How could i make this effect ?!

Hello A.M.,
Is there any chance to find a lesson how to make this effect ?!
http://img253.imageshack.us/img253/2035/effecta.jpg
Best Regards,
SB4

AlMostabed wrote:
Hello A.M.,
Is there any chance to find a lesson how to make this effect ?!
http://img253.imageshack.us/img253/2035/effecta.jpg
Best Regards,
SB4
Looks similar to a smoke effect. But you can use a paint brush and paint your colored lines then use the Liquify tool on multiple layers (Filter / Liquify).
A Comprehensive Guide to Photoshop Liquify.

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Hi,
I like to know how I can make this effect to introduce somebody: www.hofleverancier.be
You can see the effect on the 7nd second.
Can anybody help me out?
Thanks!
Glenn.

There are many ways.
One of them would be:
export the specific point were it starts to Quicktime Conversion > Still Image >OPPTIONS: Photoshop.
Open this still in Photoshop. Cutout the man by using the magic lasso tool.
So then 2 layers. Background and Foregrond (The man).
Import this 2 layered PSD in FCP. Cut it right after the point you exported. On V1 the Background, On V2 the Man. Bring the background to Black and white. Set Keyframes for the SCALE on V2, in order to 'zoom in' on the person a little bit.
And ad a title effect.
Well, this is the short version. Try to play with it yourself. You can also do all the compositing in Motion, or After Effects.
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Okay I just put out a new video in which I tried to create an effect of audio waves distorting the air. I used this process. base clip, copy clip, new solid, generate radio waves on solid and set color to black, set track matte alpha on duplicate clip, added distort-bulge to duplicate clip. I will post the video so you can see what it turned out looking like. My question is what could I do to make this effect look better, and what other effects could I use for this type of clip?

I doubt you will get people throwing you ideas. After all, experimenting on your own is half the fun. Additionally, nobody will give away their best kept secrets that easily. Essentailyl you are also asking the wrong question: The question is not whether you can use and create 1000 different effects, but rather whether you can develop your own visual and artistic style. In the end, it doesn't matter whether you fry people with lightnings or laser beams, it matters that the execution of the effects is spot on and you have some work ahead of you there. As I already wrote, practice color correction to improve your results. Use the same effects in different scenarios and use variations of them, then learn how to refine them, e.g. in case of your lasers by adding smoke, debris, particles or again using color correction methods to give the illusion of charred trees, furniture or burn marks on the walls....
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Hi all, im looking to make chequered effect on illustrator.
So not just normal squares same size etc, but squares of different shapes etc, ( like a flag when its blowing in the wind etc)
look forward to your replies
many thanks,
regards,
Ryan

Hi, Ryan.
I've been working with Illy off and on for about a year now. Learning it is a handful. My best friend is the Visual Quickstart Guide for Illy from Peachpit Press. (And of course this forum.) It's not fancy smancy. It's all about where the buttons are and what do they do. Lot's of screenshots. I know how much screenshots help me, and that's why I take the time to include them in my posts.
Anyway, here's a step by step.
1. Make a square, fill with white.
Go to Transform Pallet. Set the little black square to the position shown.
Go to Actions Palette. Click on the little triangle at top right. Select Button Mode.
These are the same actions in Button Mode.
2. Click on Copy Flip Vertical. Repeat 3 times (or as many times as you need). Select them all and Group (Ctrl+G).
Go to Transform Pallet. Position the little black square as shown.
3. In the Actions Pallet, hit Copy Flip Horizontal. With the white arrow, Shft+Click on the squares you want to be black.
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That's it.
All this can be done without the Actions Palette, but the actions used are Illy defaults, and using the Action Palette in Button Mode is ridiculously fast. If time is money, then actions are golden.
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Peace,
Lee

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http://tinypic.com/player.php?v=2ajnybc&s=6
looks like speed effect... is there a way to replicate it in after effects?
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CC Bender is really easy to use. Just take the default settings and animate the amount with about three keyframes.
We can make it a lot more complicated with something like liquefy, or even Time Displacement.

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Heej Everyone
i would really love to learn this effect, hope you can help;)
http://www.google.dk/imgres?imgurl=http://www.deviantart.com/download/99583405/3561031f45e 3f19d5863e1637c4cc725.jpg&imgrefurl=http://he1z.deviantart.com/art/Selfreflect-99583405&us g=__m2wqWK2ZaUyVQiTrHcwyKcZ9efk=&h=663&w=910&sz=342&hl=da&start=0&zoom=1&tbnid=K2ush6KpYRF FVM:&tbnh=149&tbnw=186&prev=/images%3Fq%3Dselfreflect%26um%3D1%26hl%3Dda%26sa%3DN%26biw%3D 1599%26bih%3D940%26tbs%3Disch:10%2C143&um=1&itbs=1&iact=hc&vpx=604&vpy=297&dur=225&hovh=19 2&hovw=263&tx=166&ty=123&ei=hSAnTbXULsip8QORv62EBw&oei=hSAnTbXULsip8QORv62EBw&esq=1&page=1 &ndsp=41&ved=1t:429,r:20,s:0&biw=1599&bih=940

As for the splinters:
Assuming you want some randomness the easiest method would, I suppose, be a use of Filters > Distort > Displace.
Manually creating the splinters might be »easier« but more time-intensive, albeit allow for better control of the individual particles.
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• Convert the image to a Smart Object
• create an appropriate Brush based on a splinter shape and set its Shape Dynamics Jitters and Scattering way high and in the Color Dynamics set the Hue Jitter to 100% and experiment with the Saturation Jitter
• use the Brush on an empty layer on a 50% gray RGB-file the same size as the image and with a fully saturated foreground-color do some brush strokes and save this Displacement Map as a separate psd (see screenshot)
• apply the filter Displace with a fairly high value (far higher than 100 possibly) on the Smart Object of the original image (see screenshot)
• to accentuate the shards one can use the transparency of the Displacement Mask’s layer and for example apply some Outer Glow on a Layer with 0% Fill (see screenshot)
To get more ostensible randomness one could create several Displacement Maps and apply them to flipped copies of the Smart Object and mask those with the respective transparencies (and maybe add Outer Glow to those).
Furthermore one could work with rotated copies, but that might get tricky.
To incorporate the rotations in the Displacement Maps might also be possible, but even trickier.

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3digi wrote:
anything else?
You may need to make a mask with a feathered elliptical selection to get a vignetted effect.

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http://photoshoptutorials.ws/
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[URL=http://s889.photobucket.com/user/dsrabinovich/media/Screenshot_2014-03-28-01-46-29.png.htm l][IMG]http://i889.photobucket.com/albums/ac96/dsrabinovich/Screenshot_2014-03-28-01-46-29.png[/IMG][/URL]

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Message was edited by: Kevin Monahan

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How could i make this effect ?!

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