How do I audition separate audio tracks in the source monitor?

I don't see anything about this in the Help doc.
I want to listen to all four tracks independently from a P2 card, but when I load a clip into the Source Monitor, it sounds like I'm only hearing one track, or maybe I'm hearing all four. I honestly don't know what I'm listening to.

You're listening to just one; Premiere Pro is screwed up in this regard. Monitoring audio in the Source Monitor is limited to one track at a time, be it multi-mono or stereo.
Switch to the Audio Waveform view, and then click the Track selector; it's defaulting to Track 1.
Unfortunately, this only stays active for the current clip. When you're done screaming and swearing, please file a feature request for smarter audio monitoring: Adobe Feature Request/Bug Report Form

Similar Messages

How do you export separate audio tracks for Pro Tools?

I need to give separate audio tracks to my sound mixer but am confused on how to do so in FCP X.
So far I've:
Set the dialogue roles and stems for each character
Then I went into Master File>Settings
Selected:
"Format: Audio Only"
"Audio File Format: Wav File"
"Roles as: Audio only as separate files"
"Dialogue"
Sara
"Stereo"
And when I export and listen back to the wav file, there is either no audio or I hear select dialogue.
The only thing I can think of that I am doing wrong, is that each characters dialogue is not on the same track like the picture below. The tracks highlighted is of one character's dialogue that I am trying to export onto one linear track to export into Pro Tools.
Can tracks be assigned in FCP X? Or is there a crucial step that I am forgetting tthat explains why the audio for each character is not being exported.
Thanks!

If you're dumping audio for ProTools, you should be able to export XML for use in PT. Haven't done it myself, but the option's been there for a while now. You should be able to find instructions easily.
If you want to stick with making Roles work, I suggest making sure the roles are assigned properly to each clip. Kind of a super pain in the neck, to go one by one, but ... that's the way. There are key commands for the three default roles, but if you've created custom ones then it's more time consuming. Is that 'Sara' one a custom Role that you've created?
My only thought is you have compound audio clips there. Maybe go in and set the roles on the individual files inside the compound clips. Dunno...
The visual organization shouldn't matter (one track above another). That's the X way.
((In your picture, you say you have some files selected. When I select, I get a yellow border; yours are light green and dark green. What is that?))

How to import 2 separate audio tracks and keep them separate?

I need advice about importing two separate simultaneous audio tracks and keeping them separate. I am importing footage from my Sony PDX-10 DV Cam.
In the field I had wireless microphones on two people, a man and woman. I interviewed them separately. The man was on channel 1 and the woman was on channel 2.
While shooting the man, for example, I could also hear the open mic of the woman who was maybe a block away talking to some friends. But her distracting sound was on CH 2 and in playback on the camera, if I dial down the volume of CH 2, I no longer hear the woman and I have a clean audio track, Ch 1, of the man who is being filmed.
I'm trying to import the interviews into iMovies with only the relevant track turned up and the distracting track turned down. When I listen to the audio from the camera on my headsets, I can get clean sound of just the person who is on camera. But the FIREWIRE seems to grab both tracks, even though in playback i'm listening only to the clean track.
Does anyone know how I can send just one audio track to IMovie? Any way to prevent the Firewire from importing both Ch 1 and Ch 2 at the same time?
I only want the sound that's relevant to the person who is on camera. And I know that in the camera, it's possible to listen to just the track from one channel. I'm hearing just one track through the headsets, because I can sucessfully dial down the other track. That's the way I want to import the footage to iMovie. But the FIrewire seems to grab all the sound it can find and carry over both CH 1 and CH 2, which means I'm left with a jumble of sound that is not useful.
And finally, if the firewire needs to grab both tracks, is there a way to assign them to two separate tracks in iMovie, so I can then simply turn one of the tracks off?
iMacG5 Mac OS X (10.3.9)
iMacG5 Mac OS X (10.3.9)
iMacG5 Mac OS X (10.3.9)

welcome finecut to the  boards of discssions ...
nope.
iM handles the two stereo-channels as "one track", and offers 3 tracks of stereo.. (the one inside the video, 2 additional tracks...)
I would... :
* export clip(s) share/Quicktime/Expert Settings/aiff..
* in a designated audio processor (Garageband, Audacity, ...) seperate the two channels, creating two "new" ones, stereo, where one channel is located in the stereo middle..
* import these two "stereo" files into iM, into Track2 and Track 3 ...
.. boom!done

Is there a way to change the frame rate on an audio clip in the source monitor?

Premiere CC6. I am trying to sync audio and video by using "Merge Clips" but the audio seems to be counted in a 29.97 rate while the video is 23.98. The sound person on set swears the audio TC should match the smart slate and that the frame rate is 23.98. Any help or insights would be greatly appreciated.

I think I may have solved it, actually. I find that if I switch the timecode to NDF in the source viewer, it seems to work. I have tried it on three clips and they have sync'd without problems. Hopefully this will continue to be the case.

How do I get the audio playback from the source monitor to work? I have the trial version of the latest premiere and the audio works in that but not cs6

I have the trial version of the latest premiere and the audio works in that but not cs6

More information needed for someone to help... please click below and provide the requested information
-Premiere Pro Video Editing Information FAQ http://forums.adobe.com/message/4200840
-especially your sound hardware, and the details of your video

Can the audio for the source monitor be muted during playback?

Seems like a silly question but I like to listen to music on the same workstation while I'm previewing/trimming clips in the source monitor. In this instance I do not need to preview the audio in the clips so I'd rather not hear it while my jams are playing, which keeps me from poking my eye out with a pen after 4 hours of previewing .
I have not been able to locate any mute option for the source monitor so I'm open to suggestions other then using something other than the same workstation (iPod n headphones), which may be the way I go if there is no other option.
thanks,
Dave

Hey Harm,
I can't see the audio tracks in the source monitor (CS4). I only see the audio tracks of clips that are loaded in a timeline. Right now I have a thousand (literally) clips from a season of club volleyball. I have them loaded in bins in the project panel and I am dbl clicking each clip to load it in the source monitor panel (that I have undocked and displayed on a seperate monitor). I have seperate sequences for the types of plays I want to keep, so as I preview/trim in the source monitor I drop what I want to keep in the appropriate timeline/sequence. If there is a way to view the audio tracks in the source monitor without the clips being in a timeline I do not know how.

How to separate Audio tracks

Hi there
Yes, I know I'm a community expert so you mighty be wondering why one would be asking here, but not for Premeire Elements. This app is new to me!
I have a clip I've inserted into PE that was recorded with some odd stereo effect. I'm hoping there is an easy way to listen to each side of the stereo independently, decide which is the more pleasing of the two, then remove either the left channel or the right and fill in the opposite channel with the same audio.
I've unlinked the audio from the video but am unsure how to proceed from there.
Thanks in advance for any insight!
Cheers... Rick

Rick,
Not sure how I managed to do this in PE, but I managed to delete the existing audio track and bring back in the modified one.
I'm not sure either. Maybe brute force and a chisle to the monitor... ?
The easiest way, for next time, is to Import that new PCM/WAV into the Project with Get Media>Folders & Files. Then, Alt+click (you are on PC, aren't you?) on the original Audio Clip (or Audio Stream of a muxed file), and Delete. Then, drag your recently Imported PCM/WAV from the Project Panel to the now empty Audio Track, where the Deleted Audio Clip was. If you have Snap ON (the S key toggles that), as you get the Head of the PCM/WAV replacement file near that of the Video Clip, the Audio will "snap" ito place.
Glad that it worked for you.
As stated earlier, PE certainly lacks any form of being intuitive to use. I'm really shocked this is aimed at consumers! Couple that with the, ummm "less than stellar" help system and you really have a (cough) winning combo there!
Most of us here are in complete agreement with you. We are very fortunate to have a wonderful MOD, Steve Grisetti, who is also a prolific author, and most of his books are how to do things in PrElements (and PSElements in two cases). Steve has also done a Basic Training Series of tutorials and articles on Muvipix.com, a Web site that he co-founded. After one finishes with that, he has a complete Learning Series of tutorials and articles, though those are available by subscription to the site. The Basic Training Series is free.
Most subscribers here point to those, the books and tutorial series, to help new users get going. Of all the Adobe programs, that could benefit from a manual, PrE is definitely one. With PrPro, the user often has a good background in NLE video work, so it's easier to use the Help Files, as they are looking for how PrPro differs from, say AVID. With PrE, the user is often very fresh to NLE work, and so many show up here totally lost. I'd love to see Adobe strike a deal with Steve, to include a copy of his PrE book with every copy!
Good luck, and glad that we could help,
Hunt

How to make two mono audio tracks into a stereo pair?

My video clip, brought over into Premiere CS6 from Final Cut Pro 5, has the usual left and right audio tracks, but in Premiere they are not linked into a stereo pair. Thus the volume level has to be adjusted separately in each track.
In Final Cut, I can quickly convert two independent audio tracks into a stero pair by selecting the tracks and then going to the menu Modify > Stereo Pair. I can't figure out how to do this in Premiere.
When two audio tracks are not linked, the volume level has to be adjusted separately in each track, which wastes time. But after two tracks are linked into a Stereo Pair in Final Cut, adjusting either track adjusts them both, together. That's what I want to do now in Premiere.
So, how do I make two separate audio tracks into a linked Stereo Pair in Premiere?
Tom

Hi Tom,
Tom77 wrote:
I need to do in my videos that I either can't do in Premiere or that require involved workarounds like this, things that I can do instantly
I used to think like you do. These aren't workarounds, per se. The issue is that Premiere Pro is a different program, so you have to approach some things slightly differently.
Actually, Premiere Pro's audio capability is more like a DAW than Final Cut was, and more powerful too, so if you know that workflow it makes more sense. A lot of FCP people don't have training in programs like ProTools or Audition, so it's more difficult for folks like yourself (and me, too) to catch on. Once you learn it, though, you begin to see its power.
Tom77 wrote:
things that I can do instantly with the flick of a keyboard command in Final Cut, such as link and unlink audio tracks.
In Premiere Pro CC, you can link and unlink audio and video tracks with a keyboard shortcut for "Linked Selection." You have to create it in your Keyboard Shortcuts dialog box, but it works just like the one in FCP. Make it Shift + L if you like.
Tom77 wrote:
Not to mention the fact that I can have as many projects open in Final Cut as I want, and copy and paste between them. Each open project becomes a tab on the timeline, and I can jump beween projects by just clicking on their tabs. I was shocked when I tried to open two projects in Premiere to find that it only allows one at a time to be open. That seems really primitive--
Again, you can achieve what you want (copying and using items from other projects), you just have to go about it differently. All you do is navigate to the other project files in the Media Browser and import items that you need in this fashion. So, no, you don't have more than one project open at a time, but you got what you wanted, stuff from another projects in your current project. That works for me, anyway.
Again, Premiere Pro is a different program. You can achieve the same goals, but sometimes have to go about it differently. Some things are faster, some slower. Some are easier to learn, some harder. Hopefully, you see my point.
I need video generators to make arrows, circles, squares, etc. and transitions such as edge wipes and clock wipes to animate them, all to point out and emphasize things that I'm demonstrating and explaining in my videos. Premiere has no such generators, nor are there any third-party plug-ins available to add them, that I've been able to find.
Do you know about the Titler? It has a lot of useful shapes. You can also create shapes in After Effects and Photoshop and import them. The shapes you make in those programs can look a lot better than the stock FCP effects.
There are lots of third party effects, some that have generators. Check out Boris Continuum, FX Factory, CoreMelt, Film Impact, and more.
There are pitifully few transitions in Premiere at all (the Mac version) compared to Final Cut.
I'm really not a transitions person, and I find the FCP transitions looking tired anyway. The only one I really need is a white flash and I can either create it, or use a third party flash effect. If you need cool, modern transitions, check out Film Impact or the other third party plug in foundries I mentioned. There is an Edge Wipe transition, called "Wipe." If you need feathering, check out the Wipe Effect, which you can keyframe to look like a transition.
More and more I would like to be moving completely into Premiere, but I keep running into these inadequacies in the program, these roadblocks, for my purposes at least.
The more you work with it, the less you'll be working with FCP. That's what most people are saying anyway. Sure, there are minor annoyances associated with learning a new app, but you also take the good along with it. I suggest you just dive right in. It may take longer at first, but you can get your speed up in time.
I have no doubt that sometime in the future Premiere will become everything that I want it to be, and at that time I can finally abandon Final Cut for good, as I wish I could do right now.
I also came from FCP, taught FCP for nearly a decade, wrote a book about FCP, help start the first FCPUG, worked at Apple on two versions of FC Studio, so I do know what you are going through. Just keep at it and keep posting here. I'll be glad to help you with any workarounds or confusion related to moving over from FCP.
Thanks,
Kevin

How do I seperate the audio track from the video and save it to a CD in Premiere Elements 13?

How do I seperate the audio track from the video and save it to a CD in Premiere Elements 13?

Binbashi
You can separate the audio track from video and save it to a DVD disc within Premiere Elements but not a CD disc.
To do save to the audio to DVD disc, you do not have to separate linked audio video, just use the export Publish+Share/Computer/Audio and set Presets to the wanted format (AAC, AIFF, MP3, or Windows Waveform (WAV).
You will not see Audio in the choices since it is at the bottom of the list of choices under Publish+Share/Computer/. You will need to use the thin scroll bar to the right of the choices to scroll to it.
If you need information on selective export of Timeline content when dealing with more than just this one file on the Timeline, please let us know. If you are trying to produce a CD for listening in car or CD player elsewhere, please let us know.
Looking forward to learning of your results.
Thank you.
ATR

How do I create multiple audio tracks (commentaries) for a DVD? (new user)

I’m new to DVD Studio and Compressor (slightly less so to FCP), and have a very basic question.
I have set my FCP Project and it has 3 audio tracks.
What I am trying to figure out is how do I create a DVD (4:3) and keep these 3 audio tracks separate so the viewer can switch between the audio tracks on the fly while watching the DVD. Basically the same as creating 3 different director’s commentaries, or 3 different languages.
I believe when I Export my FCP Project using Compressor I need to somehow have Compressor keep the audio tracks separate, and then when I import them into DVD Studio Pro the project will still be synced correctly. I’m having some trouble figuring out how to do this however.
Any advice would be a big help.
Thx

.

Deleting or Editing Separate Audio Tracks

Al answered my previous questions about capturing video.
Perhaps others can help me with this.
When I import a video clip I also get two tracks of audio. Fine, but I can't figure out how to delete one of them or to adjust the volume on just one track.
Whatever I do affects both tracks. I've changed all the audio controls to left of the audio timeline, but nothing seems to help.
Thanks.

Select the audio tracks in the timeline and then Modify/Stereo Pair (opt-L): this will separate the two tracks.
Piero

How can I use ALL audio tracks in multiclip editing?

I want to be able to use all audio tracks after the multiclip cut.
It's only a two camera shoot, but I want to be able to use the ambient room sound from the second camera ... and control its level (in relation to the master audio track on the first camera) AFTER the cuts are made.
Is this possible in multiclip editing? And how does one go about it?
Apologies. I've spent an hour or so in the manual, and it isn't clear ... or I'm just not finding the right reference.
All ears,
Ben

Sorry if I'm steering you down a path you don't want to go or even if there's a better way but I wouldn't be ding complex audio mixing anywhere near the multiclip interface. Export your reference movie or nest the multiclip project into another sequence, bring in your additional tracks, get to work. Just my preferences, I put a bunch of rough keyframes in the audio tracks and enter some markers (and make a lot of paper notes). Then I go back using the large mixer window to do the fine tweaking.
Stick around for a couple of days, some other multiclip users with more experience than I will offer some more useful suggestions.
bogiesan

How do I import multiple audio tracks?

Hi there...
I have a number of video files that have multiple audio tracks in them. The problem is I can not work out how to get prem to see multiple audio tracks. The files import fine and I have also tried various other formates with multi-track audio.. but only audio "stream 1" is visible in prem.
What I was hoping is that the video would come in with a 2 audio tracks instead of 1 each in its own "lane".. so I can then use the mixer and the audio files are linked to the video file and in perfect sync.. (just like when you import with 1 track)
NOTE: I am not talking about channels.. but complete 2 completely different audio tracks.. and I know that I could extract these audio streams into wavs and then re-sync them but this seams overkill and a duplication of effort... surly there is a way to have prem support more than 1 audio track on a video file?
--Me

Well, if PP doesn't bring them in, then best guess is they just don't exist.
There's really no trick or user adjustment for this that I'm aware of. You import the file, PP sees what's in it. I've never observed or read about any other behavior than that.

How to create a specific audio track in arrange

There's gotta be something simple I'm missing. In Logic 7 you could create an audio track in the arrange and then click to open a drop-down menu to select any audio track number you wanted to assign it to.
I don't see how to do that in 8.
All I'm trying to do is create an audio track of audio 9 in the arrange. Currently, 4, 6, 7 and 11 are in the arrange. I can go to number 7 and hit "new track with next channel strip" until 9 shows up and delete the rest (it starts by adding 1, which currently isn't used, etc., 'til it gets up to 9) but that can't be the only way to do it.
Can someone give me a tip?
Thanks!!

Desha Dunnahoe wrote:
There's gotta be something simple I'm missing. In Logic 7 you could create an audio track in the arrange and then click to open a drop-down menu to select any audio track number you wanted to assign it to.
I don't see how to do that in 8.
Simply create the new audio track, and the control/right click on that track
You'll see "Reassign Track Object" > Mixer > Audio >
and from there you can select specifically what audio track you want that new track to be.

No visual of separate audio tracks

In the beginning, iMovie opens. I see picture and hear audio from the imported footage.
The audio exists in the video track. Then, I drag audio from GarageBand to the separate audio tracks. But wait!
In timeline view I don't see the visible presentation of the audio tracks. It is blank.
However, I can hear the audio that I have just dragged to the invisible audio tracks. I 'undo' the audio drag, and there is no audio to be heard on the separate tracks (so, I know I have some control over the audio).
But, there are no distinguishable tracks.
The area is blank.
The audio tracks are audible, and not visible.
It's as if the programmer forgot to put in the thing that tells the machine to show the tracks.
What's up doc?
P.S. Maybe we should get things right before we move onto other things.

Hi Wayne:
Try deleting the imovie preference file. Locate a file named com.apple.imovie.plist and get rid of it. Then empty the trash, run a permissions repair with disk utility and restart. That should do it. The files you need to delete are found in:
/Users/YourName/Library/Preferences/com.apple.imovie.plist
Then try this list (compliments of P.T.Patrick):
*Run MacJanitor (free download) to do all the Unix Cron Maintenance scripts.
*Run Disk Utility (Applications -> Utilities) and repair disk permissions on your start up drive (typically your internal drive). Also verify any other drives mounted on the system.
*Run Preferential Treatment (free download) to check for corrupt/damaged application and system preference files.
*Run Cache Out X (free download) to clear all system and application caches.
*Reboot your Mac.
Sue

How do I audition separate audio tracks in the source monitor?

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