically usually 1-point) pixels, randomly distributed at varying frequencies to suggest tones (as opposed to individual printer spots being combined to build varying size halftone dots).
So if the tiny squares are vector, yes, they are scaleable. But so are 1-bit pixels. When you scale a 1-bit raster, you're scaling square pixels, which are printed as squares. So a scaled 1-bit raster image is just as "resolution independent" as a bunch of vector squares.
Second...
This effect was employed in illustrations and designs since the very beginning of desktop publishing. For example, I frequently used it in the 80s thusly:
1. Draw a vector path of any shape in FreeHand.
2. Copy it to Photoshop. Blur it. Convert to 1-bit using diffusion dither. Save it as TIFF.
3. Import into FreeHand. Stack it below the object for which it served as a glow or drop shadow.
FreeHand had the ability to apply any color to a 1-bit or grayscale raster image, and the ability to set the white pixels of a 1-bit image to transparent. Illustrator didn't gain those abilities until decades later.
So it's not oppressively tedious to use that method nowadays, even in Illustrator. (And frankly, that's the way I'd do it.)
Third...
Illustrator sorely needs to provided a diffusion dither option in its Rasterize command for 1-bit color depth (as I've been arguing for years) instead of its lame pattern diffusion. Then this effect could be applied easily and quickly to any object, either as a "nailed down" rasterization, or as a live effect.
However...
You can simulate a vector diffusion dither pattern that you can apply to any path by combining several Scatter Brushes and storing their combined application as a Graphic Style:
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2. Store it as a Scatter Brush. Set the Spacing and Scatter settings to Random. To constrain the pattern to one side of the path to which it is applied, set the low limit of Scatter to zero.
3. Duplicate the Scatter Brush two or more times, changing the Spacing and Scatter upper limits in each duplicate so as to make each duplicate Brush increasingly sparse. In the example shown, the first Brush is named Scatter Brush 1 and has its upper limits for Spacing and Scatter to 300. This Brush was duplicated twice, and those two values doubled each time. But of course you can use whatever settings work for the effect you want.
4. Draw a temporary path with a 1-point stroke. Apply Scatter Brush 1. Select the Stroke Appearance and duplciate it. Apply Scatter Brush 2 to it. Duplicate the Stroke Appearance again, and apply Scatter Brush 3 to it.
5. Drag the whole path and drop it into the Graphic Styles palette to define a new Graphic Style. Now you can apply the whole Appearance stack to any other path(s) with one click.
Being Brushes, the fineness of the pattern can be adjusted by changing the weight of the strokes:
And, of course, you can apply other effects to the Brushes and strokes involved. For example, set the Colorization Mode of the Brushes to be able to change the color of the dither pattern; and/or apply Transform Effect to offset the pattern from the object to which it is applied (as for dithered drop shadows).
JET

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I'm obsessed with the linocuts like this one:
http://fc03.deviantart.com/fs37/f/2008/262/e/5/Mark_andrew_webber_1_by_dexter121uk.jpg
Can any make a suggestion on how I'd go about creating this with Illustrator?
I'd imagine I could create two diagonal lines and create a blend, expand, then distort the lines with the warp tool. But how to "freeze" the text-y parts so they warp differently? Any ideas?

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Need to recreate a logo which I think it was originally done in Photoshop, but I prefer the sharp edged vectors of Illustrator for the main part of the logo.
Please ignore all the greeny blue pink rubbish. What I want to recreate is the white flare with several long white rays shooting out.
I have tried using the flare tool in Illustrator (for the first time in my life) without much success, especially unsuccessful with removing the colour. Searching for flare tool in Illustrator forum did not bring up any results.
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So I should do this in Photoshop, or will the rastered flare still cause problems? Should I tell the client that the raster effect will not work when printed. At the moment, its just for business cards and for use on the Internet.
James,
You call this a "logo." The rampant overuse of this word (especially by beginners and amateurs--and no, I'm not saying you are either) is one of my pet peeves.
A proper logo is the cornerstone identity graphic of a commercial entity or product. It serves as the pristine "master" for all occurrances of the entity's mark. It is therefore built with exacting care, accuracy, and technical efficiency. It is also built to technically accommodate as many repro environments as possible to ensure consistent integrity to the design and reproduction quality. Its use is strictly controlled by its owner.
That's what separates proper logo design from amateurish, sloppily-built "wannabe" graphics and makes it recognizable among the deafening garbage-filled roar of the marketplace. A proper logo is key to a business's success.
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No, I would not do this in Photoshop, unless there something in the design that just must be done as a raster image. And as explained above, that requirement is to be avoided whenever possible even at the sacrifice of the designer's infactuation with a raster effect. If a designer doesn't know how to attractively suggest the complex with elegant simplicity--well, then the designer is not a logo designer; that's what logo design is all about.
For me to recommend and demonstrate exactly how I would build the identity mark you have described would require answers to questions which, frankly, you should have been considering long before the day before deadline, such as:
How do you intend that specular highlight graphic to interact with whatever backgrounds it may need to occur on? For example, you mention only print (business cards) and monitor (internet). That doesn't tell me much. Will the business cards just show the graphic and text on the white stock? If so, what's supposed to happen with those portions of the white flare that spill over onto the white background? That design is going to be pretty limiting if it always requires a non-white background, unless you make the non-white background part of the graphic itself.
Not having any details, I would just offer these general guidelines regarding logo design:
Forget any pet effects. A highlight star itself is not going to impress anyone. There's nothing distinctive about it, or any other such effect, no matter how you decide to render it. Whatever you come up with thinking that way will not be anything the jaded viewing audience hasn't already seen a million times before.
Think only about the message. Boil it down to its essence. Then come up with a distinctive and attractive way to convey that essence with as much elegant simplicity as you can.
Force yourself to be ruthlessly objective with yourself. No matter how much you "like" something toss it out if it is superfluous to the message. Ask yourself: "Why am I having to resort to a flare sparkle [or drop shadow, or grad, or...) in this attempt to come up with what should be a distinctive identity mark?"
Think of all the household-word logos you can, which you would instantly recognize anywhere. Then ask yourself: "How many of these employ any gratuitous, overused effect (sparkle, drop shadow, etc.) as an element of the logo proper? Dell? Pepsi? Adobe? Toyota? AutoZone? Prudential?
I know; I know...You're deadline is tomorrow and you just want to know how to draw a sparkle. Answer the questions regarding background treatment. Also ask yourself: "How can I suggest the essence of "sparkle" or "reflection flare" with hard-edged line-art shapes?"
JET

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Does anyone know how create this awesome effect??
http://www.redpearlkitchen.com/losangeles/index.html
email me please
[email protected]

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How can I creat this texture in illustrator

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